#Nebula #Awards WINNERS Announced for 2018

#Nebula #Awards WINNERS Announced for 2018
Mazel Tov to them all!

2019 nebula conf banner

The Science Fiction and Fantasy Writers of America (SFWA, Inc.) is pleased to announce the WINNERS for the 54th Annual Nebula Awards!

The Nebula Awards were presented during the annual SFWA Nebula Conference, May 16th-19th.

The Nebula Awards, presented annually, recognize the best works of science fiction and fantasy published in the previous year. They are selected by members of the Science Fiction and Fantasy Writers of America. The first Nebula Awards were presented in 1966.

The Nebula Awards include four fiction awards, a game writing award, the Bradbury Award for Outstanding Dramatic Presentation, the Andre Norton Award for Outstanding Young Adult Science Fiction or Fantasy Book. SFWA also administers the Kate Wilhelm Solstice Awards, the Kevin O’Donnell, Jr. Service to SFWA Award, and the Damon Knight Memorial Grand Master Award.

I list all the WINNERS and the novel finalists, below.

The 2018 Nebula Award Winners

Best Novel winner:
The Calculating Stars by Mary Robinette Kowal, published by Tor

Best Novella winner:
The Tea Master and the Detective by Aliette de Bodard, published by Subterranean Press

Best Novelette winner:
“The Only Harmless Great Thing” by Brooke Bolander, published by Tor.com

Best Short Story winner:
“The Secret Lives of the Nine Negro Teeth of George Washington” by P. Djèlí Clark, published by Fireside Magazine

Ray Bradbury Award winner:
Spider-Man: Into the Spider-Verse written by Phil Lord and Rodney Rothman

Andre Norton Award winner:
Children of Blood and Bone by Tomi Adeyemi, published by Henry Holt and Macmillan UK

Best Game Writing winner: Black Mirror: Bandersnatch by Charlie Brooker, published by House of Tomorrow and Netflix

Solstice Award:
Neil Clarke and Nisi Shawl

Kevin J. O’Donnell Jr. Service to SFWA Award:
Lee Martindale

Damon Knight Grand Master:
William Gibson

this list, the image credits for the banner, above, and logo, below, are from: https://nebulas.sfwa.org/the-2018-nebula-award-winners/

Nebula logo

2018 Nebula Award Finalists

Novel

WINNER: The Calculating Stars: A Lady Astronaut Novel, Mary Robinette Kowal (Tor)

The Poppy War, R.F. Kuang (Harper Voyager US; Harper Voyager UK)

Blackfish City, Sam J. Miller (Ecco; Orbit UK)

Spinning Silver, Naomi Novik (Del Rey; Macmillan)

Witchmark, C.L. Polk (Tor.com Publishing)

Trail of Lightning, Rebecca Roanhorse (Saga)


BTW: the WINNER of the

The Andre Norton Award for Outstanding Young Adult Science Fiction or Fantasy Book

Children of Blood and Bone, by Tomi Adeyemi, had already been commissioned to be made into a feature-length film last February, prior to being nominated!


For indepth analysis, opinions, covers, all the winners in all categories and more, from the Science-Fiction and Fantasy Blog of Barnes & Noble:

The Winners of the 2018 Nebula Awards Are Stellar

https://www.barnesandnoble.com/blog/sci-fi-fantasy/the-winners-of-the-2018-nebula-awards-are-stellar/

by May 18, 2019

 

November is STILL #SciFi Month! 9 Days left for Deals on #Ebooks, #Print #Books! Some #Free!

November is STILL  #SciFi Month! 9 Days left for Deals on #Ebooks, #Print #Books!
Some #Free!

Hosted/started by  & .
Use

scifimonth-nov-2018 rectangle
graphics and announcement from: The Little Red Reviewer

logoAuthorsDen
The Spanners Series first three Volumes of utopian science-fiction/romance by Sally Ember, Ed.D. are on sale NOW as ebooks and regular price but discounted on Kindle Match when you buy both ebooks and print versions together!

Proud member of Clean Indie Reads #CR4U and Clean Indie Fantasy
Fantasy and Science-Fiction Network #FSFnet

 

scifimonth-no-2018-round

graphics and announcement from: The Little Red Reviewer

Smashwords hosts The Spanners Series‘ ebooks in every format (reader’s choice) and these are on sale!
free (Volume I)
only $2.00 (Volume II) COUPON CODE for Volume II, good on Smashwords, only, 11/1-11-30/18  ZU96Y
only $1.00 (Volume III) COUPON CODE for Volume III, good on Smashwords, only, 11/1-11-30/18: LD49Y

(usually $3.99 each for ebooks) for the the month of November, 2018! See below for links and more info.

Whether you’re sweating, freezing, rained or snowed on or anywhere in between, there is still time to READ!
Give ebooks for gifts for birthdays, graduations, holidays, anniversaries, vacations: any time!

The paperbacks of all three Volumes are in the Kindle Match/Kindle Matchbook program at Amazon!
See below for links, details and coupon codes (on Smashwords, only) for each of the Volumes.

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This Changes Everything, Vol. I, The Spanners Series

Dr. Clara Ackerman Branon, 58, begins having secret visits from holographic representations of beings from the Many Worlds Collective, a consortium of planet and star systems in the multiverse. When Earth is invited to join the consortium, the secret visits are made public. Now Earthers must adjust their beliefs and ideas about life, religion, culture, identity and everything they think and are.

Clara is selected to be the liaison between Earth and the Many Worlds Collective and she chooses Esperanza Enlaces to be the Chief Media Contact. They team up to provide information to stave off riots and uncertainty. The Many Worlds Collective holos train Clara and the Psi-Warriors for the Psi Wars with the rebelling Psi-Defiers, communicate effectively with many species on Earth and off-planet, eliminate ordinary, elected governments and political boundaries, convene a new group of Global Leaders, and deal with family’s and friends’ reactions.

In what multiple timelines of the ever-expanding multiverse do Clara and her long-time love, Epifanio Dang, get to be together and which leave Clara alone and lonely as the leader of Earth?

This Changes Everything spans the 30-year story of Clara’s term as Earth’s first Chief Communicator, continuing in nine more Volumes of The Spanners Series.

Are YOU ready for the changes?

Volume I, This Changes Everything:
Ebooks are PERMAFREE on Smashwords:
https://www.smashwords.com/books/view/376197
and Amazon: http://www.amzn.com/B00HFELTG8 

These paperbacks are in the Kindle Match program on Amazon. This means that if you purchase both the ebook and its paperback counterpart (in this case, download Volume I for free), you get a discount for the total package. Vol I Amazon link: http://www.amzn.com/B00HFELTG8

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This Changes My Family and My Life Forever, Vol. II, The Spanners Series

Intrigued by multiple timelines, aliens, psi skills, romance and planetary change? Clara and the alien “Band” are back in Volume II, This Changes My Family and My Life Forever.

Now as Chief Communicator, Clara leads the way for interspecies communication on- and off-planet. Fighting these changes are the Psi-Defiers, led by one of the oldest friends of the Chief of the Psi-Warriors, its reluctant leader, Rabbi Moran Ackerman. Stories from younger Spanners about the first five years of The Transition fill Volume II.

How would YOU do with the changes?

Volume II, This Changes My Family and My Life Forever:
EBOOKS now $2.00, 50% off the regular price of $3.99, using COUPON CODE ZU96Y on Smashwords, any ebook format (reader’s choice).

These paperbacks are in the Kindle Match/Kindle Matchbook program on Amazon. This means that if you purchase both the ebook and its paperback counterpart, you get a discount for the total package. Vol II Amazon link:: http://www.amzn.com/B00KU5Q7KC

Spannersvolume3coverfinal
This Is/Is Not the Way I Want Things to Change, Vol. III, The Spanners Series

Clara, Moran, Espe, Epifanio and the alien Band of holos are back in This Is/Is Not the Way I Want Things to Change, Volume III of The Spanners Series. Psi-Defiers launch increasingly violent protests during this five-year Transition, attempting to block Earth’s membership into the Many Worlds Collective. Earth’s nations and borders must dissolve and Psi-Warriors must strengthen in their battle against the rebels.

Clara, as Earth’s first Chief Communicator, also juggles family conflicts and danger while creating psi skills training Campuses to help Earth through the Psi Wars. Clara timults alternate versions of their futures as the leaders’ duties and consciences force them to make difficult choices across multiple timelines, continuing to train and fight.

Will the Psi-Warriors’ and other leaders’ increasing psi skills, interspecies collaborations and budding alien alliances be enough for Earth to make it through The Transition intact? If there is no clear path for Clara’s and Epifanio’s love, does she partner with Steve or go it alone?

What do YOU do with wanted/unwanted changes?

Volume III, This Is/Is Not the Way I Want Things to Change:
EBOOKS now $1.00, 75% off the regular price of $3.99, using COUPON CODE LD49Y on Smashwords, any ebook format (reader’s choice).

These paperbacks are in the Kindle Match/Kindle Matchbook program on Amazon. This means that if you purchase both the ebook and its paperback counterpart, you get a discount for the total package. Vol III Amazon link:: http://www.amzn.com/B0177Z1KRM

3 paperbacks
The Spanners Series‘ three paperbacks.

*************************************************************************************The Spanners Series‘ cover art and logo by WillowRaven: http://www.willowraven-illustration.blogspot.com/
Print editions and ebooks published under Timult Books

logo Timult Books


REVIEWERS: Ask for FREE Ebook coupon codes for Volumes II and III on Smashwords any time: sallyember AT yahoo DOT com


For more information about Sally Ember, Ed.D., her bio, books, blog, video talk show (CHANGES conversations between authors), guest blog posts and guidelines, links to author interviews, book trailers and more: http://www.sallyember.com

“The 2018 #Dragon #Award Winners for the Best in #ScienceFiction and #Fantasy” (reblogging)

“The 2018 #Dragon #Award Winners for the Best in #ScienceFiction and #Fantasy”
Dragon Con logo

https://www.amazonbookreview.com/post/faf0452e-50c0-447c-ac5a-9f5a3ae9d5c7/the-2018-dragon-award-winners-for-the-best-in-science-fiction-and-fantasy

On Sunday, September 2, the winners of the 2018 Dragon Awards were announced at Dragon Con in Atlanta. The Dragon Awards celebrate the best new science fiction, fantasy, graphic novels, and more. The Dragon Awards nominations are made and voted on by fans, making it one of the few major science fiction and fantasy awards that puts the voting directly in the hands of readers without requiring a fee or a membership.

Below are a partial list of the 2018 Dragon Award winners. To see the full list of finalists on the ballot, including comics, role-playing games, and TV shows, visit the site, below.

Best Science Fiction Novel
It Takes Death to Reach a Star by Gareth Worthington and Stu Jones
Persepolis Rising by James S.A. Corey
The Mutineer’s Daughter by Chris Kennedy and Thomas A. Mays
Win by Vera Nazarian
Sins of Her Father by Mike Kupari
Artemis by Andy Weir

Best Fantasy Novel (Including Paranormal)
Shoot the Messenger by Pippa DaCosta
War Hammer by Shayne Silvers
Oathbringer by Brandon Sanderson
The Land: Predators by Aleron Kong
The Traitor God by Cameron Johnston
A Tempered Warrior by Jon R. Osborne

Best Young Adult / Middle Grade Novel
Cold Bath Street by A.J. Hartley
A Court of Frost and Starlight by Sarah J. Maas
When Tinker Met Bell by Alethea Kontis
Brightly Burning by Alexa Donne
Warcross by Marie Lu
Children of Blood and Bone by Tomi Adeyemi

Best Military Science Fiction or Fantasy Novel
Communications Failure by Joe Zieja
Points of Impact by Marko Kloos
Ghost Marines: Integration by Jonathan P. Brazee
Price of Freedom by Craig Martelle and Michael Anderle
Legend by Christopher Woods
A Call to Vengeance by David Weber, Timothy Zahn, and Thomas Pope

Best Alternate History Novel
Dark State by Charles Stross
The Sea Peoples by S.M. Stirling
Witchy Winter by D.J. Butler
Uncharted by Kevin J. Anderson and Sarah A. Hoyt
Dream of the Iron Dragon by Robert Kroese
Minds of Men by Kacey Ezell

Best Media Tie-In Novel
Leia: Princess of Alderaan by Claudia Gray
Before the Storm by Christie Golden
Phasma by Delilah S. Dawson
Fear Itself by James Swallow
Legacy of Onyx by Matt Forbeck
Desperate Hours by David Mack

Best Horror Novel
Beneath the Lighthouse by Julieanne Lynch
Meddling Kids by Edgar Cantero
A Time to Run by Mark Wandrey
The Cabin at the End of the World by Paul Tremblay
Sleeping Beauties by Stephen King and Owen King
Glimpse by Jonathan Maberry

Best Comic Book
Mighty Thor by Jason Aaron and James Harren, Marvel Comics
Doomsday Clock by Geoff Johns and Gary Frank, DC Comics
Aliens: Dead Orbit by James Stokoe, Dark Horse Comics
Mister Miracle by Tom King and Mitch Gerads, DC Comics
Saga by Brian K. Vaughn and Fiona Staples, Image Comics
Star Wars: Darth Vader by Charles D. Soule and Giuseppe Camuncoli, Marvel Comics

Best Graphic Novel
Chicago Typewriter: The Red Ribbon by Brandon Fiadino, Djibril Morissette-Phan, and James Greatorex, Dark Legion Comics
Brandon Sanderson’s White Sand Volume 1 by Brandon Sanderson, Rik Hoskin, and Julius M. Gopez, Dynamite Entertainment
Be Prepared by Vera Brosgol
Monstress Vol. 2: The Blood by Marjorie M. Liu, Sana Takeda, Image Comics
Vision (The Vision) by Tom King, Gabriel Hernandez Walta, Marvel Comics
Paper Girls Volume 4 by Brian K. Vaughn and Cliff Chiang, Image Comics

Best Science Fiction or Fantasy TV Series
The Expanse, Syfy
Game of Thrones, HBO
Lucifer, Fox
Supernatural, CW
Star Trek: Discovery, CBS All Access
Altered Carbon, Netflix
Stranger Things, Netflix

Best Science Fiction or Fantasy Movie
Incredibles 2 directed by Brad Bird
Thor: Ragnorok directed by Taika Waititi
Blade Runner 2049 directed by Denis Villeneuve
Avengers: Infinity War directed by Anthony Russo and Joe Russo
Black Panther directed by Ryan Coogler
Ready Player One directed by Steven Spielberg
Deadpool 2 directed by Dave Leitch

Best Science Fiction or Fantasy PC / Console Game
Fortnite by Epic Games
Cuphead by Studio MDHR
Middle-earth: Shadow of War by Monolith Productions
Destiny 2 by Bungie
Battletech by Harebrained Schemes
Wolfenstein II: The New Colossus by MachineGames

Best Science Fiction or Fantasy Mobile Game
Planescape: Torment, the Enhanced Edition by Beamdog
Nocked! by Andrew Schneider
Lineage 2: Revolution by Netmarble
Final Fantasy XV: Pocket Edition by Square Enix
Harry Potter: Hogwarts Mystery by Jam City

Best Science Fiction or Fantasy Board Game
Rising Sun by CMON Games
When I Dream by Asmodee
Mysterium: Secrets and Lies Expansion by Asmodee
Azul by Plan B Games
Red Dragon Inn 6: Villains by Slugfest Games
Photosynthesis by Blue Orange

Best Science Fiction or Fantasy Miniatures / Collectible Card / Role-Playing Game
Warhammer 40,000 8th Edition by Games Workshop
Force and Destiny Role-playing Game: Knights of Fate by Fantasy Flight Games
Bubblegumshoe – RPG by Evil Hat
Cooking with Dice: The Acid Test by Oddfish Games
D100 Dungeon by Martin Knight
Magic: The Gathering Unstable by Wizards of the Coast

More info, past recipients, archives here:

http://awards.dragoncon.org/2018-ballot/

2018 #Hugo Award Winners: A great year for women in #sciencefiction and #fantasy — Christchurch City Libraries Blog

 […]

via 2018 Hugo Award Winners: A great year for women in science fiction and fantasy — Christchurch City Libraries Blog

Mazel Tov to all the finalists and winners!

