#bookreview guidelines, updated

#bookreview guidelines, updated


Hi, #Author,

Your book sounds interesting, but I don’t have a lot of time or interest in most reviewing activities and I am very picky. Review the below carefully.

I might be interested in reading and reviewing your novel, if your novel:
— has NO graphic or, if it has violence, it is mostly “offstage” and not often repeated (no serial killing plots)
— there are a minimum of plot-reduction devices (fights, car chases, bomb blasts, etc.)
— the character development and plot devices are good to excellent
— has no raping
— has no torture
— has no BDSM scenes
— has no romanticizing helpless women
— has no gratuitous or abusive (even if “consensual”) sex, strip clubs, boxing, mixed martial arts, car races, motorcycle races, circuses or rodeos or other such settings/activities, for “atmosphere”
— has no human trafficking
— has no mutilation of animals or people
— has no child predators
— has non-plot-advancing violence
— does not have your trying to get “inside” the mind of the villain and writing in his/her “voice”
— has any Middle Eastern, Russian or other stereotyped ethnic villains.

I AM NOT A PRUDE, and not a censor. It’s that I now consider the aforementioned to be boring and lazy writing as well as disrespectful and hate-mongering and /or these elements give me bad dreams.

If your book fits my criteria, then one final note: I cannot read a PDF on my Kindle (I can’t enlarge that document’s font size and it is always about 6-pt, for some reason). The document has to be in a .mobi format.

Finally, I only submit honest reviews. If your book is truly horrible or has severe editing problems, I may email you after reading a few chapters and ask if you want me to continue or not, since that would definitely earn it only 1 or 2 stars, at best. I do not post DNF “reviews” unless the author refuses to respond to that question in an email within 2 weeks.

So, let me know.

Best to you,


Sally Ember, Ed.D.

5 Stars: Delighted to Read and #Review Mary Oliver’s Felicity: Poems

5 Stars: Delighted to Read and #Review Mary Oliver’s Felicity: Poems

Felicity Mary Oliver poems
Cover of Felicity: Poems by Mary Oliver
published in October, 2015

Mary Oliver, winner of the Pulitzer Prize and National Book Award for her poetry several decades ago, has long been one of my favorite poets. If you have not found her poetry, you are missing out on many delights from dozens of publications. Go catch up or start here. Either way, you’ll be glad you did.

She, like Ursula K. Le Guin and many others whose poetry I admire and resonate with, utilizes many of her walks in the natural world to populate and explain her inner experiences and outer relationships.

As I have written before (about to quote myself, here): “Poetry is meant to be read aloud. I enjoy reading poetry aloud as if I am the poet, wondering as I hear each word, line, idea, image, stanza, what the poet was imagining and how this exact turn of phrase came to capture it. Knowing how long many poets take to conjure the precise manner in which to describe and evoke every part of their intention, I want to savor it.

“I do NOT read in that artificial, almost-questioning (upturned inflection on the end of lines), drawling almost-monotone that many poetry readers make the horrible mistake of using.


“I read poetry aloud as if each poem is its own story, because this unique version of that story is interesting, new, and not mine. I use the line breaks and punctuation as suggestions to help me go with the poet’s flow. I smile, I laugh, I pause, I taste the words on my tongue.

“Try it. You’ll like it!”

As I usually do, I marked pages of this book with pieces of scrap paper so I’d remember which stanzas, poems, titles, lines caught my attention. Here are some, in no particular order. I sometimes annotate or explain. Find your own parts to love and for your own reasons.

Moments was so important to me that I gave it to my Cognitive Rehabilitation Therapist on the occasion of my last of 12 sessions with her in my TBI recovery treatment this month, as a kind of “Thank You” and a window into my psyche she might not formerly have had, otherwise. It is brief, so here it is in its entirety.


There are moments that cry out to be fulfilled.
Like, telling someone you love them.
Or giving your money away, all of it.

Your heart is beating, isn’t it?
You’re not in chains, are you?

There is nothing more pathetic than caution
when headlong might save a life,
even, possibly, your own.

As I read this collection, I realized that somewhere between her last collection of poetry and this one, Mary Oliver seems to have fallen—quite unexpectedly, to her—in passionate love in her 70s. That gives me hope, long single myself at the age of 61 and not having met anyone suitable for many years; I had given up. Thanks, Mary!

Many of the poems in this new collection are about that first wonder, doubt, then acceptance of her “condition,” being in love again at her “advanced” age, and then some extremely sweet descriptions of their relationship’s minutiae and tender times.

Here is a short poem like that, This and That:

This and That
In this early dancing of a new day—
dogs leaping on the beach,
dolphins leaping not far from shore—
someone is bending over me,
is kissing me slowly.

