“The Friday TV Report” 29 for 10/6/17 from Sally Ember, Ed.D., and her mom, UPDATED 10/20/17

“The Friday TV Report” 29 for 10/6/17 from Sally Ember, Ed.D., and her mom, UPDATED 10/20/17
Mom and I, August, 2017

I (Sally) update this ever-changing post of ongoing mini-reviews and premiere/return dates of certain non-premium cable TV, Amazon Prime and Netflix shows with our opinions (begun in fall, 2015). Check on Fridays!

And, I am also maintaining a summary section (“Yays,” “Nays,” and “Still Considering”), and an additional, constantly updated “news” section, below, with rumors and truths about interesting projects/actors/shows. I also add to reviews of many previously reviewed shows with new info and opinions often, so check weekly if you’re interested in those updates.

This is Report 29 for 10/6/17, and each post is UPDATED frequently (TODAY’s was UPDATED 10/20/17); next full post, 11/3/17.

Regarding late-night shows
(which are often repeated in the early morning hours):

—we both watch James Corden‘s “Carpool Karaoke” and “Broadway at the Crosswalk” when they’re on the regular channel (we don’t get iTunes shows), but not the rest of his show;
—we watch the first or both of the first parts of The Late Show with Stephen Colbert, and sometimes one or more of his guest spots;
—my mom watches The Tonight Show with Jimmy Fallon, but I only watch a few bits, usually on YouTube, later (“Lip Sync Battles,” e.g.);
—Mom watches Seth Myers‘ show’s first parts, but I do not;
—I sometimes watch the first parts of The Daily Show with Trevor Noah (we miss you, Jon Stewart!), but Mom does not;
—Mom watches all of Saturday Night Live, but I don’t like it (never did);
—Mom also watches Rachel Maddow, Lawrence O’Donnell and a lot of other MSNBC news shows, but I do not;
—I catch some of John Oliver’s Episodes on YouTube a few times a year; Mom does not.

Our constantly updated summary (newly put into the form of sections for “Yays” and “Nays” and “Still Considering”) for the 2017-18 Season (as of 10/20/17):

image from Pixabay

Blue Bloods
The Good Doctor
Designated Survivor
Full Frontal with Samantha Bee
Good Behavior
Grey’s Anatomy
Madam Secretary
NCIS New Orleans
The Defenders
The Gifted

Chesapeake Shores (WRETCHEDLY STUPID)
Great News (INSIPID)
Modern Family (BANAL; Final season this year, anyway)
Star Trek: Discovery (didn’t like it and won’t pay, anyway)
The Brave (already canceled, after 1 Episode!)
The Good Place (SEASON 2 rots)
The Opposition with Jordan Keppler (STALE BEFORE IT BEGAN)

Still Considering/Not Great/BORING

(image from Pixabay)
Chicago PD
Chicago Fire
How to Get Away with Murder
*Kevin (Probably) Saves the World
Marvel Agents of S.H.I.E.L.D.
The Blacklist
This Is Us

(Thanks to and most quotes, below, from: Women & Hollywood, http://renewcanceltv.com and Deadline)

NBC’s version of a new Nancy Drew series “’…follows the author of the most famous female teen detective book series who is thrust into a real-life murder mystery….In need of help, she turns to her two best friends from childhood, who were the inspiration for all those books, and the women who have a real axe to grind about the way their supposed best friend chose to portray them all those years ago.’” Confusingly, this new series is still being produced by CBS studios but won’t run on that channel and no longer stars Sarah Shahi (Person of Interest, Fairly Legal) who played Nancy in CBS’ pilot for this newly relocated and redesigned series.

—VERY EXCITED about this (I am such a GEEK!): Roswell is coming back to the CW with a new series, updated stories and aged characters! https://www.fanbolt.com/88498/roswell-reboot-happening-cw-heres-know/ If you are a fan or if you are new, the link provides background and details. This show launched many careers: writing (Kevin Kelly Brown); producing (Jason Katims) and, acting (Shiri Appleby, Jason Behr, Katherine Heigl, Brendon Fehr, Majandra Delfino and Nick Wechsler). “The official logline for the rebooted series reads: ‘After reluctantly returning to her tourist-trap hometown of Roswell, New Mexico, the daughter of undocumented immigrants discovers a shocking truth about her teenage crush who is now a police officer: he’s an alien who has kept his unearthly abilities hidden his entire life. She protects his secret as the two reconnect and begin to investigate his origins, but when a violent attack and long-standing government cover-up point to a greater alien presence on Earth, the politics of fear and hatred threaten to expose him and destroy their deepening romance.’”

Diablo Cody (Juno) has a new project at Fox, executive producing Two Nights, a cop drama written by Finding Carter co-creator Emily Silver, who will also serve as an EP. The story “…centers on Sunday Night, ‘a former cop with memorable name and a smartass sense of humor who lives on a shrinking island with her pet squirrel and not much else….But when her foster father asks for help in the kidnapping case of a young girl, Sunday is pulled back into the world of law enforcement, forcing her to confront her own demons as she solves cases for the Criminal Investigative Division of the FBI.’” From VARIETY.

Natasha Lyonne (Orange Is the New Black), writer-director Leslye Headland (Sleeping with Other People) and Amy Poehler (of numerous films, SNL and Parks and Rec) are teaming up for an [untitled] eight-episode comedy series for Netflix. Lyonne will star and co-write with Headland. “[T]he series follows Nadia (Lyonne) on her journey as the guest of honor at a seemingly inescapable party one night in New York City.” Probably not our cup of tea, but Bridesmaids and Rough Night fans will probably love it.

—“Darker and grittier than the original Sabrina, the Teenage Witch,” The Chilling Adventures of Sabrina (The CAS) is still featuring “a magically-inclined high school student with a talking cat.” But, they are going for edgy vs. cutesy, since The CAS purports to be “a dark coming-of-age story that traffics in horror, the occult and, of course, witchcraft.” Going more for Buffy than Bewitched, with a bit of The Exorcist thrown in, it seems: “Sabrina [will be]wrestling to reconcile her dual nature —– half-witch, half-mortal –— while standing against the evil forces that threaten her, her family, and the daylight world humans inhabit.”
The CAS is being framed “as a companion series to Riverdale [also from Archie Comics] for the 2018–19 season” for the CW channel. The pilot will be written by Roberto Aguirre-Sacasa and directed by Lee Toland Krieger, the same team that created Riverdale‘s pilot. I doubt if we’ll watch, but some of you might!

Quality of Life, a new series about a family-run funeral business is fronted by the great Jamie Lee Curtis, who will star, co-write, and executive produce the comedy for CBS. Co-written by Janis Hirsch (Will & Grace, Murphy Brown), this will be one of the few comedies to feature a woman over 60. Sounds intriguing.

ABC is developing a pilot for Eligible, a drama based on Curtis Sittenfeld’s 2016 novel Eligible: A Modern Retelling of Pride and Prejudice. Sherri Cooper Landsman and Jennifer Levin, who developed The CW’s Beauty & the Beast, and I. Marlene King, creator of Freeform’s Pretty Little Liars, will serve as executive producers.

Laverne Cox (Orange is the New Black and Doubt) will star in Spirited, “a one-hour drama about a fake psychic who discovers she has genuine powers.” This will be executive produced by Elizabeth Banks, with the pilot to appear (perhaps) on ABC.

—How much do we love Madam Secretary‘s creator, Barbara Hall? LOTS! Moonlighting, Northern Exposure, Joan of Arcadia, Judging Amy and Homeland are also among her fabulous writing credits, and now she has another series in development at CBS. A CIA drama, Family Business, centers on three adult siblings working in the intelligence community, just as their parents do/did.

Janet Tamaro‘s new series, Smoke and Mirrors, “will follow a retired female detective who is pulled pack into the job from her now-quiet family life. In true Tamaro fashion, the detective teams up with another female cop — a young undercover detective — and crime and drama ensue from there. Tamaro will both write and exec produce the project.”
Tamaro is the creator of one of our faves (now GONE…sob), Rizzoli & Isles.

The Jetsons is being “revived”! ABC is preparing a “live-action series revival…based on the classic Hanna-Barbera cartoon…[as] a multi-cam sitcom set 100 years in the future that follows the exploits of the Jetson family.”

—Another reason to spring for Netflix: Shonda Rhimes plans to put any new shows on that medium AND may move current ABC shows (How to Get Away with Murder, Grey’s Anatomy, Once Upon a Time and For the People [new this year] to it for 2018-19. Stay tuned!

—“Ava DuVernay, Charles D. King’s Macro & Victoria Mahoney To Adapt Octavia E. Butler’s Sci-Fi Novel Dawn For TV”
“…the first of the author’s Lilith’s Brood trilogy and a seminal work of the Afrofuturism movement. It is, shockingly, the first film or television take on the Genius Grant and Hugo Award-winning author’s work.” http://flavorwire.com/609150/ava-duvernay-developing-tv-adaptation-of-octavia-butlers-dawn

—Now we hate CBS Access even more! They added wonderful star, Audra MacDonald, as a series regular for The Good Fight. THEY SUCK for charging extra to watch these shows!

—We also hate another pay channel, Sony’s AXN for putting one of our faves, Stana Katic, (Castle) in a new series, Absentia. She plays an FBI agent returned from being presumed dead.

Amy Brenneman (fave of mine and my mom’s since Judging Amy and Private Practice; I loved her in Reign, and Mom loved her in NYPD Blue, too) is returning to TV in a pilot for TNT, Deadlier Than Male.
“The project follows a trio of characters with troubled and mysterious pasts, ‘including a woman who once looked into the eyes of a dangerous killer, a former serial predator desperate to find redemption, and a grieving mother obsessed with finding her missing daughter,’ THR hints. ‘As each of them is pushed to the edge, the truth about their pasts and their motives grows ever murkier, blurring the lines between victim and perpetrator.’
Brenneman has been cast as the grieving mother, Mary. She’s spent years searching for her missing daughter, and ‘on one hand, her loss has made her a passionate advocate for vulnerable women, but on the other, the tragedy has given her new power and polish —– as well as a ruthless streak that makes her a threat to anyone who stands in her way.’”
Has some great writers behind it, but sounds very dismal and dark. We’ll give it a try, though.

Jaina Lee Ortiz (Rosewood) is set to star as a firefighter in another Grey’s Anatomy‘s spinoff, set in “a Seattle firehouse. The newest Shonda Rhimes series will center around the firefighters’ life-and-death situations at work and their personal lives.”
Chicago Fire, much?
Ortiz will be introduced to Grey’s Anatomy fans this fall, 2017, to tantalize fans for the spinoff’s mid-season debut. We’ll surely watch this! BUT, it may move to/premiere on Netflix! (see the RUMOR, here, about Shonda Rhimes)

—Not on our list, but, perhaps, on YOURS, is Margaret Cho‘s autobiographical dramedy, Highland, coming soon on TNT. Directed by the woman who brought Transparent, Girls, and Better Things to television and previously collaborated on three specials: Margaret Cho: CHO Revolution, Margaret Cho: Beautiful, and Margaret Cho: Dependent, Nisha Ganatra.
The stories are “inspired by Cho’s own history of drug use and follows two extended, dysfunctional Korean-American families ‘who share the same patriarch [and] must come together after tragedy strikes. As it turns out, the most reliable person in both families is the one who just got out of rehab.'”

—Missing the 20th-century Brits in Downton Abbey? Well, hang on until 2018! The ITV/PBS series is set to begin production of a sequel film to its 6-year series’ run in 2018!

NBC will have a Broadway-filmed “live” (at filming time) showing of Jesus Christ Superstar on Easter Sunday, 4/8/18. If you’ve never seen it, very worth it. It’s brilliant. One of the first “rock operas” of the 1960s-1970s, it has almost no dialogue and many amazing songs. Much more serious and politicized/satirical than Godspell, and not the same angle at all on the story of Jesus’ rise and fall.

—Also inexplicably (to me), ABC is airing The Little Mermaid as a “sing-along,” mixing “real-life singing with animated songs” in October, 2017. I guess kids will like it.

Everwood is being re-run and may be poised to be revived as well, on the CW. The show originally ran 2002-2006 with Gregory Smith and Vivien Cardone, along with Emily van Camp and Chris Pratt playing pairs of teen siblings (Greg, Emily and Vivien actually were teens for the first few years).
Starring Treat Williams and Tom Amandes as rival doctors/their respective fathers, it was fun, easy on the mind and eyes entertainment. My mom never saw it, so we’ll probably watch (I already saw most of the episodes). Premiere date not set, yet.

—One of the most significant influences on my and many others’ lives was a science-fiction book published in the 1960s by Robert Heinlein, Stranger in a Strange Land, and this now “classic tale of a human raised by Martians is being adapted into a television series”! This is a “a co-production between Paramount Television and Universal Cable Productions” being developed for the SyFy network. Premiere date not set, yet.

Roseanne is being revived and will premiere on ABC mid-season, 8 episodes only, 2018. Even John Goodman‘s character (who died in their last season) will return (presumably in “new” flashbacks).

Roseanne Barr, of course, will return, as will former cast members, Sara Gilbert, Laurie Metcalf, Michael Fishman and Lecy Goranson, with Sarah Chalke also back, but in a different role. I never watched the original except in clips (in my no-TV years), but I might give this a watch. Mom says: “Yuck.”

PSYCH is returning to the network that created it, USA, and NOT just for one “Holiday movie,” 12/7/17, as previously announced: the producer is planning at least two, possibly a total of 6 full-length PSYCH movies, as a “series,” 2017-2019.
Oooh: I hope they sing, again! So fun. I miss this show!
“…[F]eaturing fake psychic detective, Shawn Spencer (James Roday) and his best friend, Burton “Gus” Guster (Dulé Hill), the team will reunite once again… when the two-hour special premieres this December. Psych creator, Steve Franks, who co-wrote the movie with Roday, is directing. Lassiter (Timothy Omundson), Juliet (Maggie Lawson), Henry (Corbin Bernsen), and Chief Vick (Kirsten Nelson) will also return for the movie, which picks up three years after the series finale.”

—Emergency Response drama, 9-1-1, created by Ryan Murphy and Brad Falchuk, starring Angela Bassett and Connie Britton, premieres mid-season, 2018, on FOX.

A.P. Bio is going to be on NBC (mid-season, 2017-2018). This sounds interesting: Patton Oswalt (Marvel’s Agents of S.H.I.E.L.D.) and others I have never heard of or seen (yet) are starring in a comedy about a “cynical Ivy League professor [who] loses out on his dream job and goes to work as a high school biology teacher where he imposes his unorthodox teaching style and uses the kids to plot out revenge on those who wronged him.” Maybe…

—Premiere date is unclear, but Deception on ABC sounds intriguing. I don’t recognize the names or faces of any of the stars, though.
PR says: “When his career is ruined by scandal, superstar magician, Cameron Black, has only one place to turn to practice his art of deception, illusion, and influence — the FBI. He’ll become the world’s first consulting illusionist, helping the government solve crimes that defy explanation and trap criminals and spies by using deception.”
Sounds like a White Collar and The Mentalist mash-up. We liked both those shows, so we’ll probably give it a try.

—Another possibility: For the People is a courtroom drama for mid-season 2017-18 on ABC. We sometimes like these, but they can be SUPER boring if not done right.
Bull, yes. Chicago Justice, no.
We do recognize some of the stars, so we’ll try it. Features Ben Rappaport (Mr. Robot, The Good Wife), Hope Davis (American Crime), Anna Deavere Smith (Nurse Jackie), Lyndon Smith (Parenthood), Ben Shenkman (Royal Pains), and some others.
Blurb: “Set in the United States District Court for the Southern District of New York, aka “The Mother Court,” the drama follows brand-new lawyers working for both the defense and the prosecution handling the most high-profile and high-stakes federal cases in the country — all as their lives intersect in and out of the courtroom.”

Dylan McDermott is coming back with a workplace comedy, mid-season 2017-2018 on FOX, LA TO VEGAS. We miss him and his great show (recently aired and canceled after only one season, Pure Genius), but sometimes these comedies are awful, but we’ll probably give it a whirl.

FOX plans to air a LIVE production of the Tony-award-winning musical, RENT, some time this next year. Well-worth watching, I’m sure.