Quoted from the above blog, everything below this line:

The World Science Fiction Convention* … hosting the Hugo Award ceremony has …this year’s Hugo Award winners … announced.

Women dominated this year’s Hugo Awards in what has turned out to be a great year for women in science fiction and fantasy; a genre, that it is fair to say, has been dominated historically by men….

Cover of The stone skyBest Novel: The Stone Sky, by N.K. Jemisin

This year’s Hugo Award for best novel goes to Book three of The Broken Earth Trilogy by N.K. Jemisin. Books one and two, The Fifth Season and The Obelisk Gate respectively, are both previous winners of the award. This also makes N.K. Jemisin the first author to win three Hugo Awards for best novel in a row as well as making The Broken Earth the only trilogy in which all three novels are best novel winners (the closest to doing so previously was Kim Stanley Robinson‘s Mars Trilogy with two wins and a finalist position).

Cover of No time to spareBest Related Work: No Time to Spare, By Ursula Le Guin.

Essentially, this is the reward for best piece of non-fiction related to the world of science fiction and fantasy and understandably, recently deceased Ursula Le Guin, now six time winner of the Hugo Award and Science Fiction royalty, is the winner of this category. ‘No Time to Spare’ is a collection of Le Guin’s musings on various subjects from the mundane to the philosophical.

Cover of Monstress vol. 2Best Graphic Story: Monstress, by Marjorie Liu and Sana Takeda

The best graphic novel of the year is the sequel to 2017’s winner: ‘Monstress Vol. 2’. Monstress is an apocalyptic steampunk fable notable for its exceptional artwork (with artist Sana Takeda also winning this year’s award for Best Professional Artist) and interesting world building.

Best Dramatic Presentation, Long Form: Wonder Woman, screenplay by Allan Heinberg, story by Zack Snyder & Allan Heinberg and Jason Fuchs, directed by Patty Jenkins (DC Films / Warner Brothers).

What essentially amounts to the award for best film, Wonder Woman takes the cake for its adaptation of the DC Comic hero in a film that captures the essence of this year’s Hugo Awards winners.

Winners of all categories are as follows:

Best Novella: All Systems Red, by Martha Wells

Best Novelette: The Secret Life of Bots, by Suzanne Palmer

Best Short Story: Welcome to your Authentic Indian Experience™, by Rebecca Roanhorse

Best Series: World of the Five Gods, by Lois McMaster Bujold

Best Dramatic Presentation, Short Form: The Good Place: “The Trolley Problem,” written by Josh Siegal and Dylan Morgan, directed by Dean Holland

Best Editor, Short Form: Lynne M. Thomas & Michael Damian Thomas

Best Editor, Long Form: Sheila E. Gilbert

Best Professional Artist: Sana Takeda

Best Semiprozine: Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, and Julia Rios; podcast produced by Erika Ensign & Steven Schapansky

Best Fanzine: File 770, edited by Mike Glyer

Best Fancast: Ditch Diggers, presented by Mur Lafferty and Matt Wallace

Best Fan Writer: Sarah Gailey

Best Fan Artist: Geneva Benton

2018 Locus Award Winners for Best in Science-Fiction (SF) and Fantasy

2018 #LocusAward Winners for Best in Science-Fiction (#SF, #Scifi) and #Fantasy

Mazel Tov to all the nominees and winners of this prestigious award!

The Locus Science Fiction Foundation announced the winners of the 2018 Locus Awards on June 23. The Locus Awards are chosen by a survey of readers in an open online poll. Connie Willis presented the awards, as well as judged the annual Hawaiian shirt contest.

The winners and nominees in the categories of best science-fiction novel, best fantasy novel, best first novel, and a few others are listed, below. To see the entire list of all categories’ nominees and winners and all categories, including horror, young adult, non-fiction and more, visit Locus’s award announcement: http://locusmag.com/2018/06/2018-locus-awards-winners/

SCIENCE FICTION NOVEL


WINNER: The Collapsing Empire (The Interdependency) by John Scalzi

Also, 2018 HUGO AWARD FINALIST FOR BEST NOVEL
BLURB:

Our universe is ruled by physics. Faster than light travel is impossible―–until the discovery of The Flow, an extradimensional field available at certain points in space-time, which can take us to other planets around other stars.

Riding The Flow, humanity spreads to innumerable other worlds. Earth is forgotten. A new empire arises, the Interdependency, based on the doctrine that no one human outpost can survive without the others. It’s a hedge against interstellar war―and, for the empire’s rulers, a system of control.

The Flow is eternal―–but it’s not static. Just as a river changes course, The Flow changes as well. In rare cases, entire worlds have been cut off from the rest of humanity. When it’s discovered that the entire Flow is moving, possibly separating all human worlds from one another forever, three individuals―–a scientist, a starship captain, and the emperox of the Interdependency―–must race against time to discover what, if anything, can be salvaged from an interstellar empire on the brink of collapse.

FANTASY NOVEL


WINNER: The Stone Sky (The Broken Earth) by N. K. Jemisin

BLURB:

The shattering conclusion to the post-apocalyptic and highly acclaimed New York Times bestselling trilogy that began with The Fifth Season, winner of the Hugo Award for Best Novel in 2016, and The Obelisk Gate, winner of the Hugo Award for Best Novel in 2017.

The Moon will soon return. Whether this heralds the destruction of humankind or something worse will depend on two women.

Essun has inherited the power of Alabaster Tenring. With it, she hopes to find her daughter Nassun and forge a world in which every orogene child can grow up safe.

For Nassun, her mother’s mastery of the Obelisk Gate comes too late. She has seen the evil of the world, and accepted what her mother will not admit: that sometimes what is corrupt cannot be cleansed, only destroyed.

THIS IS THE WAY THE WORLD ENDS… FOR THE LAST TIME.

FIRST NOVEL


WINNER: The Strange Case of the Alchemist’s Daughter (The Extraordinary Adventures of the Athena Club) by Theodora Goss

BLURB:

Based on some of literature’s horror and science-fiction classics, this is the story of a remarkable group of women who come together to solve the mystery of a series of gruesome murders—–and the bigger mystery of their own origins.

Mary Jekyll, alone and penniless following her parents’ death, is curious about the secrets of her father’s mysterious past. One clue in particular hints that Edward Hyde, her father’s former friend and a murderer, may be nearby, and there is a reward for information leading to his capture…a reward that would solve all of her immediate financial woes.

But her hunt leads her to Hyde’s daughter, Diana, a feral child left to be raised by nuns. With the assistance of Sherlock Holmes and Dr. Watson, Mary continues her search for the elusive Hyde, and soon befriends more women, all of whom have been created through terrifying experimentation: Beatrice Rappaccini, Catherin Moreau, and Justine Frankenstein.

When their investigations lead them to the discovery of a secret society of immoral and power-crazed scientists, the horrors of their past return. Now it is up to the monsters to finally triumph over the monstrous.

NOVELLA


WINNER: All Systems Red: The Murderbot Diaries by Martha Wells

Also, Winner: 2017 Nebula Award for Best Novella
Winner: 2018 Alex Award
Finalist: 2017 Hugo Award for Best Novella
One of the Verge’s Best Books of 2017
A New York Times Bestseller
BLURB:

“As a heartless killing machine, I was a complete failure.”

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety.

But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.

On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.

But when a neighboring mission goes dark, it’s up to the scientists and their Murderbot to get to the truth.

NOVELETTE


WINNER: The Hermit of Houston by Samuel R. Delany

BLURB:

Samuel R. Delany‘s first story for F&SF in 40 years (since 1977), “The Hermit of Houston”[:] Those looking for a strongly plotted or action-filled tale are not going to find it here; instead, this is an old man’s rambling, discursive reminiscence, jumping back and forth in time, of his long life in a world that has been shattered and reshaped by some unspecified disaster or series of disasters (probably climate change-related), with national boundaries redrawn and society’s views on sexual identity rethought, so that both men and women as we define them today have been sorted into many different genders, “natural” procreation is sternly discouraged, and much of the rearing of children is left to youth gangs and armies. The story can be hard to chew in some spots, at its most discursive, but if you stick with it, it will reward you with some fascinating social speculation about a different kind of future society and some compelling imagery. (Warning: the story is also much more sexually explicit than is usual for F&SF.)

SHORT STORY


WINNER:The Martian Obelisk“ by Linda Nagata

Read it here: https://www.tor.com/2017/07/19/the-martian-obelisk/

BLURB:

A powerful science-fiction story about an architect on Earth commissioned to create (via long distance) a masterwork with materials from the last abandoned Martian colony, a monument that will last thousands of years longer than Earth, which is dying.

ANTHOLOGY


WINNER: The Book of Swords, Gardner Dozois, Ed., including stories by Elizabeth Bear (Author), George R. R. Martin (Author), Robin Hobb (Author), Scott Lynch (Author), C. J. Cherryh (Author), Garth Nix (Author)

BLURB:

Fantasy fiction has produced some of the most unforgettable heroes ever conjured onto the page…. Classic characters like these made sword and sorcery a storytelling sensation, a cornerstone of fantasy fiction—–and an inspiration for a new generation of writers, spinning their own outsize tales of magic and swashbuckling adventure.

Now, in The Book of Swords, acclaimed editor and bestselling author, Gardner Dozois, presents an all-new anthology of original epic tales by a stellar cast of award-winning modern masters—–many of them set in their authors’ best-loved worlds. Join today’s finest tellers of fantastic tales… on action-packed journeys into the outer realms of dark enchantment and intrepid derring-do, featuring a stunning assortment of fearless swordsmen and warrior women who face down danger and death at every turn with courage, cunning, and cold steel.

FEATURING SIXTEEN ALL-NEW STORIES:

“The Best Man Wins” by K. J. Parker
“Her Father’s Sword” by Robin Hobb
“The Hidden Girl” by Ken Liu
“The Sword of Destiny” by Matthew Hughes
“‘I Am a Handsome Man,’ Said Apollo Crow” by Kate Elliott
“The Triumph of Virtue” by Walter Jon Williams
“The Mocking Tower” by Daniel Abraham
“Hrunting” by C. J. Cherryh
“A Long, Cold Trail” by Garth Nix
“When I Was a Highwayman” by Ellen Kushner
“The Smoke of Gold Is Glory” by Scott Lynch
“The Colgrid Conundrum” by Rich Larson
“The King’s Evil” by Elizabeth Bear
“Waterfalling” by Lavie Tidhar
“The Sword Tyraste” by Cecelia Holland
“The Sons of the Dragon” by George R. R. Martin

And an introduction by Gardner Dozois

COLLECTION


WINNER: Ursula K. Le Guin: The Hainish Novels and Stories

BLURB:

For the first time, a deluxe collector’s edition of the pathbreaking novels and stories that reinvented science fiction, with new introductions by the [recently deceased] author.

In such visionary masterworks as the Nebula and Hugo Award winners, The Left Hand of Darkness and The Dispossessed, Ursula K. Le Guin redrew the map of modern science-fiction, imagining a galactic confederation of human colonies founded by the planet Hain, an array of worlds whose divergent societies—the result of both evolution and genetic engineering—allow her to speculate on what is intrinsic in human nature. Now, for the first time, the complete Hainish novels and stories are collected in a deluxe two-volume Library of America boxed set, with new introductions by the author.

Volume one gathers the first five Hainish novels: Rocannon’s World, in which an ethnologist sent to a bronze-age planet must help defeat an intergalactic enemy; Planet of Exile, the story of human colonists stranded on a planet that is slowly killing them; City of Illusions, which finds a future Earth ruled by the mysterious Shing; and the Hugo and Nebula Award-winning masterpieces, The Left Hand of Darkness and The Dispossessed–—as well as four short stories.

Volume two presents Le Guin’s final two Hainish novels, The Word for World Is Forest, in which Earth enslaves another planet to strip its natural resources, and The Telling, the harrowing story of a society which has suppressed its own cultural heritage. Rounding out the volume are seven short stories and the story suite, Five Ways to Forgiveness, published here in full for the first time.

The endpapers feature Le Guin‘s own hand-drawn map of Gethen, the planet that is the setting for The Left Hand of Darkness, and a full-color chart of the known worlds of Hainish descent.