Oliver divides this collection into three parts, like a symphony or play. Part I, “Journey,” is followed by Part II, “Love,” and is capped by Part III, “Felicity.”

Very intentionally, Oliver begins this collection with Don’t Worry and ends with A Voice From I Don’t Know Where—the only poem in Part III. The two pieces she chose to sandwich these romantic but challenging years do it quite elegantly and sweetly. This "voice" tells her to be happy with this new love, but in much better language than that. The book ends with a strong acknowledgment, giving her permission to enjoy her life:

A Voice From I Don’t Know Where

It must surely, then, be very happy down there
in your heart.
“Yes,” I said. “It is.”

During this “Journey” (the title of Part I), Oliver ruminates on trees, meadowlarks, storms, swans and many other beings and land formations that give her pause and inspiration, show her delight and her curiosity at her state of affairs (pun intended).

I love this metaphoric romp a lot, given her (and my) ages, especially this part, from Cobb Creek:

Cobb Creek

I jump
and for the first time in seventy-seven years
I fall in.

What a beautiful splash!

She uses epigrams to start each section from Rumi, which I appreciate, but I like her own pithy quotes the best. Here is my favorite, from A House, or a Million Dollars:

a House, or a Million Dollars

Love is the one thing the heart craves
and love is the one thing
you can’t steal.

Thank you, Mary, for sharing your thoughtful and joyful moments with us all.

image from Oliver’s appearances/reviews in several newspapers

May your contributions to our literary and emotional landscapes always be known as blessings while you still live and after you die, and may all beings benefit.

Find this collection and all of Oliver’s other work here: http://maryoliver.beacon.org/

Reluctantly, I give this mess of a book 2 stars, but buyer beware!

I am sorry to have to post this review, but I have given the author, Amy Collins, over a month to make this right. Despite many emails preceding and after the one I quote, below, including promises of payment by a certain date and apologies for its lateness and a new promise, she has posted no payment and provided an unusually bizarre response to my having given her the deadline to respond by the end-of-business yesterday (Thursday, January 28)—see below.

I am appalled and surprised that someone who is publishing a book on writing entitled The Write Way: Everything You Need to Know about Publishing, Selling and Marketing Your Book, would unironically send out ARCs and then another version pre-publication that are both riddled with errors for reviewers.

Know this: the Author and her “publisher” (which I now think is comprised of Collins and one other person in the business) INVITED ME TO REVIEW THIS; I did not solicit her and I rarely do reviews.

After I had read about twenty pages and marked up every page, including the cover, with up to 15 errors PER PAGE, I sent her emails, left voicemails, asked her to communicate with me before I continued. I couldn’t believe this was her final draft. Maybe there was another version, I hoped?

She wrote to tell me that she had had a death in her family and while she was out, that “someone at her office sent out the wrong ARC” (there are two?). Then, for many days, she mostly did not respond (except via automated emails saying she would respond within 24 hours) for this entire communication stream.

She did send me a PDF of another ARC version which was supposedly “the right one,” but it, too, was filled with most of the same errors and some new ones. I read about twenty pages into that and emailed her back, telling her that this PDF ARC was a “new” but not a better version.

I asked for a newer, final ARC; no response. I now think there isn’t a better version (yet).

I waited a few days and sent the email, below. After reading my proposal, the author wrote back to say that she knew that I had given her a break on my editing rate (I did have sympathy for her at that point). She wrote to say that she was very grateful for my offer and agreed to pay me for my editing and postage for me to ship the marked-up edition back to her upon receipt of payment. She promised to pay “by the middle of January.”

I told her that I didn’t want to post a negative review. I’d rather that she revise and improve the book before publication: win-win. Plus, I had already completed reading and marking up the book and had marked up every page. I would be happy to get paid for my work.

January 15 came and went; no payment. More emails, more promises, and no payment, and here we are, January 28: nothing. The author said on January 18 that she had been traveling (and still is, apparently; now she’s on a cruise with other authors and publishers, publicists, etc.), but has she obviously access to the internet, since she’s live tweeting from the cruise ship!

I sent her this on Twitter yesterday (1/28/16):

from Sally Ember, Ed.D. ‏@sallyemberedd
to @NewShelvesBooks AMY: Deadline is EOB today Central USA time. My review goes live at 2 AM CST USA Friday, 1/30/16 if no payment is posted

She responded, astonishingly and terribly unprofessionally:

from Amy Collins ‏@NewShelvesBooks
Hi @sallyemberedd Grateful for all the time you put in. Had to redirect the $ to a project I am afraid. I know your review will be spot on.