—Another great cast for a new show with a shaky premise, IMO: Reverie, on NBC, brings Sarah Shahi (Person of Interest), Dennis Haysbert (24), Sendhil Ramamurthy (Heroes), Kathryn Morris (Cold Case) and Jessica Lu (Awkward) for an as-yet-undetermined premiere date, mid-season, 2017-2018.
It purports to be a “grounded and dramatic thriller about a former detective specializing in human behavior who is brought in when the launch of an advanced virtual reality program has dangerous and unintended consequences.” No premier date, yet.

—We’ll be glad to see Alan Cumming (The Good Wife) back in Instinct on CBS , if they can figure out when to start showing it. No premiere date, yet.

Mandatory Credit: Photo by MediaPunch/REX/Shutterstock (7450455h)
Alan Cumming
44th International Emmy Awards, New York, USA – 21 Nov 2016

Cumming plays “a former CIA operative who has since built a ‘normal’ life as a gifted professor and writer [who] is pulled back into his old life when the NYPD needs his help to stop a serial killer on the loose. Based on the soon-to-be-published James Patterson book.”

—Seemingly a mash-up of Glee and Mr. Holland’s Opus, Rise brings in the drama classes for a new show we might like, on NBC. Starts mid-season 2017-18, starring some cool peeps: Josh Radnor (How I Met Your Mother), Auli’i Cravalho (Moana), Rosie Perez (Search Party, Lipstick Jungle), and many others pretending to be teens, I’m sure.
The show “centers on a high school drama teacher and family man whose passion for the program and his students galvanizes the entire working class town. Based on Michael Sokolove’s book, Drama High, which itself is based on real-life drama teacher, Lou Volpe.”

Emily van Camp (Revenge, Everwood) and Matt Czuchry (The Good Wife and Gilmore Girls) will star in a FOX medical drama series, The Resident, planned for mid-season 2018. “This medical drama follows the relationship between a senior resident and a young doctor at a hospital.” Also stars Bruce Greenwood.

Jacqueline Bisset to star in Journey to Miyakojima, which is scheduled to begin shooting October, 2017, in Japan. “The family drama centers on ‘a quietly ailing’ family matriarch [Bisset] and NBA team owner who hopes to ‘reunite her shattered family at a serene island off the coast of Okinawa, thousands of miles away from home.’…She convinces her granddaughter, who suffers from an eating disorder that’s getting increasingly serious, to stay at a guesthouse on the island, ‘where its beauty, a chance meeting with a treasure hunter, and a century-old shipwreck heal their wounds.’”

The X-Files reboot, which I, a faithful fan who watched every episode of the original series, thought was TERRIBLE, has just been RENEWED and plans to return mid-season 2017-2018, on FOX. Who makes these decisions?

Gina Torres WILL star in a SUITS spin-off, because it will film in LA (where she lives) instead of the usual Toronto-for-NYC. Watch her on SUITS in the final winter, 2017, Episode (a brief return, only, for that season), then, watch for Torres to headline and produce the new series centered on her Suits character, Jessica Pearson, who is about to be officially REMOVED from “her” law firm in New York at the end of the first part of SEASON 7 (went on hiatus in mid-September, 2017 and resumes early March, 2018) due to the her having been caught up in the vendetta of the New York Attorney General’s office against Harvey/Mike (doesn’t matter; she no longer works in NYC, having left for Chicago in SEASON 6).

Sonia Braga to star in Las Reinas, a new ABC detective drama, probably for winter, 2018.

Casey Wilson, Busy Philipps and Tina Fey are teaming up for The Sackett Sisters. Wilson and Philipps play sisters, with Bradley Whitford as their father, in the Fey-produced NBC comedy pilot, which may or may not get picked up for 2017-18.

Connie Britton has already risen from the dead Rayna James (Nashville) to play a leading role in Nicole Holofcener’s upcoming Netflix ensemble dramedy, The Land of Steady Habits—based on Ted Thompson’s 2014 novel of the same name—along with Edie Falco (Nurse Jackie), Ben Mendelsohn (Bloodline), and Thomas Mann (Fargo). Look for it mid-season 2017-2018. Busy woman: she is also set to star in the midseason Fox drama, 9-1-1! See above.

Lauren Graham is set to star in Linda from HR, a comedy for Fox.
“The show will center on the ‘one bad decision’ that throws ‘Linda from HR’s monotonous, unfulfilled life into an exciting but dangerous tailspin of balancing work life, home life, and a secret that could unravel everything.’” No premiere date set, yet.

This is the 29th post, for 3 weeks ending 10/6/17, UPDATED 10/20/17.

CANCELED, TBD or RENEWED shows’ statuses can be found here: http://renewcanceltv.com/cancelled-ended-tv-shows-2016-17-season/1/

For the shows we watch, I put each one’s status beneath its review or listing, when it is known.

Also, I have been steadily removing my reviews or expectations for/of all shows that have been discontinued/canceled since we started this series of posts in 2015.


My mom (85) and I (63) are probably not the “target demographic” for almost any show on television or any movie being produced currently. We live in the suburbs of St. Louis, Missouri, USA (Midwest, for those of you unfamiliar: think of that huge “Gateway Arch”? That’s here). I grew up here but then didn’t live here for 42 years; I’ve been back for over three years, now. We were both raised Jewish, but I have been a meditator since 1972 and a practicing Buddhist since 1996. We are both Caucasian women-born-women. We are considered “middle class” although we have almost zero dollars of “disposable income.” My mom is hetero; I am bisexual. We are both partly disabled. I am highly educated (doctoral degree plus other training); my mom has extensive work experience, with a high school diploma.

My mom, Carole, age 85, 2017

My mom has been a TV watcher for over 60 years. I watched a lot as a kid, but from about 1972 – 2002, I didn’t have a TV and hardly watched it elsewhere, either. I usually didn’t have a TV between 2005 – 2014 as well, but I watched some shows online (Hulu, usually) or Netflix.

We think we should be part of a group that at least some producers are aiming to please, because we (especially Mom) now watch a lot of television. We also get movies regularly from DVD borrowing through our local library. We even occasionally go to a theatre to see a movie. We eagerly await the “new season” of television every one of the four times it seems to occur every year: “Fall Sweeps” happen, but so do Mid-season Sweeps, Mid-year New Seasons, and channels with an entirely different set of “seasons.”

Also, VERY STRANGELY, starting in 2016, some scheduled shows don’t even air or only air for one or two episodes and then are summarily canceled. What is the point of that? Why put so much time, money, effort, acting and producing talent into shows and then not even air the episodes that were already recorded? At least they did air the rest of Doubt this past summer (8 months after canceling it after only airing 2 episodes), but we think it’s odd that TV producers and networks would leave shows “in the can.” What happens to those episodes? Plus, the premature renewals of unaired or newly aired shows will come back to haunt those decision-makers (mark our words with Will & Grace, for example: renewed before airing and HORRIBLE).

We also occasionally watch TV shows and movies on Netflix (since 2016) and Amazon Prime (since summer, 2017)

However, we are consistently disappointed that many shows we do like are canceled and some shows we despise seem to go on forever. Plus, we have several pet peeves:

—“Why is it always so dark in all these shows? I can’t see a thing. What is the point?”
—“Why is the music so loud but the dialogue is barely audible?”
—“Why do so many writers depict adult characters as adolescents with endless insecurities and incessant competition and/or bickering?”
—“Car chases, foot chases and fighting are NOT PLOT.”

Keep up with the changes! http://thefutoncritic.com/guide/
or here, for the schedule (as of October 6, 2017, for the rest of October and future months): http://renewcanceltv.com/tv-show-premiere-dates-2017-complete-guide/10/

We don’t watch: most “sit-coms”; any zombie or most vampire shows; reality shows (except the baking shows on BBC/ABC); extremely violent shows; premium channels (HBO, Showtime, Starz); most YA/”teen” or any children’s/animated shows.

NOTE: Our viewing “schedule” includes a lot of recording-and-watching-later, due to simultaneous broadcasts and my early bedtime.

**usually only Mom watches
*usually only I watch

For 10/6/17, UPDATED 10/20/17, I/we continue with this Friday TV Report: New and Returning PBS/BBC, Netflix, Amazon Prime, regular cable network (non-premium) RV Shows and some Specials (shows that are more recently viewed are higher up on this list)

*Kevin (Probably) Saves the World ABC (premiered 10/3/17)
I started watching this on 10/19/17, On Demand, thinking it would be stupid, but it’s surprisingly engaging. It’s unfortunately similar to both Touched by an Angel and Anne Heche‘s doomed 2013 vehicle, Save Me; I liked the latter and couldn’t stand the former.
“Kevin Finn is struggling. Directionless and cluelessly self-serving, he seems to be drifting ever closer to total despair. With his life spiraling further and further out of control, he heads home to seek refuge with his widowed twin sister, Amy, and her young daughter. On his first night there, life takes an unexpected turn when he receives an unlikely celestial being named Yvette, who has a mission for him: to save the world. It’s going to take a lot of trial and error, but maybe a bigger purpose is exactly what he’s needed all along.”
Starring ‎Jason Ritter‎ as Kevin, ‎Kimberly Hebert Gregory as the angelic force, and featuring ‎‎India de Beaufort, JoAnna Garcia, Cristela Alonzo, J. August Richards, Dustin Ybarra. I like the cast a lot.
Even though the premise is sci-fi/fantasy/God/angels and such, so far, I like it. It’s a bit heavy-handed on the Christian theology and I bet it will be canceled, but I’m going to watch the rest of the Episodes.
I am liking this surprisingly much

*Good Behavior TNT (returned 10/15/17, SEASON 2; reruns of SEASON 1 aired in summer/early fall, 2017, hope you caught up!)

Good Behavior TNT

Michelle Dockery (Downton Abbey) is amazing in this series based on the Blake Crouch stories surrounding Letty Dobesh (an American ex-con con artist), “in a near future where corporations have unlimited power,” like, NOW…. I watched the first season by myself and wasn’t sure if I’d continue. There is a lot of violence, drug use and pathetic people, which are not what I usually want to watch. However, I am somewhat interested in con games and this has proven to be more interesting than violent.
Juan Diego Botto plays a complicated love interest for Letty: very interesting dynamic between them.
The other characters are drawn deliberately as pathetic and/or extremely depraved, for the most part, except for Letty’s son, played well by Nyles Julian Steele.
Lusia Strus plays Letty’s mother well, but the character is bizarre.
I like this show, but it’s DARK; KEEPING for SEASON 2

Madam Secretary CBS (returned 10/8/17)
GREAT SHOW! LOVE Tea Leoni and Tim Daly, and the “kids” are still great, as are the others. Strong start to Season 3. Still loving this.


Supergirl CW (returned 10/9/17)
For SEASON 3, Supergirl seems depressed, angry and unwilling to play nicely as Kara Danvers so much. We’ll see.
Some new peeps: Adrian Pasdar (Heroes, Agents of S.H.I.E.L.D.) as “a villainous real estate tycoon whose vision of National City’s future clashes with Supergirl’s ideology”; Carl Lumbly (Alias, Southland, The Cure for Wellness) as “Martian Manhunter’s father, M’yrnn J’onzz”; Emma Tremblay (Elysium, The Judge, The Giver) “as a young Supergirl super fan”; Yael Grobglas (Jane the Virgin, Reign) “as DC character, Psi, a psychic who cruelly manipulates people’s minds”; Laura Benanti can’t continue in her dual role as Supergirl’s mother (as a hologram)/aunt (killed off in SEASON 2), but Erica Durance (Saving Hope, Smallville) as the new holographic/dead mother replaces someone she does not closely resemble, which is odd.
Also, Calista Flockhart will return often and is in SEASON 3’s premiere.
For a trailer of SEASON 3 and more news on this and other Sc-fi/comic-based TV and films (we don’t watch most of them): http://www.denofgeek.com/us/tv/supergirl/261313/supergirl-season-3-trailer-release-date-cast-villain-details-and-more-news
Excited some of these talented actors were singing on The Flash; we watched both for the cross-over and musical episodes in SEASON 2. MORE, please?

Scandal ABC (returned 10/5/17 for 7 final episodes)
We have watched them all, so we have to finish with the sick characters, so well-acted, of this series. Changes in Olivia (Kerry Washington) are awful, though.
Gotta finish, but no one to root for!

The Gifted Fox (premiered 10/2/17)
We liked this, although we muted or fast-forwarded through all the shooting and fighting and car chases (so BORING and LOUD). The premise (a father who switches “sides” to save his family) is a lot like that of Colony, which we also like.
One of my long-time faves, Amy Acker, is the mom, in yet another show from Marvel comics (but not with Joss Whedon at the helm), co-parenting [with Stephen Moyer (True Blood)] a pair of mutant (X-Men-universe) children.
Also stars some others I/we have liked: Coby Bell (Burn Notice), Sean Teale (Reign, Incorporated), Emma Dumont (Aquarius, Bunheads).
“A suburban couple whose ordinary lives are rocked by the sudden discovery that their children possess mutant powers [are] Forced to go on the run from a hostile government. [T]he family joins up with an underground network of mutants and must fight to survive.”
For several trailers, show art and more casting, producers and plot info: http://www.denofgeek.com/us/tv/the-gifted/256921/marvels-the-gifted-trailer-release-date-and-more-news
Too much violence and fighting, but we like the ideas and actors

9JKL CBS (premiered 10/2/17)
Although this has a very good cast, it is exactly as insipid and inane as we expected. With the terrible writing, posturing instead of acting, and laugh track, it is unwatchable. Sadly, it is based on some true-life experiences of its star, Mark Feuerstein (Royal Pains), with his parents (played by the great Linda Lavin and Elliott Gould, and his other relatives all in one apartment building for a while. Why?
Surely doomed and deserves to be

Wisdom of the Crowd CBS (premiered 10/1/17)
Some people gave this show a low rating, but we both really liked and plan to continue watching it. So there.
Starring Jeremy Piven (Entourage, Mr. Selfridge), Monica Potter (Parenthood), Richard T. Jones (we loved him in Judging Amy and my mom has seen him on Hawaii 5-0) and a bunch more, to run a crowd-funded/sourced version of American’s Most Wanted, mostly to find the real murderer of Piven’s daughter.

“Inspired by the notion that a million minds are better than one, a tech innovator creates a cutting-edge crowd-sourcing hub to solve his own daughter’s murder, as well as revolutionizing crime solving in San Francisco. Based on the Israeli format of the same name.”
Probably won’t last, but we like it

Rosehaven Sundance (premiered week of 9/23/17)
An Australian sit-com that falls flat in every possible way. Do not waste your time. Even if you can understand what they are saying, they aren’t saying anything worthwhile. The story is silly, the characters are pathetic and none of them is likable.
Almost incomprehensible and boring

The Blacklist NBC (returned 9/27/17)
Now that we know Reddington is Lizzie’s father, the show seems to have taken a bizarre turn. Also, the writers have made a couple out of two of the FBI agents and a murderer is being blackmailed about it for the other. What is up, Blacklist?
The new relationship between Lizzie and her dad is intriguing, though, and we like the new humor.
Keeping for SEASON 5

How to Get Away with Murder ABC (returned 9/28/17, SEASON 4)
Glad Viola Davis won the Emmy. She deserved it. Good acting by her and many on this show is not enough to save it, though. Cicely Tyson is also amazing, especially in Episode 1 of SEASON 4, as Annalise’s mother. Fabulous. Not sure what the writers intend for “the kids” or Bonnie, though, given how Episode 1 played out. We’ll see. Not liking any of the characters much, though, and not sure we’ll continue watching.
The writers of this show are a weird bunch, for sure.
The production values are so bad and the timeline jumping done so poorly that we have no idea what’s going on most of the time. Filming is too dark and cuts are too quick. Dialogue is not loud enough.
Keeping but not sure about SEASON 4

Blue Bloods CBS (returned 9/29/17 for SEASON 8)
My mom LOVES this show and watches re-runs for fun, mostly because she loves Tom Selleck as the family patriarch and Chief of Police. It’s grown on me.
Glad to see Lorraine Braco (Rizzoli’s mother on Rizzoli and Isles, most recently) has a role, now, as the new mayor of NYC (BTW: NYC has NEVER had a woman mayor, so good on them!). But, why did the writers/producers get rid of Linda (Danny’s wife)? Did they have a contract dispute or what? And, what are the purposes of almost killing Erin’s ex and almost firing Frank?
Definitely staying tuned, if only to see what these writers are up to this year.