Amazon‘s announcement, with links to all nominees’ and winners’ book blurbs and covers:

https://www.amazonbookreview.com/post/33312e0b-620f-4f77-87de-8b04d54b454c/2018-locus-award-winners-for-best-in-sf-and-fantasy

Nominees Announced for Some of #Scifi ‘s Highest Honors, the 52nd Annual #NebulaAwards, 2017

Competition for some of #scifi ‘s highest honors, the 52nd Annual #NebulaAwards, has moved forward!

“The Science Fiction and Fantasy Writers of America (SFWA) has released its nominees for the 2017 Nebula Awards, and it’s an impressive reading list that is once again dominated by women writers.


SFWA Nebula Awards logo

“The Nebula Awards are issued annually by #SFWA to the best works in genre novels, novellas, novelettes, and short stories published in the last year, alongside the Andre Norton Award for Young Adult Science Fiction and Fantasy and the Ray Bradbury Award for Outstanding Dramatic Presentation. The Nebulas are a sort of industry award, determined by professional authors….The winners will be announced on May 19th at this year’s Nebula conference, which will be held from May 17th–20th in Pittsburgh, Pennsylvania.”

Mazel Tov to all the nominees, some who were nominated in more than one category! Go to link for full list, or keep reading, below.

Original list and more info about awards process, schedule of announcements, prizes, etc.: https://nebulas.sfwa.org/2017-nebula-award-finalists-announced/

BEST NOVEL
Amberlough, Lara Elena Donnelly (Tor)
The Strange Case of the Alchemist’s Daughter, Theodora Goss (Saga)
Spoonbenders, Daryl Gregory (Knopf; riverrun)
The Stone Sky, NK Jemisin (Orbit US; Orbit UK)
Six Wakes, Mur Lafferty (Orbit US)
Jade City, Fonda Lee (Orbit US; Orbit UK)
Autonomous, Annalee Newitz (Tor; Orbit UK 2018)

BEST NOVELLA
“River of Teeth,” Sarah Lee Gailey (Tor.com Publishing)
“Passing Strange,” Ellen Klages (Tor.com Publishing)
“And Then There Were (N-One),” Sarah Pinsker (Uncanny 3-4/17)
“Barry’s Deal,” Lawrence M. Schoen (NobleFusion Press)
“All Systems Red,” Martha Wells (Tor.com Publishing)
“The Black Tides of Heaven,” JY Yang (Tor.com Publishing)

BEST NOVELETTE
“Dirty Old Town,” Richard Bowes (Magazine of Fantasy & Science Fiction 5-6/17)
“Weaponized Math,” Jonathan P. Brazee (The Expanding Universe, Vol. 3)
“Wind Will Rove,” Sarah Pinsker (double nominee!) (Asimov’s 9-10/17)
“A Series of Steaks,” Vina Jie-Min Prasad (Clarkesworld; 1/17)
“A Human Stain,” Kelly Robson (Tor.com 1/4/17)
“Small Changes Over Long Periods of Time,” K.M. Szpara (Uncanny 5-6/17)

BEST SHORT STORY
“Fandom for Robots,” Vina Jie-Min Prasad (Author) (double nominee!) (Uncanny 9-10/17)
“Welcome to Your Authentic Indian Experience TM,” Rebecca Roanhorse (Author) (Apex 8/17)
“Utopia, LOL?,” Jamie Wahl (Author) (Strange Horizons 6/5/17)
“Clearly Lettered in a Mostly Steady Hand,” Fran Wilde (author) (Uncanny 9-10/17)
“The Last Novelist (or A Dead Lizard in the Yard),” Matthew Kressel (Author) (Tor.com 3/15/17)
“Carnival Nine,” Caroline M. Yoachim (Author) (Beneath Ceaseless Skies 5/11/17)

THE RAY BRADBURY AWARD FOR OUTSTANDING DRAMATIC PRESENTATION
Get Out (Written by Jordan Peele)
The Good Place: “Michael’s Gambit” (Written by Michael Schur)
Logan (screenplay by Scott Frank, James Mangold, and Michael Green)
The Shape of Water (Screenplay by Guillermo del Toro and Vanessa Taylor) [already won film awards from Hollywood]
Star Wars: The Last Jedi (Written by Rian Johnson)
Wonder Woman (Screenplay by Allan Heinberg)

THE ANDRE NORTON AWARD FOR OUTSTANDING YOUNG ADULT SCIENCE FICTION OR FANTASY BOOK
Exo, Fonda Lee (double nominee!) (Scholastic Press)
Weave a Circle Round, Kari Maaren (Tor)
The Art of Starving, Sam J. Miller (HarperTeen)
Want, Cindy Pon (Simon Pulse)

The Nebula Awards will be presented during the annual SFWA Nebula Conference, which will run from May 17th-20th and feature seminars and panel discussions on the craft and business of writing, SFWA’s annual business meeting, and receptions. On May 20th, a mass autograph session will take place at the Pittsburgh Marriott City Center and is open to the public.

The Nebula Awards recognize the best works of science fiction and fantasy published in the United States as selected by members of the Science Fiction and Fantasy Writers of America. The first Nebula Awards were presented in 1966.

In addition to the Nebula Awards, SFWA will present the Bradbury Award for Outstanding Dramatic Presentation, the Andre Norton Award for Outstanding Young Adult Science Fiction or Fantasy Book, the Kate Wilhelm Solstice Award, the Kevin O’Donnell, Jr. Service to SFWA Award, and the Damon Knight Memorial Grand Master Award.

#DEAR = “Drop Everything And Read” Day #book #sale 4/12/17! Many #free and #discounted at #FSFnet and Here!

#DEAR = “Drop Everything And Read” Day #book #sale 4/12/17

Many #free and #discounted at #FSFnet (Fantasy and Science-Fiction Network) and Here!
Get any ebook format you want on Smashwords and discount codes for paperbacks on CreateSpace, or use Kindle Matchbook on Amazon when you buy both versions of each Volume (see below)! AND go to #FSFnet (Fantasy and Science-Fiction Network) for more deals (see below).

G-, PG- and PG-13-rated Fantasy and Science-Fiction sale books are at http://www.fsfnet.com and http://www.sallyember.com/blog

All three published Volumes of the sci-fi/romance/multiverse/utopian/paranormal (psi) ebooks in The Spanners Series for adults/NA/YA are participating in this great sale! And, if you prefer or want also to have paperbacks, scroll to the end for the coupon codes on CreateSpace to purchase those, or use Kindle Matchbook to buy both versions of any Volume.

Volume I, This Changes Everything, The Spanners Series, by Sally Ember, Ed.D.
Dr. Clara Ackerman Branon, 58, begins having secret visits from holographic representations of  beings from the Many Worlds Collective, a consortium of planet and star systems in the multiverse. When Earth is invited to join the consortium, the secret visits are made public. Now Earthers must adjust their beliefs and ideas about life, religion, culture, identity and everything they think and are. Clara is selected to be the liaison between Earth and the Many Worlds Collective and she chooses Esperanza Enlaces to be the Media Contact. They team up to provide information to stave off riots and uncertainty. The Many Worlds Collective holos train Clara and the Psi-Warriors for the Psi Wars with the rebelling Psi-Defiers, communicate effectively with many species on Earth and off-planet, eliminate ordinary, elected governments and political boundaries, convene a new group of Global Leaders, and deal with family’s and friends’ reactions. 

TSS v1

In what multiple timelines of the ever-expanding multiverse do Clara and her long-time love, Epifanio Dang, get to be together and which leave Clara alone and lonely as the leader of Earth? This Changes Everything begins the 30-year story of Clara’s term as Earth’s first Chief Communicator, continuing in nine more Volumes of The Spanners Series.
Are you ready for the changes?

Vol I ebook, all formats, is PERMA-FREE!

https://www.smashwords.com/books/view/376197

For discounts on paperbacks of all three Volumes on CreateSpace, use Coupon Codes and links, below, for 25% off, or use Kindle Matchbook

Volume II, This Changes My Family and My Life Forever, The Spanners Series, by Sally Ember, Ed.D.
COUPON CODE for 25% off ebook on Smashwords, only: DP34M Expires 4/13/17
Intrigued by multiple timelines, aliens, psi skills, romance and planetary change? Clara and the alien “Band” are back in Volume II, This Changes My Family and My Life Forever, The Spanners Series. Now as Chief Communicator, Clara leads the way for interspecies communication on- and off-planet.

TSS v2

Fighting these changes are the Psi-Defiers, led by one of the oldest friends of the Chief of the Psi-Warriors, its reluctant leader, Rabbi Moran Ackerman. Stories from younger Spanners about the first five years of The Transition fill Volume II.
How would you do with the changes?

Usually, ebook for Vol II is $3.99; “DEAR Days” Promotional price: $2.99

https://www.smashwords.com/books/view/424969

Enter the code prior to completing checkout. COUPON CODE for Vol II, 25% off, Smashwords, only: DP34M Expires 4/13/17

Volume III, This Is/Is Not the Way I Want Things to Change, The Spanners Series, by Sally Ember, Ed.D.
COUPON CODE for 50% off ebook on Smashwords, only: KX35W Expires 4/13/17
Clara, Moran, Espe, Epifanio and the alien Band of holos are back in This Is /Is Not The Way I Want Things to Change of The Spanners Series. Psi-Defiers launch increasingly violent protests during this five-year Transition, attempting to block Earth’s membership into the Many Worlds Collective. To join, Earth’s nations and borders must dissolve and Psi-Warriors must strengthen in their battle against the rebels.
Clara, continuing as Earth’s first Chief Communicator, also juggles family conflicts and danger while creating psi skills training Campuses to help Earth through the Psi-Wars. Clara timults alternate versions of their futures as the leaders’ duties and consciences force them each to make difficult choices across multiple timelines while continuing to train and fight.

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Will the Psi-Warriors’ and other leaders’ increasing psi skills, interspecies collaborations and budding alien alliances be enough for Earth to make it through The Transition intact? If there is no clear path for Clara’s and Epifanio’s love, does she partner with Steve or go it alone?
What do you do with wanted/unwanted changes?

Usually, ebook for Vol III is $3.99; “DEAR Days” Promotional price, Vol III: $2.00

https://www.smashwords.com/books/view/588331

Enter the code prior to completing checkout. COUPON CODE for 50% off, Smashwords only: KX35W Expires 4/13/17

OR, you when you buy both the Amazon ebook on Kindle with the paperback on Amazon of the same Volume, using Kindle Matchbook, you get discounts on both versions of each Volume! Go to The Spanners Series on Amazon for details and links, https://goo.gl/Qagqex.

Amazon The Spanners Series‘ ebooks’ and paperbacks’ links:
Vol I: http://www.amzn.com/B00HFELTG8, ebook;

https://goo.gl/hcb9CL, paperback
Vol II: http://www.amzn.com/B00KU5Q7KC, ebook;

https://goo.gl/536u4F, paperback
Vol III: http://www.amzn.com/B0177Z1KRM, ebook;

https://goo.gl/g3MLp8, paperback

Cover art and logo for The Spanners Series all by Aidana Willowraven: http://www.willowraven-illustration.blogspot.com/


BOOK TRAILERS for all three volumes, here:

Volume I, This Changes Everything

https://youtu.be/QJDEt1O8yQ8?list=PLPbfKicwk4dE_bsvzZO7X8-IIqqLY15uS

or

https://goo.gl/8OLVSr

AND

https://youtu.be/X_8ZFVY9BMg?list=PLPbfKicwk4dE_bsvzZO7X8-IIqqLY15uS

or

https://goo.gl/MvYFH3

AND

https://youtu.be/WL9lPK8IhRk?list=PLPbfKicwk4dE_bsvzZO7X8-IIqqLY15uS

or

https://goo.gl/APrn9P

Volume II, This Changes My Family and My Life Forever

https://youtu.be/WenvYeasiik?list=PLPbfKicwk4dE_bsvzZO7X8-IIqqLY15uS

or

https://goo.gl/ERqLHY

Volume III, This Is/Is Not the Way I Want Things to Change

https://youtu.be/uINdFH0XS18?list=PLPbfKicwk4dE_bsvzZO7X8-IIqqLY15uS

or

https://goo.gl/q9NGsg

AND

Find ALL books participating in the DEAR sale and stock up on your favorite genres, authors and titles OR scout out some new talent here and at http://www.fsfnet.com


PAPERBACK LOVERS:

25% off SALE for all three Volumes of The Spanners Series!

logo-createspace

Coupon Code is H93664AM for 25% off for YOU for an or all three Volumes, below!
CreateSpace paperbacks’ links:
Vol I: https://www.createspace.com/5837347 

Vol II: https://www.createspace.com/5844431

Vol III: https://www.createspace.com/5844474

All published by Timult Books

logo Timult Books

Speculative Fiction #Genres, According to one Jaded #Feminist

Speculative Fiction #Genres, According to one Jaded #Feminist (and two other, actual experts…)

Here are two great sources of info about the overall genre of Speculative Fiction (Spec Fic) and all its subgenres, (also the two main sources of the images, below):
About Speculative Fiction, from blogger/author, Sherry D. Ramsey at http://www.sherrydramsey.com/?page_id=1005; and,
The Difference between Speculative Fiction and Science-Fiction, from SPi Global, at http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/


from http://www.sherrydramsey.com/?page_id=1005

So, you don’t have to go by my jaded, biased, perhaps not entirely fair or accurate descriptions, below.

Also, check out many of the Spec Fic online and hard-copy ‘zines and subscription magazines that publish short stories, plays, graphic novels or excerpts, art, poetry, novellas and announcements, such as: Heliotrope: Online Speculative Fiction Magazine, http://www.heliotropemag.com/

JUST MY OPINIONS, below.