To which I replied, with a quoted retweet of the above:

from Sally Ember, Ed.D. ‏@sallyemberedd
Sally Ember, Ed.D. Retweeted Amy Collins
This is known as “breach of contract” by professionals. We had a written agreement. #Youoweme #Payup

I won’t bore you with all of our previous correspondence.

In this post, then, the review occurs, starting with the email I sent the author in which I detailed for her many of her book’s most frequent and egregious errors.

Dear Amy,

I don’t know who your developmental, copy and proofreaders/editors are, but they should all be fired.

Here are a sampling of the errors I’ve found, so you know I’m not being a “troll” or pretending to know what I’m doing. You have these types and/or numbers of errors:

—3 errors ON THE COVERS (back and front and spine) in that your formatting is inconsistent (font color, size, style)
—1 error on the TITLE page (do not capitalize “by” or use it at all, actually; this is not a college essay)
—5 errors on the copyright page (no city of publication is listed; no proper copyright symbol was inserted; no need for “by”; missing colons)
—up to 15 errors(!) per page, with at least one and usually more errors on every page throughout the entire book
—TOC has no page numbers in either version, or the page numbers are wrong, and is on the verso rather than recto side
—Some pages have no numbers (the entire Glossary; all front matter)
—paragraphs and some sentences inexplicably start and end mid-sentence on many pages
— bullets are not formatted in a standard fashion within your own book; most of them are formatted incorrectly; AND, you inserted rhetorical questions within them while you BULLETED those questions(!?)
—seem to have no idea how to use (or when to use) the Oxford comma, apparently, and neither do your editors
—random sections (not consistent as to which or why) in italics
—show no permissions granted from the original authors, nor even where the pieces end, when you quote entire articles within your book
—repeating entire sentences and/or paragraphs and/or concepts from one page to the next within the same chapter, sometimes on facing pages. Word for word, sometimes
—use “so” over a hundred times, mostly inappropriately and without proper punctuation
—no standardization I could fathom for/ among and between your levels of headings regarding font, font size, font styles, alignment and/or purposes
—chapters do not all start on the proper side and you have random blank pages between some chapters (which do not result in their staring on the proper side—recto)

This and much more are wrong. I can’t even group or list all your errors.

All unacceptable, wouldn’t you agree?

I had one idea: You could use this as an opportunity to discuss the very things you warn other indies against within your book, and I would work with you on that if you choose to be honorable and do that.

Or, you could pretend it’s all fine, try to fix the errors yourself (good luck with that; you obviously have no clue how to edit your own work), and hope my review sinks to the bottom beneath all your sycophants’ fake ones.

Anyone who gives this book more than 2 stars (and that would be for content, not professionalism), is lying or has no idea how to read or what to expect from a professional nonfiction book.

I actually got quite a lot of good information from this book and do not want to slam you, but your whole “death-in-the-family—someone sent the wrong version” (in a two-person office?) sounds to me, now, like “the dog ate my homework.”

I am sorry for you any anyone who buys a poorly edited version of this book.

Here is another idea: if you pay me $400 (which is low-balling my rates, considering how much time I put into my mark-up and these emails), plus $5 shipping, I will send you my marked-up copy.

Then, when you complete all the revisions, send me a new one and I’ll review it at that point.

And, now, as we know, I will not receive any payment for my work, despite her emailed promise to do so. I still have the edited copy.

Here are some photos of the mark-ups:

write way cover
front cover of The Write Way with font, color, size errors and inconsistencies.

write way 1
There are multiple errors on almost every page and not one page without an error.

write way 2 upright
Apparently, can’t even keep paragraphs together; this occurs on several pages. How on earth does a copyeditor/proofreader not see these types of formatting mistakes?

write way 3 upright
There are up to 15 errors on some pages; this one has only 8.

Believe me, I take no pleasure in this.

I would certainly have preferred to have been paid for my time and expertise and to have had a positive relationship with this author.

I also wanted this book to be everything it said it would be and for it to live up to its title and promises. Many other authors would then be able to benefit from it.

However, since Ms. Collins doesn’t keep her word and seems to be clueless as to how to behave professionally, I am no longer surprised by the poor quality of the writing, the editing and the proofreading. Very disappointing, though, wouldn’t you agree?

Whoever did the editing and proofreading should have to refund their money to Ms. Collins. If she or anyone else continues to hire them, s/he/they should fire these horrible excuses for professionals immediately.

As I already stated, there are many great points, tips, ideas and resources in this book, if readers can ignore or get past all the mistakes and problems with the formatting, writing, proofreading and repetitions.

Especially for amy writers who are new to self-publishing, such writers would benefit from reading this book and taking notes. Do as she says, not as she does!

Try to borrow it; don’t buy this version!

Reluctantly, I give this mess of a book 2 stars, but buyer beware!