Blue Bloods

Keeping for SEASON 8

LIAR Sundance (premiered 9/27/17; mini-series of 6 Episodes)
Recently became aware of this show and we gave it a try. Very depressing and odd. We do like the stars, so we’re willing to watch one more Episode, but some of the English accents are very difficult to understand, the plot/characters are confusing (deliberately, we’re sure), and the storylines are very big downers.
Starring Joanne Froggatt (Downton Abbey) and Ioan Gruffudd (Forever and Fantastic Four) as a teacher and the parent of a student who become involved and mayhem ensues, probably due to, oh, I don’t know: dishonesty? All with British accents, of course.
“Laura is a smart and dedicated teacher, not long out of a relationship and unsure about getting back on the dating scene. Andrew is a renowned surgeon whose son is a student at Laura’s school. An initial attraction leads to a date, but neither fully realizes the far-reaching consequences that their meeting will have on each other or their families. Truth and consequences go hand in hand in a tense and gripping thriller that examines both sides of a relationship and both sides of the truth. Are there really two sides to every story? LIAR explores the devastating cost of deceit on both the couple and their friends and family, as secrets and lies are laid bare…”

It only has 6 Episodes, but we could not make it through the second Episode.

Chicago P.D. NBC (returned 9/27/17)
Okay start, with many familiar faces (including one or two overlapping characters from Chicago Med, another one from the canceled Chicago Justice, and one actor who is also in Suits), but very sad storyline. Trying too hard to be “current,” we think.
Probably keeping, but not “wowed”

Designated Survivor ABC (returned 9/27/17)
SEASON 1 was off to a strong start, with a very scary and realistically drawn scenario in which everyone at the State of the Union address is murdered by a bombing of the Capitol’s Congressional Assembly building (where it is always held) and only one Cabinet member (the “Designated Survivor”) remains and is now made the President.
Kiefer Sutherland and Natascha McElhone are excellent as the HUD Secretary-turned-President and his attorney wife, with creative and poignant scenes between them, their children, and others as everyone grapples with this tremendous tragedy and changes wrought by it.
Great to see Kal Penn (the only actor with actual White House experience IRL!), Maggie Q and Italia Ricci in supporting roles.
Glad they killed off that insipid and villainous VP and caught some of the other “bad” guys at the end of last season, but they also killed off more than one hero and/or wrote them off, so what is up for SEASON 2?
Great stuff, so far! We really like this show!


Plus, Zoe McLellan (JAG, NCIS New Orleans) has joined Designated Survivor for the 2017-18 season as an attorney. We loved her on NCIS New Orleans and were sorry that her personal life’s difficulties had impacted her career so horribly that she had to leave that show abruptly two years ago (she had been involved in a protracted and ugly custody dispute with her ex-husband). Looking forward to having her on this excellent show. She also appeared briefly on another show we watched this month (September, 2017); so glad she’s already working again! We like her new character, too: a kick-butt lawyer!

Will & Grace NBC (premiered 9/28/17; already renewed for SEASON 2!)
After all the hype and the adorable trailers this crew did for the election, we were psyched. Inevitable, I suppose, for us to be very disappointed, then? A few good jokes, but mostly insipid, and WE HATE LAUGH TRACKS! We may watch one or two more Episodes, but if this is the tone/style, we’re not into it.
We kept thinking: “They’re too old for these jokes and situations.”
The writers decided to freeze them as characters, so no one improved, no one matured (other than aging physically), and they’re all in bad shape, psychologically.
Kind of sad, really.
They also all tried too hard to make the show “the same, but current” instead of letting the characters AGE and allowing the new versions of these characters to be lucky to be alive and interacting in current contexts. This show is the worst kind of time warp.
It might be cute or funny, in one’s thirties or younger, to be rootless/homeless, almost friendless, without a primary relationship that is satisfying, and fixated on inappropriate/unavailable partners, with sarcastic/negative banter with the friends one does have. But, in one’s forties and fifties, it’s pathetic, in our opinion.
Jack as a gay “slut” is disturbing when you think that he has an adult son by now (where was his son, by the way?).
Karen as a drunk republican is not only not funny, but her sexually assaulting Grace in homage to Trump was offensive and hurtful to all women and definitely not at all humorous.
Will and Grace’s relationship as each other’s haven/fall-back is all right, I suppose, but I wish they’d respect each other more, if they intend to remain non-sexual life partners.
Sean Hayes, Debra Messing, Eric McCormack and Megan Mulally star.

Episode 2 was even worse. DON’T BOTHER.

Chicago Fire NBC (returned 9/28/17)
One of my CHANGES conversations between authors‘ guests, poet performer, James Gordon, has recurring minor roles on this and Chicago PD!)
Cheap tricks at the end of last season and the beginning of this one, trying to make us believe one or more characters had died. Come ON! The rest was mostly not all that interesting (to me, anyway), and, ironically, TOO MUCH FIRE!
Keeping, but not liking much

*Grey’s Anatomy ABC (returned 9/28/17, SEASON 14; see top of this post for SPINOFF news)
I am a long-time fan of this show, especially, Ellen Pompeo
Love the anti-homophobia storylines and the actions/discussions the show inspires, especially for parents of LGBT kids and for everyone about bullying. Excellent PSAs built right into the show.
Very strong return for SEASON 12, and I’m looking forward to more of this show this year, even though some key characters keep leaving/being asked to leave (no spoilers, here).
Grey’s Anatomy‘s casting/recasting:
Kim Raver (most recently of the should-not-have-been-canceled APB) returned in her role as a doctor/military buddy to two existing cast members (Kevin McKidd‘s Owen and Martin Henderson‘s Nathan, which is interesting.
Bridget Regan could not return to reprise her role as the returned-from-the-dead sister (Owen’s) due to responsibilities for The Last Ship, so a look-alike, Abigail Spencer (still returning to the excellent Timeless as well) replaced her admirably and well for a multi-episode arc.

Keeping for SEASON 14

*Speechless ABC (returned 9/27/17)
Another series, The ‘A’ Word, seemed to cover this same ground (raising a disabled or atypical child) and we didn’t like it at all, so we gave this one a pass last fall. However, Minnie Driver is always great and I really enjoy this show’s POV and cast.
SEASON 2 is off to a great start!


I appreciate the spot-on jokes at the expense of the do-gooders—white liberals and somewhat clueless—the Principal, played perfectly by Marin Hinkle , who is excellent in many other shows I’ve watched, and one of J.J. DeMeo’s teachers, played fabulously by the always-funny Rob Corddry.
(Micah Fowler, who was great in Labor Day, is amazing as the main character, J.J. DeMeo, who has something like cerebral palsy (but they don’t say exactly what in the early episodes) and a great sense of humor, who is a budding adolescent who needs to individuate, big time. He is helped admirably by Cedric Yarbrough as his African-American personal Aide, which allows the writers to poke at racism and biases.
The siblings (played well by Mason Cook—cast in many shows, including The Night Shift and Grey’s Anatomy—and Kyla Kenedy, also on The Night Shift) and the dad (also played strongly by John Ross Bowie, round out the cast and bring the plot into areas that aren’t always about having a disabled family member, which is great.

This is Us NBC (returned 9/26/17)
Stars Mandy Moore (Red Band Society), Milo Ventimiglia (Heroes and Gilmore Girls), Justin Hartley (Revenge), Sterling K. Brown (The People v. O.J. Simpson), Chrissy Metz (American Horror Story), Susan Kelechi Watson (Louie), Chris Sullivan (The Knick), Ron Cephas Jones (Mr. Robot).
We were very surprised by the quality of the acting, story’s twists and turns and unexpected pathos in the first season and looked forward to more. But, with SEASON 2’s Episodes, we’re starting to wonder why anyone likes this show, now.
The opening for SEASON 2 was slightly “off,” in our opinions: the triplets are excessively juvenile and neurotic in “present” time; the flashbacks are deliberately incomplete and frustrating. We’ll keep watching, but we’re not as enamored as we were. Episode 2 was even worse. Sad.
Since we now know how the Dad dies, each Episode brings us closer to the actual death scene and that is an odd way to have a season anchored: not liking that “impending train wreck” feeling, much.
The introduction of a troubled foster daughter into the only household with kids also seems like a huge mistake and detour. Why?
I also professionally take strong issue with two writing decisions this season:
—1) the depiction of the difficulties in the relationship between Mom and daughter, blaming the daughter’s weight problem, self-esteem and immaturity on the Mom. That is trite, misogynistic and ridiculous. Plenty of people have talented, beautiful parents and do not become obese, emotional wrecks;
—2) Mandy Moore plays an odd version of this character, one who is much too agreeable, saintly, “nice” and tolerant, canonizing and taking inappropriate responsibility for “curing” her lying, alcoholic, weak husband to an extreme I find cloying and horrifying. Writers’ faults, I know, but, still…
One highlight: Justin Hartley plays a “bad actor” very well, which is not easy at all.


Milo Ventimiglia was amazing and so was Sterling K. Brown (from my home town, Olivette, in St. Louis County, Missouri, USA!), in very emotionally demanding roles. Always like Mandy Moore, and were pleased with two new actors for us, Chrissy Metz and Susan Kelechi Watson.
Terrible series’ finale for SEASON 1. Disappointing harbinger of things to come in SEASON 2, I’m afraid.
KEEPING but not liking for SEASON 2; RENEWED for 3

NCIS CBS (returned 9/26/17)
(SPOILER ALERT) Glad they didn’t drag out the missing McGee and Gibbs into more episodes. Sorry another cast member has departed . High turnover, there.
We are fans of this show, regardless.
Glad they’re giving Bishop more to do.
Sorry to hear that Pauly Perrette‘s Abby will be gone after this year (SEASON 15), but glad we already know so we can enjoy this year’s antics more. Also, seeing less of David McCallum‘s Ducky is sad, but he is in his 80s, after all!
Keeping for SEASON 15

Scorpion CBS (returned 9/25/17)
Could be that this show, like so many, is becoming a bit too formulaic, a caricature of itself. Last season’s Episodes had a few too many “Oh, one of the bizarre genius’ amazing ideas, number four, didn’t work, so we’re going to die” moments. Started putting a quarter in for every crisis. Topped out at $3.00 for one Episode!
We loved the musical sequence opener for SEASON 3, but the Episode itself was so boring and the adolescent emotional antics so tedious that we stopped halfway through and watched the rest later when we ran out of other new shows to watch.
Disappointing all around. Is it the writers or the characters who are behaving as if they are stuck in adolescence?
Predictable and often boring/tedious; bored already with SEASON 3

Bull CBS (returned 9/26/17)
Great second season opener and great cast: Michael Weatherly (NCIS), Freddy Rodriguez (The Night Shift), Geneva Carr (Law & Order: SVU), Christopher Jackson (Broadway’s Hamilton), Jaime Lee Kirchner (Mercy), Annabelle Attanasio
LOVE this show. Very good writing and acting all around, with the “good guys” usually prevailing, often in a Perry Mason “gotcha” moment during the trial. We like that.
Lie to Me did some of this much better, though. We liked the way they’re bringing in more from each of the main characters’ pasts by having them take cases of ex-lovers, siblings, etc.

NCIS New Orleans CBS (returned 9/26/17)
Good start to the new season this year (2017-18). Still liking this, especially Scott Bakula‘s character. SEASON 4 picked up right where SEASON 3 left off, more or less, and kept going strongly.

Star Trek: Discovery on CBS All Access for subscribers, only, but their first episodes are also on CBS (premiered 9/24/17; SEASON 2, already renewed before premiere!)
#payTVsucks, including CBS All Access, but here is some fun! You can watch this #StarTrekDiscovery trailer (and Episode 1, this fall, 9/24/17, for free), anyway.
We liked that the show cast so many females in top officer positions, but otherwise, we were very disappointed. And, we are Trekkies from the beginning. Neither of us wants to watch a show focused on a war with Klingons, so we aren’t sorry we aren’t paying to watch further.
“…the Star Trek: Discovery series will be set about 10 years before the original series. The first teaser promised ‘new crews,’ ‘new villains,’ ‘new heroes,’ and ‘new worlds’—– and we’ve since learned that we’ll see something that unfolds within the ‘Prime’ canon of the established Star Trek universe, but not tied to the events in the movies.
“Fuller told CNN the series’ placement between the four-season prequel series Star Trek: Enterprise and the original 1966 series ‘gives us an opportunity to bridge the gap between Enterprise and the original series.’”
Episodes run through November 5, then restart in January, 2018, for the rest of the first season.
Discovery‘s Captain Lorca will be the fabulous Jason Isaacs (we loved him in Awake, but didn’t like the story of Dig, even though he was good in it).

WE WON’T PAY EXTRA TO WATCH, and it’s not that good, anyway

The Good Doctor ABC (premiered 9/25/17)
I had thought I was kind of bored with autistic savant characters (they’re EVERYWHERE, now, aren’t they?), but this series is excellent, despite the trite trope. Each Episode is somewhat Royal Pains-like (improvising in restaurants; chest tubes with ball-point pens types of “surgeries”), but we like it.
Starring Freddie Highmore in the title role, and including a couple of familiar faces [Richard Schiff (The West Wing) and Hill Harper (Covert Affairs, CSI: NY)].
We really like this one; RENEWED for SEASON 2

*The Opposition with Jordan Keppler Comedy Central (premiered 9/25/17)
Dear Comedy Central: Your shows’ writers need to divide and conquer. As it stands, every show we watch here and including Colbert’s and others on network channels cover the exact same stories as one another every damned day. STOP IT!
Also, this show is BORING, Repetitive. It’s so juvenile, I predict it will not last.
The Daily Show meets The Colbert Report” is the way this is being promoted, with an alumnus of The Daily Show, Jordan Keppler, the one who is assuming a conspiracy theorist wing-nut character with his same name to lampoon fake and fear-mongering “journalists.”
BORING & Repetitive; OFF MY LIST

The Good Place NBC (returned 9/20/17)
These writers have lost their way for Season 2. We watched the opening and three more Episodes: each one was worse than the one before. Probably won’t keep watching. VERY BORING and STUPID, now. Too bad: we do love Kristen Bell!
Kristen Bell (Veronica Mars), Ted Danson (CSI: Cyber), Manny Jacinto (The Unauthorized Saved by the Bell Story), William Jackson Harper, Jameela Jamil, D’Arcy Carden

Endeavor BBC/PBS Masterpiece/Amazon Prime (available on Az Prime through SEASON 3; SEASON 4 just finished airing here in fall, 2017)
A ’60’s era British detective/crime-solving series that my mom and I have been enjoying on Amazon Prime and plan to finish by watching recordings from PBS. We are halfway through SEASON 3, now (mid-September, 2017) and, except for the vocal music (‘way too much opera and classical /religious choral music for my taste, which wants NONE of that), believe this is one of the best series of its type around. Barrington Pheloung writes the other music, which is beautiful (and not vocal).
Apparently, a closely-guarded secret from his peers and friends is Detective Morse’s first name, which is “Endeavor.” This series is a prequel to the beloved (but one we haven’t watched, yet) Inspector Morse series; both are set primarily in Oxford, England.
Starring Shaun Evans as young Endeavour Morse, who is beginning his career as a Detective Constable with the Oxford City Police CID, the series has a great supporting and co-starring cast, including Roger Allam, Anton Lesser, Jack Lasky and Sean Rigby on the police force, with recurring roles/frequent appearances by Caroline O’Neill, Sara Vickers, Abigail Thaw and Shvorne Marks. Pilot episode aired in 2012.
Enjoying this a lot

*Con Man Syfy (premiered [really, dropped all of SEASON 1 “On Demand”] 9/30/17)
Seems that this series is going to have both seasons showing/”On Demand” this year (2017-18). Here is a trailer for SEASON 2: http://conmantheseries.com/
It also has a video game and comic book merchandise, for those so inclined.
Starring Alan Tudyk, em>Con Man is “a somewhat fictionalized version of his experiences as a well-known sci-fi actor who attends a lot of fan conventions” as a result of his having been a star of the cult fave/ Joss Whedon series and film, Firefly and Serenity.
Con Man was first produced in 2015 and featured a great cast, including Firefly/Castle star, Nathan Fillion, and other Joss Whedon / sci-fi faves: Amy Acker, Felicia Day, Sean Astin, Tricia Helfer, Casper Van Dien, Nolan North, Mindy Sterling, Alison Haislip, Michael Trucco, Sky Haarsma, Seth Green and Wil Wheaton.
HOWEVER, i watched all of Episode 1 and could only continue through part of Episode 2: it is that bad. I continued just to see what Nathan Fillion had to do with this piece of junk (very little, it seemed). This series is beyond silly; Mom won’t watch, and I won’t watch past Episode 2.10, but some will love it.
Could have been great if it had had writers who had tried less to show off with obscure references, cameos by sci-fi and comedic actor friends of theirs, Tudyk’s and whoever else’s (Joss Whedon‘s, I presume) and more good writing that could delve into the nitty-gritty, lived experience of actors who are making money (not much, it seems) as objects of obsessed fans and not much else. I would have liked to know what challenges and responses are for an actor who is actually capable of so much more but for whom no new breaks come due to having been identified with one gig.
Unfortunately, not worth your time

Orville FOX (premiered 9/10/17; continues 9/17/17 with special, 2-part, series opener, then goes to its regular day, Thursdays, starting 9/28/17)
We worried that Seth MacFarlane & Co. would be guilty of trying too hard and that the show would be awkward, unfunny, terrible. The first twenty minutes or so weren’t great, but they weren’t terrible, either. We liked Adrianne Palicki in Agents of S.H.I.E.L.D. and were glad to see her in this show, albeit a similar role. Always glad to see Victor Garber, too, however briefly.
Besides these two, the show has quite a cast: Penny Johnson Jerald (Castle), Scott Grimes (ER), Peter Macon (Shameless), J Lee (Family Guy), Halston Sage (Crisis)
The premise: “Set 300 years in the future, the hour-long dramedy follows the adventures of the Orville, a not-so-top-of-the-line exploratory ship, in Earth’s interstellar Fleet. Facing cosmic challenges from without and within, this motley crew of space explorers will boldly go where no comedic drama has gone before.”
The first Episode did not completely bore or disgust us. Willing to try at least one more. Best we can say.
Subsequent Episodes were better.

