#DEAR = “Drop Everything And Read” Day #book #sale 4/12/17! Many #free and #discounted at #FSFnet and Here!

#DEAR = “Drop Everything And Read” Day #book #sale 4/12/17

Many #free and #discounted at #FSFnet (Fantasy and Science-Fiction Network) and Here!
Get any ebook format you want on Smashwords and discount codes for paperbacks on CreateSpace, or use Kindle Matchbook on Amazon when you buy both versions of each Volume (see below)! AND go to #FSFnet (Fantasy and Science-Fiction Network) for more deals (see below).

G-, PG- and PG-13-rated Fantasy and Science-Fiction sale books are at http://www.fsfnet.com and http://www.sallyember.com/blog

All three published Volumes of the sci-fi/romance/multiverse/utopian/paranormal (psi) ebooks in The Spanners Series for adults/NA/YA are participating in this great sale! And, if you prefer or want also to have paperbacks, scroll to the end for the coupon codes on CreateSpace to purchase those, or use Kindle Matchbook to buy both versions of any Volume.

Volume I, This Changes Everything, The Spanners Series, by Sally Ember, Ed.D.
Dr. Clara Ackerman Branon, 58, begins having secret visits from holographic representations of  beings from the Many Worlds Collective, a consortium of planet and star systems in the multiverse. When Earth is invited to join the consortium, the secret visits are made public. Now Earthers must adjust their beliefs and ideas about life, religion, culture, identity and everything they think and are. Clara is selected to be the liaison between Earth and the Many Worlds Collective and she chooses Esperanza Enlaces to be the Media Contact. They team up to provide information to stave off riots and uncertainty. The Many Worlds Collective holos train Clara and the Psi-Warriors for the Psi Wars with the rebelling Psi-Defiers, communicate effectively with many species on Earth and off-planet, eliminate ordinary, elected governments and political boundaries, convene a new group of Global Leaders, and deal with family’s and friends’ reactions. 

TSS v1

In what multiple timelines of the ever-expanding multiverse do Clara and her long-time love, Epifanio Dang, get to be together and which leave Clara alone and lonely as the leader of Earth? This Changes Everything begins the 30-year story of Clara’s term as Earth’s first Chief Communicator, continuing in nine more Volumes of The Spanners Series.
Are you ready for the changes?

Vol I ebook, all formats, is PERMA-FREE!

https://www.smashwords.com/books/view/376197

For discounts on paperbacks of all three Volumes on CreateSpace, use Coupon Codes and links, below, for 25% off, or use Kindle Matchbook

Volume II, This Changes My Family and My Life Forever, The Spanners Series, by Sally Ember, Ed.D.
COUPON CODE for 25% off ebook on Smashwords, only: DP34M Expires 4/13/17
Intrigued by multiple timelines, aliens, psi skills, romance and planetary change? Clara and the alien “Band” are back in Volume II, This Changes My Family and My Life Forever, The Spanners Series. Now as Chief Communicator, Clara leads the way for interspecies communication on- and off-planet.

TSS v2

Fighting these changes are the Psi-Defiers, led by one of the oldest friends of the Chief of the Psi-Warriors, its reluctant leader, Rabbi Moran Ackerman. Stories from younger Spanners about the first five years of The Transition fill Volume II.
How would you do with the changes?

Usually, ebook for Vol II is $3.99; “DEAR Days” Promotional price: $2.99

https://www.smashwords.com/books/view/424969

Enter the code prior to completing checkout. COUPON CODE for Vol II, 25% off, Smashwords, only: DP34M Expires 4/13/17

Volume III, This Is/Is Not the Way I Want Things to Change, The Spanners Series, by Sally Ember, Ed.D.
COUPON CODE for 50% off ebook on Smashwords, only: KX35W Expires 4/13/17
Clara, Moran, Espe, Epifanio and the alien Band of holos are back in This Is /Is Not The Way I Want Things to Change of The Spanners Series. Psi-Defiers launch increasingly violent protests during this five-year Transition, attempting to block Earth’s membership into the Many Worlds Collective. To join, Earth’s nations and borders must dissolve and Psi-Warriors must strengthen in their battle against the rebels.
Clara, continuing as Earth’s first Chief Communicator, also juggles family conflicts and danger while creating psi skills training Campuses to help Earth through the Psi-Wars. Clara timults alternate versions of their futures as the leaders’ duties and consciences force them each to make difficult choices across multiple timelines while continuing to train and fight.