Definitely do not hire the author or her team for anything at all, ever. She calls herself a “teacher” and an “expert,” but I also found mistakes on her website (no surprise, now), which is: http://www.newshelves.com/ Do not contract with New Shelves for anything since they seem to have with no respect for agreements, unless you’re willing for her/them to decide arbitrarily to put time and money into other projects.

Sorry to have to post this saga and review. I would vastly have preferred the other plan to have occurred, as we had agreed.

When you get back from your cruise, fix your book and try to behave more professionally in the future.

image from http://www.michellerenegoodhew.com

Homage to and Review of Ursula K. Le Guin’s Finding My Elegy: New and Selected Poems

Homage to and #Review of Ursula K. Le Guin’s
Finding My Elegy: New and Selected Poems, 1960 – 2010

Finding my Elegy cover

Ursula K. Le Guin is my favorite writer. No contest.

I have enjoyed, admired, appreciated, envied and learned from her novels, novellas, short stories, essays, and poetry for over forty years. She is about my mom’s age (in her early 80s, now) and still going strong. She is my idol, my mentor, and my role model. I also found out, after reading this collection, that she and share not only a love of writing, speculative fiction, feminism, social justice, pacifism and environmentalism, but Buddhism and meditation. Ah, pure bliss!

This latest collection of her poetry so delighted me that I had to write not just a short review on Amazon or Goodreads, but an entire blog post, complete with images, video, quotes. I hope you run right out and buy, borrow or sit and read aloud from this collection ASAP. You will be glad you did.

Poetry is meant to be read aloud. I enjoy reading poetry aloud as if I am the poet, wondering as I hear each word, line, idea, image, stanza, what the poet was imagining and how this exact turn of phrase came to capture it. Knowing how long many poets take to conjure the precise manner in which to describe and evoke every part of their intention, I want to savor it.

I do NOT read in that artificial, almost-questioning (upturned inflection on the end of lines), drawling almost-monotone that many poetry readers make the horrible mistake of using.


I read poetry aloud as if each poem is its own story, because this unique version of that story is interesting, new, and not mine. I use the line breaks and punctuation as suggestions to help me go with the poet’s flow. I smile, I laugh, I pause, I taste the words on my tongue.

Try it. You’ll like it!

Le Guin has many poems rooted (pun intended) in nature. This little bird caught her attention several times. She mentions the Swainson’s Thrush by name; sometimes it is unnamed and alluded /referred to throughout this collection.

I had to find what the Swainson’s Thrush looks and sounds like. Enjoy!

I marked pages of this book with pieces of scrap paper so I’d remember which stanzas, poems, titles, lines caught my heart. Here are some, in no particular order. I sometimes annotate or explain. Find your own parts to love and for your own reasons.

I want to give this poem, For the New House, to my son and his wife when they find their first home to purchase. I adore the entire poem, and here are my favorite lines:

For the New House
And may you be in this house
as the music is in the instrument.

I also welled up with tears reading this next one, Song for a Daughter, imagining myself as a new mom hearing this from my mom, and sharing this with my son’s wife should she/they be lucky enough to have a child. Le Guin captures so much of the complexity of these relationships elegantly and succinctly, with beautiful turns of phrase, like these from the first and final stanzas:

Song for a Daughter
Mother of my granddaughter
listen to my song:
A mother can’t do right,
a daughter can’t be wrong….

Granddaughter of my mother,
listen to my song:
Nothing you do will ever be right,
nothing you do is wrong.

Soldiers perfectly depicts the horribleness of most wars, particularly our most recent USA-led wars, in which the military industrial complex—to enrich corporations—sends/inspires young men (and women) to go to their deaths or disfigurements with lies and for specious causes. The anguished images of this powerful poem end with this, which completed the breaking of my heart:

And soldiers still will fill the towns
In blue or khaki clad,
The brave, the good, who march to kill
What hope we ever had.

Unsurprisingly, given the title, and with Le Guin’s being both a Buddhist (we meditate daily on impermanence) and in her 80s, much of the poems in this collection are concerned with the end of life: the end of her own life, the changing of the seasons, the ruination of nature and places. She draws upon rich and varied imagery from many religious/spiritual traditions, employing words and phrases from several languages and invoking aspects of the rituals of Native Americans/Native Canadians and other indigenous peoples (harkening to her anthropologist father’s influence, as always), among others.

I especially liked Every Land (which starts with an epigram from Black Elk), in which she repeats this line, “Every land is the holy land,” at the end of each of the three stanzas, like a wistful refrain.

