REBLOGGING: “Locally Grown #Book #Marketing for #Indie #Authors” from Author Marketing Expert
REBLOGGING: “Locally Grown #Book #Marketing for #Indie #Authors” from Author Marketing Expert
#Indie #Author Day 2017: Saturday, October 14!
TODAY (September 16, 2017) were events at our local library’s main branch (St. Louis County) for “Indie Author Day,” but YOUR library may have other plans! Check!
The second annual Indie Author Day will be held IN SOME PLACES on Saturday, October 14, 2017. This event brings together libraries and local writers around the world for a day of celebration and inspiration devoted to indie authorship.
Registration for Indie Author Day 2017 is officially open. Visit the Indie Author Day website, https://goo.gl/6HJZG3 . to learn more information about this year’s event and how to get involved in IAD programming near you.
From the Indie Author Day website:
HOSTING AN EVENT
In addition to a selection of on-demand video workshops that will be available from Indie Author Day sponsors, there are many activities for your #library to offer as part of its Indie Author Day 2017 event.
To get you brainstorming, here are some suggested activities that #libraries have done at past events:
—An #author panel featuring traditional, hybrid and self-published #authors from the community
—Presentations from local indie authors about writing, marketing and more
—Book readings and / or signings from local authors
—Presentations from local industry leaders
—Presentations and workshops to inform the writing community about tools available for them to use through the library
—Author readings and open mics, featuring short segments of each author’s works
Alert the media with our Press Release templates for Authors and Libraries [there are downloads for each on this website].
Are you a #library hosting Indie Author Day? Spread the word with these pre-written social media post. http://indieauthorday.com/wp-content/uploads/2016/10/Indie-Author-Day-Social-Media-Posts.pdfs [there are downloads for images, logos, more, on this website, such as the Partners’ Logo, below]!
Here are their sample posts (you can add your own hashtags and other info, such as “RT,” to these):
— Calling all #indieauthors! Join us as we celebrate our local authors for #IndieAuthorDay on Oct.
— We’re hosting an event for #IndieAuthorDay on Oct. 14! Join us if want to support our local
#selfpub and #indieauthors!
— Are you an #indieauthor? We’re #indie you! Join us for #IndieAuthorDay on Oct. 14!
— We’re excited to support our local authors for #IndieAuthorDay on Oct. 14!
My guest blog post on Tonya R. Moore‘s Sci-Fi site from July, 2014, re-issued/ updated today!
“#Utopian #Sci-fi/ #Speculative Fiction: Why it’s Intriguing and Necessary”
image from http://www.nypl.org (New York Public Library)
Writers are often exhorted to “write the books we want to read,” especially when they seem not to exist, yet. I am following that advice with The Spanners Series. I know what I want to read and what I can’t find because I am a life-long, avid reader. I have probably read hundreds of thousands of books in my 60 years of reading independently and quickly, sometimes enjoying ten books a week. If I say that books like mine—–more utopian sci-fi/speculative fiction series like The Spanners—–don’t yet exist, I’m probably correct.
However, there is a long history of utopian sci-fi that spawned speculative fiction and inspired technological and biological/ medical breakthroughs/ inventions and social and political change over many centuries. Ann Grindley’s article from May, 2014, http://www.fact.co.uk/news-articles/2014/05/utopia,-limited-what-can-sci-fi-tell-us-about-our-future.aspx, “Utopia, Limited: What can sci fi tell us about our future?” offered these insights:
Civilisations that do demonstrate utopian qualities have surpassed our view on money, weaponry and material wealth and anxiety. They have matured past our inequalities and share a common goal. This goal is usually scientific, in a sense that they have discovered, created, and utilise technology which unites people globally.
I don’t know which “civilisations” Ann Grindley referred to, but I’d like to find them!
Grindley seemed to be quite supportive of my intentions when she stated: “I’d like to think utopia still requires creativity and pleasure through art, although maybe utopians won’t need escapism.”
