#Buddhism and #Science: the Facts, the Yogis, the Practices

A repost from 1/30/14 from my own blog.

quantum-buddha-side

The above image is entitled “Quantum Buddha,” and it captures the essence of this post: the intersection of Buddhism and modern science. Meditation as medicine, mindfulness for many purposes, research data to support their usefulness seem to be in the headlines almost daily. Some links are below to articles like that.

http://ideas.time.com/2014/01/17/we-need-to-take-meditation-more-seriously-as-medicine/

Being called The Third Metric, and The Way of the Future for politics, leadership, business and family life, mindfulness is now almost mainstream.

http://www.huffingtonpost.com/2014/01/21/third-metric_n_4612396.html

Will meditation cure your depression? Your cancer? Your diabetes? Your stress?

http://www.wildcat.arizona.edu/article/2014/01/heat-the-body-heal-the-mind

What are the facts? What is true? What is correct? How do you know?

Einstein and Buddhism

There was recently a forum on meditation led by the actor, Goldie Hawn, at a World Economics conference!

http://www.bloomberg.com/news/2014-01-20/at-davos-rising-stress-spurs-goldie-hawn-meditation-talk.html

You decide, after learning to meditate, researching via personal experience as well as reading and watching videos, attending conferences and talking with others, what YOU believe. The Buddha would want you to do that. Really.

reject buddha Dalai Lama

When you have time and want to learn a lot more, watch this amazing documentary. Yogis of Tibet.
https://www.youtube.com/watch?v=DctQTDm-HdU

Advertisements

“Fever-reducing drugs may help spread flu”: People End Up With More Virus In Their Bodies

reblog from post from a year ago: VERY USEFUL TO KNOW during ‘flu season.
http://www.nydailynews.com/life-style/health/fever-reducing-drugs-raise-spread-flu-study-article-1.1588812

I and my “alternative health” friends and practitioners have been saying for decades (centuries): FEVER is helpful. Let the accompanying fever do its thing, which is to kill the virus/bacteria, unless a fever is dangerously high.

IMPORTANT: Stay away from people throughout the fever period and for at least 24 hours after fever passes: then, you’re no longer contagious.

This and That

View original post

“Imaginative #SciFi Work of Art”: Positive #Reviews for both Vol I and Vol II of The Spanners Series!

"Imaginative #SciFi Work of Art ": Positive #Reviews

for both Vol I and Vol II of The Spanners Series!

Ashley Jacoby reviewed This Changes My Family and My Life Forever (The Spanners Series, Volume 2) and remarked about Vol I, This Changes Everything, as well. http://goo.gl/zRlvXz

logoAuthorsDen

"Imaginative Sci Fi Work of Art," January 21, 2015

"Imaginative and inventive. Let me start with saying I love this book and I received this product free from Sally Ember through the BuView review program in exchange for an honest opinion. I was not required to write a positive review. The opinions I have expressed are my own.

"Now that being said, it's a wonderful story place through time and space past present future. I love that it shows there can be peace, understanding and acceptance in the worlds. Clara is a very intriguing character and I love reading her story. The second book is laid out by character and reads as such so some whom don't like this type of lay out may get a bit lost within the story. Although I'd have to say it isn't that hard to follow just isn't the classic story layout.

"My only real complaint is that at times I felt like I was reading an instruction manual or dictionary. Which is understandable as it is complex writing and the readers need to understand whats being said, it just could have been laid out better. Aside from this small drawback, this is a great sci-fi series and I highly recommend it. I downloaded the first one even before reading volume 2 so I wouldn't be lost. I'll be sure to keep up as the author continue writing; can't wait to further follow this story."


This-Changes-Everything----web-and-ebooks

PERMAFREE! Volume I, This Changes Everything, Blurb:
Dr. Clara Ackerman Branon, 58, begins having secret visits from holographic representations of  beings from the Many Worlds Collective, a consortium of planet and star systems in the multiverse.  When Earth is invited to join the consortium, the secret visits are made public. Now Earthers must adjust their beliefs and ideas about life, religion, culture, identity and everything they think and are. Clara is selected to be the liaison between Earth and the Many Worlds Collective and she chooses Esperanza Enlaces to be the Media Contact. They team up to provide information to stave off riots and uncertainty. The Many Worlds Collective holos train Clara and the Psi-Warriors for the Psi Wars with the rebelling Psi-Defiers, communicate effectively with many species on Earth and off-planet, eliminate ordinary, elected governments and political boundaries, convene a new group of Global Leaders, and deal with family's and friends' reactions. In what multiple timelines of the ever-expanding multiverse do Clara and her long-time love, Epifanio Dang, get to be together and which leave Clara alone and lonely as the leader of Earth? This Changes Everything begins the 30-year story of Clara's term as Earth's first Chief Communicator, continuing in nine more Volumes of The Spanners Series.
Are YOU ready for the changes?
http://www.amazon.com/dp/B00HFELTG8   
https://www.smashwords.com/books/view/376197