From one of the longer poems, At Kishamish, which is divided into named sections, these lines from “Autumnal” were quite moving. They eloquently evoke the juxtaposition of being somewhere now, when we’re so much older, suffused with so many memories of having lived and been at that same place so many times with our children as our younger selves:

At Kishamish

It’s strange to see these hills with present eyes
I hold so clear in my mind always, strange once more
to hear the hawk cry down along the meadows
and smell the tarweed, to be here—here at the ranch,
so old, where I was young—it hurts my heart.

One of the “good-bye” poems here could make a statue cry: Aubade, which means “a song or poem to greet the dawn.” The term is unironically used here as the poem’s title. Le Guin simply depicts what might be said between lovers or long-time intimate friends or family members who must now part due to death. She frames it perfectly in two gorgeous stanzas, which I quote here in their entirety:

Few now and faint the stars that shone
all night so bright above you.
The sun must rise, and I be gone.
I leave you, though I love you.

We have lived well, my love, and so
let not this parting grieve you.
Sure as the sunrise you must know
I love you, though I leave you.

Tibetan Buddhists talk about the “between place,” the Bardo, the state between a person’s pre-birth to our birth, and of the time between our body’s death and the shifting of our consciousness to our next incarnation. Le Guin speaks to this and illustrates her readiness, willingness, almost eagerness to “move on” to be In the Borderlands. Fittingly, this poem is placed on one of the last pages of this collection. Le Guin leaves us considering her perspective in this way, putting her thoughts of yearning to leave her body into this poem in the form of a conversation between her soul and her body, ending it in this final stanza with gentle humor and grace:

In the Borderlands
Soon enough, my soul replies,
you’ll shine in star and sleep in stone,
when I who troubled you a while with eyes
and grief and wakefulness am gone.

Thank you, Ursula, for sharing your deep and soulful moments with us all. Once again, due to your artistry with words and your generosity and intelligence, you have paved the way for me and others to follow with some surcease from pain and lighter hearts as we face our own partings, disappointments and deaths.

Ursula K Le Guin photo
image from her website, photo ©by Marian Wood Kolisch

May your contributions to our literary and emotional landscapes always be known as blessings while you still live and after you die, and may all beings benefit.

Find these poems, this and all her other work here: http://www.ursulakleguin.com Her latest poetry collection, Late in the Day, is my next poetry read!

New Reviews for Volumes I, II, III in The Spanners Series

New Reviews for Volumes I, II, III in The Spanners Series

from “Aly” on Amazon, 3 Stars for Volume I, This Changes Everything, The Spanners Series, posted 1/1/16
This book has a good storyline but for me it was a little hard to follow. I enjoyed the idea and I think I understood the book in some instances but others lost me. But I think Sci-fi sometimes will do this to me anyway. * I received this book from the author in exchange for an honest review*


from “Allie” on Smashwords and “Aly” on Amazon, 4 Stars for Volume II, This Changes My Family and My Life Forever, The Spanners Series, posted 1/1/16
“This book helps me to understand book 1 better. I enjoyed this book more. I got introduced to more of Clara’s family in this book. There are many people in this family. I think you should check out this series. * I received this book from the author in exchange for an honest review*”

final cover print

from “Allie” on Smashwords and “Aly” on Amazon, 4 Stars for Volume III, This Is/Is Not the Way I Want Things to Change, The Spanners Series, posted 1/1/16
“This series is very interesting to me. It has it ups and its downs. But I think so far I am enjoying the adventure whit the family and there friends. You should check out this series if you like Sci-fi and see what you think. * I received this book from the author in exchange for an honest review*”


For more reviews, book trailers, author interviews, all download links (Volume I is free as an ebook) and purchase links, go to http://www.sallyember.com Look right; scroll down.


All covers and logo art by WillowRaven.

Preorders @50% for #ebook This Is/Is Not the Way I Want Things to Change, Volume III of The Spanners Series

#Preorders @ 50%, $1.99, for 11/1/15—-12-7/15 on #Smashwords, #Kobo, #iBooks and #nook as well as #Amazon is Sally Ember, Ed.D.’s third #scifi/ #romance/ #paranormal #ebook, This Is/Is Not the Way I Want Things to Change, Volume III of The Spanners Series, which releases 12/08/15 @$3.99.

Spanners - volume 3 cover final

Getting 4- and 5-Star #reviews in pre-pub: see snippets from reviews, below and links to reviews on http://www.sallyember.com (look right; scroll down).

Volume III, This Is /Is Not The Way I Want Things to Change
Pre-order and Purchase LINKS HERE
SMASHWORDS (all ebook formats): https://www.smashwords.com/books/view/588331
AMAZON: http://www.amazon.com/dp/B0177Z1KRM

Clara, Moran, Espe, Epifanio and the alien Band of holos are back in This Is/Is Not The Way I Want Things to Change of The Spanners Series. The Psi-Defiers launch increasingly violent protests during this five-year Transition, attempting to block Earth’s membership into the Many Worlds Collective. To join, Earth’s nations and borders must dissolve and the Psi-Warriors must prevail in their battles against the rebels.