*Full Frontal with Samantha Bee (ongoing in 2017)
I loved Samantha Bee on The Daily Show and awaited her new individual show with great anticipation. I was not disappointed.
Bee was funny, insightful, appropriately outraged and very bold, extremely feminist and “in-your-face,” but since I agree with her POV, this all worked great, for me. I laughed out loud and sighed with relief at many of her “bits.”
Finally: a feminist’s POV delivered with wit and humor about this horrible election season! Yeah! And, more coming, I’m sure.

Full Frontal

Strong return for SEASON 2, but I AM SO SICK OF TRUMP!
Definitely keeping and glad it was RENEWED for SEASON 2

(some not yet reviewed/watched as of 10/20/17)

(use this link for full schedule: http://www.thefutoncritic.com/guide/fall-2017-grid/, updated frequently)

Need to watch SEASON 1, which ended late August, 2017, because this was already renewed for SEASON 2!
“Having lost her job for whistle-blowing, a skilled, hardworking nurse assumes her best friend’s identity as a senior doctor to start a new life in Edinburgh.”
Starring Jodie Whittaker (who is the newest Dr. Who for Dr. Who!, so everyone laughs when she says, repeatedly, “I’m not a real doctor” in this show) as Cath Hardacre; Emun Elliott as Dr. Andy Brenner Sharon Small as Dr. Brigitte Rayne; Blake Harrison as Karl, Cath’s ex-husband; Nathan Welsh as journalist, Sam Kelly; Cara Kelly as Mona McBride; Lois Chimimba as Nurse Kare; and, Michael Abubakar as Dr. Charlie McKee.
Looks interesting, but can’t find it (yet)

Great Performances, “She Loves Me” PBS (airs 10/20/17 and online/later)
Jerry Bock and Sheldon Harnick‘s classic 1963 musical of two feuding clerks in a Budapest parfumerie who don’t realize they’re romantic pen pals.”
Glad to have MORE Broadway brought to our home

Falsettos on LIVE FROM LINCOLN CENTER PBS (airs 10/27/17, and online after that; go to http://www.pbs.org/show/lincoln-center/ for a preview trailer)
Love getting LIVE (recorded live) Broadway in our own home (St. Louis, Missouri, USA) for free (for the price of cable TV, that is)! In case you don’t know, “Falsettos is a musical with a book by James Lapine and William Finn, and music and lyrics by Finn. The musical consists of March of the Falsettos and Falsettoland, the last two installments in one trio of one-act Off-Broadway musicals….which tell the story of a gay man named Marvin, his lover Whizzer, Marvin’s wife, Trina, and their extended family, from the early ‘80s through the early days of the AIDS crisis.” (from Wikipedia and the PBS show page, which is also the the source of the image, below)

Starring Christian Borle, Stephanie J. Block and Andrew Rannells.
EXCITED to see this

Blindspot (returns 10/27/17)
Now with with Archie Panjabi (Good Wife). Got very confusing, very dark, and now, completely off the rails (killing off two main characters). Why?
Still watching, but under duress; Keeping and RENEWED for SEASON 3

Major Crimes TNT (returns 10/31/17 for FINAL SEASON 6)
Excellent show. Strong return. Glad to see Caryn Manheim, although her agent keeps getting her the same parts, it seems (see her in Person of Interest and you’ll see the resemblance to this new character).
However, we find the “romance” between Captain Sharon Raydor (Mary McDonnell) and Lt. Andy Flynn (Tony Denison), to be completely unbelievable. No chemistry at all!
With Michael Paul Chan, G.W. Bailey, Raymond Cruz, Graham Patrick Martin, Robert Gossett, Phillip P. Keene, Jon Tenney and many others from its predecessor, The Closer, which we loved.
Keeping for SEASON 6, its final season

Longmire Netflix (available 11/17/17 for 6th and final SEASON)
Robert Taylor, Katee Sackoff, Lou Diamond Phillips
We LOVE this show and are so glad Netflix picked it up and continued it! Yea for SEASON 5! We started watching in October and appreciated the entire season, but hated the cliffhanger and that this upcoming one is its last!
Apparently, final season plans to kill of several main characters. Sigh.
KEEPING for its 6th and final season on Netflix for 2017

*The Crown Netflix (available 12/8/17 for SEASON 2)
SEASON 2 trailer, here: http://www.indiewire.com/2017/08/the-crown-season-2-trailer-photos-netflix-1201865332/
Deserves every award it got and then some. I watched the entire first season and it made me laugh, cry and get goosebumps. inspired me to watch THREE documentaries about the Royal Family since I finished it!
John Lithgow and Clara Foy are outstanding, as are all the rest of the cast and writing. Truly remarkable.
Mom isn’t interested, but I keep her posted on how great it is.
If you like this and don’t know much about Queen Elizabeth II’s reign or the concomitant history, watch In her Own Words: Queen Elizabeth, also on PBS and online. Aired in late May, 2017, so available any time. Another good doc was Princes of the Palace, about all of them since Prince Phillip, which aired in September, 2017, and is available online as well.
Watched and LOVED all of SEASON 1; SEASONS 2 and 3 RENEWED!

The Librarians TNT (returns 12/20/17 for SEASON 4)
Fun and satisfying, sometimes, but getting much sillier and not so interesting, this year.
Excellent special effects and well-drawn characters, even the villains.
Don’t quite believe the romance between Noah Wylie‘s nerdy scholar and Elizabeth Romijin‘s former Secret Service ninja (Noah wishes…), but it’s all light and fun.
Miss Bob Newhart and Jane Curtain; John Larroquette just doesn’t have what they have. Now, no Noah Wylie for SEASON 4, too? How will that work?
John Harlan Kim, Lindy Booth, and Christian Kane round out the “regulars.”

image from http://www.tvline.com

Keeping and RENEWED for SEASON 4

Previously Reviewed/Returned/Returning late in 2017 or in in 2018, that I/we liked (for 10/20/17)

Marvel’s The Defenders Netflix (SEASON 1 available since August, 2017)
Picks up where Marvel’s Jessica Jones‘ SEASON 1 left off but she is only one of several oddball individuals with unusual “super” powers, many of whom have their own shows on other networks or Netflix, all from Marvel comics (Marvel’s Ironfist, Marvel’s Luke Cage, Marvel’s Daredevil and their own shows on Netflix (see Marvel’s Jessica Jones entry, here).
We’re wondering if Marvel’s Jessica Jones‘ SEASON 2 will pick up where this one leaves off, or where SEASON 1 of its own series left off, somehow?
Anyway, too much fighting, but interesting; we’re watching mainly to see Jessica.
Also, this show’s second season isn’t expected until “5 more seasons of other shows” whose main characters are in it/related to it, and that means 2019 or later: https://goo.gl/V71dX4
Unexpectedly compelling; long wait for SEASON 2, though

Chesapeake Shores Hallmark (returned 8/6/17)
Meghan Ory, Jesse Metcalfe, Barbara Niven, Treat Williams

Chesapeake Shores

This has gotten more insipid and unwatchable as we go. We start an Episode, then find other things to watch before we reluctantly return to finish it, days later. The Hallmark movies’ and series’ writers make everything so predictable, yet illogical; the writing is so heavy-handed; worst of all, the characters are depicted as being emotionally adolescent regardless of their biological ages.
We like all the lead actors, but the age differences between “generations” defy reality.
Also, the grandmother and the mother look too much alike and are NOT supposed to be related, whereas the five siblings look NOTHING alike nor do they resemble either of their parents all that much. Terrible casting.
The storyline also gets less believable as they go along.
KEEPING, but not liking; SEASON 3, TBD.

*Midnight, Texas TNT (premiered in July, 2017)
This is the second of Charlaine Harris’ series based on her novels that involve “supernaturals” with humans (first was True Blood) that I am watching solo (Mom’s not into those beings). I loved the Sookie Stackhouse (protagonist) novels that True Blood was based on, but it really went off the rails mid-series and into its own dark, weird plots and subplots with characters that I didn’t like so much. When I started the Midnight, Texas series, I was very disappointed. Couldn’t get into it and gave it back to the library. I didn’t even watch the first two Episodes of this when they aired.
But, summer is slow for new and good TV, and I watch while I color (check out my Facebook page for my 200+ coloring pages in my photos: http://www.facebook.com/sally.ember), so I started with those first two On Demand and now I’m hooked.
Stars some actors I’ve seen before (François Arnaud, Sarah Ramos, Jason Lewis) and many I haven’t (Dylan Bruce, Parisa Fitz-Henley, Arielle Kebbel and the rest) with some cool guest stars and plots/subplots, if you like this sort of thing (which I sometimes do).
Keeping, solo

*The African-Americans: Many Rivers to Cross PBS (started airing in October, 2013; re-aired July, 2017; gets repeated often and available online http://www.pbs.org)
The wonderful historian, himself African-American, Henry Louis Gates, Jr., is the narrator and principal investigator/researcher for this amazing series, which chunks the history of African-Americans into hundreds of years, at first, then dozens, then just a few decades by the end (4 Episodes, 75 minutes each; 6 hours, total).
The series “guides viewers on a journey across two continents to explore the transition of African-Americans. The series encompasses five centuries of events, visits key sites, and engages in debates with historians and eyewitnesses like school integration pioneers, Ruby Bridges and Charlayne Hunter-Gault, former Black Panther, Kathleen Neal Cleaver and former Secretary of State Colin Powell.”
I’m into documentaries like this

Shetland BBC One/Netflix (SEASON 4 airs late this fall/early winter, 2017-2018)
The accents of the actors on this show are often very difficult for us midwestern-USA listeners to understand, but the show is a great “who done it” format with very little gore/violence on screen and lots of excellent writing (best handling of female colleague’s sexual assault by a male colleague I’ve ever seen on TV or film), characterizations and situations (similar to DCI Banks, which we also loved). We watched SEASONS 1, 2 & 3 on Netflix now (summer programming isn’t so great on regular TV). We plan to watch it on BBC America, if it runs here, or resume when the rest comes onto Netflix in spring or summer, 2018.
“DI [Detective Inspector] Jimmy Perez (Douglas Henshall) and his team (mostly, Alison O’Donnell, Steven Robertson) investigate crimes within the close-knit island community of Shetland.”
Like DCI Banks, the series started with a double Episode pilot, then each season had/has 3 or 4 double Episodes.
The setting is supposedly on one or more of the Shetland archipelago of islands as part of northeastern Scotland, but is actually filmed mostly in Scotland itself. Still, beautiful scenery of many coastal lays.

Great murder mystery show, if you can understand what they’re saying

Beat Shazam Fox (premiered summer, 2017)
The format is lousy, the hype is annoying (thank goodness for mute and fast-forward). Jamie Foxx is wearing jackets for every Episode (Why? it’s INDOORS, Jamie!) and being excessively Steve Harvey-ish (irritatingly “amusing,” and dancing with and teasing the contestants). The show’s producers/directors somehow think it’s a good idea to have “guest stars” briefly show up for each Episode, but they do almost nothing but appear, e.g., Mariah Carey (wearing OMG-knows-what), Snoop Dog, and some athletes (again, why?).
Silly, but somewhat fun.
Also, interesting fact: African-Americans comprise only about 12 – 20% of the USA population (depending upon how one “counts,” according to the official census of 2010), but they comprise about 70% of this show’s contestants and guest stars. Trying to right some imbalances, for sure, and nodding to the amazing contributions of African-Americans to the music industry. So, yea for the casting directors.
We like trying to guess the songs; RENEWED for SEASON 2

Hooten & The Lady The CW (premiered 7/13/17; Canceled by SKY [the originating station, in the UK], but may run SEASON 2 in USA, since already made)
“Two globetrotting treasure hunters who set out to recover priceless legendary artifacts.” American, Ulysses Hooten (Michael Landes) “is a smooth-talking yet foolhardy lone wolf, who often finds himself in sticky situations.” British Museum’s relic-finder, Lady Alex Lindo-Parker (Ophelia Lovibond, whom we loved in Elementary) “is an aristocrat and British Museum curator who, despite being straitlaced, is eager to follow in the footsteps of history’s great archaeologists and venture to uncharted lands. Meeting in the thick of the Amazon jungle, they form an unlikely partnership as they travel the globe in pursuit of hidden treasures.” They continue on to Egypt, Bhutan, Rome, Ethiopia, Moscow, Cambodia and The Caribbean in their adventures.
HOWEVER, since this “Lady” has no self-defense skills (except dumb luck and her wits), WHY do they not send her with a team of bodyguards, since she has been in life-threatening peril in EVERY Episode, dodging murderous thieves who want these “priceless” artifacts?
Apparently it got good reviews in the UK for SEASON 1 (WHY?), but the UK is still deliberating whether or not to commission a second season.
Also includes Jessica Hynes as Ella Bond, Shaun Parkes as Clive Stephenson, Jane Seymour as Lady Lindo Parker, and Jonathan Bailey as Edward.
Got good reviews in its fall, 2016, airing in the UK, but I cannot fathom why.
Co-Created by Sarah Phelps, this UK series has eight hour-long episodes that seemed to be promising to be very much like two shows we like, The Librarian and Warehouse 13, with some elements of the great Indiana Jones and Romancing the Stone films. HOWEVER, their idea of “humor” verges very far into disgusting and repetitite; the villains are unexpected (first episode), then predictable (every one after that) and horrifying; the goals are unclear, since the dialogue is terrible; the characters are not well-drawn and rely on tropes and short-cuts; the situations are completely unrealistic.
We have watched all the Episodes; we are increasingly fast-forwarding and bored.
Jane Seymour has barely appeared and was in silly scenes.
We gave it a try; UNDERWHELMED; CANCELED, but may run SEASON 2 in USA, since already made

Salvation CBS (premiered 7/12/17)
Yet another sci-fi series in which the Earth is threatened by an asteroid strike. Really? Yet, superstar Executive Producer, Alan Kurtzman, is attached and the writers are popular, also.
“The series centers on tech superstar, Darius Tanz (Santiago Cabrera) and MIT grad student, Liam Cole (Charlie Rowe), who bring Pentagon official, Grace Barrows (Jennifer Finnigan) a staggering discovery – that an asteroid is just six months away from colliding with Earth….Stars Santiago Cabrera, Jennifer Finnigan, Charlie Rowe, Jacqueline Byers, Rachel Drance, Shazi Raja and Ian Anthony Dale.”
Not a strong start, and Episode 2 wasn’t much better, but we have plowed on, just to find out what happens, and it’s tolerable….Barely.
Mediocre, at best

Suits USA (returned 7/12/17; finished 9/13/17; returns 3/7/18 for rest of SEASON 7)
Michael (played well by Patrick J. Adams), is now allowed to practice law, through some nefarious and dirty dealings and extortion as well as some heartfelt pleas by friends and colleagues at the end of last season. But, why do the writers make Mike a complete idiot when he’s supposed to be a genius, though?
Rachel, played well by Meghan Markle (but often dressed inappropriately vampy), is still often too whiny, juvenile and ridiculous (and repetitive).
Sarah Rafferty as the impossibly perfect Donna and Gabriel Macht as the complicated and very psychologically messed-up Harvey still have the greatest scenes and lines (and their characters are decades-long friends, which shows).
Glad to see Dulè Hill showing up here after the doomed Doubt; again, as a lawyer.
Gina Torres is OFF the show but is scheduled to do a spin-off (see top of this post) as Jessica. She was briefly on the doomed The Catch and good there, too. Cameos last year and this year, anyway, on Suits, though.
Louis is still the most richly drawn and has the most fun/awful stuff to do, and all done very well by Rick Hoffman. Love his assistant, Gretchen, played marvelously by the veteran actor, Aloma Wright.
My mom and I complain that none of these lawyers seems to keep their tempers in check, can stop throwing testosterone at the walls (women included), or can behave as anything more than glorified adolescents, except for Jessica (Gina Torres, who makes cameo appearances in this season, only).