final cover print

$3.99 Volume II, This Changes My Family and My Life Forever, blurb:
Intrigued by multiple timelines, aliens, psi skills, romance and planetary change? Clara and the alien "Band" are back in Volume II, This Changes My Family and My Life Forever of The Spanners Series. Now as Chief Communicator, Clara leads the way for interspecies communication on- and off-planet. Fighting these changes are the Psi-Defiers, led by one of the oldest friends of the Chief of the Psi-Warriors, its reluctant leader, Rabbi Moran Ackerman. Stories from younger Spanners about the first five years of The Transition fill Volume II.
How would YOU do with the changes?
https://www.smashwords.com/books/view/424969  
http://www.amazon.com/dp/B00KU5Q7KC

More LINKS on http://www.sallyember.com  main website: look right and scroll down. Kobo, iBooks, nook, more reviews, interviews, book trailers, more.
http://www.amazon.com/-/e/B00HEV2UEW  author page
https://www.twitter.com/sallyemberedd Twitter: @sallyemberedd
https://www.facebook.com/TheSpannersSeriesbySallyEmber Spanners Series' page on FB
https://www.facebook.com/sally.ember
http://www.pinterest.com/sallyember
http://goo.gl/tZKQpv Spanners Series' page on Google+
http://www.google.com/+SallySueEmber Sally Sue Ember on Google+
https://www.youtube.com/channel/UCqnZuobf0YTCiP6silDDL2w/videos
https://www.goodreads.com/author/show/7237845.Sally_Ember

Cover art and logo by Aidana Willowraven:
http://www.willowraven-illustration.blogspot.com/

The Dark Side of The Spanners Series

This is a repost from 8/27/13, since so many new readers are finding The Spanners Series, especially This Changes Everything, Volume I, after its PERMAFREE status began 4/1/14 and have asked for a Glossary.

This-Changes-Everything----web-and-ebooks
FREE everywhere ebooks are sold. All links, reviews, author interviews, readings and more: http://www.sallyember.com/Spanners Look right; scroll down.

In the back of each Volume, I do update and add to the Glossaries, but here you go:

As explained by Dr. Clara Branon, Ph.D., main narrator

Toughness = how much energy a material (or person) can absorb without breaking. As carbyne’s toughness becomes well-known in the early part of the 21st century on Earth as both the material used most in space travel and interstellar communication (reacts best in temperatures 25º C or lower), carbyne’s toughness becomes the metaphor best understood as the way to describe my experiences as the Chief Communicator. Carbyne is stronger than steel or graphene, thinner yet stiffer than any other form of carbon, including diamonds, and lighter as well; most importantly, carbyne can be “grown” as well as mined.

Fragmenters (“Fraggers” who “Frag”) = Usually Earthers; opposite of well-meaning Spanners. Fraggers disintegrate, pull apart, ruin cooperation, destroy unity, incite conflicts and disagreements, refuse to compromise. They are Conservatives, fear-mongers, and nonbelievers despite ample evidence. They are fundamentalists, entrenched, hence, the Trenchers are their extremists. Being Fragged involves having an individual Fragger or a group of them interfere with and/or ruin Spanners’ plans for peace, harmony, multiverse travel, ESP trainings, intergalactic travel, etc. Can even be used when no Fragger is involved, much the way current Earther humans talk about Mercury’s retrograde status as the “cause” of problems with travel, communications, and planning.

Trenchers = Usually Earthers; extremists among the Fraggers, ones most difficult to deal with. Known for digging in, refusing to listen to reason or information that contradicts their views, being Reactionaries, resorting to violence, abusing dark psi and using other nefarious means (kidnapping, murdering, sabotaging, causing harm in other ways) to prevent the Transition or success of Earth’s inclusion in the Many Worlds Collective or cooperation with the InterGalactic Council and any other worlds’ representatives. Being Trenched involves being sabotaged, kidnapped, murdered, or otherwise seriously harmed by a Trencher or a Fragger.