  • Science-Fiction (also known as sci-fi):
    ◙ Stories about what could be or might have been that feature science, tech, weaponry that does not exist (yet); mostly written by men and somewhat invisible women; mostly about men and almost invisible women; if in graphic novel form, the females are scantily clad for no apparent reason, while men are wearing body armor; mostly about men, with one or no female main characters, except to support or be loved by males.
    ◙ If part of a series, “good guys” do not prevail for the long-term but do win in skirmishes, until the end, which can be dystopian (no HEA–Happily Ever After) or partly HEA (at least, for the romantic component).
    ◙ If politically and/or social commentary-oriented, can illustrate the ways our current cultures are harsh (but accurate) regarding racist, species-ist, misogynistic practices and attitudes.
    ◙ Main characters can die, but usually not in the first parts of a series.


    from http://www.sherrydramsey.com/?page_id=1005

  • “Hard” Science-Fiction:
    ◙ Futuristic stories mostly about the male “heroes” (and steroid/testosterone-ridden women, cyborgs and robots) fighting alone or in groups against whom/whatever, using lots of weaponry and spaceships; see above, for costuming; mostly about men, with one or no central female main characters, except to support or be loved by males or inhabit computers.
    ◙ If part of a series, “good guys” do not prevail for the long-term but do win in skirmishes, until the end, which can be dystopian (no HEA–Happily Ever After) or partly HEA (at least, for the romantic component).
    ◙ If dystopian (typically), often includes destruction of one or more planet, victors’ having slaves, horrible classism and race/species discrimination and other awful plot points and outcomes.
    ◙ Main characters can die, but can be reborn into tech creatures. Often, a “space opera” that spans many years/centuries and vast expanses.


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Steam-Punk Fantasy/Science-Fiction:
    ◙ Stories about what might have been or could be, written by both men and women; depicts women in low bodices, wearing corsets, and carrying fans; men have pocket watches, vests, and private (“public” in England) educations or tutors; everything is run by steam engines; characters are mostly Anglo and espouse or resist British/American Anglo upper- and middle-class Victorian values (e.g., either virginal or whorish women, class distinctions, elitist “manners,” rigidly gender-ized clothing); stories are mostly about men, with one or no central female main characters, except to support or be loved by males.
    ◙ If there are GLBT characters, they are usually depicted as deranged/homicidal, stereotypes, and/or objects of ridicule or pity. Rarely has human characters who are not Anglo (so I deliberately included a drawing that has males of color, here).
    ◙ Can include murders and other crimes in which females are the victims or need to be rescued.
    ◙ May not be clear who the “bad” guys are, at first (think, prostitute or crime lord with the “heart of gold”).
    ◙ Main characters cannot die unless already replaced by a successor.


    from https://writingcareer.com/black-power-the-superhero-anthology-is-seeking/

    This anthology, whose prototype cover is above, Black Power: Superheroes of Color, was released last month, February, 2017: https://thenerdsofcolor.org/2017/02/27/black-power-the-superhero-anthology/
    edited by Balogun Ojetade, with a great line-up of authors within it.

    Real cover:

  • Fantasy:
    ◙ Usually set in some pseudo-medieval or -Renaissance, Earth-like setting or Earth’s own possible past or present, but with talking animals, mythical creatures, imaginary creatures (e.g., fairies, gnomes, dwarves, trolls, dragons, giants, ogres, witches, warlocks, wizards); usually includes some kind of magic or pseudo-science mixed with magic; if there are non-human creatures, they are almost always male or overly glamorized females (large breasts, small waists, heavy make-up); could have human shape-shifters who usually become large predators (wolves, bears, lions, panthers, etc.); can have vampires, whose subplots usually include some kind of incapacitation and then sexual assault accompanying the blood-sucking, usually of women by both males and females.
    ◙ Always has “good guys” and “bad guys,” with the “good guys” prevailing in the end.
    ◙ Main characters cannot die unless already replaced by a successor.


    from http://www.sherrydramsey.com/?page_id=1005

  • High Fantasy:
    ◙ Similar to Fantasy, but with more court-like/royal characters and class conflicts/settings; usually some star-crossed royalty romance for the teen or young adult main characters that ends HEA (Happily Ever After); usually has dragons or other mythical creatures centrally featured; for specious reasons, characters often speak in upper-class British accents/styles and/or insert French- or Spanish-sounding words randomly; often heavily laced with sword fights, quests, riddles and other “tests” for the main characters (usually male), which they have to lose at least twice before becoming victorious (“getting the girl” is usually part of their “prize”).
    ◙ Duels are common.
    ◙ Usually HEA (Happily Ever After).
    ◙ Main characters cannot die unless they’re old or can become mythologized and/or unless already replaced by a successor.


    from the cover of Issue 5 of http://www.heliotropemag.com/

  • Urban Fantasy:
    ◙ Similar to Fantasy, but set in decaying cities; usually dystopian/post-apocalyptic; can blend magic with tech, though not as originally or interestingly as the author believes; not enough female characters and frequent fighting among the males; duels are common; cyborgs, androids, political and social tyrants, crime and criminals abound.
    ◙ Only HEA (Happily Ever After) for about 3 “beats,” then more fighting.
    ◙ “Good Guys” can be ethically challenged and compromised frequently.
    ◙ Main characters can die.


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Dark Fantasy:
    ◙ Exactly like one or both of the above Fantasy genres, but with more sex (sometimes BDSM or hard-core porn, here); lots of blood, gore, fighting, elements of Horror, etc.; has conflicts that maim, kill off or otherwise harm the female characters severely, who then need to be rescued (when possible); hauntings, ghosts, evil from other dimensions and realms, summonings gone wrong and other horror-like elements can occur frequently, usually showing the main characters to be idiots; features ominous castles and fortresses a lot.
    ◙ Does not usually go with HEA (Happily Ever After) because the main characters get to be “happy” (have amazing sex and lie around together afterwards) for about 3 “beats” before someone tries to kill one or both of them.
    ◙ Main characters can be cursed, ensorceled and/or die.


    from http://wallpaper-gallery.net/wallpapers/dark-fantasy-wallpapers.html

  • Horror:
    ◙ Similar to Dark Fantasy or Dystopian Sci-Fi, but with more gore, blood, death, suspense, killing, maiming, scaring, scarring, psychological and physical trauma of all kinds as both the causes/ motivations and outcomes for the characters AND the readers (can you tell I do not read Horror?); often has demons, demonic forces, battles between “good” and “evil” embodied in various physical and spirit bodies.
    ◙ Doesn’t even think about including “Happy” endings, except as punctuation marks between disasters and/or parodies.
    ◙ Main characters can and do die, usually horrifically (pun intended).


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Young Adult Speculative Fiction (usually known as YA Spec Fic):
    ◙ Usually dystopian, futuristic Sci-fi or Fantasy; features an abundance of orphans or single-parent-raised main characters; usually has one female for every two male main characters; often includes a plot/characterization that starts with the MC as an undistinguished, low-living, bullied, betrayed, enslaved or harried young person who then experiences the uncovering of special powers or previously unknown importance revealed in the first few chapters.
    ◙ Big on “destiny,” “fate,” “saving the world” and such…really, the MCs are attempting to help only a small number of beings within or a local geographic section of their/”our” world.
    ◙ Can be leaning more toward Fantasy or Sci-fi or blend both.
    ◙ Main characters can die, but usually only within an extended series; most do not.
    NOTE: YA Spec Fic is probably the best source among all Spec Fic subgenres for finding stories that feature people of color, those with disabilities or who are neuro-atypical, queer and other non-mainstream main characters and sidekicks.


image from a guest post by Julia Ember (no relation) on Jamie Kramer’s Books and Ladders blog, http://booksandladders.blogspot.com/2016/06/guestpost-unicorn-tracks-by-julia-ember.html


I told you I was jaded. I am not the only one, by any means. The following quote and analysis (please read entire article; link below) sums up my major complaints perfectly:

[Spec Fic is] not just about shiny, phallic rocket ships populated by deep-in-the-closet Aryan brethren conquering the Final Frontier, people. It’s about different futures, alternate realities, dangerous fantasies. You’d think such places, where dragons dwell, would be heavily populated with equally unusual people, but nope. Looks like everybody important there is white, male, anglophone and straight. Not to mention perfectly healthy physically and mentally.

—penned by Paula R. Stiles, “Diversity in Speculative Fiction,” on http://www.fantasy-magazine.com/non-fiction/articles/diversity-in-speculative-fiction/, from the Dec., 2016 (Issue 60) – People of Colo(u)r Destroy Fantasy! Special Issue [NOTE: “Fantasy Magazine has merged with its sister publication, Lightspeed, so this site will no longer be updated with new content. However, the fiction and interviews you would have found here at Fantasy will now be part of Lightspeed, so please sign up for our newsletter (sent out once or twice a month) to receive updates about the release of new issues of Lightspeed Magazine, news about the magazine, and more.”]
——-Lightspeed Magazine also published, starting in 2014, Queers Destroy… each of the subgenres (Fantasy, Horror, Fantasy), starting with Science-Fiction Special Issues, which you can find out about here: http://www.destroysf.com/queers/
And, on that same page, they have links to their POC [People of Color] Destroy… series of Special Issues for each subgenre (Fantasy, Horror, Fantasy)


2015’s Queers Destroy Science-Fiction cover

—Women are at the forefront of these critiques and do them so well, I have so many to choose from. Here is another, from an interview conducted by Alexandra Alter with N. K. Jemisin [Jemisin was the the first African-American writer and the first woman of color to win a Hugo Award for “best novel” (others have won for short fiction)], “N. K. Jemisin on Diversity in Science-Fiction and Inspiration From Dreams,” published by the New York Times (!?) on https://www.nytimes.com/2016/08/25/books/n-k-jemisin-on-diversity-in-science-fiction-and-inspiration-from-dreams.html?_r=0
Jemisin says she “decided to focus on an oppressive society at the macro scale and what that society does to individuals” in her spec fic novels. Why? Because “a woman of color from an impoverished culture, being brought up among wealthy, privileged white people and having to cope and perform in ways that she has not been raised to do… was obviously drawn from some personal experiences. I do that in everything — explorations of power, identity and belonging.”

—Another great article, “Genrequeer,” by Theodore McCombs at http://www.fictionunbound.com/blog/2016/4/6/genrequeer, offers this excellent insight: “To make space for black achievement and transcendence, speculative fiction lets us change all the rules that should never have been rules in the first place.”


So, there is a lot of hope for increasing diversity, better representation of women and girls, more interesting stories and compelling ways to resolve conflicts than wars and violence in the Spec Fic genre and all its subgenres, with dozens of websites, groups and other resources to help us find them.

Here are some:
—The Black Science Fiction Society: http://www.blacksciencefictionsociety.com


Logo from Black Science Fiction Society website, 2017

—The Speculative Literature Foundation offers “Diverse Writers and Diverse Worlds Grants …The two $500 awards support any purpose that writer recipients may choose to benefit their work.”
FMI: http://speculativeliterature.org/ and a resource list of orgs for writers of Spec Fic: http://speculativeliterature.org/writers-resources-2/writers/writers-organizations-2/

African-American Sci-Fi: http://www.africanamericansciencefiction.com/

Latino Spec Fic: http://www.latinospeculativefiction.com/, which published Latin@ Rising: An Anthology of Latin@ Science Fiction and Fantasy, which “is the first anthology to bring together U.S. Latinos/as who are working in science fiction, fantasy, and other speculative genres”; edited by Matthew David Goodwin.


Cover of Latino@ Rising: An Anthology of Latin@ Science Fiction and Fantasy

—Two other not-so-recent anthologies: Dark Matter: Reading the Bones (2005), edited by Sheree R. Thomas, and Cosmos Latinos: An Anthology of Science Fiction from Latin America and Spain (2003), edited by Andrea L. Bell and Yolanda Molina-Gavilán, which “showcase African-American and (mostly) Spanish-speaking spec-fic writers, respectively.”

—Check out writers in the sub-category of Afrofuturism, which is defined in Wikipedia: “Afrofuturism addresses themes and concerns of the African diaspora through a technoculture and science-fiction lens, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afrodiasporic experiences.” https://en.wikipedia.org/wiki/Afrofuturism

Tracy Mumford, about a year ago, wrote, in: “‘We want to hear new voices’: Diversity in sci-fi and fantasy” for https://www.mprnews.org/story/2016/04/05/books-diversity-in-sci-fi-and-fantasy [as part of The Thread newsletter, which I recommend you sign up for right now (on that page)], some great commentary about those topics.
This article also has a great recommended reading list, curated during and prior to 2015, mostly, of diverse writers’ work in spec fic.

—Queer Sci-Fi has so much to offer, now, and via so many sites. Here is one website that may list the majority of them and offers more resources, besides: https://queerscifi.com/


Weigh in, please. I’d love to have great discussions, here, about other elements of Spec Fic and intersectionality (the places that social identities overlap and in which we analyze privilege, oppression and efforts to effect change). What have I left out, got wrong, etc.?

I’d love to hear from you. I also welcome Guest Bloggers (see my site for Guidelines): http://www.sallyember.com/

December 3 – 4, 2016, Science-Fiction & Fantasy #FREE #EBOOKS and #SALE!

December 3 – 4, 2016, Science-Fiction & Fantasy #FREE #EBOOKS and #SALE! on SF & F, by Patty Jansen. The Spanners Series’ Volume I on ALL ebook retail sites is FREE. Volume II and Volume III #ebooks are $3.99; #CreateSpace #paperbacks 25% off through 12/31/16! http://pattyjansen.com/promo/

Look for Volume I, This Changes Everything, free ebook in the Science Fiction or Fantasy Romance category for all vendors (4th grouping of covers when you scroll down for each vendor).

dec-3-4-2016-sf-and-f-promo

If you haven’t gotten my free ebook or used the CreateSpace coupons to get GREATLY discounted paperbacks, DO IT THIS MONTH! See below for details and coupon codes.

logo-createspace

logoAuthorsDen
The Spanners Series first three Volumes of utopian science-fiction/romance by Sally Ember, Ed.D. are on sale NOW! Proud member of Clean Indie Reads #CR4U and Fantasy and Science-Fiction Network #FSFnet

The Spanners Series‘ cover art and logo by WillowRaven: http://www.willowraven-illustration.blogspot.com/

Smashwords has The Spanners Series‘ ebooks in every format (reader’s choice) and the links to all formats for all major ebook vendors are on the sale site SF & F as well.

Whether you’re sweating, freezing, rained or snowed on or anywhere in between, there is still time to READ!
Give books for gifts for birthdays, graduations, fall/winter holidays, anniversaries, vacations: any time!