*Genius National Geographic (premiered 4/25/17)
Bio-pic series based on the life and work of Albert Einstein. Only I watched these, but I really enjoyed each Episode.
Flips back and forth between college-aged (Johnny Flynn) and professorial-/World War II-aged Einstein (Geoffrey Rush). Also stars the great Emily Watson as his second wife for a while, then stays with the older versions for the last few Episodes. Spoiler: ends with Einstein’s death and its aftermath, which makes me puzzled that it was renewed for SEASON 2.
Directed by Ron Howard (yes, that one). http://channel.nationalgeographic.com/genius/ has trailers and more info.
Divided into 10 “Chapters,” with each episode’s airing more than once per week.
Excellently done, but the rise of Hitler was disturbing to watch, given current USA politics; SEASON 2, RENEWED

*The Americans TNT (returned 3/7/17)
I like this show, but the content is quite disturbing, for sure. The morality, ethics, honesty and deception issues are quite seriously depicted, there is a lot of violence (which I don’t like), and people are very screwed up, on all sides. Multiple complexities and grey areas are not shied away from, and they include many key events/issues from the USA’s 1980s: bravo to the writers, actors, director, fact-checkers/researchers!
I hate to read subtitles, but having the Russians speak Russian adds verisimilitude, for sure.
Both Matt Rhys (Phillip) and Keri Russell (Elizabeth) give nuanced, fascinating performances, especially when interacting with their now-“read-in,” adolescent daughter, Paige (played admirably by Holly Taylor).
Remarkable performances also by the great Frank Langella, with key moments played by Callie Thorne, Noah Emmerich, Annet Mahendru, Lev Gorn make/made this a show well-worth watching. So do Keri Russell‘s and Matthew Rhys‘ real-life romance and child together!
Frank Langella gave such a moving speech when he won a Tony (June, 2016) for best actor, referencing Orlando and gay rights, support for diversity and for all, etc., that it gives me a new perspective on him for his role in this show.
Mom watched a few, but bailed.
Cringing, but KEEPING and RENEWED for final SEASON, 6

*Call the Midwife PBS (December, 2017, special 2-hour episode; returns April, 2018)
Resumed with a Christmas special set mostly in South Africa in the 1960s, which was fascinating and heartbreaking, both. Great photography, stories and chracters, as usual.
8-episode run for SEASON 6 in the USA started in early April, 2017; same pattern for 3 more years, SEASONS 7, 8, 9.
Very depressing season opener for 2017, with staffing/casting additions and changes I do not like. Probably going to keep watching, but the material has gotten very dark.

*When Calls the Heart Hallmark (returns Feb., 2018)
Erin Krakow is great as the lead character, Elizabeth Thatcher, a rich young woman who leaves her safe, city family life to become a Canadian prairie teacher in a one-room school house, with an adorable Daniel Lessing as her Canadian Mountie/ love interest. Yes; hers is one of my alternate reality jobs.

When calls the heart

Lori Loughlin is cast as her typically maternal and saccharine character but she does play the best friend/ cafe owner/ widow/ adoptive mother/ landlady well. Other characters are also “stock” and mostly two-dimensional, but I blame the Hallmark Channel’s writers (Janette Oke and Derek Thompson, most recently, but there are 18!) more than I fault the actors. Also has Cat Montgomery, played well by Chelah Horsdal.
The show is very sappy, predictable, silly and overly sentimental, with many stereotypes and tropes, but I still watch.

On Mom’s list, only, and she’s keeping them:

**Law and Order—SVU NBC (returned 9/27/17)
Mom is keeping this on her list for sure; RENEWED.

**Criminal Minds NBC (returned 9/27/17)
Mom is keeping this on her list, but bored with it.

**Hawaii 5-0 CBS (returned 9/29/17)
Mom is keeping this on her list for sure.

**NCIS Los Angeles CBS (returned 10/1/17)
Mom is keeping this on her list for sure and RENEWED for SEASON 8


*Famous in Love FreeForm (premiered 4/18/17; Renewed for SEASON 2)
Mom wouldn’t watch this, so I watched it alone, going through all 10 episodes “on demand,” since they were available. I was surprised by how great the acting was, and pleasantly interested in the plot and a few of the characters. There are some (expected and delivered) 2-D characters, stereotypes and trite, with accompanying plot points, but mostly, better-drawn than many shows’ are. I plan to continue, but I expect it to devolve into cliches very soon.
The series’ messages are quite disturbing, though. EVERY SINGLE CHARACTER is dishonest about something major with people they love/care about; many, more than one topic, more than one person. Favorite negativity tropes, so far: infidelity; betrayal; broken promises; secrets; paternity; fake student status; fake jobs; stealing; murder; other criminal activity; extortion; blackmail; planting evidence/framing someone; parental/family status; fake living situation; fake names; broken contracts; inappropriate/impossible expectations; terrible parenting; sexual orientation lies; relationship status lies; blaming others for one’s own problems. Very sad state these people are in, but this is supposedly depicting some kinds of “success.” Sigh.
“Life changes for ordinary college student, Paige (Bella Thorne), after she auditions for a movie and lands a role in the big-budget blockbuster. The newfound-fame turns Paige into Hollywood’s new ‘it’ girl, forcing her to navigate the highs and lows of celebrity life — all while trying to balance her college workload. While Paige’s new career offers her a chance to meet new people — including attractive co-star, Rainer (Carter Jenkins), with whom she develops strong chemistry — it strains her relationships with her current friends, especially Jake, who may want to be more than just friends. …[B]ased on a novel of the same name written by Rebecca Serle.

Does feature some more well-known actors, including supposed appearances upcoming by Mark Valley and Vanessa Williams (she really gets around; check her out on The Librarians!), but I did not see either of them.
Watched all 10 Episodes. Renewed for SEASON 2

Humans AMC (returns in 2018)
Great return. Strong characters back again and some new ones. We like how the director instructs the actors who play “Synths” to walk in a distinctive way and gives them all these green contacts so we can tell them from humans right off. A bit violent, but intriguing. Gemma Chan, Katherine Parkinson, Lucy Carless We really like this show and welcome it back. Very creative, raising important, thought-provoking social issues about who/what is “human” and what is not, and well-acted.

Quantico (returns later in 2017 for SEASON 3)
My mom and I liked Quantico for the first half or so. Then, it devolved, as so many do, into chases and violence and not much (else?) to commend it. We kept watching, but too many characters are getting killed off/disappearing each season. What is up with that?
The premise was supposed to be that this is a show about a new cohort of recruits at the FBI federal training academy (Quantico) in the USA. Why didn’t they stick with that? Why did they think they needed a terrorist bombing/ “moles”/ multiple deceptions-based plot?
We know it’s an FBI show and we did expect some of the above. But, really, when more than a few minutes of every show is devoted to pursuit chases and macho posturing/inappropriate blame and shaming, we look at each other and say: “Not enough plot, eh?”
UPDATE, in November, 2016: going back in forth in time from the cadets to the present is a good idea but not done well at all. Relying too much on different hairdos for the female characters and who’s having sex with whom to anchor the timeline (who cares?). Still watching, but not sure why. it’s worse and worse this fall.
Watched both years, but hated the poor visibility and convoluted storylines; BUT, not yet CANCELED for SEASON 3, fall, 2017


Timeless NBC (returns later in 2017 for SEASON 2)
We really LOVE this show. The writing is strong, the characters are interesting, and the twists (due to time travel, of course, and junk science…) are fascinating. We also LOVE Abigail Spencer (Rectify, Suits). We are enjoying Matt Lanter (90210), Paterson Joseph (The Leftovers), and Malcolm Barrett (Better Off Ted), who are new to us. We also appreciate the returns of Goran Visnjic (ER) and Claudia Doumit (Scandal) from previous shows we like, and I’ve seen and liked Sakina Jaffrey (House of Cards).

Marvel’s Jessica Jones Netflix (resumes early in 2018)
A bit too much fighting, but interesting and intriguing. We look forward to SEASON 2.
Disappointingly, the spin-off of Marvel’s Jessica Jones, Marvel’s Luke Cage, was awful, but it did get renewed for its second season on Netflix. We watched Episode 1, but it was so violent and not very interesting that we thought we wouldn’t continue. But, after finishing Marvel’s The Defenders, SEASON 1 (which was renewed for SEASON 2 but won’t run until after JJ‘s SEASON 2 runs, apparently), we will probably go back and watch the rest of Luke Cage.

Then, we will probably watch SEASON 1 of Marvel’s Iron Fist (renewed for SEASON 2) and Marvel’s Daredevil‘s first two seasons (because DD was renewed for SEASON 3) to get more of a sense of what is going on with this part of the franchise.
We mute all the fighting (wishing we could fast-forward!).
Continuing to watch

Chicago Med NBC (bumped to mid-season for 2018 return)
I got caught up ON DEMAND and now am hooked

Elementary CBS (RENEWED but no premiere date set for 2017-2018, yet)

Very sad to hear (on July 8, 2017), about the sudden and very unexpected death (from alcoholic heart failure, at the too-young age of 39) of a recurring character actor on this show, Nelsan Ellis, whom I first admired as Lafayette on True Blood. We will miss you, Nelsan. You were a true talent.

We both like this show a lot even though it’s very difficult for us to understand some of the dialogue or to understand Sherlock because of the show’s poor audio quality and his rapid-fire speech in a British accent.
Great to see Lucy Liu, Johnny Lee Miller, John Michael Hill and Aidan Quinn back again.

*The Magicians SyFy (returns in 2018 for SEASON 3)
Don’t know how I missed this last year, but catching up, now, and liking it enough to keep going. Kind of trite, but interesting. Liking Anna Dudek in the headmistress role.
First episode of new season was boring and filled with predictability. Disappointing in every way. Nothing at all at the school, and too many Narnia tropes and Neverending Story steals.
Come on!
KEEPING, but may quit; RENEWED for SEASON 3

Colony (returns later in 2017 for SEASON 3)
I guess we weren’t the only ones who complained about being very confused and a bit impatient with the way this series’ pilot threw viewers into the middle of an alternate Earth near-future without sufficient explanations. For its return this winter, they “went back” and explained the beginning/back story for several elements, including the Arrival, sequestering, and more.
We like seeing Josh Holloway, since we liked him so much in the all-too-soon-canceled Intelligence, and Amanda Righetti, from The Mentalist, which we loved.


But, we never watched Lost, The Walking Dead or Hercules, so the others are new to us, except for Peter Jacobsen, from House and Madam Secretary, and Paul Guilfoyle, from CSI.
Luckily, I had taped the “Colony: Behind the Wall” show, which we watched after we saw the pilot. That was excellent, because it explained a LOT. We also got to see how and why they established some of the special effects and sets for this series. We are now looking forward to seeing the subsequent episodes.
Without giving away too much. we appreciated the parallels the producers/creators are deliberately creating between Nazi-occupied Paris and a hypothetically occupied Los Angeles, asking us all (and all the characters are also asking themselves and each other): what would you do? Would you be a collaborator or a resister? Are you a pragmatist/selfish/greedy “winner,” or are you trying to keep going with “normal” life while wresting control from the occupiers and collaborators as you do? What lengths would you go to and what risks would you be willing to take under these circumstances?
Excellent questions and cool concepts.
You can go to the series’ website and choose your side and see what you get into there! http://www.colonytv.com/
Keeping this one, but it’s now more horrifying, in the #45 Fascism-is-rising era in which we now shudder to live. RENEWED for SEASON 3

The Great American Baking Show stars some of the nation’s best amateur bakers as they compete in a series of themed challenges and eliminations all hoping to be crowned Holiday Baking Champion. For four weeks, James Beard Award-Winning pastry chef and author, Johnny Iuzzini, joins England’s “Royal Queen of Baking,” author and television personality, Mary Berry, as they judge the decadent and delicious holiday fare these bakers create as they throw down their best culinary skills.”
Fascinating for my mom and me, who are NOT bakers, since a lot is explained both for how to create good and how the mistakes are made for bad “bakes.” Everything can go wrong, especially during the “Technical” bakes, whose recipes are extrapolated from very skimpy instructions (deliberately vague) from one of the two judges each week. Disasters occur from bakers’ forgetting to turn on or check the oven temperature, to mistakenly using salt instead of sugar, to neglecting to allow enough time to accomplish it all, to using ingredients/proportions of ingredients that are too weakly or strongly flavored or getting the dough too wet. “Crisp” and having a “good bake” are big on this show.
We like the artists’ renditions in sketch books of each participant’s planned creation for the final segment each week, the contestants’ “Show-Stoppers.” They obviously have weeks to concoct and practice prior to the contest date, and it shows.
What we also like are the camaraderie among the announcers and judges and how respectful the judges are to each contestant and they to one another. None of that “reality show” staged back-biting and fighting here (if there were, we’d turn it off). They give a bit of bio and film scenes at their homes and/or day jobs for each of the semi-finalists and finalists, which we look forward to seeing.
This and its American spin-off are only reality shows we watch because the baking concoctions and watching the bakers create them are fascinating, always unusual and new to us, informationally. Many funny moments, but not at any baker’s expense, usually, which we like.
Plus, none of the competitors is actually a professional baker: a student; one makes satellites; a retired teacher; one also paints. So interesting that these individuals chose to compete in this way.
Watch for its last Episodes on BBC with the original judges, Mary and Paul, and the original hosts, Mel and Sue (all but Paul are not continuing) for the last Christmas British Bake-Off at the end of 2016.
The Great British, now, The Great American Baking Show (was BBC, but moved to ABC on 12/1/16) The new show is hosted by Nia Vardalos (My Big Fat Greek Wedding) and husband, Ian Gomez (Felicity, Cougar Town, Supergirl).

All the “old” episodes are on Netflix, BTW.