Psi-Warriors = PWs; Not always Earthers; those with exceptional Psi skills and abilities, with or without the MWC (Many Worlds Collective) ESP(Excellent Skills Program) training. From Spanners’ perspectives, PWs are on the “right” sides of these conflicts, ones who utilize their powers to fight Trenchers and to persuade (sometimes not ethically or properly) Fraggers to alter their opinions. Psi-Wars/Fights/Battles are between PWs and Psi-Defiers.

Psi-Defiers = PDs; ironically, while claiming not to believe in Psi, PDs utilize it as their chief weapon. PDs are usually Earthers, but can be anyone with exceptional Psi skills and abilities, with or without MWC ESP training program. PDs utilize (some say abuse) their powers to oppose Spanners and especially PWs (and other pro-MWC-ers). Spanners view PDs as being on the “wrong” sides of these conflicts. Can sometimes persuade (usually not ethically or properly) by including invading dreams, sowing doubt and fear, and indoctrinating children, others to their cause and gather more Fraggers and Trenchers. PDs are often already Trenchers, so they claim religious freedom, grace from their deities, and other bases for their powers and positions.

OverSeers = OSes (pronounced Oh Essess); those (not usually Earthers, although more join as Earth’s involvement in the MWC continues) with top-level ESP training within the MWC, like the Secret Service for the IGC (InterGalactic Council), who monitor, regulate, and protect members of the MWC from threats, using Psi as well as more conventional methods to control Fraggers, Trenchers, and Psi-Defiers all around the multiverse. Ultimately, OSes can banish intractable enemies of peace and harmony to specifically designated multiverse timelines to keep them there where they are unable to cause further harm. This becomes the way to imprison/sequester the worst criminals, who can’t be rehabilitated, until they Return or are Reinvolved.
OSes include the investigators (OSIs, pronounced OhEssEyes), enforcers (OSEs, pronounced OhEssEes), and espionage/covert ops teams (OSOps, pronounced OhSops) each with their own “stars” in The Spanners Series (mostly in Volumes III, IV, VI and IX).

Sequestering = <strong>Qing (pronounced cueing); the ultimate punishment, deemed necessary when enemies of the MWC refuse to reform and are violent threats to peace and harmony. Qing involves sending individuals or groups to the MWC’s prison-type multiverse timeline, until they Return. Often referred to as being Qed (pronounced cueued), when someone is relegated to one of these timelines as their punishment. OSes (pronounced OhEssess) often use references to Qing as a threat to get information during investigations.
Reminds many Earthers quite negatively of tactics used by secret police in many totalitarian regimes, such as for South American countries’ disappeared, USSR’s sending political prisoners to the Gulag, or USA’s use of “extraordinary rendition” and imprisonment in Guantanamo, all without any legal process. Therefore, Sequestering is very closely monitored.
Decisions for an individual to be Qed must be determined by many judges, with regular imprisonment, first, while awaiting confirmation that Qing is the only option left to preserve public safety (much like the death penalty process, when that was still in use). Or, if you’re a “Warehouse 13” TV show fan, like having a villain “bronzed,” or, if you’re a “Superman” movies fan, similar to the exiling of the criminals who attempted a coup right before Krypton exploded.
Communication after being Qed is quite limited; no former friends or family members have regular access to those who have been Qed. All communication must be pre-approved and go through certified Q Communicators, who are able to timult and communicate with those in alternate timelines. Once an individual has been Qed, s/he never comes back into this timeline until their Return or Reinvolvement. Like reincarnation, Return involves dying to release one’s consciousness out of one’s current physical form, then coming back intentionally in an Earther’s or other form, for a new life, restarting at birth or that form’s beginning stages, to benefit beings; Reinvolvement is more random and carries with it opportunities for improvement of oneself, mostly).

final cover print

Psi-Penalty = Psi-P; the “price” that I, as the Chief Communicator, and others must “pay” when utilizing ES (Extraordinary Skills) to timult as we discover that we must choose between personal satisfaction or temporary happiness and more lasting, global harmony and peace (Psi-P is the main reason I am not with Epifanio in many timelines). Psi-P reveals a trade that must be made, but it is often made with great sorrow, sacrifice, honor and integrity. Sometimes the Psi-P is known only to the one paying the price; sometimes, others know or are told; some Psi-Ps are quite public, especially during Transition, so most Earthers know a Psi-P is sometimes necessary.
I often mourn or complain by saying that I’ve been “Psi-Ped” (pronounced sigh-peed) whenever I most miss Epifanio.