Spannersvolume3coverfinal

Will the Psi-Warriors’ and other leaders’ increasing psi skills, interspecies collaborations and budding alien alliances be enough for Earth to make it through The Transition intact? If there is no clear path for Clara’s and Epifanio’s love, does she partner with Steve or go it alone?
What do you do with wanted/unwanted changes?

Usually, ebook for Vol III is $3.99; “DEAR Days” Promotional price, Vol III: $2.00

https://www.smashwords.com/books/view/588331

Enter the code prior to completing checkout. COUPON CODE for 50% off, Smashwords only: KX35W Expires 4/13/17

OR, you when you buy both the Amazon ebook on Kindle with the paperback on Amazon of the same Volume, using Kindle Matchbook, you get discounts on both versions of each Volume! Go to The Spanners Series on Amazon for details and links, https://goo.gl/Qagqex.

Amazon The Spanners Series‘ ebooks’ and paperbacks’ links:
Vol I: http://www.amzn.com/B00HFELTG8, ebook;

https://goo.gl/hcb9CL, paperback
Vol II: http://www.amzn.com/B00KU5Q7KC, ebook;

https://goo.gl/536u4F, paperback
Vol III: http://www.amzn.com/B0177Z1KRM, ebook;

https://goo.gl/g3MLp8, paperback

Cover art and logo for The Spanners Series all by Aidana Willowraven: http://www.willowraven-illustration.blogspot.com/


BOOK TRAILERS for all three volumes, here:

Volume I, This Changes Everything

https://youtu.be/QJDEt1O8yQ8?list=PLPbfKicwk4dE_bsvzZO7X8-IIqqLY15uS

or

https://goo.gl/8OLVSr

AND

https://youtu.be/X_8ZFVY9BMg?list=PLPbfKicwk4dE_bsvzZO7X8-IIqqLY15uS

or

https://goo.gl/MvYFH3

AND

https://youtu.be/WL9lPK8IhRk?list=PLPbfKicwk4dE_bsvzZO7X8-IIqqLY15uS

or

https://goo.gl/APrn9P

Volume II, This Changes My Family and My Life Forever

https://youtu.be/WenvYeasiik?list=PLPbfKicwk4dE_bsvzZO7X8-IIqqLY15uS

or

https://goo.gl/ERqLHY

Volume III, This Is/Is Not the Way I Want Things to Change

https://youtu.be/uINdFH0XS18?list=PLPbfKicwk4dE_bsvzZO7X8-IIqqLY15uS

or

https://goo.gl/q9NGsg

AND

Find ALL books participating in the DEAR sale and stock up on your favorite genres, authors and titles OR scout out some new talent here and at http://www.fsfnet.com


PAPERBACK LOVERS:

25% off SALE for all three Volumes of The Spanners Series!

logo-createspace

Coupon Code is H93664AM for 25% off for YOU for an or all three Volumes, below!
CreateSpace paperbacks’ links:
Vol I: https://www.createspace.com/5837347 

Vol II: https://www.createspace.com/5844431

Vol III: https://www.createspace.com/5844474

All published by Timult Books

logo Timult Books

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Speculative Fiction #Genres, According to one Jaded #Feminist

Speculative Fiction #Genres, According to one Jaded #Feminist (and two other, actual experts…)

Here are two great sources of info about the overall genre of Speculative Fiction (Spec Fic) and all its subgenres, (also the two main sources of the images, below):
About Speculative Fiction, from blogger/author, Sherry D. Ramsey at http://www.sherrydramsey.com/?page_id=1005; and,
The Difference between Speculative Fiction and Science-Fiction, from SPi Global, at http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/


from http://www.sherrydramsey.com/?page_id=1005

So, you don’t have to go by my jaded, biased, perhaps not entirely fair or accurate descriptions, below.