Want to know more about British TV and those who star(starred) in its shows for 2017? http://renewcanceltv.com/great-british-bake-off-mrs-browns-boys-bbc-christmas-special-renewals/

*American Masters on PBS: Bombshell: The Hedy Lamarr Story, PBS
(At the Tribeca Film Festival 4/23/17, then aired on PBS; check local listings or watch online, http://www.pbs.org/wnet/americanmasters/video/all-video/?type=episodes)
I have a particular connection to Ms. Lamarr because one of my former partner’s mothers and aunt were her friends—three young women who were beautiful, talented, Jewish Austrians and Holocaust survivors. After they all had escaped from Austria and made their way to Los Angeles during Hitler’s rise in the late 1930s, these three appeared in two movies together (my partner’s relatives had very minor roles). They were also friends with another fellow Jewish Austrian, Johnny Weismuller, known for his roles as Tarzan.
Hedy Lamarr was the original wild child. Her scandalous nude appearance in the 1933 Czech film, Ecstasy, made her infamous at the age of 17. She married a prominent Austrian businessman who became a weapons dealer to the Nazis. Lamarr, who was born Jewish, fled her husband in the middle of the night, boarding a boat for America with nothing to her name except a single designer gown. On board, she dazzled MGM boss, Louis B. Mayer, and convinced him to offer her one of the best contracts in Hollywood. As a movie star, she was considered by many to be ‘the most beautiful woman in the world.’ Songs were written about her beauty. Snow White [Disney’s original animated version] was modeled on her iconic look. She married six times and had affairs with everyone from Howard Hughes to Spencer Tracy.”
I am especially looking forward to this one
*American Masters on PBS aired Patsy Cline – Up Close, Personal in March, but it was not available here in Missouri; check local listings or watch online: http://www.pbs.org/wnet/americanmasters/video/all-video/?type=episodes)
Rosanne Cash narrated this, with many stars interviewed or on clips.
What a talent! Cline‘s story is sad, but her voice! Mom may watch, but probably not.
I am looking forward to this

Already Shown/Ended for Now; Can Catch Again (On Demand or online)

*Nashville (now on CMT) (6/1/17 returned)
First episode of new season was disappointing, as they all were for the last 2 years, since there was almost not music and too much “soap opera,” again. Almost nothing from Deacon Clayborn (played by Charles Estes), musically, or anyone else. Also starring Hayden Panettiere, the only one doing much singing.
Way too much drama, none of it important or good, and not enough music.
Plan on a lot of fast-forwarding to get through these Episodes.
NOT ENOUGH MUSIC in ANY Episode, STILL. Off, now, until 2018. I hope they put in MORE MUSIC!
Was good, at first; then, not enough music; SEASON 6, RENEWED, but undeserved

*Younger TV LAND (returned 6/26/17 for SEASON 4)
I got hooked on this by watching all the previous episodes on-demand, and now eagerly await its return. I LOVE Sutton Foster, so even though the premise is ridiculous and Hilary Duff is predictably awful, I watch.
But, Season 4 is surprisingly much better, partly because some of the characters are now in on the secret (true age of Foster‘s character, Liza—early 40s vs. the purported mid-twenties) and some of their reactions are excellent. Not sure where this will go, but I did like Episode 1.
Most people won’t like this, but I somehow do; RENEWED through SEASON 5

The Great American Baking Show ABC (RENEWED for SEASON 3, 2017-18, which starts in December, 2017)
Ayesha Curry and Anthony Anderson as hosts. Based on The Great British Baking Show (see below).
We’ll watch

The Great British Baking Show (SEASON 4 USA returned 6/16/17, with same hosts) PBS
This final season we have the old crew of 4, still: Paul Hollywood and Mary Berry as the expert bakers and the two somewhat funny/mostly annoying hosts, Mel (Melanie) Giedroyc and Sue Perkins (except that Sue was strangely and not-mentioned absent from Season 4, Episode 2…???).
This is the only “reality” show (and its spin-offs) that we watch.
There are/were three British and one American spin-offs, The Great British Baking Show, Master Class and The Great British Baking Show, An Extra Slice, both RENEWED; The Great British Baking Show, Holiday Season(that was mostly with Mary and Paul, but with Mary gone after this season, not sure if that will return this fall; and The Great American Baking Show (not seen, yet).
KEEPING; RENEWED through SEASON 5, but SEASON 5 has new hosts and no Mary Berry

Grace & Frankie Netflix (SEASON 3 returned 3/24/17)
The writing has deteriorated even worse for SEASON 3.
My mom and I enjoyed SEASON 1 enough to watch SEASON 2, but we were constantly disappointed.
We saw Lily Tomlin and Jane Fonda on talk shows often and we do respect them as actors. However, each of their characters has become a caricature of its original concept, and the characters of all the gay men, including Martin Sheen ‘s and Sam Waterston‘s, were always pathetic stereotypes.
Robert (Sheen) and Sol (Waterson) are wooden and unbelievable as passionate lovers. Lily Tomlin is still performing a hippie character trope. Jane Fonda was the only one of the four who actually inhabits a realistic version of a character via acting, but she has been doomed to repeat rather than enact Grace’s growth and insights.
Brooklyn Decker and June Diane Raphael are given, as Sheen’s and Fonda’s adult daughters, mostly comedy bits and one-liners to enact, and they are not getting the sisterly relationship in any believable way. Baron Vaughn and Ethan Embry (Tomlin’s and Waterston’s adult sons) are not given even that much to do, and even that is more slapstick than acting.
Most of the supporting characters are written as stereotypes of whatever group they are purported to belong to by ethnicity, age, job or other status, which is sloppy and lazy writing and disappointing for the talents of these actors. Ernie Hudson returns as Lily’s friend, now lover, Jacob, isn’t given much to do, either. We hoped these great actors would get to do more than mug, crack jokes and be cardboard cutouts.
This show could be SO MUCH BETTER! But, the writing trivializes what few actual issues there are, going for silly and getting sillier even though the topics are significant. For example,
—What kind of gay are the characters of Sol and Robert? They apparently haven’t discussed this, much. Are they even the same kind as one another? Are they flamboyant “queens,” political/marchers in gay pride parades, attendees and singers at Broadway Bingo called by a Transvestite (or Transgender: the show didn’t even bother to make the distinction, or…?
— Why trivialize the muggings, burglaries, robberies and other crimes committed against senior citizens while parodying real concerns about home owners having loaded guns on site?
—How do women raising several children deal with husbands who won’t grow up?
—How do couples who based their entire relationship on infidelity deal with their infidelitous leanings, lifetimes of duplicity and dishonesty, and other problems that do not disappear once they are “out”? Sol has sex with Frankie on the eve of marrying Robert. Frankie has trouble not telling Robert, who is her life-long friend. She, however, didn’t seem to have any trouble cheating with Sol on Robert.
—Does none of these characters have a distinct moral compass? They all lie to each other.
—Good to raise the issues senior citizens deal with in relationships and sexuality (vaginal dryness, erectile dysfunction, shyness/awkwardness (newly dating after being married for decades), lack of interest, but why not show more respect, even in a comedy?
–How do/can addicts “make amends” when they’ve lied, stolen, destroyed property and relationships/trust for many years and still can’t be readily trusted?
—Do children ever “get over” sibling rivalry? Do in-laws ever get along? How do jealousy and competition and affect adult relationships?
—How could adults deal effectively and respectfully with children’s phobias and anxieties rather than patronizing or minimizing?
Wish the writers would tackle these and other issues head-on rather than with one-liners and sit-com scenarios. The actors would then actually have something to do and the viewers would probably be feeling that their time had been well-spent instead of wasted. They need to watch When We Rise. For real.
CONTINUING, but constantly disappointed; RENEWED for SEASON 4

Prime Suspect: Tennison PBS Masterpiece Theatre (premiered 6/25/17 but not renewed for SEASON 2)
A marvelous prequel to the marvelous original Prime Suspect, which starred Dame Helen Mirren, these episodes show her character’s early life and beginning career days. The hairstyles, soundtrack, cars, attitudes, clothes: all are spot on for 1973 (I should know; I was 19).
Stars Stefanie Martini in these 3 episodes, which are set “in 1970s London. Just a probationary officer at this point in her life, Jane [Tennison] has to fight her way through the appalling sexism and bad policing that were de rigueur at the time. At the start of the series, she’s thrown into a nasty murder investigation that will shape the rest of her life.”
We’re getting the original Prime Suspect Episodes (with the amazing Helen Mirren as an early-thirties/forties detective) on DVD from the local library in fall, 2017.
Wanted MORE than three 90-minute Episodes

Good Girls Revolt Amazon Prime (SEASON 1 ran on AzP in 2016, but AZ canceled it; SEASON 2 may be commissioned by another channel)
Based on the historical fiction novel, The Good Girls Revolt, by Lynn Povich, “[t]his Amazon-original series is set in New York in the late 1960s, when a cultural revolution was sweeping through the free world. One place that was not quick to change with the times was newsrooms. Inspired by real events, Good Girls Revolt follows Patti Robinson and her fellow female researchers at News of the Week (a thinly disguised Newsweek magazine setting), who decide to ask for equal treatment. Their quest initiates an upheaval that impacts romantic relationships, careers and friendships, and propels Patti and her friends into unfamiliar territory that they never dreamed of.”

Starring and featuring: Genevieve Angelson, Anna Camp, Erin Darke with Jim Belushi, Hunter Parrish, Chris Diamontopoulos, Joy Bryant (as the amazing ACLU attorney, Eleanor Holmes Norton), and a great set of scenes across several Episodes with Grace Gummer as the late, great Nora Ephron.
I lived through this era and it helped make me an even stauncher feminist (which I was from age 3 on). Excellent writing, acting and characters, with appearances by actual people peppered throughout this fictionalized version of real events. Very enjoyable, if infuriating (since it was and IS all still happening). Hoping for SEASON 2.
A bit too much graphic nudity and sex, but, otherwise, excellent; Wish it would get picked up for SEASON 2

Alpha House Amazon Prime (started in 2013; already had 3 seasons as of 2017)
Written/created by the ingenious artistic lefty politico of Doonesbury comic strip fame, Garry Trudeau, this show that harpoons four particular Republicans (and others) and their long-suffering assistants, in 2012 (so far) is surprisingly witty and not too much like Animal House, as I had feared.
Starring John Goodman, briefly featured Bill Murray, and also stars Clark Johnson, Matt Malloy and Mark Consuelos, featuring Amy Sedaris, wanda Sykes, Haley Joel Osment (all grown up!) and many more.
Episode 1 was hilarious; the rest, sillier as it went on. Got Mom to watch it but she hated it (laugh tracks bug her)

**SATURDAY NIGHT LIVE: Weekend Update NBC (premiered 8/10/17)
My mom’s favorite part of SNL is its weekly “Weekend Update” segment, so I’m sure she’ll watch this four-episode try-out, featuring anchors Colin Jost and Michael Che. Additional “Saturday Night Live” cast members will also make appearances.
Our DVR couldn’t find this, so she’s watching it On Demand. These Episodes comes at the end of the list of regular SNL’s Episodes, FYI.
Tina Fey‘s “sheetcaking” bit went viral and was quite controversial, but I haven’t watched any other parts.
For Mom

Sherlock BBC (SEASON 5 returned January 1, 2017, for 3 more episodes)
Yippee! Yahoo! Best BBC return-to-season EVER! Fabulous reunions and loved the SEASON 4 “premise” (No spoilers, here). How great is Benedict Cumberbatch? And, Martin Freeman!
Also, great mystery to be solved.
Not liking the addiction story line in this or Elementary‘s Sherlock (or any show, for that matter), but I guess it is part of the Sherlock character.
Keeping, but no new season any time soon, according to creator/writer, Stephen Moffat, as of October, 2017

*Black Mirror Netflix
This British version of an updated Twilight Zone-ish series is very unsettling (I’ve only watched two episodes, but those were so disturbing I may not return any time soon). However, they are well-written, well-acted and “realistic,” as far as they can be while venturing into odd and futuristic territory. Recommended if you like bizarre, weird, unnerving and challenging. I know my mom won’t like it, so I watch when she’s not around.
I recognize some of the actors from other BBC series (Downton Abbey, Mr. Selfridge, New Tricks and others), so that is fun.
VERY DARK. I have watched about 6 episodes, now. Many are truly awful, dystopian, nightmarish depictions of our future.
It’s now in its third season, so if you can stomach it, there are many episodes to watch!
Watching, but nauseated; RENEWED for SEASONS 4 and 5

For other PBS special productions (Great Performances of filmed live plays, concerts, more), stream them online: http://www.pbs.org

*Madiba BET (mini-series aired mid-February, 2017)
A FANTASTIC, original mini-series (from BET’s press release, April 2016) “BET partners with executive producers, Lance Samuels, Kweku Mandela and Daniel Iron for an original production that focuses on the story of Nelson Mandela, the globally beloved humanitarian, as well as the many other leaders of the African National Congress — Oliver Tambo (Orlando Jones) and Walter Sisulu (David Harewood) — who fought alongside Mandela in the multi-racial, multi-national movement that led to the end of South African apartheid. Academy Award(R) nominee Laurence Fishburne completely transforms in the lead role, under the direction of Kevin Hooks (Passenger 57, Prison Break), who also serves as Executive Producer.”
Very moving, informative, inspiring. Sad and important, both, that we’re still fighting these fights.
Learned a lot from this.

*When We Rise ABC (5-part miniseries, started airing 2/27, with the two-hour series premiere, then aired the rest, every night through 3/3/17, but it will also be available via ABC On Demand and probably online as well; May have another season!).
This is/was my era. I know people whose names are on the AIDS quilt: dead friends and loved ones, friends’ partners and relatives. I am bisexual and was a reproductive rights, pro-ERA, feminist activist for many of these interlocking movements. These are my people. I remember these arguments, coalitions’ building and falling apart, feminists divided by homophobia, race-baiting among the GLBT and feminist communities: searching for safety among women only to find myself rejected as a bisexual; searching for camaraderie among the gay men only to find the misogynistic, hateful attitudes to be unworkable; wishing for cis-gender and heteronormative people, especially those with money and power, to wake up and grow up (still waiting for most of them).
This series is excellent! Each episode is so moving, well-done, informative and true-to-life that it ought to be required viewing for all politicians, GLBT people and their families, friends, allies and detractors, and the rest of the USA population. A lot of this series’ scenes have moved me to tears.
“Written and created by Academy Award-winning screenwriter, Dustin Lance Black…chronicles the real-life personal and political struggles, set-backs and triumphs of a diverse family of LGBT men and women who helped pioneer one of the last legs of the U.S. Civil Rights movement from its turbulent infancy in the 20th century to the once unfathomable successes of today.”
Starring Guy Pearce, Mary-Louise Parker, Rachel Griffiths, Ivory Aquino, Carrie Preston, Michael K. Williams, Rosie O’Donnell, Whoopi Goldberg.
The extra hour within this series which aired before Night III, has interviews with some of the actual people this series is based upon, real footage of their meetings, speeches, marches, encounters, photographs of the original activists and their work. Extremely inspiring.

Dolly Parton’s Christmas of Many Colors (11/30/16) NBC; may return in 2017
Christmas of Many Colors: Circle of Love is s sequel to the fun 2015 film based on her memoirs and recently released as a children’s book, Coat of Many Colors.
We were somewhat mystified and disappointed at the role the adult Dolly Parton gave herself in this sequel biopic, of one fall of her childhood at age 9: why would she have the local business owner (played by Parton’s real-life younger sister, Stella Parton), call her out as a prostitute? The child-aged Dolly says things like: “I want to look just like you when I grow up!” and the adult Dolly, known as “The Painted Lady” in the film, responds: “Maybe you will!” big smile. Very bizarre. The Painted Lady is a benefactor whose money is considered “dirty” and taken away by the store owner from child Dolly, but she keeps appearing throughout the film. Unclear as to why.
Which begs the question I’ve long had: why would anyone do to themselves what Dolly Parton has done (all the plastic surgery, wigs, false eyelashes, excessive dieting, garish make-up and clothes, for decades), and refuse to age gracefully? Dolly Parton is an inspiration and role model for many singers/songwriters and business owners, and she does consider herself an advocate for women. So, why does she refuse to look like a ordinary person?
Alyvia Alyn Lind, who plays young Dolly, reprised her role from the film last year and did a splendid job most of the time, but she could have been directed better. Some of the scene in which she has to speak more than a line or two are very stilted and artificial. The shorter interactions and her singing/playing guitar scenes are the best parts. Jennifer Nettles and Kelli Berglund, playing the eldest daughter, were excellent and well cast as Dolly’s mom and oldest sister. Mary Lane Haskell reprised her role as the school teacher, Miss Moody, who I hope is true-to-life and lived long enough to see how successful Dolly Parton became.
WARNING: This film has a very strong mystical, grandiose/romantic, heavy-handed Christian /Christmas messages which the adult Dolly definitely still believes in and wants everyone to know. There are appearances of visions, prayers, Baptisms, magic, God, blessings, angels and the like in her life and in this and the former film. If you believe in all that or like watching films like this, you’ll love it. We are not so fond (raised Jewish and practicing Buddhist, here).
may return in 2017

The Bletchley Circle Netflix (2 “seasons,” 3 Episodes, each)
After watching and loving the film, Hidden Figures, we found this excellent series featuring some more strong, brilliant women who were code-breakers during WW II and then solve mysteries in post-World War II London. Kind of gruesome in parts, but very well-written and -acted. Terrible shame that it was canceled after SEASON 2, which had two 2-part stories (4 episodes).
Worth your time