15 reasons I could only give a 2-Star #Review for The Self-Publisher’s Ultimate Resource Guide, 2015

I received an Advance Review Copy (ARC) of The Self-Publisher’s Ultimate Resource Guide and promised to write and post an honest review here on my own blog and on at lesat one other ebook site (see links, below) in exchange.

Self-publishing Ultimate cover

According to the co-editors, this Guide “is the first and largest collection of curated and verified resources for independent authors who plan to publish their own books. Produced by a team with long experience in both traditional and independent publishing, the over 850 resources are listed in an easy-to-use format that includes live links, phone numbers, email addresses and brief descriptive copy. The Guide makes vendors and other resources easy to find by separating them into 33 distinct categories within the 3 main tasks the self-publisher must deal with. How to Prepare, Publish, and Promote their books.”

15 reasons I could only give a 2-Star #Review for

The Self-Publisher’s Ultimate Resource Guide

PERSONAL NOTE: This Guide already received some excellent endorsements from “heavy-hitters” in the Indie-Publishing industry, several of whom happen to be my unofficial mentors: Mark Coker of Smashwords, Joanna Penn of The Creative Penn, and Joan Stewart, The Publicity Hound, to name a few.

I’m daring to add to and not to agree with these experts’ opinions, here. If I were you, I’d also go read theirs! And, please: I’m trying to be constructive, so I give a lot of recommendations and make many pleas. It’s not just a pan.

I wanted to like this book. I wanted to give it 5 stars. I cannot.

The best thing I can say about this is that the editors promise that they want it to be improved and added to quarterly or annually.

I am NOT trying to be snarky or mean. I genuinely went in with high hopes and expectations, given all the hype and positive endorsements this Guide has had. These hopes were dashed in the first few chapters and it did not get better as I went along.

I hope they will take my critique and others’ feedback to make the Guide better, not just longer.

Here are my 15 reasons for giving Guide only 2 stars:

  1. Why isn’t this an actual GUIDE? Why is the Guide almost entirely just a lot of somewhat organized lists?
    Instead of directing, informing, and assisting new indie authors with each selected aspect (and I do like the aspects, or chapters, they decided to include), there is a lot of information not given. This info is either missing, such as the reasons a writer would need to use a section or how to use the information provided, or withheld, such as the providing of a rating system or users’ experiences for each resource—annotations, as in YELP or Angie’s List—for each entry.
    If we wanted to acquire a list of resources, we could do that from many other places.
    The editors say these have been vetted, but where is the evidence of that? What did they assess? Why don’t they include their assessments, or a summary of why each listing is “better” than those not included, and for what, exactly?
    I was very disappointed in the editors’ lack of interaction with each listing provided. They seem to have merely collected a lot of self-written descriptions or blurbs about each entry (meaning, written by each resource provider, not the editors or users) and put the selected listings in alphabetical order.
    Since they say they vetted each entry and rejected some, why aren’t we reading more about WHY they included each entry?
    If I had paid for this “GUIDE,” I’d want a refund.

  2. This book was poorly written and edited. However, the authors’ long, impressive bios (see below) list extensive experiences in editing and proofreading. They also exhort the need for both in this Guide .
    However, even though I wasn’t looking for or expecting to find mistakes, find them I did. There were numerous mistakes in grammar, punctuation and syntax as well as inexcusably sloppy and poor writing in almost every one of their brief intros/summaries for each section/chapter. Finding so many problems was surprising and very disappointing.

  3. The editors mention more than once a warning to readers to “read the fine print” if they choose to enter into contracts, but nowhere do they provide any tips or hints about exactly what to watch out for, what to avoid, what to accept. Why?
    Their advice is so vague as to be trite and useless; without specifics, they’re not helping anyone. Why not a chapter on “Don’ts” or “Beware of…”?
    [It’s as if they started to write a guide and then, halfway through, made it a listing service instead. It makes me wonder if there was some money exchanging hands, ensuring certain listings and keeping out others.
    Is that just my inner cynic talking? There is no evidence of resource providers’ purchasing their listings….]

  4. Why did they not include a chapter on authors’ support networking? There are so many indie authors’ forums, Kindle Boards, authors’ groups, etc.
    If they take my advice and add that chapter, I hope they make notations as to which resources/ groups/ providers are fee-based and which are free, and what the fee ranges are, if applicable, and what the fees avail members of, specifically.
    Fee information is crucial but missing from every chapter.
    Also, I hope they weed out the “review swap” groups, since these violate Amazon’s Terms of Service, and I hope they would EXPLAIN the TOS violation consequences (removal of reviews, for example) in their new chapter.