Clara, continuing as Earth’s first Chief Communicator, also juggles family conflicts and danger while managing and being one of the instructors of the psi skills training Campuses to help Earth through the Psi Wars. Clara timults alternate versions of their futures as the leaders’ duties and consciences force them each to make difficult choices across multiple timelines while continuing to train and fight.

Will the Psi-Warriors’ and other leaders’ increasing psi skills, interspecies collaborations and budding alien alliances be enough for Earth to make it through The Transition intact? If there is no clear path for Clara’s and Epifanio’s love, does she partner with Steve or go it alone?

What do you do with wanted/unwanted changes?

Volume III Book Trailer

REVIEWS of Volume III:
“Because this reads like documentation of actual events, I came away from it feeling like my own little life is petty and trivial and a waste of ‘time.’ Like, I’m not part of The Movement and I ought to run right out and start a victory garden or a recycling program or find an ESP trainer and get started learning how to TK or….
“The entire series is such an astounding creation it amazes me that it’s the production of just one person.”

—Devorah “Dee” Fox, Dee-Scoveries, fantasy/thriller author, journalist, columnist, 9/25/15


ALSO: Volumes I, II and III are soon available in both PRINT and ebooks versions by 12/8/15!

logo_1833057_print high rez  transparent

This Changes Everything, Volume I, The Spanners Series, is Permafree in ebook format and $POD


Volume I, This Changes Everything

Dr. Clara Ackerman Branon, 58, begins having secret visits from holographic representations of beings from the Many Worlds Collective, a consortium of planet and star systems in the multiverse. When Earth is invited to join the consortium, the secret visits are made public. Now Earthers must adjust their beliefs and ideas about life, religion, culture, identity and everything they think and are. Clara is selected to be the liaison between Earth and the Many Worlds Collective and she chooses Esperanza Enlaces to be the Media Contact. They team up to provide information to stave off riots and uncertainty. The Many Worlds Collective holos: train Clara and the Psi-Warriors for the Psi Wars with the rebelling Psi-Defiers; communicate effectively with many species on Earth and off-planet; eliminate ordinary, elected governments and political boundaries; convene a new group of Global Leaders; and, help Clara deal with her family’s and friends’ reactions. 

In what multiple timelines of the ever-expanding multiverse do Clara and her long-time love, Epifanio Dang, get to be together and which leave Clara alone and lonely as the leader of Earth? This Changes Everything spans the 30-year story of Clara’s term as Earth’s first Chief Communicator, continuing in nine more Volumes of The Spanners Series.

Are you ready for the changes?

REVIEWS for Volume I:
“[This Changes Everything] is highly-imaginative, but for so many different reasons, and outside of the normal scope. There are times when I felt that I was reading an actual research report of true to life events. Honestly, I’m sitting at my laptop, questioning if Clara has provided this work to Ember, or if the two are one in the same. The experience is mind-altering, and would challenge readers to think beyond the bubble that we live in. I would surely recommend This Changes Everything to anyone that enjoys a a well-written and researched Sci-Fi series. I will point out that it pushes the envelope, and toys with one’s perception. Well done! 5 Stars.”

–Janice G. Ross, author, 11/11/13


This Changes Everything by Sally Ember is a well-written, complex work that is going to add a strong title to a genre that can sometimes become bogged down with the same old, same old. This Changes Everything is a book that I am very happy to have had the chance to read and I would recommend it to any sci-fi/fantasy fan.”

–Zach Tyo, Indie Reviews, 10/4/13


“You have created your characters very well. I feel for Clara, I imagine her alienating a lot of people because her enthusiasm and drive and ability to push herself makes her someone who doesn’t suffer fools gladly. I would have liked more of the reporter’s life and I didn’t like Epifanio at all. He sounded arrogant and selfish. I loved that the aliens were chosen by lottery. You had so many good touches like that, which made the book a continuing surprise. I…have to say it is one of the most challenging, exciting and original books I’ve read.”

–(Mary) Josephine O’Brien, author, Sharing Skies, 9/14/13

“You have written a wonderfully imaginative and original story with plenty of twists and turns. I really like your multiuniverse setting with different timelines and the concept of the ‘Many Worlds Collective.'”

–Sophekles, author, The Serotonin Transfer, 10/8/13

“I love your sense of humor. I literally laughed out loud when Clara said that she had given him the name ‘Led.’ I also like that this is an alien story where the aliens are helping, rather than trying to take over the world. It’s a refreshing angle.”