Also, check out many of the Spec Fic online and hard-copy ‘zines and subscription magazines that publish short stories, plays, graphic novels or excerpts, art, poetry, novellas and announcements, such as: Heliotrope: Online Speculative Fiction Magazine, http://www.heliotropemag.com/

JUST MY OPINIONS, below.

  • Science-Fiction (also known as sci-fi):
    ◙ Stories about what could be or might have been that feature science, tech, weaponry that does not exist (yet); mostly written by men and somewhat invisible women; mostly about men and almost invisible women; if in graphic novel form, the females are scantily clad for no apparent reason, while men are wearing body armor; mostly about men, with one or no female main characters, except to support or be loved by males.
    ◙ If part of a series, “good guys” do not prevail for the long-term but do win in skirmishes, until the end, which can be dystopian (no HEA–Happily Ever After) or partly HEA (at least, for the romantic component).
    ◙ If politically and/or social commentary-oriented, can illustrate the ways our current cultures are harsh (but accurate) regarding racist, species-ist, misogynistic practices and attitudes.
    ◙ Main characters can die, but usually not in the first parts of a series.


    from http://www.sherrydramsey.com/?page_id=1005

  • “Hard” Science-Fiction:
    ◙ Futuristic stories mostly about the male “heroes” (and steroid/testosterone-ridden women, cyborgs and robots) fighting alone or in groups against whom/whatever, using lots of weaponry and spaceships; see above, for costuming; mostly about men, with one or no central female main characters, except to support or be loved by males or inhabit computers.
    ◙ If part of a series, “good guys” do not prevail for the long-term but do win in skirmishes, until the end, which can be dystopian (no HEA–Happily Ever After) or partly HEA (at least, for the romantic component).
    ◙ If dystopian (typically), often includes destruction of one or more planet, victors’ having slaves, horrible classism and race/species discrimination and other awful plot points and outcomes.
    ◙ Main characters can die, but can be reborn into tech creatures. Often, a “space opera” that spans many years/centuries and vast expanses.


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Steam-Punk Fantasy/Science-Fiction:
    ◙ Stories about what might have been or could be, written by both men and women; depicts women in low bodices, wearing corsets, and carrying fans; men have pocket watches, vests, and private (“public” in England) educations or tutors; everything is run by steam engines; characters are mostly Anglo and espouse or resist British/American Anglo upper- and middle-class Victorian values (e.g., either virginal or whorish women, class distinctions, elitist “manners,” rigidly gender-ized clothing); stories are mostly about men, with one or no central female main characters, except to support or be loved by males.
    ◙ If there are GLBT characters, they are usually depicted as deranged/homicidal, stereotypes, and/or objects of ridicule or pity. Rarely has human characters who are not Anglo (so I deliberately included a drawing that has males of color, here).
    ◙ Can include murders and other crimes in which females are the victims or need to be rescued.
    ◙ May not be clear who the “bad” guys are, at first (think, prostitute or crime lord with the “heart of gold”).
    ◙ Main characters cannot die unless already replaced by a successor.


    from https://writingcareer.com/black-power-the-superhero-anthology-is-seeking/

    This anthology, whose prototype cover is above, Black Power: Superheroes of Color, was released last month, February, 2017: https://thenerdsofcolor.org/2017/02/27/black-power-the-superhero-anthology/
    edited by Balogun Ojetade, with a great line-up of authors within it.