The paperbacks of all three Volumes are 25% off on CreateSpace! See below for details and coupon codes for each of the Volumes.

SpannersVolume1coverfinal
This Changes Everything, Vol. I, The Spanners Series

Dr. Clara Ackerman Branon, 58, begins having secret visits from holographic representations of beings from the Many Worlds Collective, a consortium of planet and star systems in the multiverse. When Earth is invited to join the consortium, the secret visits are made public. Now Earthers must adjust their beliefs and ideas about life, religion, culture, identity and everything they think and are.

Clara is selected to be the liaison between Earth and the Many Worlds Collective and she chooses Esperanza Enlaces to be the Chief Media Contact. They team up to provide information to stave off riots and uncertainty. The Many Worlds Collective holos train Clara and the Psi-Warriors for the Psi Wars with the rebelling Psi-Defiers, communicate effectively with many species on Earth and off-planet, eliminate ordinary, elected governments and political boundaries, convene a new group of Global Leaders, and deal with family’s and friends’ reactions. 

In what multiple timelines of the ever-expanding multiverse do Clara and her long-time love, Epifanio Dang, get to be together and which leave Clara alone and lonely as the leader of Earth?

This Changes Everything spans the 30-year story of Clara’s term as Earth’s first Chief Communicator, continuing in nine more Volumes of The Spanners Series.

Are YOU ready for the changes?

Volume I, This Changes Everything:
Ebooks are PERMAFREE on every major site. See http://pattyjansen.com/promo/ and click on the logo for your preferred ebook vendor. Then, scroll down to the 4th grouping and look for my cover. Click on it and it will go right to the vendor’s ebook page.

You can then navigate from there to the other two Volumes’ ebook pages for that vendor, or return here to get the CreateSpace discount codes for purchasing paperbacks of any of the three Volumes throughout December.

Volume I’s paperbacks are now $13.49, 25% off the regular price of $17.99, on CreateSpace, using coupon code H93664AM: https://www.createspace.com/5837347 

Spannersvolume2coverfinal
This Changes My Family and My Life Forever, Vol. II, The Spanners Series

Intrigued by multiple timelines, aliens, psi skills, romance and planetary change? Clara and the alien “Band” are back in Volume II, This Changes My Family and My Life Forever.

Now as Chief Communicator, Clara leads the way for interspecies communication on- and off-planet. Fighting these changes are the Psi-Defiers, led by one of the oldest friends of the Chief of the Psi-Warriors, its reluctant leader, Rabbi Moran Ackerman. Stories from younger Spanners about the first five years of The Transition fill Volume II.

How would YOU do with the changes?

Volume II, This Changes My Family and My Life Forever:
Volume II’s eBOOKS are $3.99 everywhere ebooks are sold and in every format on #Smashwords: https://www.smashwords.com/books/view/424969 

Volume II’s paperbacks are now $14.99, 25% off the regular price of $19.99 on CreateSpace using coupon code H93664AM: https://www.createspace.com/5844431 

Spannersvolume3coverfinal
This Is/Is Not the Way I Want Things to Change, Vol. III, The Spanners Series

Clara, Moran, Espe, Epifanio and the alien Band of holos are back in This Is/Is Not the Way I Want Things to Change, Volume III of The Spanners Series. Psi-Defiers launch increasingly violent protests during this five-year Transition, attempting to block Earth’s membership into the Many Worlds Collective. Earth’s nations and borders must dissolve and Psi-Warriors must strengthen in their battle against the rebels.

Clara, as Earth’s first Chief Communicator, also juggles family conflicts and danger while creating psi skills training Campuses to help Earth through the Psi Wars. Clara timults alternate versions of their futures as the leaders’ duties and consciences force them to make difficult choices across multiple timelines, continuing to train and fight.

Will the Psi-Warriors’ and other leaders’ increasing psi skills, interspecies collaborations and budding alien alliances be enough for Earth to make it through The Transition intact? If there is no clear path for Clara’s and Epifanio’s love, does she partner with Steve or go it alone?

What do YOU do with wanted/unwanted changes?

Volume III, This Is/Is Not the Way I Want Things to Change:
EBOOKS are $3.99 everywhere ebooks are sold and in every format on #Smashwords: https://www.smashwords.com/books/view/588331

Volume III’s paperbacks are now $14.99, 25% off the regular price of $19.99 on CreateSpace using coupon code H93664AM: https://www.createspace.com/5844474

3 paperbacks
The Spanners Series‘ three paperbacks on CreateSpace


Print editions and ebooks published under Timult Books

logo Timult Books


REVIEWERS: Ask for FREE Ebook coupon codes for Volumes II and III on Smashwords any time: sallyember AT yahoo DOT com


For more information about Sally Ember, Ed.D., her bio, books, blog, video talk show (CHANGES conversations between authors), guest blog posts and guidelines, links to author interviews, book trailers and more: http://www.sallyember.com

Current Research in Speculative Fiction Liverpool, UK, (CRSF) Conference was June 27, 2016

Current Research in Speculative Fiction Liverpool, England, UK (CRSF) Conference was Monday, June 27, 2016, at the University of Liverpool!

CRSF logo

Here is their report:

CRSF 2016 Post-conference Report
Posted: 04 Jul 2016 05:26 AM PDT
The sixth annual Current Research in Speculative Fiction [CRSF] conference was held last week on Monday 27th June and was a great success.

As usual, the papers delivered were of a high quality and a diverse range of topics from D&D bestiaries to feminist utopia, ecological disaster to Harry Potter, medieval English horror to Japanese dystopian YA and far more besides. As usual huge thanks go to those who presented a paper: thank you for the enthusiasm with which you approached the task and for the hard work you did preparing for the conference, a conference – no matter how the organising goes – is nothing without its delegates.

CRSF 2016 represents a record year for number of delegates, with non-presenting delegates outnumbering presenters for the first time. This was in no small part thanks to the excellent Science Fiction Research Association (SFRA) conference also held in Liverpool on the 28th-30th June, a number of whose delegates came along to see CRSF in action. There were, however, a number of non-presenting delegates, including former presenters from previous years, who made the trip to Liverpool especially to see CRSF, I cannot think of a better endorsement for the atmosphere and organisation of the conference than for those who have been before to want to come back, even if they’re no longer eligible to present.

In total we had fifty-six attendees and thirty papers presented, over three parallel streams, by delegates from institutions throughout the UK, as well as Ireland, Belgium, Germany, Finland, Spain, Russia, Israel, Canada, and the United States, among others.

Thank you to all who attended. Additional thanks to all those who engaged with the conference on social media. I’m a firm believer in the Twitter back channel for conferences, and CRSF performed ably in this regard too. If you’re not on Twitter and you want to (re)discover the tweet-by-tweet coverage of the conference it’s been conveniently archived on Storify here for you.

Thanks also to our wonderful keynote speakers: Dr. Caroline Edwards (Birkbeck University of London) and Dr. Pat Wheeler (University of Hertfordshire) who not only gave fascinating and insightful keynote lectures, but also attended numerous panels, asking insightful and constructive questions throughout, and offering many a kind and supportive word for delegates in the breaks and more informal moments of the conference. Caroline’s paper opened the conference and was entitled ‘”But there is still such beauty”: Post-Apocalyptic Fiction and Eco-Eschatological Time in the 21st-Century’, it took us through such post-apocalyptic novels as Emily St. John Mandel’s Station Eleven and Maggie Gee’s The Flood, highlighting the pastoral beauty often found in these texts and the implications of that for our vision of the apocalypse and the future (if any) of humanity’s role on the Earth. Pat’s keynote was entitled ‘”She can’t love you, she’s just a machine’: Metal-fevered Boys and their Passion for New Eves’, which challenged how we should read gynoids in the twenty-first century: as either challenge or constriction to women’s agency.

Thanks as ever to the University of Liverpool staff who provided support both in the build up to, and during, the conference: the Rendall Building staff, and Filomena Saltao, the Administrator of the School of the Arts, and Siobhan Quinn. Thanks also to Andy Sawyer, academic librarian for the Science Fiction Foundation collection at the University of Liverpool’s Sydney Jones Library, for once again arranging for all delegates to receive free copies of Foundation: The International Review of Science Fiction. Thanks also to the staff at Il Forno, our traditional restaurant of choice, who once again dealt with our large numbers with aplomb.

As always we welcome your feedback on CRSF 2016, all comments are useful and appreciated. Please leave a comment on our website’s post at http://currentresearchinspeculativefiction.blogspot.com, or e-mail them to us at crsf.team@gmail.com.

CRSF will return in 2017….

Glyn Morgan,
Molly Cobb,
Leimar Garcia-Siino,
Chris Pak

I wish I could have been there.

To refresh, if you missed my explanatory pre-conference post, read below:

CRSF is a postgraduate conference designed to promote the research of speculative fictions including, but not limited to, science fiction, fantasy and horror.

Our aim is to showcase some of the latest developments in this dynamic and evolving field, by providing a platform for the presentation of current research by postgraduates. The conference will also encourage the discussion of this research and the construction of crucial networks with fellow researchers.

The planned schedule was as follows:

9:00-9:30: Registration and Refreshments

9:30-10:30: Keynote Lecture #1: Dr Caroline Edwards,

“But there is still such beauty”: Post-Apocalyptic Fiction and Eco-Eschatological Time in the 21st-Century

10:30 -12:00: First Round of Panels

1.1: Press START to Play
Andrew Ferguson – Clipping Out of Bounds: Reading House of Leaves Through Portal

House_of_leaves

  • Britanny Kuhn – [Awaiting Title]
  • Ivaylo Shmilev – Oppression, Warfare and Transcultural Memory in the Complex Post- Apocalyptic Environments of the S.T.A.L.K.E.R. Game Series

    STALKER game image

1.2: Horrific Narratives
Travis Gasque – The New Cosmic Horror: A Genre Molded by Tabletop Roleplaying Games and Postmodern Horror
Matthew McCall – “My manez mynde to maddyng malte”: Tracing Horror in the Middle English Pearl

Pearl_Poet

  • Selena Middleton – Climate Collapse and the Uncontained Body in James Tiptree Jr.’s A Momentary Taste of Being

    Momentary taste (in the 1975 anthology, The New Atlantis and Other Novellas of Science-Fiction)

1.3: You’re Only Young Once
Lan Ma – Censorship and Resistance: Information Control in Japanese Dystopian Young Adult Fiction in the 21st Century
Alison Baker – Protocols for the education of young witches and wizards
Arunima Dey – The Grotesque in the Harry Potter Series

Potter box set

12:00 -13:00: Second Round of Panels

2.1: Beasts and Bestiaries
Rob O’Connor – “The History of All Hitherto-Existing Societies is the History of Monsters”: The Bestiary and the Depiction of Monsters as Social Commentary
Sandra Mänty – Representation and function of animals in the world of Harry Potter

Potter collection cover

2.2: The Greater Good
Maxine Gee – “If something stinks put a lid on it, don’t see it”: Self-censorship and the brave new world of Psycho Pass

Psycho Pass

  • Jonathan Ferguson – Crimes Against The Greater Good are Victimless Crimes?

2.3: Character Studies
Beata Gubacsi – Monstrous Transformations: Becoming posthuman through art in Vandermeer’s Ambergris novels

Ambergris 1

  • Matteo Barbagallo – Do we have a deal? Petyr Baelish, Varys, Rumpelstiltskin and their role as Doppelganger

13:00 -13:45: Lunch Break

13:45 -14:45: Keynote Lecture #2: Dr Patricia Wheeler

“She can’t love you, she’s just a machine”: Metal-fevered Boys and their Passion for New Eves

14:45 -16:15: Third Round of Panels

3.1: Revenge of the Film
Pablo Gómez Muñoz – Greening Apocalypse: Eco-Conscious Disaster in Twenty-First Century Science-Fiction Cinema
Josephine Swarbrick – Monstrous Men and Masculine Monsters: Gender and the Cyborg in Paul Verhoeven’s Robocop (1987) and José Padilha’s Robocop (2014)

Robocop

  • David Contreras – Gothic Surrealism in Mexican Cyberpunk Short Film: The Borderlands Strike Back

3.2: Theoretically Speaking
Jo Lindsay Walton – The Dystopian Glimpse
Artem Zubov – Science-fiction studies and genre theory
Pascal Lemaire – Fans of history first, fans of S-F more distantly ? Alternate History as a form of History’s fan fiction

3.3: Tell Me a Tale
Kanta Dihal – Science and Religion in Madeleine L’Engle’s A Wrinkle in Time and Philip Pullman’s His Dark Materials

Wrinkle coverPullman box set

  • Rina Jean Baroukh – “Your Light Has Come” : Fantasy and Reality in Shimon Adaf’s Sunburnt Faces

    Sunburnt faces cover

  • Laura-Marie von Czarnowsky – Re-Defining the Bildungsroman: Traumatic Journeys as a Trend in Contemporary Fantasy Fiction

16:15 -16:30: Refreshment Break [YES: English Tea Time!]

16:30 -18:00: Fourth Round of Panels

4.1: Perceptions of the Female Self
Sonya Dyer – aPOCalypso: Janelle Monae and (Science) Fictional Black Feminisms
Sarah Lohmann – “Solar Loyalties”: The Utopian Ethics of Posthumanism in Naomi Mitchison’s Memoirs of a Spacewoman

Spacewoman cover

  • Mylène Branco – The Construction of the Female Self in L.P. Hartley’s Facial Justice

    Facial cover

4.2: Alternate Beings
Tom Kewin – ‘A Society of Screens’: The State of Digital Surveillance and the Repercussions for the Humanist Subject
Mattia Petricola – From mesmeric trance to living avatars: Rethinking consciousness and death after Mr. Valdemar

Valdemar

4.3: Dystopian Time, Resurgent Space
Gabrielle Bunn – Future Ruins: The intersection of nature and culture in the post-apocalyptic landscape of J. G. Ballard’s The Drowned World (1962)

Drowned cover

  • Hollie Johnson – Anarchy, Nostalgia, and Resistance: The Role of Nature in We, Brave New World, Nineteen Eighty-Four

    We cover1984

  • Thomas Connolly – “There was a thing called Heaven”: The end of time in Huxley’s Brave New World

    Brave New World cover

18.00 -19.00: Post-Conference Wine Reception and Official Conference Group Photo

Download a PDF of the entire schedule here: https://drive.google.com/file/d/0B4DNnD_AmJQmeWdEREJfemd1YWs/view

Want to present or attend next year? The “Call for Papers” usually occurs in early December for the following June’s annual conference. Check out past conferences/calls and get more information here and visit their
website: http://currentresearchinspeculativefiction.blogspot.com/
or contact their team (the team members’ list has not been recently updated, yet: CRSF.team@gmail.com and follow their Tweets: ‎@CRSFteam

Their website is not very “interesting,” IMHO, but the topics ARE. Here is a sampling of Q & A from their FAQs…

FAQ

What is CRSF?
CRSF is short for Current Research in Speculative Fiction, an annual conference organised by postgraduate students for postgraduate students. The conference was first held in 2010 at the University of Liverpool and has been held annually since, attracting an international selection of speakers from as far afield as Turkey and the USA. The conference aims to provide a welcoming and friendly atmosphere for researchers who are at the very beginnings of their fields to test ideas, network with others, and gain valuable conference experience.