Grindley also verbalized my heartfelt wish: “It is wonderful how even in our social and political density and under-development, that we can imagine an idyllic and model world…” But then, she recognized the possibility that “our ideas of utopian and dystopian futures are only limited to our current knowledge and understanding, and perhaps that is why, in reality, we’re yet to achieve the fantasy; the fiction in our science. Perhaps utopia is beyond our imagination as well as our means.”
Well, perhaps our imagination is not that limited! Check out these sci-fi/ speculative fiction inventions and ideas that have become “real” as researched by Annalee Newitz, from March, 2014: http://io9.com/7-utopias-that-changed-the-future-1541411068. Newitz described several utopian sci-fi books whose ideas or inventions have influenced our lives directly, including:
—Communism by Karl Marx
“Marx’s powerful vision…inspired coups, union movements, and even hippie communes….Pop versions of Communism inspired many ‘soft’ revolutions in the uprisings of the 1960s,… often inspiring positive social changes and greater freedoms.”
—Herland by Charlotte Perkins Gilman
“Herland is a lost island nation where everyone is equal, goods are plentiful, and war is unknown. It is an enlightened, scientifically advanced society where everyone is educated and healthy…[and it is all] run and populated entirely by women…. This idea, that woman leaders would create a far less cruel and authoritarian world than men have, has influenced everything from philosophy to feminist politics.”
—Brave New World by Aldous Huxley
“Brave New World…[influenced] the Occupy movement, which is in part a rebellion against capitalist societies that try to distract people with happy consumerism, instead of addressing problems with the disparity between rich and poor.”
—Star Trek by Gene Roddenberry
“Freed from the need for money and from the horrors of war, humans in the Star Trek universe devote their lives to exploration or productive work that is freely chosen. But of course, Star Trek‘s vision is almost as old as Thomas More’s. The Enterprise is a lot like the Isle of Utopia, with elements of de Toqueville’s America, Marx’s Communism, and even Gilman’s Herland thrown in.”
Newitz summed up the utility of utopian sci-fi so perfectly: “Utopia, after all, has always been a fiction. But it’s one that can inspire us to change our worlds —sometimes, if we’re lucky, in a way that brings us just a little closer to our ideals.”
In her list, Newitz, of course, included:
—Utopia by Thomas More
“Thomas More was a British writer who invented the word ‘utopia’ — from a Greek pun that means both ‘no place’ and ‘good place’ — for this book about his idea of the perfect society. Published in 1516, the book is about a man who has returned from the Isle of Utopia, where many of England’s social ills don’t exist.”
Just to prove the point—that sci-fi and speculative fiction continue to influence us—let’s go further into more specifics from this ground-breaking novel with these fascinating recognitions, from Charlie Jane Anders, “Things from Thomas More’s Utopia That Have Come True Today” http://io9.com/5967561/things-from-thomas-mores-utopia-that-have-come-true-today:
—Before getting married, you should see your partner naked.
—Divorce is allowed for a married couple who ‘do not well agree.
—You’re under constant surveillance…….there’s no private property and everybody works for the common good when they’re not farming…
—Utopians eat in public….[which] basically means they eat out. All the time.
—Criminals are marked for life.
—Euthanasia is supported and even encouraged
—Husbands and wives go to war together.
In fact, we owe the term “utopia” to Thomas More! According to: http://www.sf-encyclopedia.com/entry/utopias: “…[More] derived the word from ‘outopia’ (no place) rather than ‘eutopia’ (good place)….It can be argued that all utopias are sf, in that they are exercises in hypothetical sociology and political science….[A] significant shift in utopian thought took place when writers changed from talking about a better place (eutopia) to talking about a better time (euchronia)….[U]topias ceased to be imaginary constructions with which contemporary society might be compared, and began to be speculative statements about real future possibilities…”
I agree wholeheartedly with this, and sadly agree with this opinion as well: “[Some authors set out to show that] all utopian schemes are absurd, and that real people could not live in them.”
I think this explains a lot, particularly the reasons that dystopias are so much more prevalent in sci-fi: it’s easier to write about disaster and failure than to imagine what could actually work out for the best, since we almost never see “the best” occur IRL [In Real Life].