–S.M. Koz, author, Pangalax, 9/4/13

[after reading 1st 20 pages only] “…In a lot of ways I’m at a loss to critique this because it’s quite different than what I’m used to encountering. It’s a more immediate version of Stranger in Strange Land by Heinlein. Now, what I say next is strictly speaking off the cuff at 11 PM after a couple of rum and cokes, but as it stands I’d probably rate this either three or four stars, depending on how it develops. Once I got into the ideas behind it all, I found it personally fascinating. I’m not sure how that would translate to a broader readership, but it’s nifty stuff. I like alternate timelines and the like…”

–Alexander Crommich, reviewer @ Crommich Industries

“The writing is complex and done extremely well….There were times when I almost forgot I was reading a work of fiction and not a news account of real events, and I would consider that to be skilled writing indeed….[D]id I enjoy more of it than not? Yes. Four stars. Did I like the overall content? Most of the time. Three stars. Was the writing of good quality? Oh, definitely yes. Five stars. My overall rating: four of five stars.”

–Lynda Dietz, Easy Reader

ilovetoreadyourbooks.blogspot.com, 11/4/13

Volume II, This Changes My Family and My Life Forever, is $3.99 for ebooks and $POD.

final cover print

Volume II: This Changes My Family and My Life Forever [released 6/9/14, Smashwords, Amazon and elsewhere]

Intrigued by multiple timelines, aliens, psi skills, multiverse romances and planetary changes? Clara and the alien Band of holos are back. As Earth’s first Chief Communicator, Clara leads the way for interspecies communication on- and off-planet and for figuring out how to deal with simultaneous time and multiple timelines in the ever-changing multiverse.

Fighting to support these changes are the Psi-Warriors, led by its reluctant leader, Chief OverSeer Rabbi Moran Ackerman, against the Psi-Defiers, led by one of the oldest friends of the Chief. Moran reveals his struggles and successes with his Excellent Skills Program training experiences on the new Campus and at home.

Stories in This Changes My Family and My Life Forever come from younger Spanners as well as Clara via “Snapshots” of her earlier life with anecdotes from Epifanio Dang, her on/off lover, and Esperanza Enlaces, Earth’s Chief Media Contact, and others about the first five years of The Transition.

What would you do with the changes?

REVIEWS for Volume II:
5 Stars for This Changes My Family and My Life Forever, Volume II, The Spanners Series
“One thing I like very much about The Spanners Series is the message that we can all live together in peace, learn from each other, be there for each other. All differences (religious, racial, gender, and even between species and inhabitants of other planets) are overcome. I mean, how cool would that be to be able to communicate with animals – and not in a jokey, Eddie Murphy-Dr. Dolittle-kind of way, but accept them and their needs / interests as equal to humans? And those people who resist change (yes, there will always be those, even if it is clear that the change is for the better) will not be eliminated, but gently persuaded to recognise what is best for them.”

–Peggy Farooqi, The Pegster Reads, 5/31/14


About the Author
Sally Ember, Ed.D., has been passionate about writing since she was nine years old. She’s won prizes for her poetry, stories, songs and plays. She began meditating (right after The Beatles) in 1972.

Now, Sally delights fans of paranormal and romance by blurring the lines between fact and fiction in a multiverse of multiple timelines, often including exciting elements of utopian, multiverse, science fiction and Buddhism. Her sci-fi /romance/ speculative fiction/ paranormal ebooks for New Adult/adult/YA audiences, The Spanners Series, are unique, exciting, thought-provoking and amusing.

Visit her Youtube Channel for book trailers, author readings, and a live Q & A with Sally plus more: https://www.youtube.com/channel/UCqnZuobf0YTCiP6silDDL2w

Born Jewish on the cusp of Leo and Virgo, Sally’s life has been infused with change. She is a long-time Buddhist meditator who writes, swims, reads and hosts her Google+ Hangout On Air (HOA) CHANGES conversations with authors, LIVE almost every Wednesday (but on hiatus for November & December, 2015), 10 – 11 AM Eastern time, USA. Join in the fun by commenting and asking questions during the live show on G+ or Youtube, or visit archived CHANGES shows: https://www.youtube.com/playlist?list=PLPbfKicwk4dFdeVSAY1tfhtjaEY_clmfq

If you are an author or know one, learn more about and get yourself scheduled on or recommend someone as a CHANGES guest: https://sallyember.com/changes-videocasts-by-sally-ember-ed-d

Sally blogs regularly on wide-ranging topics and includes reviews, interviews, guest blog posts, and excerpts from her ebooks. Visit and comment, follow, “like,” and share! http://www.sallyember.com/blog

In her “other” professional life, Sally has worked as an educator and upper-level, nonprofit manager in colleges, universities and private nonprofits for over thirty-five years in New England (every state), New Mexico and the San Francisco Bay Area before returning to live in St. Louis, MO, in August, 2014. Sally has a BA in Elementary Education, a Master’s (M.Ed.) and a doctorate in education (Ed.D.).