What is Speculative Fiction?
Simply put, we consider speculative fiction to be the collective name for the non-mimetic genres of science-fiction, fantasy, horror, and their related sub-genres. Essentially, if it’s a bit weird, it’s probably eligible. If in doubt, feel free to run your idea by us. At this juncture, it’s probably also worth us pointing out that the conference doesn’t discriminate among media: papers on television, film, video games, music, fan culture, etc., are as welcome at CRSF as papers on literature.

I’m an undergraduate student/ university faculty member/ speculative fiction fan/ author, can I attend?
We welcome non-presenting delegates from all aspects of speculative fiction whether you be a non-academic fan or a professor at a university.

How much does CRSF cost to attend?
Since CRSF is funded entirely off the delegate fees we can never be 100% sure of our budget until we know how many papers we will be accepting for the conference. As such, confirmed fees are not available until after abstracts have been processed and invitations to present accepted. However, as a guide, past conferences have charged £30 (about $44 USA) for the day with an early bird discount available for those who register early. This fee includes lunch and refreshments.

Final 2 Days! Fantasy & Science-Fiction Network’s Year’s BlockBuster Book Sale

FINAL 2 Days! Fantasy & Science-Fiction Network’s Year’s BlockBuster Book Sale Through 12/31/15! #SciFi #Fantasy #FSFnet

Two more days to load gifts into people’s ereaders! #Free and 99-cent sci-fi and fantasy stories and entire books available! Celebrate the New Year and cuddle up through winter weather with BOOKS!

FSFnet 2015 HolidaySale
http://fsfnet.com/2015/12/18/years-end-blockbuster-sale/

Find your favorite writers of Fantasy & Science-Fiction and new authors! Sale includes children’s, ebooks, paperbacks, short stories, audio books on sale, all rated G, PG, PG-13!

Sale includes:

logoAuthorsDen

20% off on the first or any of the three or all three paperbacks in The Spanners Series! Save $3.60 – $11.60!

3 paperbacks

Get Coupon Code for CreateSpace paperbacks ONLY in The Spanners Series by Sally Ember, Ed.D., by emailing sallyember @ Yahoo DOT com 12/19 – 31/15 then, browse for other specials: http://fsfnet.com/2015/12/12/coming-soon-years-end-blockbuster-sale/

Volume I, This Changes Everything, usually $17.99, save $3.60 http://www.CreateSpace.com/5837347 
EBOOK is permafree. Links: http://www.sallyember.com/Spanners Look right; scroll down.

Volume II, This Changes My Family and My Life Forever, usually $19.99, save $4.00 http://www.CreateSpace.com/5844431
EBOOK is $3.99 Links: http://www.sallyember.com/Spanners Look right; scroll down.

Volume III, This Is/Is Not the Way I Want Things to Change, usually $19.99, save $4.00 http://www.CreateSpace.com/5844474
EBOOK is $3.99 Links: http://www.sallyember.com/Spanners Look right; scroll down.

http://www.sallyember.com for book trailers, author interviews, excerpts, blurbs, more!

All from logo by Sally Ember, Ed.D.

FSFnetwork banner

One-year Anniversary of *CHANGES* *conversations between authors* on 8/5/15!

CHANGES Episode 37, with teen author, Vartika Singh Sikarwar, and host, Sally Ember, Ed.D.

CHANGES Theme Image_3

For my one-year anniversary of the CHANGES conversations between authors show, I am proud to be hosting my first teen author guest, Vartika Singh Sikarwar, who is also a memoir writer, essayist and poet!

Vartika looking forward

We are LIVE on Wednesday, August 5, 10 – 11 AM EDT USA,
Google+ https://plus.google.com/events/cj1b52u2sjs7ul83c11urdicqno  or
Youtube http://www.youtube.com/watch?v=52tbA0kZ4jI

Vartika’s writing can be found: http://www.wattpad.com/user/VartikaS ,
https://www.facebook.com/MyAdventureToTheSecretDoor
and http://www.teenink.com/users/VartikaSinghSikarwar

Vartika Door

Watch conversations with my previous CHANGES guests any time: https://www.youtube.com/playlist?list=PLPbfKicwk4dFdeVSAY1tfhtjaEY_clmfq

CHANGES Trailer Image_3

Learn more about and get yourself on or recommend someone to be scheduled as a guest for CHANGES conversations between authors:  https://sallyember.com/changes-videocasts-by-sally-ember-ed-d/


HOWEVER: I seem to be “running out of guests” for CHANGES conversations between authors. Coming up next week on its one-year anniversary and only have 2 guests scheduled after that; done by mid-Sept., at this point.

Should I close up shop?

Do you have ideas about whether or not to continue, and, if so, how to attract fascinating author guests?

Thanks, Crew!

Observations from a Master of #Timetravel: Guest Post by Devorah Fox

I am so pleased to welcome Devorah (Dee) Fox as my guest blogger today. Dee is a #fantasy/ #thriller #author and #columnist who was my guest on CHANGES conversations between authors for Episode 18.

Dee is a contributing writer to a new anthology about time travel releasing this month and has an interesting set of questions posed, below, regarding the distinctions (or not) among #Fantasy, Science-Fiction (#scifi) and general #fiction, with a discussion of #parallel/ #alternate #universes and multiple #timelines as well. Since I deal with many of these topics in my own writing, via The Spanners Series, http://www.sallyember.com/Spanners-2, we both welcome your comments, questions and experiences! Join the conversation, please!

For more information about how to reach Dee and know more about her writing, to become a guest on CHANGES or become a guest blogger on my site, see below this post.

Thanks for visiting!


Observations from a Master of #Timetravel

by Guest Blogger, Devorah Fox

A couple of years ago, I ruminated on what categorized a story a Fantasy as opposed to General Fiction. Fiction is about made-up stuff. That’s why it’s fiction and not nonfiction. I asked myself: is a work considered Fantasy simply by virtue of the degree to which the fiction is imaginative?

Although I am now on the fourth book in The Bewildering Adventures of King Bewilliam, labeled by me as an “epic Fantasy series,” I’m still not convinced that these stories belong in the Fantasy genre. It’s true that they are set in an imagined geography and in a period that is more “once upon a time” than an actual historic era. And yes, the hero battles dragons, sea monsters, and other mythical creatures. However, the life challenges that King Bewilliam faces are contemporary: career displacement and divorce in The Lost King; parenting in The King’s Ransom; the nature of leadership and the morality of war in The King’s Redress. So, are those stories Fantasy?

When I embarked on a short story for Masters of Time: A Sci-Fi and Time Travel Anthology, I found myself wondering about the difference between Fantasy and Science-Fiction. I’ve seen the comment that Science-Fiction explores the possible, albeit improbable, while Fantasy explores the impossible, but I wouldn’t agree. I don’t see a clear distinction between imagining a world that includes aliens versus one that includes werewolves.

mastersoftimecover
Masters of Time: A Sci-Fi and Time Travel Anthology

Ray Bradbury, whose work falls into both genres, suggested that Science-Fiction is a logical projection of the future. Science-Fiction takes as its departure point what we do know about reality, whereas Fantasy is based in invention.

I prefer to think that Fantasy explores what we don’t know about reality. At the risk of sounding metaphysical, there are planes of existence for which we cannot provide evidence using our five senses. Nevertheless, spiritualists and religious leaders encourage belief in the numinous. Fantasy embraces the supernatural and the paranormal, but notice that “natural” and “normal” are at its roots. I’d go even further and say that scientists are very imaginative and fantasize about what we don’t know…yet. What makes them Scientists is that they then seek to prove or disprove that, while Fantasists don’t seek proof.

Many a Fantasist has explored time travel as if it were possible. Even noted scientists take the idea seriously, according to a blog post by theoretical physicist, Dr. Michio Kaku. He wrote that a contemporary of Einstein, mathematician, Kurt Goedel, suggested that time is flexible: it speeds up and slows down. Also, time has whirlpools in which it could wrap itself into a circle. This would enable anyone walking along the direction of rotation to find themselves returned to the starting point but backwards in time.

Decades later, mathematician, Roy Kerr, proposed the concept of a rotating black hole. Dr. Michio Kaku explained it this way: “…[T]he black hole would not collapse to a point (as previously thought) but into a spinning ring (of neutrons). The ring would be circulating so rapidly that centrifugal force would keep the ring from collapsing under gravity. The ring, in turn, acts like the Looking Glass of Alice. Anyone walking through the ring would not die, but could pass through the ring into an alternate universe.”

Before we all run off and start building time machines, though, we should address some paradoxes. Take, for instance, this problem: if you go back in time and undo the circumstances that led to your birth, you would never come to be, much less be around to time travel. This is what’s known as the Grandfather Paradox, which results in an inconsistent causal loop. It puts “effect” ahead of “cause” instead of the other way around, as we commonly understand it. This paradox creates an infinite loop: you go back in time and kill your grandfather, thereby preventing your own birth, thereby preventing yourself from going back in time to kill your grandfather, thus your grandfather is never killed, which allows you to be born, so you can go back in time and kill your grandfather….

Let’s say, instead, that time is fixed, that even if occurrences of the past are changed, the future that they led to cannot be. For example, you travel back in time and kill your grandfather (poor Grandad. Whatever did he do to deserve all this antagonism?). To cover your actions, you replace him with someone else, but that man marries and somehow gives birth to your father, who has a child—–you–—so, you are born, after all.

Another possibility is that there are alternative and parallel universes. If this is so, you can travel back in time, kill your grandfather and thwart any offspring, including you. However, all you have done is alter one timeline. Others, including the one in which you do exist, continue unchanged. However, you (the homicidal maniac time-traveler), cannot return to that timeline.

Indeed, the protagonist of my story, “Turning the Tide,” doesn’t so much travel through time herself as she changes it. She reaches into the past to put two men she loves on different paths, effectively moving them into parallel universes, where they enjoy brighter futures.

It’s not hard for me to believe in parallel timelines. At any point in any of our lives, there are different tracks we can follow, deliberately or reactively. The Time Master in “Turning the Tide” knows that the consequence of her manipulation could be that she never meets the men she so loves. However, it’s also entirely possible that, even though their lives took different courses, one or both of them could still meet her. There are so many roads, with so many forks in them. Any one of them could intersect with another parallel timeline, just at a different point.

You’ll find both Fantasy and Science-Fiction at the heart of the stories in the newly-launched Masters of Time: A Sci-Fi and Time Travel Anthology Check it out: http://meet-the-time-masters.blogspot.com.

You can find about more about my epic Fantasy (or not) series, The Bewildering Adventures of King Bewilliam: http://devorahfox.com and http://www.amazon.com/-/e/B006L9BJAO.

threeKBWbooks
The Bewildering Adventures of King Bewilliam


Dee’s Links:

website: http://devorahfox.com
Facebook: https://facebook.com/DevorahFoxAuthor
Amazon Author Page: http://www.amazon.com/-/e/B006L9BJAO
YouTube Channel: https://www.youtube.com/user/devorahfox/videos

MOT links:

webpage: http://timeanthology.blogspot.com/
Amazon: http://www.amazon.com/Masters-Time-Science-Fiction-Anthology/dp/1514173727
Trailer: http://youtu.be/PovabW4fyjQ
Apple iBooks/iTunes: http://apple.co/1bp77vK
Smashwords: http://bit.ly/1K3ggGi
Barnes & Noble/ nook: http://bit.ly/1Kkkr0C

Devorah actual
Devorah (Dee) Fox


Dee Fox was also my guest on CHANGES conversations between authors, an almost-weekly, Google+/Youtube video chat show, on Episode 18. Watch conversations with my previous CHANGES guests any time: http://goo.gl/eX0D8T

OPENINGS occur frequently! #Authors, especially those in sci-fi/speculative fiction and who blog, learn more about and get yourself on CHANGES, and
#Readers, recommend an #author to be scheduled as a guest: http://goo.gl/1dbkZV


If you’d like to be a Guest Blogger, please visit my Guest Bloggers’ Hall of Fame and learn what’s involved.

Thanks for visiting, commenting, following, and enjoying this site! http://www.sallyember.com

“Let’s Talk #Anthologies: How To Put One Together And Sell It”: Guest Blog Post by Alesha Escobar

I am so pleased to welcome Alesha Escobar as my guest blogger today. Alesha is a #fantasy/science-fiction and thriller author who does “mash-ups.” Alesha also concocted the idea of and edited an anthology of stories related to time travel, one of my favorite topics!

To honor the release of the anthology, Masters of Time (MOT), this month and because many of the included topics appear in my own writing, via The Spanners Series, http://www.sallyember.com/Spanners-2, we both welcome your comments, questions and experiences! Join the conversation, please!

Because MOT includes contributions from one of my CHANGES conversations between authors Google+/Youtube Hangout On Air (HOA) guests who is guest blogging here next week (July 15, ) about MOT-related themes, Devorah (Dee) Fox, and a previous guest blogger, Samantha LaFantasie (November 5, 2014, “5 Ways to Deal with Writer’s Block”), I am especially glad to help publicize this new anthology.