One researcher claimed: “Genre sf has never been strongly utopian…. they were often small enclaves facing imminent destruction”
I hold out for members of this “small enclave” to become leaders and inspirations in every generation.
These and others recognize the dilemmas we utopian writers of sci-fi and speculative fiction face: “The necessity for works of fiction to be dramatic and the fact that workable plots require conflict inhibit the use of sf to display utopian schemes.” I face this problem in my current series.
Because I don’t want to depict a lot of death, destruction, violence, apocalyptic futures and heartache, many readers request and editors demand that my series “show more conflict.” I resist. I do mention it and refer to it, but most of it happens off-camera, in the wings, so to speak, or in conversations between two or more characters rather than the ways most sci-fi authors and screenwriters choose to depict conflicts.
I can’t be the only one who is bored and disgusted by dystopias’ ubiquitous conflicts—large-scale, CGI “wars” and “battles,” martial arts “fights” resplendent with wires to create impossible acrobatics, and car or other vehicle chases—awful, because they supplant character development, plot depth and actual emotions. Am I wrong?
Unfortunately, dystopian futures abound in both fantasy and sci-fi. Most genre writers, even those that include romance in their stories, choose to depict increasingly worsening conditions on and around this planet and across their universes. In some imaginary incipient time, their “visions” of our future pile on the violence, showing increasing discord, more political and social unrest, deaths and destruction even worse than we have now.
We already have too much awfulness IRL for me to want to read about even worse to come.
Fortunately, I am in good company. Conferences, seminars, webinars, zines and print currently devote a lot of time/space to these topics. I am encouraged, for example, by this exhortation to writers like me from a panel http://www.lightspeedmagazine.com/nonfiction/women-remember-a-roundtable-interview/ moderated by Mary Robinette Kowal with Ursula K. Le Guin, Pat Cadigan, Ellen Datlow, and Nancy Kress, given in June, 2014, in which Kowal summed it up: “We write science fiction and imagine the future we want to live in. We want that future now.”
Kowal went on to say: “Seeing how the field has changed gives me perspective on the future that I’m living in and, hopefully, will help women writing today continue to destroy science fiction for subsequent generations of writers.”
Even more approval flows to us writers of utopian sci-fi when I saw that a July, 2014, Science-Fiction Symposium from the World Futures Society http://www.wfs.org had listed these events:
A. Panel Session: “Fiction as a Futuring Tool,” featuring Madeline Ashby, Trevor Haldenby, Glen Hiemstra, and Tom Lombardo. “The work of science fiction writers and futurists often informs, sometimes predicts, and occasionally affects the future.”
B. Panel discussion: “Hacking into Utopia: The Future of Optimistic Innovation,” featuring Ramez Naam (moderator), Gray Scott, Lindsea Wilbur, and Kevin Russell. “Science fiction writers have been talking about utopian futures for a long time. What are young writers and innovators doing right now to create such a future?”
C. Panel discussion: “What Current Science Fiction should Futurists Read?” featuring Vicki Stein (moderator) Glen Hiemstra, Brenda Cooper, Madeline Ashby, and Brad Aiken.
I wish I could have attended and I wished that they had put the discussions, above, online.
I believe we need some hope, ideas of how else things could go, whether or not I always believe they will take these turns. I am imagining routes for improvement for the entire multiverse.
I am not alone in believing in a more perfect future that, due to simultaneous time, is already “here.” Gray Scott, Futurist/Founder of SERIOUS WONDER™, http://www.seriouswonder.com/about/ and http://www.seriouswonder.com/category/scifi/, has this tagline on his website: “The future has already happened and technology is just the echo bouncing back at humanity.“
His “think-tank” self-describes in this way:
SERIOUS WONDER is a progressive future concept and technology website. We are obsessed with the future. Our mission is to bring our readers the best in futuristic ideas, technology, robotics, science, techno-philosophy, psychology, space travel, and modern concept design. Intense curiosity, positive intention and inspired imagination can transform our future. This future will be more magical and abundant than anyone could ever imagine. We are constantly looking for innovation and optimistic wonder. The future is our passion.