  5. Why is there a chapter on websites for authors? What makes a website for authors particularly unique vs. a website for bloggers, e.g., or vs. any other small business? This claim of distinction is never explained, yet there is a chapter devoted to a list of people they are supporting who supposedly create websites “for authors.”
    I’m scratching my head over this. If the editors explained their rationale, I might be on board. However, again, no explanations are given.

  6. There is a chapter devoted to Book Reviews with no mention of the extremely important and controversial issue of paid vs. free reviews, and no annotations as to which of those listed charges authors for providing reviews nor how much they charge.
    These omissions are significant oversights. Must correct in future revisions, please.

  7. There are several chapters that are devoted to formatting one’s book—ebooks vs. print vs. Print On Demand vs. “Short Run” [sic]—with no explanation as to the differences among these formats or which to do first and the reasons.
    Also, what about the issue of whether or not even to have a print version: why? when? at what cost? Many of us do not have any print versions: what are the consequences of going ebook-only for each genre?
    Furthermore, when introducing each type of formatting, there is no explanation about the reasons/ bases for ebooks’ formatting issues or the assistance offered, via Smashwords vs. Amazon, for example, or about difficulties of passing through Smashwords‘ “meatgrinder” successfully and what that success generates in benefits; no mention is made of that nor that Digital2Digital does not use such gate-keeping, for example.
    If this is truly going to serve as a guide, MORE ANNOTATIONS and information are needed.

  8. What is a Short Run [sic]? I have never heard of it (since I have no print books, yet) and it was not sufficiently explained (nor hyphenated?). Why include it if not also to explain more completely what it is?

  9. Several key “players” were omitted, which I know can be corrected, but since some of them provided endorsements or reviews, I’m baffled by their absences. Many of those missing are very prominent in the blogosphere, Google+ or Twitter but not so much on Facebook. What about those who shine on Pinterest, Instagram, or Tsu?
    Maybe these editors not as active on the other social media platforms? The Book Marketing Tools and its free ebooks listing tool, e.g., were not included.
    In order to be an actual GUIDE and not just a list, part of this chapter should include annotations giving pros and cons of authors’ activity on each platform and who the leaders are on each.

  10. Social media platforms are the not the only places authors need to “go” or be “seen.” Start with: Blog Talk Radio shows that feature authors and books, like Indie Books with Will Wilson, The Backporch Writer with Kori Miller, and so many more; Google+ LIVE and taped Hangouts on Air, such as my show, CHANGES, which then go to Youtube; D’vorah Lansky’s and others’ teleseminars and webinars devoted to books, book marketing and authors; The Authors Show, A Book and a Chat and many others on their own “channels”; podcasts and other shows, such as The Author Hangout, with Shawn Manaher and R.J. Adams, via iTunes and other sources, and so many more.
    Please request and create a chapter with annotated listings of opportunities of this type and how to access them.

  11. There was no mention of Amazon’s Kindle Unlimited and the controversies/problems indie authors face regarding this, nor was a distinction made between Kindle Select and Kindle Direct.
    These are exactly the types of explanations missing from this book that need to be put in, please.

  12. Why was there such a small number of “Social Media Consultants” included? I could come up with more than that, yet I am not one myself nor have I used one.
    The editors need to do better outreach, here, and a LOT of annotating, since many who call themselves “experts” are NOT; I know vetting is something these editors say they have been doing, so let’s see the results.

  13. There needs to be more info about money. For example, if the chapter on contests and awards is going to be useful as more then an incomplete list, each entry needs to be annotated to include info on entry fees and deadlines as well as more about the actual value of winning or placing in each.
    These contests can take a lot of time: show us what’s required, specifically, to enter, please, and what we might gain from winning.
    Great to include a chapter on acquiring funding, too, but that also seemed a bit “light.” There are many more opportunities out there, but at least there were several clearinghouses, like C. Hope Clark’s Funds for Writers, listed.
    Such lacks make this book more of a jumping-off point than a guide, though.

  14. I also don’t understand why those who provide services in more than one area (as delineated by these editors) are not dually or triply listed, as often ought to be the case. Readers/users will find resources only in the chapters they go to skim and may not read other chapters at all.
    For example, Judith Briles is listed for her private site, but Author U is not listed at all, anywhere I could find.
    I know it would make the Guide longer, but there must be a way to show readers that a listing appears elsewhere in the book, or could appear elsewhere (and in what chapters) but editors decided to list each resource only once for space reasons, right?