For more information about how to reach Alesha and know more about her writing, to become a guest on CHANGES or become a guest blogger on my site, see below this post.

Thanks for visiting!


Let’s Talk #Anthologies: How To Put One Together And Sell It
by Alesha Escobar

If I could gather some of my favorite sci-fi and fantasy authors into one room, I’d politely inform them that they couldn’t leave until they’ve handed over a compilation of new, addictive stories for my reading pleasure.

Except George R.R. Martin. I’d only let him participate if he promised to stop killing characters.

One of the best things about settling into a good sci-fi/fantasy book is being taken away to an imaginative world, running alongside characters you care about and feeling their heartache and triumphs. An anthology is a tasty buffet of good stories, whether they’re short tales or full-length ones. They can treat you to the scope of a single author’s creativity or a varied range of authors collaborating with each other.

Last year in an end-of-the-year blog post, I predicted (as much as one could) that we would see an uptick in time-travel stories. I decided to put my money where my mouth was and compile a time-travel anthology, Masters of Time.

mastersoftimecover

Now that I had the concept down (science-fiction and fantasy time travel), I knew I had to reach out to authors I respected and whose work I’ve enjoyed. Once I had that taken care of, then came in the “business aspect.”

If you’re an author thinking about contributing to an anthology or compiling one, I’ll share about this process in the hopes that it gives you an idea of the amount of work it takes, as well as how to avoid some pitfalls.

So, You’ve Got Your Book’s Theme and Your Author Line-up: Now What?

Contracts, Baby!

I’m the co-owner of a micro-press, Creative Alchemy, Inc. Not only was I going to contribute to this anthology as an author, I was also going to publish it through Creative Alchemy. As much as my co-authors love me, they have busy lives, projects, and bills to pay. They weren’t going to contribute a story for free, and as savvy writers, they wanted to know the royalties breakdown, publishing rights, and the length of time they’d have to wait before they could publish their individual stories on their own.

These are all valid concerns, so I drew up contracts in order to have it all settled and agreed upon. Even if the people you’re working with are friends or are trustworthy, still: have a signed contract. It won’t hurt.

Secure an Editor

I highly recommend that your editor is someone who is not a co-author of the project. It will help with objectivity, it will be one fewer thing you have to worry about, and it will guarantee that you’ll come out with a polished book. When compiling Masters of Time, our amazing editor, Charmaine, had no qualms with throwing us into the re-write dungeon when needed. Her insight, constructive criticism and feedback helped shape our work and mold it into something we could be proud of.

Set Deadlines

When is the first draft due? The second? And the last? Try to have a tentative release date scheduled as early as possible so you can work “backwards” toward that goal. Having specific dates written down also motivates writers and keep them accountable for turning in manuscripts.

Get a Professional to Format the Book

When six or more people email you their stories in MS Word format, they’re going to be coming in different fonts and sizes and with different formatting. Y’all know how picky Smashwords is with its vetting system and you don’t want to upload to Kindle Direct Publishing and use the preview feature only to find that your book looks horrible.

Save yourself the headache; once all the stories are compiled into a master document and edited, send it off to the formatter. This is also the perfect time to remind you to get your cover artist and work on the best image you believe will perfectly represent the book.

Dot Your I’s and Cross Your T’s

Don’t neglect things like spelling the co-authors’ names the way that they want them to be spelled. One of my co-authors always needs his middle initial included, otherwise he is confused with another author by the same name. Does your author want to go by a pen name? Make sure you’ve got that down as well.

Have your co-authors submit their bios, book links and social media profiles, storing them in Evernote or another handy place. It’s a pain to ask them twenty times for this information because you never bothered to copy it down.

Double-check each story title and make sure they’re the final choices. Sometimes authors will start off with one title (or a temporary one) and then change it for the final version. Everything should be up-to-date and consistent.

And, after all has been edited and formatted, do another comb-through!

Don’t Wait Until Release Day to Tell the World about It

I swear I still have friends and relatives shrugging their shoulders and telling me, “Sweetie, why didn’t you say you wrote a book? I didn’t know!” Oh, believe me, I’ve been saying it 😉

Many people, including interested readers, lead busy lives. The internet throws loads of information at us all day, every day, and our social media feeds get more crowded by the second. It’s not a surprise that some people miss the exciting news that your latest project has just been released—so don’t wait until release day to alert people.

Masters of Time will be officially released July 13, but I’ve been advertising the anthology since the beginning of this year. How? As soon as I could, I put the book on pre-order and alerted my email subscribers (if you don’t have an author newsletter, start one). Several book promotion sites will advertise your pre-order, and then there are some seriously cool book bloggers out there who will also be happy to do a cover reveal, an interview, feature or a review of an advanced copy. Bloggers also love giveaways, so if you have a giveaway attached to your book release, it’s a plus!

I’ve announced my anthology at my own blog as well as brought in and featured my co-authors. We’ve exchanged guest posts. I hit the social media pavement and let my Facebook, Twitter, and Google+ friends know. As we got closer to July, the advertising became more urgent, and I did all this while abiding by the principle of not spamming. It’s great to tell people about your book, but remember not to spam.

Also, while the bulk of your efforts may be through the internet, don’t neglect creating awareness in real life: is your local bookstore or library open to your holding an event? Can you share bookmarks, cards or flyers? Perhaps you can host a speaking engagement at your nearest book club or school campus? Get creative with the ways you can reach people and grow visibility for your book.

Now, Here Are Some Things I Already Wish I’d Done Differently

  1. I wish I would’ve added a few more authors to the anthology. While this collection is an amazing read, there are six of us contributing short stories and it’s 100 pages total. Not bad, but some promotion sites are used to presenting 800-page book collections and boxsets to their audience. I should’ve considered book length as one of my goals, though in my gut I do believe I chose the right authors and stories. This won’t necessarily harm us, but it will definitely be part of my planning process next time.
  2. I wish I would’ve done cross-critique among my co-authors. Though my in-house editor oversaw the book, I think there is additional value in authors reading one another’s contributing stories and offering feedback. This was done with the New Myths anthology I contributed to for HDWP Books, and it was an amazing process. It also lets your co-authors know what the other stories are about and it gives them room to mention these stories in interviews and blog posts.
  3. I wish I hadn’t had a “this is my responsibility” mentality. My co-authors were (and are) willing and ready to boost promotion and cross-promote, but sometimes I shied away because I felt that I needed to “prove myself” and show that I knew how to market a book. I also didn’t want to disappoint them. Duh! There is strength in numbers. If you’re the publisher or “leader” of an anthology, there’s nothing wrong with being open to letting your cohorts help you pick up the marketing and promotion slack. In fact, it’s better to have them all on board, helping. We have various skills, gifts, contacts and audience sizes. Working together to promote the book will only benefit the group—you’re in this together.

Hopefully, sharing my anthology process has given you an idea of what it’s like and what you should plan for.

If you’re a reader, perhaps this has been a nice peek into the world of writing and what it takes to get that amazing, finished product out to you.


Thank you, Sally, for inviting me today, and I hope you all continue to be entertained and inspired by great stories!


About the Author

Alesha Escobar writes fantasy to support her chocolate habit. She enjoys everything from Tolkien and Dante to the Dresden Files and Hellblazer comics. She resides in California with her partner-in-crime, Luis Escobar, a 20-year art veteran on The Simpsons television show.

Alesha is the author of The Gray Tower Trilogy, an action-packed, supernatural spy thriller set in an alternate 1940’s. The trilogy books have hit the Amazon bestsellers lists for Historical Fantasy and Mashups.

You can find Alesha at her weekly blog, Fantasy, Mashups, & Mayhem, where she discusses fantasy and science-fiction TV shows, movies and books, and celebrity gossip…She’s just kidding about the celebrity gossip.

But, there IS a giveaway for MOT: http://timeanthology.blogspot.com/p/enter-giveaway.html

The Black Dagger Gods (short story, New Myths Anthology)

 
Find Alesha on:

Alesha Escobar


MOT links:

webpage: http://timeanthology.blogspot.com/
Amazon: http://www.amazon.com/Masters-Time-Science-Fiction-Anthology/dp/1514173727
Trailer: http://youtu.be/PovabW4fyjQ
Apple iBooks/iTunes: http://apple.co/1bp77vK
Smashwords: http://bit.ly/1K3ggGi
Barnes & Noble/ nook: http://bit.ly/1Kkkr0C


CHANGES conversations between authors is an almost-weekly, Google+/Youtube video chat show. Watch conversations with my previous CHANGES guests any time: http://goo.gl/eX0D8T

OPENINGS occur frequently! #Authors, especially those in sci-fi/speculative fiction and who blog, learn more about and get yourself on CHANGES, and
#Readers, recommend an #author to be scheduled as a guest: http://goo.gl/1dbkZV


If you’d like to be a Guest Blogger, please visit my Guest Bloggers’ Hall of Fame and learn what’s involved.

Thanks for visiting, commenting, following, and enjoying this site! http://www.sallyember.com

WRITING AND PROMOTING A SERIES: Series authors, Nicholas C. Rossis and Charles Yallowitz

WRITING AND PROMOTING A SERIES:

by series authors, Nicholas C. Rossis, Pearseus series, and

Charles Yallowitz, Legends of Windemere series

Guest bloggers and former guests on CHANGES conversations between authors
(Episodes 7 and 9), http://www.sallyember.com

PEARSUS VIGIL NOW AVAILABLE ON AMAZON

PEARSEUS: VIGIL NOW AVAILABLE ON AMAZON

This joint post was made possible by the invitation of Sally Ember, who has been gracious enough to allow us to speak on her blog. She has done this knowing that Mr. Rossis and Mr. Yallowitz have a history of crazy antics. Indeed, some of these antics occurred on Sally’s very own LIVE video show *CHANGES* conversations between authors, which you can find online. Thank you to Sally Ember and we hope everyone enjoys this post on writing a series.

Check out Nicholas’s newest release, Pearseus: Vigil, by clicking on the above cover art and
prepare for a March/April debut of Charles’s next book, Legends of Windemere: Sleeper of the Wildwood Fugue.

Charles: First, I would like to say that I’m happy to be working with Nicholas again and on a post this time. Our back and forth on our blogs is a lot of fun and he has a very sharp, creative mind that keeps me on my toes. This carries over into his writing, which impressively spans several genres.

Nicholas: Same goes for me. I’m very impressed by Charles, both as an author and as a person. Plus, it’s great to have someone who gets my weird sense of humor!

What is the hardest part about promoting a series?
Charles: It’s really easy at the beginning because you can play around with teasers and you only have one book out. Then you get the second and try to find ways to promote without revealing everything in the first book. Around the third book, if you go higher than a trilogy, you get caught between avoiding big revelations in the earlier books and spoilers for the next one. It’s a really hectic balancing act because you don’t want to say too much. Yet, you have to say enough to keep people interested and lead to them to the rest of the series.

I’ve found that you have to make sacrifices in this, for example, revealing a minor spoiler to promote the next book while keeping the big stuff secret. A teaser helps, too, because it isn’t so much a spoiler, but a hint that something is going to happen or a foreshadowed event is coming to pass. Oddly enough, I found that Twitter is the less nerve-wracking social media site to promote a series on because the 140-character limit means you can’t say much and it’s hard to tiptoe around spoilers like that; you have to stick to catchy blurbs or small quotes from the book.

CLICK FOR AMAZON SITE Cover Art by Jason Pedersen

CLICK FOR AMAZON SITE
Cover Art by Jason Pedersen

Nicholas: I agree with Charles that Twitter is a great promotional medium for a series, as my marketing relies on a short quote and a link.

One of the best things about having a series is that you can have a different book on sale each month and it will help the others’ sales as well. However, unlike Charles, I have also made a book bundle available. This contains all the books published so far in Pearseus. Obviously, when this is on sale, no one buys the rest of the books. However, it does attract a lot of attention as it offers great value for money. So, it’s all a bit of a balancing act.

How difficult is it to maintain continuity in a series and what tricks do you use to accomplish this?
Charles: I once switched one of my main character’s eye colors and a minor recurring character lost his hair. So some of the details can be messed up if one isn’t careful. Perhaps the biggest challenge to story continuity is that you can forget some foreshadowing or you do something that alters a previously established rule. Middle books can also have events that change the finale because what you plan in your head might not always be what comes out on paper. It really is a game of memory and concentration or like putting together a 5,000-piece puzzle with no picture to guide you.

There are two tricks that I use. One is that I keep notes on a lot of things that I believe I will forget. For example, I had some minor characters who step into the spotlight in a later book and I never gave them much description in their first appearances. There was just enough that they stood out and I had to make sure I had those identifiers written down. The other trick is never to be afraid to look back at your earlier books to confirm information. If you have even an inkling that you’re off on a fact, then jump back to the book where you know the information has already been written. This helps with plot lines, character descriptions, world-building and anything else that carries over from book to book.

Nicholas: LOL—I love the idea of “a 5,000-piece puzzle with no picture to guide you.” Indeed, it can feel that way at times.

I have a .doc file that includes all sorts of minor details, from names to subplots. Also, when I write, I always have my older books open as well. That way, I’m instantly able to jump back and forth and check things out. For example, a lot of the action takes place in a place called the “Chamber of Justice.” Every now and again, I’ll catch myself typing “Chambers of Justice” (plural) instead, so I have to remember it’s actually singular. I have no idea why some days it feels self-evident it’s singular and others that it’s plural, but that’s just how it is.

Pearseus Bundle on Amazon

Pearseus Bundle on Amazon

Do you have any suggestions for readers who wish to get into reading a long series?
Charles: I’m a fan of starting from the beginning, but I know many who start at the most recent book. If you do this, then I highly suggest that you read the earlier books at some point for more context and to see events that don’t get mentioned again. Also, one must be patient with a series because the story is stretched out and every book will have an opening. Also, not everything gets cleared up at the end of the earlier books. That understanding helps a reader accept that questions will remain. The only other tip I have is that you have to trust that the author knows what he or she is doing. I see a lot of readers try to demand that certain events happen in a story, but those desires might not fall in line with what the author has planned.

Nicholas: This is a typical “patience is a virtue” situation. Writing a series is a serious responsibility. Reading a series is an investment of both time and money, so we have to make sure that each and every book not only meets the readers’ expectations, but exceeds them. We owe them as much. That is why I’m grateful to all my readers, but those who have invested in Pearseus hold a special place in my heart.