Top of the Lake, China Girl (miniseries, Sundance) (aired in mid-September, 3 double Episodes)
Stars Elizabeth Moss [2017 EMMY winner for The Handmaid’s Tale] as a New Zealand detective recovering from her own traumas while attempting to rebuild her life. Apparently, this premiered in 2013 with 7 Episodes, so this is its second season, but it is new to us. Good and bad reviews; excellent cast. Can’t find where to watch SEASON 1, so we’re starting here. (SEASON 1 is set in a remote mountain town in New Zealand.)
Mostly, having watched to the bitter end (which SUCKED, BTW), we have to say: there is not one functional and/or likable character in the entire bunch of misfits, criminals, tragic victims and struggling teens and adults. Most of the situations are awful. There are gratuitous nudity, active simulated sex, symptoms of mental illness, several incidents of violence and other horrific examples of humanity in almost every scene. Some of the scenes (especially those of the porn-watchers/prostitute-users in the cafe) are so terrible we couldn’t stand to listen to the dialog, however realistic.
Beautiful settings, though, since they shot on location and not near LA, as most shows do.
Also stars: Nicole Kidman, David Wenham, Peter Mullan, Thomas M. Wright, Gwendoline Christie, David Dencik and Ewen Leslie.
[SPOILER ALERTS, from now on]
SEASON 2 is set near Sydney, Australia, and centers on finding the murderers of “Cinnamon,” found dead and floating in the lake stuffed into a suitcase. The local police call the case “China Girl,” even though she is from Thailand.
Robin Griffin (Moss) leads the investigation with an unstable constable accompanying her and apparently spying on her for their boss, with whom she is having an extra-marital affair and pregnancy, which becomes part of the story in odd ways).
Episode 1 (SEASON 2) was unnecessarily confusing, presenting viewers with many unlikeable characters, awful situations, dysfunctional families and no discernable plot. Nicole Kidman appears in a couple of scenes and more in later Episodes. There is an adoptive child/parent reuniting as a subplot that involves several of the characters through until the end in sordid and strange ways.
Excellent acting and probably realistic, but WHY? Horrible plots, situations and characters don’t make for “good” TV, IMHO.
Didn’t love it. Not sure who would, but we did finish it

Shows We Haven’t Continued But Are Probably Good and We May Watch, Again

Travelers Netflix
A sci-fi series starring Eric McCormack which, in our opinion, had a very rocky start (Episode 1 is confusing and extremely violent), but may improve.
Dubious foundations as well, but we’ll give it a few more Episodes, perhaps. Another episodic time travel show has the premise that the agents come from the future and have to take over the bodies of people in the past (our “present”) in order to stop the end of the world. At least they are supposed to “battle their own guilt at the harm they sometimes have to do for the greater good,” a conscience that is sorely lacking in several of Timeless‘ characters, for example.
Watching, but it’s DARK; RENEWED for SEASONs 2 & 3

The Shows We/I Gave Up On that are NOT (yet) Canceled (as of 10/20/17)

*Rebel BET (premiered 3/28/17; Renewed for SEASON 2)
This was so awful I couldn’t even finish the first half of the pilot Episode. Trite, overly violent, filled with cliches, stereotypes and ridiculous scenarios, and that was just in the first 20 minutes.
“BET’s new scripted drama…takes on the unique and complicated relationship the Black community faces with police officers. Directed by John Singleton, the series follows Rebel (Danielle Moné Truitt), a police officer who leaves the force after being under an intense Internal Affairs/criminal investigation for shooting her partner in the hopes of stopping him from gunning down her little brother. Continuing to fight crime as a P.I., Rebel struggles with her brother’s murder while defending herself from the dirty cops who are out for revenge…[T]he series examines the conflicted relationship officers of color have with their jobs at a time when police forces are rife with brutality and misconduct…featuring many issues ripped from the headlines.”
Also starring: Giancarlo Esposito, Mykelti Williamson, Cliff “Method Man” Smith, LaTanya Richardson, Brandon Quinn.
This one may hit too close to home (I live in St.Louis and recently taught G.E.D. classes to youth from the Ferguson area).
OFF MY LIST; but, Renewed for SEASON 2

Brockmire IFC (premiered 4/5/17)
Starring Hank Azaria and Amanda Peet. “Jim Brockmire (Azaria) [is] a famed major league baseball announcer who suffered an embarrassing public meltdown live on the air a decade ago after discovering his wife’s infidelity. Now, looking to reclaim his career, reputation, and love life, Brockmire takes a job in a small American rust belt town, calling minor league baseball games for the Morristown Frackers. Peet co-stars as Jules, the strong-willed and hard-drinking proud owner of the Frackers.”
Also featuring Tyrel Jackson Williams.
Usually like both Azaria and Peet, but their characters are completely unrealistic and unlikable, as is the plot. Too raunchy and off-kilter for us and RUINS baseball announcers forever.
OFF OUR LIST; Renewed for SEASON 2

The Son AMC (premiered 4/8/17)
Same writer, Daniel C. Connolly, as The Colony and other things, this new series starring Pierce Brosnan (YES!) is “based on Philipp Meyer’s best-selling novel, The Son… [It] spans 150 years and three generations, tracing the story of Eli McCullough (Brosnan) and his transformation from good-natured innocence to calculated violence, as he loses everything on the wild frontier on the path to building a ranch-and-oil dynasty.”
Not one likable character in this show; we couldn’t even finish Episode 1.
Too violent for us, even though we love Pierce Brosnan; OFF OUR LIST, but RENEWED

**Great News NBC (returned October, 2017)
Mom said it was too insipid and took it off her list after just a few minutes. “A New Jersey mom puts her relationship with daughter to the test when she lands an internship at her new job, which comes with many challenges.”
Starring Briga Heelan (Undateable), Andrea Martin (Difficult People), Adam Campbell (Unbreakable Kimmy Schmidt, Mixology), Kimrie Lewis-Davis (Scandal), Nicole Richie (Chuck), John Michael Higgins (Wilfred), Horatio Sanz (SNL)
Even Tina Fey, in opening Episode of SEASON 2, can’t save this.

Imposters Bravo or USA
We gave this The Catch imitation a try for one Episode and part of Episode 2 and ditched it. Trite, unlikable characters and not-believable situations. Also, very BORING. Wanted to see Mary Kay Place, but she was hardly in it.
OFF OUR LIST; but, unbelievably, RENEWED for SEASON 2

The Good Fight (premiered 2/19/17) CBS, then only CBS “All Access,” for subscribers which ROTS and I can’t believe this is a trend. We already pay for cable, then they want us to pay for “super” cable? NEVER GONNA HAPPEN.
Spin-off of The Good Wife, includes Christine Baranski reprising her role as Diane Lockhart and Cush Jumbo as Lucca), as well as Rose Leslie, Delroy Lindo, Sarah Steele, Paul Guilfoyle, Bernadette Peters, Justin Bartha and Erica Tazel. I guess we’ll watch it when it’s available elsewhere, some day, but Episode 1 is on regular CBS (just to tease us all).
It was good but not great. Won’t miss it.
WE WON’T PAY EXTRA TO WATCH THIS; first (FREE) Episode was good; RENEWED and staying on PAID All-Access for SEASON 2

The Match Game ABC (renewed for SEASON 3, 2017-18)
My mom and I are old enough to have watched the original version of this game show and since we liked some of the principles and the promised celebrities, we gave it a try. We keep watching even though it’s so silly and raunchy. Each Episode consists of 4 segments (both segments have the same celebrities but two new contestants for each of the two segments in each hour-long show). Rosie O’Donnell (who seemed to be having a great time and was the contestants’ favorite in her Episodes) and one or two others re-appear; the rest rotate.
My mom and I are usually only familiar with 3 or 4 of the 6 celebrities, plus the show’s host, Alec Baldwin, each time.
We aren’t prudish (I especially am not, being a hippie and all), but we were shocked at how lewd, graphic and sexually focused the clues, responses, jokes and reactions were. A lot of the bits are improvised (supposedly), but none of their remarks was censored (self- or network-) or even attempted to be made more family-oriented.
I expressed my surprise at its bold raunchiness and my mom replied: “Well, it is on at 9 PM Central time…,” shaking her head.
So, fair warning. Some of it is funny, most of it is silly, and it’s all in “good” fun (if you’re into lewd types of humor).
Totally ridiculous; renewed for SEASON 3

**MacGyver CBS (returned for fall, 2017)
Lucas Till (X-Men), George Eads (CSI), Justin Hires (Rush Hour), Sandrine Holt (House of Cards), Tristin Mays (The Vampire Diaries)
We aren’t even going to bother with this. A friend watched the pilot and said it was horrible, with the majority of the time spent blowing things up.

Taboo FX (premiered 1/10/17 and ran as a miniseries)
An eight-episode series set in 1814. Really dark, awful production values, very gruesomely realistic. After almost 30 minutes, still did not get the point, except that the brother-sister love affair is not obvious, yet. So what? Boring.

Beyond Freeform (returns 1/18/18 for SEASON 2)
Very odd sci-fi/medical premise (being in a coma allows one to “live” elsewhere, like, another dimension? and learn/uncover “powers”), but interesting. We’re both watching and glad it was renewed for next year, because they have a lot of ‘splaining to do!
They aren’t explaining it all sufficiently, credibly or fast enough for us and it’s getting much too violent.
We gave up on this, but it is RENEWED for SEASON 2

*Modern Family ABC (returns 9/27/17; FINAL SEASON)
This season will include guest appearances by Nathan Fillion (LOVE him) and Martin Short (could do without him). Most of last season was tedious, so I may not watch much of this one; my mom doesn’t watch at all. We’ll see. I thought it had lost its sparkle and originality; storylines were repeating.
Also, the child acting as “Lily” (Aubrey Frances Anderson-Emmons) is AWFUL and very badly directed. Too bad. Ed O’Neill, Sofia Vergara, Rico Rodriguez, Julie Bowen, Ty Burrell, Jesse Tyler Ferguson, Eric Stonestreet, Sarah Hyland, Ariel Winter, Nolan Gould, and Reid Ewing co-star.
Watched pilot for fall, 2016, and it was as bad as expected. I did enjoy fast-forwarding to catch Nathan Fillion on a few episodes, but hated his role.
NOW so stupid that it’s OFF MY LIST; AND, CANCELED after 2017-18 SEASON

*Star Fox
Despite the inclusion of the ever-talented and great Queen Latifah, this show is a poor imitation of both Empire and a more hip-hop-focused Glee with The Fosters thrown in for who-knows-what-reason. The plot is cliched (which explains both Lenny Kravitz and Benjamin Bratt‘s roles), boring and not credible. The singing is lip-synched, the choreography is uninspired and overly sexualized (especially for a teen rape survivor), and the main characters (Jude Demorest. Ryan Destiny. Brittany O’Grady) aren’t that talented as singers, actors or dancers. Since I suppose this was cast by having thousands of teens and young women audition, that’s very disappointing.
The (by now) required trans and drag characters are also absurd and stereotyped. The strip club as venue is (by now) overdone.
And, really? Another hair salon for the Queen? Please.
DROPPING after one episode and not making Mom watch at all; Unbelievably, RENEWED for SEASON 2

Little Big Shots NBC (returned 3/5/17)
We USED to LOVE this show, but with Steve Harvey now a Trump supporter, it is harder to watch. We fast-forward a lot.
This show can be very fun and showcases some amazingly talented/skilled youngsters, but I recommend recording it also to fast-forward through some of the acts that are not so interesting to you (everyone is different, after all). We like the singing, dancing and some of the oddities, but not martial arts or simply cute. Steve Harvey is great interacting with these kids.
KEEPING, but fast-forwarding through most of each episode

*People of Earth TBS (10/31/16 premiered)
Wyatt Cenac investigates people who encounter aliens: How fun! Or, so I thought. Instead, this 1/2-hour sit com approach is insipid, trite, and boring, stealing from any and every previous TV, film, written and spoken version of these same stories. It is rife with stereotypes, one-liners as jokes or characters, and predictable situations, and that was just the pilot.
DON’T WASTE YOUR TIME; but, amazingly, this was RENEWED for SEASON 2

The Bold Type Freeform (premiered 6/21/17)
Because of this description: “‘The Bold Type is our love letter to modern feminism and aims to be a destination for authentic female friendship and empowerment,’ said Karey Burke, executive vice-president of programming and development at Freeform,” we tried it, but we couldn’t even get through 30 minutes, including commercials. HORRIBLE writing and acting and insipid characters with nothing to recommend it whatsoever. Too bad.
Trying too hard to be like The Devil Wears Prada but failing miserably.
Inspired by the life of Cosmo‘s editor, Joanna Coles, it centers around the staff at a fictional women’s magazine.
Starring Katie Stevens, Aisha Dee, Meghann Fahy, Sam Page, Matt Ward, and Melora Hardin as the editor-in-chief of Scarlet Magazine.

Melora Hardin and Katie Stevens of The Bold Type

DON’T BOTHER; inexplicably, RENEWED for SEASONS 2 & 3

Somewhere Between USA (premiered 7/24/17)
This was AWFUL. The direction is terrible, pulling heinous performances out of the mom and daughter and making the dad a cipher. The story is unnecessarily confusing and unbearably sad. We quit.
Paula Patton plays a mother who tries to change the fate of her daughter’s murder.” Multiple timelines, time travel, etc. Gruesome and sad, probably, but could be interesting.
Also stars Aria Birch (the missing/murdered daughter), and Catherine Barroll, JR Bourne.
Remake of a Korean drama, God’s Gift 14 Days.
Paula Patton (About Last Night) stars as Laura Price, a local news producer in San Francisco helping the police hunt down a serial killer. After the killer strikes close to home, a twist of fate allows a “Groundhog Day”-type reset, and Laura relives the week prior to the string of murders.”

We hated this


#Nomore #intoleranceforharassers #SPEAKUP #FIREHARASSERS

Women who work in the state capitol in Sacramento have had enough: The groundswell over sexual harassment that has rocked Hollywood moved into California’s capital on Tuesday as more than 140 women — including legislators, senior legislative aides and lobbyists — came forward to denounce what they describe as pervasive sexual misconduct by powerful men…

via Women in Sacramento Call Out Culture of Sexual Harrassment — Mother Jones

#KevinSmith is a #feminist.


Kevin Smith was one of the first filmmakers to speak out against fallen indie mogul Harvey Weinstein, at a point when doing so was still kind of a big deal. It was especially significant for someone like Smith, who got his big break via Weinstein, and spent most of his career making movies for Miramax…

via Kevin Smith is Donating His Weinstein-Tainted Royalties to the Non-Profit Women In Film — Flavorwire

#metoo AND #justyournumber and #wherewhatwhowhen

REPOSTING, from about one year ago, adding the new hashtag: #metoo

It is with great sadness and anger that I have heard about (and read a few of) the disgusting responses on social media to the bringing forward of reports of the sexual predation prevalent in Hollywood, politics, academia: EVERYWHERE. These remarks have been cruelly and ignorantly denigrating and re-traumatizing sexual assault survivors.


from https://www.youtube.com/watch?v=dDLVDzaw2vc

I noticed that whatever details a survivor provided, some creeps decide to question, argue, judge or condemn, doubting and despising her for reporting her experiences.


from http://Canstockphoto.com

Is anyone unclear on this concept? Really?

from Human Response Network

Give them nothing to respond to except a number, I say. Then, where is the argument?

#justyournumber (mine is a countable 46, but decidedly higher) allows survivors to report our sexual assaults, molestations, public exposures, sexual coercions, rapes, and any other kinds of private or public sexual threats, to be counted. No arguing.

Then, I thought, what about locations or one or two salient facts? Let’s provide those lucky enough to have no or low numbers or anyone else who is interested with some context. We need more people to begin to grasp the breadth of the problem.

By the way, when you read my or anyone’s list, imagine trying to “report” these incidents: to whom? with what results?

#justyournumbers is now joined by #wherewhatwhowhen

—30+ assaults by “family friends,” teachers and family members, starting at age 5, including a step-uncle who was a teacher. This man assaulted me (at age 10) in his classroom after school while my grandmother and his father (her second husband) were talking in the hallway outside the classroom. Our 6th-grade teacher, Ken Weber (long dead), at Central School in Olivette, Missouri, molested almost every girl in my class whose breasts had begun to develop by “dropping” paper clips, chalk or pencils down the fronts of our blouses and retrieving them with his own hand. As a freshman at the University of Wisconsin/Madison, all the female students were required to strip down to our underwear and pose for “posture pictures” during our Physical Education “exam.” I later found out that these questionably obtained “soft porn” shots were circulated, sold and posted in multiple locations for many decades;

—3 assaults on a bus (2 public exposures and 1 molestation), all while in my pre-teen/teen years. One very large young adult who was one of my “campers” had Down’s Syndrome. When he molested me by trapping me in the aisle of the bus (he was 6′ tall and about 225 pounds to my 5’1″ and 120 pounds) and mashing his hands all over my breasts, the older counselor told me “he couldn’t help it” and not to yell at him, but just to “push him away and go sit down.” This was in 1972 in St. Louis, Missouri;

—2 assaults/maulings while walking in daylight in public spaces on a college campus. One was a teen on a bicycle who grabbed my breast, squeezed hard, laughed and rode away; I was in my 30s. I DID go to the “campus police” who practically laughed and didn’t even write down my report. This was at Yale University in the 1980s (I was there attending a professional conference).