    Real cover:

  • Fantasy:
    ◙ Usually set in some pseudo-medieval or -Renaissance, Earth-like setting or Earth’s own possible past or present, but with talking animals, mythical creatures, imaginary creatures (e.g., fairies, gnomes, dwarves, trolls, dragons, giants, ogres, witches, warlocks, wizards); usually includes some kind of magic or pseudo-science mixed with magic; if there are non-human creatures, they are almost always male or overly glamorized females (large breasts, small waists, heavy make-up); could have human shape-shifters who usually become large predators (wolves, bears, lions, panthers, etc.); can have vampires, whose subplots usually include some kind of incapacitation and then sexual assault accompanying the blood-sucking, usually of women by both males and females.
    ◙ Always has “good guys” and “bad guys,” with the “good guys” prevailing in the end.
    ◙ Main characters cannot die unless already replaced by a successor.


    from http://www.sherrydramsey.com/?page_id=1005

  • High Fantasy:
    ◙ Similar to Fantasy, but with more court-like/royal characters and class conflicts/settings; usually some star-crossed royalty romance for the teen or young adult main characters that ends HEA (Happily Ever After); usually has dragons or other mythical creatures centrally featured; for specious reasons, characters often speak in upper-class British accents/styles and/or insert French- or Spanish-sounding words randomly; often heavily laced with sword fights, quests, riddles and other “tests” for the main characters (usually male), which they have to lose at least twice before becoming victorious (“getting the girl” is usually part of their “prize”).
    ◙ Duels are common.
    ◙ Usually HEA (Happily Ever After).
    ◙ Main characters cannot die unless they’re old or can become mythologized and/or unless already replaced by a successor.


    from the cover of Issue 5 of http://www.heliotropemag.com/

  • Urban Fantasy:
    ◙ Similar to Fantasy, but set in decaying cities; usually dystopian/post-apocalyptic; can blend magic with tech, though not as originally or interestingly as the author believes; not enough female characters and frequent fighting among the males; duels are common; cyborgs, androids, political and social tyrants, crime and criminals abound.
    ◙ Only HEA (Happily Ever After) for about 3 “beats,” then more fighting.
    ◙ “Good Guys” can be ethically challenged and compromised frequently.
    ◙ Main characters can die.


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Dark Fantasy:
    ◙ Exactly like one or both of the above Fantasy genres, but with more sex (sometimes BDSM or hard-core porn, here); lots of blood, gore, fighting, elements of Horror, etc.; has conflicts that maim, kill off or otherwise harm the female characters severely, who then need to be rescued (when possible); hauntings, ghosts, evil from other dimensions and realms, summonings gone wrong and other horror-like elements can occur frequently, usually showing the main characters to be idiots; features ominous castles and fortresses a lot.
    ◙ Does not usually go with HEA (Happily Ever After) because the main characters get to be “happy” (have amazing sex and lie around together afterwards) for about 3 “beats” before someone tries to kill one or both of them.
    ◙ Main characters can be cursed, ensorceled and/or die.


    from http://wallpaper-gallery.net/wallpapers/dark-fantasy-wallpapers.html

  • Horror:
    ◙ Similar to Dark Fantasy or Dystopian Sci-Fi, but with more gore, blood, death, suspense, killing, maiming, scaring, scarring, psychological and physical trauma of all kinds as both the causes/ motivations and outcomes for the characters AND the readers (can you tell I do not read Horror?); often has demons, demonic forces, battles between “good” and “evil” embodied in various physical and spirit bodies.
    ◙ Doesn’t even think about including “Happy” endings, except as punctuation marks between disasters and/or parodies.
    ◙ Main characters can and do die, usually horrifically (pun intended).


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Young Adult Speculative Fiction (usually known as YA Spec Fic):
    ◙ Usually dystopian, futuristic Sci-fi or Fantasy; features an abundance of orphans or single-parent-raised main characters; usually has one female for every two male main characters; often includes a plot/characterization that starts with the MC as an undistinguished, low-living, bullied, betrayed, enslaved or harried young person who then experiences the uncovering of special powers or previously unknown importance revealed in the first few chapters.
    ◙ Big on “destiny,” “fate,” “saving the world” and such…really, the MCs are attempting to help only a small number of beings within or a local geographic section of their/”our” world.
    ◙ Can be leaning more toward Fantasy or Sci-fi or blend both.
    ◙ Main characters can die, but usually only within an extended series; most do not.
    NOTE: YA Spec Fic is probably the best source among all Spec Fic subgenres for finding stories that feature people of color, those with disabilities or who are neuro-atypical, queer and other non-mainstream main characters and sidekicks.