There are several things we can do to make it easier on the reader, of course. For example, all my Pearseus books have a map with the cities and places that have been revealed so far, plus any new ones. Also, I have a character list at the beginning (and in “X-ray,” if reading on a Kindle), with a two-sentence description of who that person is. Another good idea is to offer a quick reminder each time a minor character first appears. For example, you can say something along the lines of:

“Parad walked into the room. He spotted Angel, his daughter, and smiled.”
This helps people who may have forgotten who Angel is.

Yet another trick I use is to give names to as few people as possible. For example, a minor character may be safely referred to by their property or occupation. Readers don’t need to know the name of every healer that tends a hero’s wounds or every blacksmith that sharpens his weapons.

Finally, the best thing to do is to make sure each book can stand on its own. That means no cliffhangers and no obscure references—at least not without a reminder.

Sadly, this is not always possible. Mad Water, the third book in the series, ends on a cliffhanger because the subplots raised there are not resolved for another 400 pages. So I could either have an 800-page-long book or two 400-page ones, the first of which ends on a cliffhanger.

Obviously, I chose the latter, which brings me back to readers’ patience. 🙂


CLICK FOR AMAZON SITE Cover Art by Jason Pedersen

CLICK FOR AMAZON SITE
Cover Art by Jason Pedersen

Charles Yallowitz‘s Information

charles_author_photo_bw
Blog: www.legendsofwindemere.com
Twitter: https://twitter.com/cyallowitz
Facebook:https://www.facebook.com/CharlesYallowitz
Amazon Author Page: http://www.amazon.com/Charles-E-Yallowitz/e/B00AX1MSQA/
Website: www.charleseyallowitz.com
Jason Pedersen, Legends of Windemere‘s Cover Artist: http://www.jasonpedersen.com/

Nicholas Rossis‘ Information

Nicholas Rossis
Blog:http://nicholasrossis.me/ .
Amazon Author Page: http://www.amazon.com/Nicholas-C.-Rossis/e/B00FXXIBZA/
Goodreads: Pearseus: Schism can be read for free on Goodreads.
Twitter: www.twitter.com/Nicholas_Rossis
Google+: https://plus.google.com/+NicholasRossis
Facebook: www.facebook.com/NicholasCRossis

Sally Ember, Ed.D., is the author of the sci-fi/romance/utopian ebooks in The Spanners Series. Volume I, This Changes Everything, is permafree. Volume II, This Changes My Family and My Life Forever, is usually $3.99. Look for Volumes III and IV in 2015.
All reviews, info, excerpts, links: http://www.sallyember.com/Spanners

“Most-Anticipated” #Films of #2015: Yeah or Nay? And, one look back at 2014 #SciFi and #Fantasy Films

My Predictions and Preferences for the
“Most-Anticipated #Films of #2015: Yeah or Nay?
And, one look back at 2014 #SciFi and #Fantasy Films

Let me start by reminding you (or letting new readers know): I am NOT mainstream. I am almost NO ONE’s “target demographic.” These films, others’ opinions, most TV shows and reviews written by others are not in harmony with my preferences and tastes. Not at all.

If YOU consider yourself “mainstream,” “typical,” “normal” or otherwise “regular,” you probably would be happier watching the video and ignoring this post entirely. Link and embed are below.

If, however, you are somewhat atypical, keep reading. Then, if/when these films become more widely available, you can let me know if your opinions match my predictions or preferences. Deal?

The 10 “regular” films, the video-maker’s opinions and my predictions, first (stay tuned for more, below):

  1. Fifty Shades Of Grey
    “A big money-maker…” Release date: Feb. 13, 2015

  2. The Fantastic Four
    “Could be a pleasant surprise…”

  3. Ted 2
    “A complete comedy classic…” Release date: June 26, 2015

  4. The Hunger Games: Mockingjay Part 2
    “It’s gonna look awesome, hopefully…” (He hasn’t seen Part 1 at the time he made this video, though.) Release date: Nov. 20, 2015

  5. Bond 24
    “Daniel Craig’s returning with Naomi Harris, not even released the name [title], yet…”

  6. Fast & Furious 7
    “The series is getting better and better…everyone wants to see how they put a tribute to Paul Walker [the lead actor who died in real life]…” Release date: April 3, 2015

  7. Terminator: Genesis
    Terminator 2 is one of my favorite movies of all time…and one of the highest-rated movies of all time…Arnie [Arnold Schwartzenegger] is back…A very good time-travel movie is setting up, here…” Release date: July 1, 2015

  8. Jurassic World
    “I want them to keep the Jurassic Park feeling but not be a continuation… want to see something new…”

  9. The Avengers: Age Of Ultron
    “I want to see something different and not continue Avengers… more story, more twists and turns…” Release date: May 1, 2015

  10. Star Wars Episode 7
    “It’s got a chance of getting up there with Avatar on gross…Hopefully it’s a good movie and not like the prequels…” Release date: Dec. 18, 2015

Other “anticipated” movies (my choices are marked with an *):
Blackhat
*Focus
*In the Heart of the Sea
*Jupiter Ascending
*Kingsman: The Secret Service
Mad Max: Fury Road
Outcast
*Predestination
*Seventh Son
Minions
Inside Out
Taken 3

Another list (the ones I KNOW I want to see):
*Friends: the Movie

*The Age of Adaline

*Cinderella

*Annie

Then, we have Jordan Hoffman, from Popular Mechanics, giving his/her 15 “most-anticipated” #Sci-Fi Films of 2015, which are overlapping many of the above.

Most of these are not original (remakes; sequels or expansions of “franchises”; adaptations of books, comic books or T.V. shows), but that shouldn’t stop you from enjoying them, if you’re able.

This list even provides release dates, so you can plan your budget, schedule date nights, get your passes in advance, make your costumes.

There are a few from this list I do want to see; most, not interested. Again, I marked my faves with a *.

*Jupiter Ascending, Release Date: February 6
“…this interplanetary adventure featuring Mila Kunis as some sort of unknowing space queen and Channing Tatum as her guide beyond the stars promises to be far-out.”

Furious 7, Release Date: April 3
“The huge international ‘family’ of good guy criminals have returned for a bittersweet chapter in this series.”

Ex Machina, Release Date: April 10
“Oscar Isaac is the genius inventor tucked away in a slick-looking home and Domhnall Gleeson is the young employee summoned to meet Ava (Alicia Vikander) a creepily sexy android….this could be the stand-out mid-budget sci-fi flick of the year.”

Avengers: Age of Ultron, Release Date: May 1
Iron Man, Captain America, Thor, Black Widow, The Hulk, Hawkeye, Nick Fury, and Maria Hill back together again, and this time they’re fighting Ultron, an artificial intelligence designed for peace that (surprise) brings just the opposite. New additions to the mix include Quicksilver, Scarlet Witch, and the Vision, because superhero teamups are awesome.”

Mad Max: Fury Road, Release Date: May 15
“…a bone-cracking ride through a dusty apocalyptic wasteland. The stunts look insane and the high-velocity action promises to reach out from behind the screen, grab you by the back of your neck, and smash your face in the gravel.”

*Tomorrowland, Release Date: May 22
“It may just be one gigantic advertisement for Disney’s Magic Kingdom, or it may be a whiz-bang universe-hopping tale of futurist poptimism. More than likely, it’s a little of both.”

Jurassic World, Release Date: June 12
“…Steven Spielberg isn’t directing and Michael Crichton (obviously) isn’t involved, but in the middle of the summer there’s nothing better than seeing a bunch of dinosaurs stomping around while humans line up as fodder, right?”

Terminator: Genisys, Release Date: July 1
“Arnold himself will return for this one, and he’ll be joined by The Khaleesi from Game of Thrones, Emilia Clarke.”

Ant-Man, Release Date: July 17
“Paul Rudd is Scott Lang, a small time crook who ends up with scientist Hank Pym‘s technology for getting really really small. Michael Douglas is onboard as Pym, and Peyton Reed, who directed Down With Love, is at the helm.”

The Fantastic Four, Release Date: August 7
“…a somewhat dysfunctional group of scientists and weirdos blessed/cursed with superpowers.”

*The Man From U.N.C.L.E., Release Date: August 14
“Henry Cavill and Armie Hammer as Napoleon Solo and Illya Kuryakin….Guy Ritchie is directing this gadgets-friendly flick, so this will be definitely be one to ogle. …it stands for United Network Command for Law and Enforcement.”

*Spectre, Release Date: November 6
“It’s pretty much the same production team as Skyfall, so there’s not much more to say except ‘shaken, not stirred.'”

*The Martian, Release Date: November 25
“Matt Damon…plays a marooned astronaut on a Martian colony. Of note: the book upon which this is based was originally self-published by its author on Amazon. So keep hope alive, ye amateur novelists!”

*Star Wars: The Force Awakens, Release Date: December 18
“J.J. Abrams is igniting the hyperdrive to a galaxy of new stories. This first one will be a bridge – we’ll get Luke and Han and Leia, but who knows how big their roles will be or if they’ll return again. Chances are this is going to be the most spectacular film of the year…”

Mission Impossible 5, Release Date: December 25
“[4 was]…an exhilarating ride…. Tom Cruise…[in 5] will be just as exciting.”

If you want to view #trailers and read more about from Jordan about each of the above sci-fi films: http://www.popularmechanics.com/technology/digital/visual-effects/15-sci-fi-movies-most-anticipated-in-2015#slide-1

For another opinion about some of these ranked differently, annotated, check KIRSTEN ACUNA’s list:
http://uk.businessinsider.com/biggest-movies-2015-2014-12?op=1

Link to original video for above’s Top 10:
http://youtu.be/pVwhiLIksd4

Video to watch here:

In case you missed any already released in 2014, here are:
“The 10 Best and 10 Worst #SciFi and #Fantasy Films of 2014,” according to Charlie Jane Anders
http://io9.com/the-10-best-and-10-worst-science-fiction-and-fantasy-mo-1672135627

Happy Watching!

**** for This Changes My Family and My Life Forever, Vol II of The Spanners Series

**** for This Changes My Family and My Life Forever, Vol II of The Spanners Series! by Sally Ember, Ed.D.

Review by: Brenda McCracken on Nov. 09, 2014: https://www.smashwords.com/books/view/424969

and

http://www.amazon.com/Changes-Family-Forever-Spanners-Series-ebook/dp/B00KU5Q7KC/ref=cm_aya_orig_subj

I found this to book to be a very imaginative and creative story. Ms. Ember’s Jewish faith shines through her characters in this book. This is the first I have read from the series and I found the uses of telepathy within her characters and the plot interesting. I love sci-fi and fantasy and this is the real deal. Although I disagree with the cover art. As someone who has dabbled with Poser and Daz, those characters on the cover give me the willies. No offense!

Thanks for the review, Brenda! Glad you enjoyed it, but I LOVE the cover art, by Aidana Willowraven!

final cover print

Volume II is available everywhere ebooks are sold (links on http://www.sallyember.com on the right of every page) for $3.99.

Volume I, This Changes Everything, is FREE! Good idea to start with this one!

This-Changes-Everything----web-and-ebooks

**** for This Changes My Family and My Life Forever, Vol II of The Spanners Series

**** for This Changes My Family and My Life Forever, Vol II of The Spanners Series! by Sally Ember, Ed.D.

Review by: Brenda McCracken on Nov. 09, 2014: https://www.smashwords.com/books/view/424969

and

http://www.amazon.com/Changes-Family-Forever-Spanners-Series-ebook/dp/B00KU5Q7KC/ref=cm_aya_orig_subj

I found this to book to be a very imaginative and creative story. Ms. Ember’s Jewish faith shines through her characters in this book. This is the first I have read from the series and I found the uses of telepathy within her characters and the plot interesting. I love sci-fi and fantasy and this is the real deal. Although I disagree with the cover art. As someone who has dabbled with Poser and Daz, those characters on the cover give me the willies. No offense!

Thanks for the review, Brenda! Glad you enjoyed it, but I LOVE the cover art, by Aidana Willowraven!

final cover print

Volume II is available everywhere ebooks are sold (links on http://www.sallyember.com on the right of every page) for $3.99.

Volume I, This Changes Everything, is FREE! Good idea to start with this one!

This-Changes-Everything----web-and-ebooks

Guest Post: “The Politics of Speculative/ Science-Fiction”

Research, quotes, opinions, infographics, questions for readers/authors, and more. Read my Guest Post on Heather Jacobs’ site: “The Politics of Speculative/Science-Fiction”

Here are the first two paragraphs, to warm you up and inspire you to go read the rest:

The Politics of Speculative/Science-Fiction

by Sally Ember, Ed.D.

No author can leave politics, religion or culture out of our writing. It’s not possible. We are gendered, classed, raced/heritaged, abled/differently-abled, language-based, value-laden, belief-ridden individuals. We are products of our culture and political systems, even if we resist the indoctrination.

A writer may not realize the impact of his/her experiences arising from culture but these permeate every idea, word, sentence. The author who builds worlds may not see the veiled political structure undergirding their dystopian or utopian societies. Nevertheless, Speculative-Fiction, of which Science-Fiction is a subgenre, arises from politics, religion and culture.

Spec Fic and subgenres

Visit, comment, share, follow! Thanks!

http://www.hmjacobs.com/blog/guest-post-politics-of-speculativescience-fiction

#SciFi and #Fantasy #Books into #Films Upcoming

READ THEM NOW, WATCH THEM LATER: SCIENCE FICTION, FANTASY AND HORROR ADAPTATION WATCH by John DeNardo on January 15, 2014 | Posted in Science Fiction and Fantasy

John DeNardo is the editor of SF Signal, a Hugo Award-winning group science-fiction and fantasy blog featuring news, reviews and interviews. You can follow him on Twitter as @sfsignal.

Read these books, then go see this year’s film adaptations:
Divergent by Veronica Roth
Wool by Hugh Howey
Beta by Rachel Cohn

More about each here, including DeNardo’s summaries, opinions and links:
https://www.kirkusreviews.com/features/read-them-now-watch-them-later-science-fiction-2/