The future IS now!
Donna Dickens listed “science-fiction becomes science-fact” from 2012:
—Quadriplegic Uses Her Mind to Control Her Robotic Arm
—Stem Cells Could Extend Human Life by Over 100 Years
And, from 2013:
—Two rats have their brains telepathically linked.
—Portable device allows users to see through walls.
—Program allows user to remotely move objects with their hands.
—The world’s first fully mind-controlled synthetic leg goes for a stroll.
If you like these “Science-Fiction-Becomes-Science-Facts” lists? Check out this great chart/ infographic:
Here are some compelling reasons we need and want to have such optimistic creativity from writers of sci-fi:
The value of science fiction has been also recognised in the rise of a new method for designing technology, called design fiction. If science fiction stimulates the imagination about extraordinary views of the future, design fiction explores the futures that ordinary people would prefer. Design fictions—like short sci-fi films, prototypes and graphic novels—are provocative and engage people, encouraging them to envision, explain and raise questions about direction of future technology and society.
Then, we have the incredible Raymond Kurzweil. I first read about him in Mike Floorwalker’s post from March, 2013: http://listverse.com/2013/03/15/10-ridiculously-specific-predictions-that-came-true/ Kurzweil is an inventor and a futurist who is also the Director of Engineering at Google. According to Floorwalker, Kurzweil has “made dozens of predictions over the several decades—–with an absolutely unbelievable rate of accuracy. Not only do Kurzweil’s predictions almost always come true, he usually can accurately predict WHEN they will come true.”
As if that’s not enough, “…[i]n his novel, The Age Of Intelligent Machines, Kurzweil predicted: the fall of the Soviet Union by 1991; a computer’s beating the best human players at chess by 2000; and, wireless Internet’s becoming practical for mainstream use in the early 21st century. In The Age Of Spiritual Machines (1999), Kurzweil predicted ebooks, facial recognition software, and nanotechnology…” among other things!
Floorwalker stunned me with these stats on Kurzweil: “Kurzweil stated that by 2009, 89 out of 108 predictions he had made were entirely correct. Of the rest, 13 were ‘essentially correct’—likely to come true within a few years. A re-evaluation in 2012 determined that Kurzweil’s prognostications are correct a ridiculous 86 percent of the time—and the good news is, this is a man who has predicted that it won’t be too long before we humans conquer death altogether.”
Kurzweil is beyond a genius: he reinforces the existence of simultaneous time. How else do you explain his timely “inventions” and uncanny “predictions”? Floorwalker informed us: “His inventions are numerous—–text reading software, speech-recognition devices—–and five of his novels have been bestsellers.”
We sci-fi writers should ALL be more like Kurzweil!
I like to believe that I am predicting, prognosticating, prophesying and foretelling, since my stories depict better times in every way. Even when things are “bad,” there is more “good” than bad. I am continuing my utopian illusions in The Spanners Series.
In my current and future multiverses, all communicative beings, including humans, will have more pervasive and lasting peace, better circumstances and conditions, and inner spiritual strengths that lead to harmonious living: we can have it all!
“The Author’s Adventure Summit 2017” is hosted by:
Lisa DeSpain, “The Successful Author’s Book Coach” (her own eponym), who can be reached at: firstname.lastname@example.org, and who can be found (and more info, also) at: http://book2bestseller.com
[I am not endorsing, recommending, or benefitting, myself. I have attended worthwhile webinars/workshops online led by a few of these presenters. Sharing, therefore.]
Lisa sent this note and schedule, below, to those of us who subscribe to her newsletter and who signed up to be notified of this coming week’s events in the The Author’s Adventure Summit 2017 (which runs May 8 – 19, 2017).
Sign up here: http://www.book2bestseller.com/authors-adventure-summit/ to get on the list, access the free events, or decide to pay and access more (I am not paying).