image from a guest post by Julia Ember (no relation) on Jamie Kramer’s Books and Ladders blog, http://booksandladders.blogspot.com/2016/06/guestpost-unicorn-tracks-by-julia-ember.html


I told you I was jaded. I am not the only one, by any means. The following quote and analysis (please read entire article; link below) sums up my major complaints perfectly:

[Spec Fic is] not just about shiny, phallic rocket ships populated by deep-in-the-closet Aryan brethren conquering the Final Frontier, people. It’s about different futures, alternate realities, dangerous fantasies. You’d think such places, where dragons dwell, would be heavily populated with equally unusual people, but nope. Looks like everybody important there is white, male, anglophone and straight. Not to mention perfectly healthy physically and mentally.

—penned by Paula R. Stiles, “Diversity in Speculative Fiction,” on http://www.fantasy-magazine.com/non-fiction/articles/diversity-in-speculative-fiction/, from the Dec., 2016 (Issue 60) – People of Colo(u)r Destroy Fantasy! Special Issue [NOTE: “Fantasy Magazine has merged with its sister publication, Lightspeed, so this site will no longer be updated with new content. However, the fiction and interviews you would have found here at Fantasy will now be part of Lightspeed, so please sign up for our newsletter (sent out once or twice a month) to receive updates about the release of new issues of Lightspeed Magazine, news about the magazine, and more.”]
——-Lightspeed Magazine also published, starting in 2014, Queers Destroy… each of the subgenres (Fantasy, Horror, Fantasy), starting with Science-Fiction Special Issues, which you can find out about here: http://www.destroysf.com/queers/
And, on that same page, they have links to their POC [People of Color] Destroy… series of Special Issues for each subgenre (Fantasy, Horror, Fantasy)


2015’s Queers Destroy Science-Fiction cover

—Women are at the forefront of these critiques and do them so well, I have so many to choose from. Here is another, from an interview conducted by Alexandra Alter with N. K. Jemisin [Jemisin was the the first African-American writer and the first woman of color to win a Hugo Award for “best novel” (others have won for short fiction)], “N. K. Jemisin on Diversity in Science-Fiction and Inspiration From Dreams,” published by the New York Times (!?) on https://www.nytimes.com/2016/08/25/books/n-k-jemisin-on-diversity-in-science-fiction-and-inspiration-from-dreams.html?_r=0
Jemisin says she “decided to focus on an oppressive society at the macro scale and what that society does to individuals” in her spec fic novels. Why? Because “a woman of color from an impoverished culture, being brought up among wealthy, privileged white people and having to cope and perform in ways that she has not been raised to do… was obviously drawn from some personal experiences. I do that in everything — explorations of power, identity and belonging.”

—Another great article, “Genrequeer,” by Theodore McCombs at http://www.fictionunbound.com/blog/2016/4/6/genrequeer, offers this excellent insight: “To make space for black achievement and transcendence, speculative fiction lets us change all the rules that should never have been rules in the first place.”


So, there is a lot of hope for increasing diversity, better representation of women and girls, more interesting stories and compelling ways to resolve conflicts than wars and violence in the Spec Fic genre and all its subgenres, with dozens of websites, groups and other resources to help us find them.

Here are some:
—The Black Science Fiction Society: http://www.blacksciencefictionsociety.com


Logo from Black Science Fiction Society website, 2017

—The Speculative Literature Foundation offers “Diverse Writers and Diverse Worlds Grants …The two $500 awards support any purpose that writer recipients may choose to benefit their work.”
FMI: http://speculativeliterature.org/ and a resource list of orgs for writers of Spec Fic: http://speculativeliterature.org/writers-resources-2/writers/writers-organizations-2/

African-American Sci-Fi: http://www.africanamericansciencefiction.com/

Latino Spec Fic: http://www.latinospeculativefiction.com/, which published Latin@ Rising: An Anthology of Latin@ Science Fiction and Fantasy, which “is the first anthology to bring together U.S. Latinos/as who are working in science fiction, fantasy, and other speculative genres”; edited by Matthew David Goodwin.