—3 molestations/assaults by employers/supervisors, starting in college and continuing through my young adult years. While working in Food Service in the dorms’ cafeteria as part of my Work-Study financial aid program at the University of Wisconsin/Madison in 1972, a supervisor trapped me in the storage area, assaulted and tried to rape me. I managed to kick him in the groin and get away. I never went back to that job and had to find another one;

—3 sexual coercions involving drugs in private homes at parties, by high school peers;

—5 sexual assaults by “dates” (whom I did not date again) who grabbed/fingered me without asking before I even knew they were going to do that, starting in my early twenties and spanning into my late 50s, in cars, private homes, an outdoor party, a beach.

There were also uncountable male psychopaths, strangers who felt entitled to engage in assaults on my body via random ass-grabbing, “accidental brush-bys” and other groping and sexual attacks, including making kissing or sucking sounds, while I rode on public transportation vehicles or stood in waiting areas and hallways in various USA cities, throughout my teen and young adult years.

Some jerks repeatedly yell out horrible, horrendous street harassment comments, known unaffectionately as “cat-calls,” most accompanied by graphic gestures, pseudo-sexual sound-effects along with vulgar and completely offensive language whenever any female happens to be in sight of them by being on a sidewalk or an urban construction site’s walkway. These are also too numerous to track, occurring throughout my life until quite recently (I am now 63).

from https://dev.theodysseyonline.com/when-the-cat-calls-dont-answer

Send respect, healing, caring and compassion to all survivors and shut the disrespectful morons up completely.

Add your stories or number or both on your social media of choice: #metoo AND #justyournumber and #wherewhatwhowhen

CreateSpace eStore is Closing Effective October 31, 2017

#CreateSpace is merging with #Amazon and authors will earn lower royalties…. Big shock.
Have to change buy links, no more discount codes, more changes: read this post and keep up.


Image from ShutterStock.


Beginning October 31, 2017, customers will no longer be able to purchase paperbacks directly from the CreateSpace eStore.

If you have a link to your CreateSpace eStore and a customer clicks on it, the customer will be redirected to the corresponding page at Amazon.com.

According to CreateSpace, the reasons behind the change include:

  • It’s much easier to search for books across Amazon’s site than it is to search for books on CreateSpace.
  • Amazon offers a much better checkout process than CreateSpace does.
  • Amazon offers better shipping options, including Amazon Prime.
  • Amazon sends out tracking notifications for orders placed through Amazon.
  • Amazon’s storefront is a much more familiar interface for customers.
  • Several customers have requested the features described above.

Unfortunately, when a customer clicks on a link to a CreateSpace eStore and is redirected to Amazon, authors will earn Amazon.com royalties (not eStore…

View original post 774 more words

2017 #MacArthur Fellows: 24 Creative, Genius, Unique Leaders Who Inspire

2017 #MacArthur Fellows: 24 Creative, Genius, Unique Leaders Who Inspire

Let’s celebrate extraordinary and amazing and beneficial and FUN people! I first heard about these annual awards when they were only about $200,000 and they were called “Genius Grants.” The stipend for the MacArthur Fellowship is currently set at $625,000, paid in quarterly installments over five years.

The cool thing about this award is that the group of people who nominate and select these individuals every year are ANONYMOUS and it is apparently impossible to discover their identities. This protects the process from corruption, one would hope.

Their FAQs page states: “All of the participants in the selection process—–nominators, evaluators, and selectors—–serve anonymously, and we keep their communications confidential. Anonymity protects them from being inundated with unsolicited requests. In addition, our experience shows that people readily provide frank impressions if they have an assurance that their responses will not be disseminated beyond the program staff and Selection Committee.”

I’ve heard that each recipient gets a phone call “out of the blue,” since they don’t even know they’re being considered, to announce that they are selected and about to receive one of our highest honors and a huge cash award.

The idea behind these awards is that the Fellows can then “quit their day jobs” or work less for money while living on the investments/cash they get/accumulate from this award. That award liberates Fellows to pursue their genius ideas even further! YEA!

There are three criteria for selection of Fellows:
—Exceptional creativity
—Promise for important future advances based on a track record of significant accomplishments
—Potential for the Fellowship to facilitate subsequent creative work.

Again, from the FAQs: “The MacArthur Fellowship is designed to provide seed money for intellectual, social, and artistic endeavors. We believe that highly motivated, self-directed, and talented people are in the best position to decide how to allocate their time and resources. By adopting a ‘no strings attached’ policy, we provide the maximum freedom for the recipients to follow their creative vision, whether it is moving forward with their current activities, expanding the scope of their work, or embarking upon an entirely new endeavor. There are no restrictions on how the money can be spent, and we impose no reporting obligations.”

I also love that they make a concerted effort and usually succeed in finding obscure, diverse, interesting and helpful people to whom to give this important award each year. Check out the 2017 cohort!

Anybody a fan of the CMT TV series, Nashville, as I have been? One of the recurring roles has been being played in 2015-2017 by one of this year’s recipients, Rhiannon Giddens, a gifted “Singer, Instrumentalist, and Songwriter,” who won for: “Reclaiming African American contributions to folk and country music and bringing to light new connections between music from the past and the present.”

Sometimes, though, they do not pick the “thought-leader” in a particular area, but one who is using others’ work in new ways or places. I wish they’d give credit to the originators of this recipient’s work: Betsy Levy Paluck uses the thinking and program components of Community MattersSafe School Ambassadors program’s creators, Rick Phillips, John Linney and Chris Pack. I know this because I worked for/with them and helped write the book they created about their anti-bullying work over 10 years ago. Oh, well. Can’t win them all!

Spread the word! Read about these people and their projects to youth and adults to inspire us all to be better! There is no upper age limit on recipients, either!

This year’s recipients include artists/designers, social scientists/humanities scholars, physical scientists/mathematicians, writers, community leaders/ strategists/ activists, and more.

There are, as usual (2016 was an exception), fewer female (9) than male (15) recipients. Most are under 50 years old, but a few are older.

However, more than usual (15) are people of non-Caucasian/ non-Western European ethnicities. Click on this link for an interactive map showing each of the recipient’s place of birth or location at the time of their award: https://www.macfound.org/maps/2/

A few are academics or work in other large organizations, but most are independent owners/operators or work in small businesses or in the nonprofit sectors.

Want to know more? Check out these myth-busting responses: https://www.macfound.org/press/commentary/five-myths-about-macarthur-genius-grants/

2017 MacArthur Fellows: 24 Extraordinarily Creative People Who Inspire Us All

The MacArthur Foundation named the 2017 MacArthur Fellows this week (10/10/17). Fellows will each receive a no-strings-attached stipend of $625,000, allowing recipients maximum freedom to follow their own creative visions.

“From transforming conditions for low-wage workers to identifying internet security vulnerabilities, from celebrating the African American string band tradition to designing resilient urban habitats, these new MacArthur Fellows bring their exceptional creativity to diverse people, places, and social challenges. Their work gives us reason for optimism and inspires us all.”

Visit the MacArthur Foundation website for Fellows’ bios and more info about each recipient as well as videos, the lists and descriptions/bios of previous years’ recipients, and the remaining FAQs/Answers:


“5 Crucial Tips to Consider When Writing Erotica,” by Guest Blogger, Cassidy London

5 Crucial Tips to Consider When Writing Erotica
by Guest Blogger, Cassidy London

So you’d like to try your hand at writing erotica? Maybe you’re a seasoned author with publications in other genres or perhaps this is your very first attempt at fiction. Either way, there are many things to contemplate and research. However, for the sake of simplicity, let’s begin with five crucial tips to consider when writing erotica.

  1. Pen Names: Yes or No?
    Using a pseudonym, or pen name as it’s more commonly referred to, is often considered to be the hallmark of erotica authors. With one’s anonymity guaranteed, we are free to express ourselves in the most taboo of formats without any fear of repercussions in our everyday lives.

    This is true; however, using a pen name can make for a slower start to our careers! Without the ability to be authentic, without being able to use our “warm” market, and with readers’ unable to put a face to the name, we are essentially trying to create a following for an unknown product by an unknown and worse, a hidden supplier.

    One must keep in mind the sensationalism that comes with being an erotica author. As long as you don’t mind having your personal life under a microscope and a little tittering behind your back at the local grocery store, you may find that using your real name garners more attention.

    The adage “There’s no such thing as bad publicity” applies well here, because more attention will definitely lead to more sales. Erotica authors, therefore, need to weigh the pros and cons of the consequences of using or not using a pen name in direct reference to our personal lives and temperaments.

    Remember: what is local has the potential to become national; and, if your books really take off [pun intended?], could become international. The sky’s the limit, if you are daring enough! Are you willing to be known for your erotica writing?

  2. Writing in the 1st or 3rd person
    What about choosing the right narrative perspective, usually known as “point of view,” or POV? Of course, fiction can be well-written in either 1st or 3rd person narrative form. In erotica, the goal is to connect the reader very intimately to the adventures and feelings of the characters.

    when there are different points of view in your story, it can be one of the best times to write in the third person. Some authors switch the POV from character to character as each chapter progresses. This is a great way to engage many different types of readers, because they potentially have more than one main character to relate to.

    However, writing in the first person allows for a more in-depth perspective and perhaps a stronger connection for the reader. In erotica, it is crucial for the reader to relate sexually to at least one character in your book. Either they see themselves as the heroine who wants to experience the hero as he is written, or they are the hero who is captivated by the heroine. Whatever the situation, in order to create a lasting and hopefully, raving fan, erotica must titillate both their emotional needs and sexual desires.

    For these reasons, choosing the right point of view for your story is important. Whatever narrative form is chosen, the goal must always be to use the sexual tension between the characters and the consummation of these forces to drive the story forward.

  3. Using the 5 Senses
    Description is the hallmark of fiction and even more so in erotica. Trying to describe a scene that the reader can visualize themselves actually experiencing is the key. Using the five senses is paramount to ensuring that the reader has both mental and physical responses to your words. The reader must see the location as well as hear the dialogue and various sounds the characters make and hear themselves. The descriptions must be so detailed and pleasant to the ear that the reader’s brain can actually feel the touches of the characters.

    Not every scene needs all five senses though. In fact, taking the time to focus on just one or two can sometimes enhance the experience. Just like in real life, if a particular sense is no longer working properly, the other four will intensify. Writing erotica works exactly the same way: when only one sense is the focus, or when one or more senses is shut off (think: blindfolds, handcuffs, etc.) the remaining senses become highly energized.

    Smell, taste and physical sensations are probably the hardest to describe accurately, but they also elicit some of the greatest responses, because they can be triggers to real-life memories. A sweet vanilla scent, the decadent taste of chocolate-covered strawberries or the feel of cool satin sheets on naked skin all have the potential to trigger recognition in the reader. This recognition, however subtle, helps to take the reader from a removed place behind the pages of a book to becoming a living character within it.

    The five senses can never be overused in erotica. The goal is to be able to see, hear, touch, smell and taste it all. Your reader should come away from the experience feeling as though they have truly lived these intimate moments.

  4. Creativity in Intimacy [section needs a new title; see below]
    If erotica is to be moved forward by the characters’ sexuality, then how does one continually write these scenes in a creative and non-repetitive way? Here’s where the element of surprise comes in. Keeping the readers on their toes about how, where and why it’s going to happen is the key.

    In a novella, for example, one will usually find four to five intimate scenes. If the same process is simply repeated over and over each time, it will become stale and the reader will lose interest. Each scene needs to build with a different amount of passion and intensity while still being unique in the story.

    Having varied levels of intimacy between characters also helps to create more depth and range in each tryst. Therefore, it can be helpful to decide on the background of each scene beforehand. Maybe the first time, it is the power of lust that brings the characters together. However, by the time the second scene comes around, they have fallen in love and the act is more sensual. The third scene might feature the hard anger of betrayal. The final one might be based in forgiveness and show a culmination of both their insatiable lust and ultimate love for one another.

    Having a story arc such as this will ultimately change the details in each scene and make it more interesting for the reader. Also, using tried and true tropes, like “friends to lovers” or “forbidden lust” can help authors to follow a pattern such as the one mentioned and build each scene into an exclusive moment in the story, every time.

  5. Realism vs. Fantasy
    Erotica delves into a fantasy world where readers are looking to be swept up into endless magical moments. Although fans of erotica are looking for entertainment and escapism, mixing in a little reality helps to connect the reader better to your work. Combining the idea of lust-filled werewolves with the real-life emotional struggles of a relationship makes for a nice mixture of fantasy and reality. This can ground the readers and enable them to empathize with the characters you are describing. Once they are so connected, it then becomes easier for the readers to suspend disbelief and open up to intimacy between a mythological creature and a human.

    So in other words, even though the heroine of your story has been kidnapped by a vampire whose seduction techniques may very well kill her, the story will be more authentic if there is a healthy dose of realism involved. The heroine and the vampire’s decision-making skills, their doubts, fears and even their desires can all make the story more realistic despite the context’s being fantastical. These small moments of realism can enable the readers, just like the heroine, ultimately to fall under the spell of the sexy vampire.

    Even when the story does not contain paranormal elements, it is still in the realm of fantasy. Maybe the story describes a sexual fantasy that your reader has always dreamed about experiencing. Often, erotica can allow the readers to live out their fantasies in a safe environment far from the complications of real life. If the descriptions seem plausible and the readers can truly imagine themselves doing the things that you describe, then the experiences of your characters will seem real and believable to them.

Finally, keep in mind that these five crucial tips to consider when writing erotica are just the beginning. Becoming an avid reader of the most popular books in this genre will help you to understand these five points better. In those books, you can find examples of each tip and more components that you can compare to your own writing.

Erotica is a fun outlet. Learning to write good erotica can enhance your creative writing and provide you with skills that are easily transferable to other genres.

Happy Writing!

Who is Cassidy London and why does she write and read erotica?

“Cassidy London has been in love with books ever since she can remember, particularly, scandalous steamy romances. However, she’s discovered that the best scandals are found in places where truth inspires fiction.

“When she’s not writing or reading ‘dirty’ books, Cassidy can also be found masquerading as a coffee- (and wine-!) drinking suburban mom in Montreal, Canada.”

She wrote, on her website (link is below): “Having read every classic and best-seller out there, I finally found my way back home and back to my first love. To the trashy, sexy, fun-filled fantasy world that is erotic romance. I read and I remembered. I remembered how those books of my youth transported me to another world. It was like rekindling a long lost love affair, except this time I knew it would end with my very own happily ever after.

“To all the authors whose works I have read and been inspired by. Thank you for being my first true love.”

Contact Links
[NOTICE: these sites and book covers/subtitles are rated R and higher!]

Website: http://www.cassidylondon.com
Amazon: https://www.amazon.com/Cassidy-London/e/B01N6NJHUW/ref=dp_byline_cont_ebooks_1
Goodreads: https://www.goodreads.com/author/show/16281970.Cassidy_London
FB: https://www.facebook.com/CLondonAuthor/?ref=bookmarks (Cassidy London Author)
Twitter: @CLondonAuthor
IG: https://www.instagram.com/cassidy_london_books/ (cassidy_london_books)

Cassidy’s books (to date):

We all have a steamy truth hiding somewhere deep inside us…that one crazy night, that time in college, that hidden desire we’ve never expressed.

The SUBURBAN SECRETS series is based on just that. Steamy, scandalous and very private moments that have burst through the often conservative confines of suburbia.

Sometimes breaking all the rules is the only way to keep them.
Couples Night Out is Book 1 in the steamy SUBURBAN SECRETS series. Book 1 introduces you to Ella and Jak, a young couple trying to save their marriage from disaster after their mutual indiscretions threaten to ruin them.

Pandora’s Box has got nothing on the quiet communities of suburbia.
Weekend Getaway is Book 2 in the steamy SUBURBAN SECRETS series. Here we find out if Ella and Jak’s love can make it through the drama that comes with navigating their new alternative lifestyle. Letting go has brought them together, but letting each other go too far could ruin it all.

Coming Soon! [More than one kind of tropical heat…]