Hi – just a quick note to let you know what’s happening this upcoming week. I’ll be sending a daily schedule with links so you can easily click through to the summit interviews for the day. Here’s an overview of the week:
WEEK TWO SCHEDULE
Monday, May 15
Derek Murphy, “Fantastic Fiction Promotional Strategies” http://book2bestseller.com/derek-murphy
Jill Celeste, “The Director of Marketing for Your Book Business” http://book2bestseller.com/jill-celeste
Elena Rahrig, “Traditional Publisher or Self-Publisher?” http://book2bestseller.com/elena-rahrig
Tuesday, May 16
Eric Van Der Hope, “Finding Your Tribe & Building Your Platform” http://book2bestseller.com/eric-van-der-hope
Lori Hardegree, “Facebook Secrets for Authors (The Red Hot Edition)” http://book2bestseller.com/lori-hardegree
Penny Sansevieri, “Offline and Online Marketing Strategies” http://book2bestseller.com/penny-sansevieri
Wednesday, May 17
Shari Stauch, “Fun Ways to Build Your Author Platform” http://book2bestseller.com/shari-stauch
Kiki Chatfield, “New Publicity Methods You’ve Never Heard Of” http://book2bestseller.com/kiki-chatfield
Kimberley Grabas, “6 Essential Elements of a Flawless Book Launch” http://book2bestseller.com/kimberley-grabas
Thursday, May 18
Sharon Hamilton, “Becoming a Bestselling Author” http://book2bestseller.com/sharon-hamilton
Alinka Rutkowska, “Why 72% of Self-Published Authors Never Sell
More Than 1,000 Books” http://book2bestseller.com/alinka-rutkowska
Jen Levitz, “5 Keys to Writing a Lead Generating Business Book” http://book2bestseller.com/jen-levitz
WEEK ONE SCHEDULE (may need to pay to view older shows…)
Monday, May 8
Randy Peyser, “How to Get a Book Deal with a Publisher” http://book2bestseller.com/randy-peyser
Tamara Monosoff, “Adding Interactivity and Working with Affiliates” http://book2bestseller.com/tamara-monosoff
Tenita Johnson, “Beyond the Bestseller List” http://book2bestseller.com/tenita-johnson
Tuesday, May 9
Valerie Gangas, “Going Pro on the Path to Enlightenment” http://book2bestseller.com/valerie-gangas
Laila Ali, “From Traditional to Self-Published” http://book2bestseller.com/laila-ali
Rocky Callen, “Learning How to Bleed Ink” http://book2bestseller.com/rocky-callen
Wednesday, May 10
Amanda Young, “Finding Clarity as You Write Your Book” http://book2bestseller.com/amanda-young
Ellie McLove, “Editing: When to Change it or Leave it for Style” http://book2bestseller.com/ellie-mclove
Nina Amir, “Inspiration to Creation” http://book2bestseller.com/nina-amir
Thursday, May 11
Tamara Dever, “The Selling Power of Book Design” http://book2bestseller.com/tamara-dever
Joel Friedlander, “Secret Ways that Authors Really Make Money” http://book2bestseller.com/joel-friedlander
Robin Cutler, “Getting Ingram Distribution through IngramSpark” http://book2bestseller.com/robin-cutler
Friday, May 12
Steven Spatz, “Distribution + Service = A Winning Combination” http://book2bestseller.com/steven-spatz
Kristin Steele & Dan Verdick,”The Top 4 Things You Need to Know About Book
The Presenters for both weeks of The Author’s Adventure Summit 2017
Lisa ended her email with a few cute lines, then this info:
P.S. If you think you’re going to have trouble watching the interviews on their live dates, you might want to get a VIP access pass (if you haven’t already). Here’s the link to become a VIP: http://www.book2bestseller.com/masterclass-vip/
2017’s Indie Author Fringe 2nd of 3 online conferences, “Fringe to BookExpo,”, happens in a few weeks, on Saturday, June 3rd, 2017. Click here for more info and to register: http://selfpublishingadvice.org/what-is-indie-author-fringe/
This year’s conference “features 24-hours of self-publishing sessions for authors with an independent spirit. The agenda we’re developing will help you reach more readers and sell more books, and includes tips, tools, and techniques for marketing and promoting yourself and your book.”
