AND, if you’d like to get to know Anna Faktorovich even better, watch *CHANGES* conversations between authors, Episode 12: https://www.youtube.com/playlist?list=PLPbfKicwk4dFdeVSAY1tfhtjaEY_clmfq
#Authors, especially those in sci-fi/speculative fiction and who blog, learn more about and get yourself on *CHANGES*, and #Readers, recommend an #author to be scheduled as a guest: *CHANGES* G+ HOA https://sallyember.com/changes-videocasts-by-sally-ember-ed-d/
What is your latest release and what genre is it?Gender Bias in Mystery and Romance Novel Publishing: Mimicking Masculinity and Femininity – Non-Fiction/ Literary Criticism/ Feminism
Quick description: Examines gender bias from the perspective of readers, writers and publishers, with a focus on the top two best-selling genres in modern fiction. It is a linguistic, literary stylistic, and structurally formalist analysis of the male and female “sentences” in the genres that have the greatest gender divide: romances and mysteries. The analysis will search for the historical roots that solidified what many think of today as a “natural” division. Virginia Woolf called it the fabricated “feminine sentence,” and other linguists have also identified clear sex-preferential differences in Anglo-American, Swedish and French novels. Do female mystery writers adopt a masculine voice when they write mysteries? Are female-penned mysteries structurally or linguistically different from their male competitors’, and vice versa…
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