  15. I do not think Book Promoters are the same as book PR people, but perhaps I’m alone in this. In any case, I think having the word “Promoters” missing from the chapter headings is confusing.

If/when most or all of these omissions, errors and improvements are managed, I’d love to see that version. Or, maybe they should change the title from “Ultimate Resource Guide” to “Resource Compendium” or “Resource Listings.” They’d have fewer changes to make if they did that.

I wouldn’t think that would be as useful, though, as my revised version could be. I hope SOMEONE makes that version!

Meanwhile, although I believe The Self-Publisher’s Ultimate Resource Guide may be worthwhile as a starting point, it is far from being the “Ultimate Resource Guide” at this point.

Any newbie to self-publishing would have to pick up many other and better guides to make this one useful.


On their book’s website, in the FAQs, they state: “We plan to update the ebook edition of The Self-Publisher’s Ultimate Resource Guide monthly after the launch, eventually moving to a quarterly update. The print edition will be updated once each year, so we’ll have a new edition reflecting all the changes at the end of 2015.”

Proof? they post this excellent exhortation/invitation on the “CONTACT” page:

The Self-Publisher’s Ultimate Resource Guide is a living document.

Although we have tried to gather the most valuable resources for indie authors, it’s inevitable that some have been missed, and new products and services are constantly being introduced. We want your help to make it even better. If you know of a person, company, product, or service of value to independent authors that’s not included in this guide, please let us know. You can send submissions to be included in the next edition of The Self-Publisher’s Ultimate Resource Guide by the contact form below. Thank you.

Essential Qualification Guidelines for those who wish to be listed in The Self-Publisher’s Ultimate Resource Guide.

Extensive, professional experience in serving the self-publishing community.
A current, informative, interactive website.
Complete contact information; location (city, state/province, country), phone number, email address, and contact person if applicable.
Outstanding reputation; positive client/customer testimonials and/or reviews.
The final decision on all listings is at the editors’ discretion.

Note: Personal connection or recommendation of resource/business, is meant for anyone who is recommending someone else’s business. Say you are an author and use an editor not listed in the book. You can put that into the submission as your connection (I am an author who uses these services) and recommendation (what you think of the services you receive). It would not apply to someone who is asking for their own company to be included.


For more information: http://www.spresourceguide.com/

Ebook Purchase and Review Links:
Amazon (Kindle): http://www.amazon.com/dp/B00QSKUS2Q/
B&N (Nook): http://www.barnesandnoble.com/w/the-self-publisherr-joel-friedlander/1120927172?ean=2940150138957
Kobo: http://store.kobobooks.com/en-US/ebook/the-self-publisher-s-ultimate-resource-guide
Apple (iBooks): https://itunes.apple.com/us/book/self-publishers-ultimate-resource/id950440919?mt=11

The Authors/Editors:

Joel Friedlander
“…is an award-winning book designer and blogger who has been launching the careers of self-publishers since 1994 from his book design and consulting practice at Marin Bookworks in San Rafael, California. Joel is a self-published author and the blogger behind http://TheBookDesigner.com, a popular and award-winning blog on book design, book marketing, and the future of the book. Joel is also the founder of The Self-Publishing Roadmap, a training course for authors, and http://TheBookMakers.com and http://BookDesignTemplates.com, where he provides tools and services for authors who publish their own books. He speaks often at publishing industry events and is a past president of the Bay Area Independent Publishers Association.”

Joel-2014-headshot-300x

Betty Kelly Sargent
“…is the founder of BookWorks, and the founder of The Educated Author, and writes a monthly column on self-publishing for Publishers Weekly. She is a member of the Independent Editors Group (EIG) and has spent more than 30 years in the traditional publishing business, most recently as editor-in-chief of William Morrow, where at one point she had three books on the New York Times best-seller list at once. She has also been executive editor at HarperCollins, executive editor at Delacorte Press, Fiction and Books editor at Cosmopolitan magazine, and book reviewer for CNN. She is the author of seven traditionally published books and one self-published book. She moderates panels and workshops in New York City and Los Angeles and is passionate about helping indie authors learn to navigate the ever-changing landscape of self-publishing.”

Betty-photo-1

Copyright © 2015 Marin Bookworks, All rights reserved.

CONTACT:
The Self-Publisher’s Ultimate Resource Guide Editors,
Joel Friedlander and Betty Kelly Sargent
Marin Bookworks
369-B THIRD STREET #572
SAN RAFAEL, CA 94901
editor@spresourceguide.com