I am a proud member of Alli, and this message is from one of the three organizers, Orna Ross, of Alli (the Alliance of Independent Authors)(David Penny and Jay Artale are the other two):
We’ve added more speakers and you can click here, http://selfpublishingadvice.org/bookexpo-indie-author-fringe-2017-speakers/ , to view the bios we’ve published so far.
It’s free to enter our Book Cover Competition here, http://selfpublishingadvice.org/indie-author-fringe-2017-cover-competition-submission/ , and you can check out the competition entries we’ve already received [on that site as well].
Over the coming weeks, we’ll let you know about the Sponsor deals and discounts, and reveal the changes we’re implementing for this upcoming Indie Author Fringe event.
Until then, happy writing and publishing…
Next Alli Indie Author Fringe online conference: October 14, 2017.
Look who’s included in “Sci-Fi Women Interviews: The 2016 Collection,” by Natacha Guyot!
Thanks, again, Natacha, for including me in your roster of #women #scifi #authors for 2016 and now, in this compendium of your interviews as a #free #ebook on #Smashwords (which has all ebook formats available for download).
Download your copy today! https://www.smashwords.com/books/view/710894
The 2016’s women science-fiction authors Natacha interviewed and put into this book:
December 2016: Kate M. Colby
November 2016: Tonya R. Moore
October 2016: Alison Berrios
September 2016: Tracy Gardner
August 2016: Marie Bilodeau
July 2016: D. Wallace Peach
June 2016: Philippa Ballantine
May 2016: Amanda Ward
April 2016: Diana Gordon
March 2016: Sally Ember
February 2016: Jennifer A. Miller
January 2016: Robin Rivera and Heather Jackson
Visit Natacha’s website and read more of her work and blog: http://natachaguyot.org
She also has another compilation ebook and an ebook of some of her #feminist blog posts in another compilation on Smashwords, plus, the individual archives of her 2015’s interviews and the beginning two months’ worth of 2017’s interviews on her website.
“Natacha Guyot is a French researcher, author and public speaker. She holds two Master’s degrees: Film and Media Studies (Paris III Sorbonne Nouvelle) and Digital Culture and Technology (King’s College London). Her main fields of interest are Science-fiction, Gender Studies, Children’s Media and Fan Studies. Besides her nonfiction work, she also writes Science-Fiction and Fantasy stories.”
#bookreview guidelines, updated
Your book sounds interesting, but I don’t have a lot of time or interest in most reviewing activities and I am very picky. Review the below carefully.
I might be interested in reading and reviewing your novel, if your novel:
— has NO graphic or, if it has violence, it is mostly “offstage” and not often repeated (no serial killing plots)
— there are a minimum of plot-reduction devices (fights, car chases, bomb blasts, etc.)
— the character development and plot devices are good to excellent
— has no raping
— has no torture
— has no BDSM scenes
— has no romanticizing helpless women
— has no gratuitous or abusive (even if “consensual”) sex, strip clubs, boxing, mixed martial arts, car races, motorcycle races, circuses or rodeos or other such settings/activities, for “atmosphere”
— has no human trafficking
— has no mutilation of animals or people
— has no child predators
— has non-plot-advancing violence
— does not have your trying to get “inside” the mind of the villain and writing in his/her “voice”
— has any Middle Eastern, Russian or other stereotyped ethnic villains.
I AM NOT A PRUDE, and not a censor. It’s that I now consider the aforementioned to be boring and lazy writing as well as disrespectful and hate-mongering and /or these elements give me bad dreams.
If your book fits my criteria, then one final note: I cannot read a PDF on my Kindle (I can’t enlarge that document’s font size and it is always about 6-pt, for some reason). The document has to be in a .mobi format.
Finally, I only submit honest reviews. If your book is truly horrible or has severe editing problems, I may email you after reading a few chapters and ask if you want me to continue or not, since that would definitely earn it only 1 or 2 stars, at best. I do not post DNF “reviews” unless the author refuses to respond to that question in an email within 2 weeks.
So, let me know.
Best to you,
Sally Ember, Ed.D.
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