Interacting With and Finding Sally Online

Please write a review and give Volumes I and II and then this one, III, a rating on SMASHWORDS, iBooks, Kobo, nook, Amazon, whatever retailer you use for ebooks, as well as many other sites that bring readers to this book: Library Thing, Wattpad, Indiebooks, Goodreads, Booklikes, Shelfari, and her blog, http://www.sallyember.com/blog. Help bring people to The Spanners Series via any other website that invites readers to post comments and reviews of Sci-Fi novels, especially if you LOVE it!

Thank you for reading and considering the implications of The Spanners Series. Talk it up! Tweet! Post! Write to Sally! Blog your opinions and responses!

Sally wants her readers to know: ‘”I change my books based on readers’ suggestions! Also, I would be delighted to visit your Book Club or class if you are using one or more of the books in The Spanners Series. Ask me to co-develop curricula, projects and activities for your group/class members!”

You will want to visit on Facebook, where she is known as “Sally Sue Fleischmann Ember,” and has a Spanners Series page: https://www.facebook.com/TheSpannersSeriesbySallyEmber
or her website to find out when the next Volumes will be available.

She is also very active on Google+ as “Sally Sue Ember” and on her Spanners Series page: https://plus.google.com/u/0/b/115730970500394047116/115730970500394047116/about

Follow Sally on Twitter @sallyemberedd and please Tweet about this book and The Spanners Series!

For photos, images, music, bios and other memes relevant to Sally as an author and directly to The Spanners Series, please visit her boards on Pinterest: “The Spanners Series includes…”; “Inspirations for the Earth locations in The Spanners Series“; “Music of The Spanners Series“; “Space Shots I like”; “Books that changed my life”; “TV shows and movies I actually like”; “Writers I Love”;”Resonating Pins” (from others’ boards); “Blog Posts”; CHANGES Episodes; and, “Flora and Fauna that amaze me.” She also puts up promos for her own and other authors’ books on occasion via “Book Billboards ” and other sites favoring Indie Authors. Please follow her Boards on http://www.pinterest.com/sallyember.

News and Other Information

Sally is experimenting with CROWDCREATING sections or upcoming Volumes VIII (for and seeking youth and New Adults) and IX (for and seeking adults) of The Spanners Series. If you’d like to participate by making story or character suggestions, writing a portion or an entire chapter, or collaborating in other ways, please email sallyember at yahoo or ssfember at gmail and tell her a little about what Volume or portion you’d like to help create! Put “CROWDCREATOR” in the subject line.

Must contact Sally by January 1, 2017, for Volume VIII and July 1, 2017, for Volume IX to be considered for inclusion in the CROWDCREATION.

Sally is also running a CROWDFUNDING campaign to get her ebooks into print, improve the audio quality of her talk show, fund the next books covers and cover other expenses on Patreon. Donate $4 or more and get Rewards: a free ebook, discounts on her editing/proofreading/writing tutoring services and more: http://www.patreon.com/sallyember

The Spanners Series‘ covers and logo #art by WillowRaven: willowraven-illustration.blogspot.com


All published by logo

5 Stars***** for This Changes Everything, Vol I, The Spanners Series: “a fantastic science fiction read”!

5 Stars***** for This Changes Everything, Vol I, The Spanners Series: “a fantastic science fiction read”!

Cover art and logo by Aidana Willowraven for The Spanners Series http://willowraven.weebly.com/

Debra L. Mauldin “willowtree” reviewed This Changes Everything, Vol I, The Spanners Series
Book Review August 24, 2015

“Her characters are well-rounded and strong.”

“The reader has to think with an open mind and will find that everything flows, reverses, and fast forwards in an easy and understandable story.”

“Trust me, this book is not boring and is easy to follow if you don’t try to make it too hard.”

“I highly recommend this book to all science fiction and utopias/dystopias readers.”

read full review here:

or on Amazon, where you can download Volume I, This Changes Everything, PERMAFREE:


Vol II, This Changes My Family and My Life Forever, is $3.99

final cover print

Vol III, This Is/Is Not the Way I Want Things to Change, goes into half-price pre-orders 11/1/15 – 12/7/15 for $1.99, then $3.99 on 12/8/15, RELEASE DAY!

For all links, other reviews, author interviews, updates and excerpts: http://www.sallyember.com Look right; scroll down