Cover of Latino@ Rising: An Anthology of Latin@ Science Fiction and Fantasy

—Two other not-so-recent anthologies: Dark Matter: Reading the Bones (2005), edited by Sheree R. Thomas, and Cosmos Latinos: An Anthology of Science Fiction from Latin America and Spain (2003), edited by Andrea L. Bell and Yolanda Molina-Gavilán, which “showcase African-American and (mostly) Spanish-speaking spec-fic writers, respectively.”

—Check out writers in the sub-category of Afrofuturism, which is defined in Wikipedia: “Afrofuturism addresses themes and concerns of the African diaspora through a technoculture and science-fiction lens, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afrodiasporic experiences.” https://en.wikipedia.org/wiki/Afrofuturism

Tracy Mumford, about a year ago, wrote, in: “‘We want to hear new voices’: Diversity in sci-fi and fantasy” for https://www.mprnews.org/story/2016/04/05/books-diversity-in-sci-fi-and-fantasy [as part of The Thread newsletter, which I recommend you sign up for right now (on that page)], some great commentary about those topics.
This article also has a great recommended reading list, curated during and prior to 2015, mostly, of diverse writers’ work in spec fic.

—Queer Sci-Fi has so much to offer, now, and via so many sites. Here is one website that may list the majority of them and offers more resources, besides: https://queerscifi.com/


Weigh in, please. I’d love to have great discussions, here, about other elements of Spec Fic and intersectionality (the places that social identities overlap and in which we analyze privilege, oppression and efforts to effect change). What have I left out, got wrong, etc.?

I’d love to hear from you. I also welcome Guest Bloggers (see my site for Guidelines): http://www.sallyember.com/

December 3 – 4, 2016, Science-Fiction & Fantasy #FREE #EBOOKS and #SALE!

December 3 – 4, 2016, Science-Fiction & Fantasy #FREE #EBOOKS and #SALE! on SF & F, by Patty Jansen. The Spanners Series’ Volume I on ALL ebook retail sites is FREE. Volume II and Volume III #ebooks are $3.99; #CreateSpace #paperbacks 25% off through 12/31/16! http://pattyjansen.com/promo/

Look for Volume I, This Changes Everything, free ebook in the Science Fiction or Fantasy Romance category for all vendors (4th grouping of covers when you scroll down for each vendor).

dec-3-4-2016-sf-and-f-promo

If you haven’t gotten my free ebook or used the CreateSpace coupons to get GREATLY discounted paperbacks, DO IT THIS MONTH! See below for details and coupon codes.

logo-createspace

logoAuthorsDen
The Spanners Series first three Volumes of utopian science-fiction/romance by Sally Ember, Ed.D. are on sale NOW! Proud member of Clean Indie Reads #CR4U and Fantasy and Science-Fiction Network #FSFnet

The Spanners Series‘ cover art and logo by WillowRaven: http://www.willowraven-illustration.blogspot.com/

Smashwords has The Spanners Series‘ ebooks in every format (reader’s choice) and the links to all formats for all major ebook vendors are on the sale site SF & F as well.

Whether you’re sweating, freezing, rained or snowed on or anywhere in between, there is still time to READ!
Give books for gifts for birthdays, graduations, fall/winter holidays, anniversaries, vacations: any time!

The paperbacks of all three Volumes are 25% off on CreateSpace! See below for details and coupon codes for each of the Volumes.

SpannersVolume1coverfinal
This Changes Everything, Vol. I, The Spanners Series

Dr. Clara Ackerman Branon, 58, begins having secret visits from holographic representations of beings from the Many Worlds Collective, a consortium of planet and star systems in the multiverse. When Earth is invited to join the consortium, the secret visits are made public. Now Earthers must adjust their beliefs and ideas about life, religion, culture, identity and everything they think and are.

Clara is selected to be the liaison between Earth and the Many Worlds Collective and she chooses Esperanza Enlaces to be the Chief Media Contact. They team up to provide information to stave off riots and uncertainty. The Many Worlds Collective holos train Clara and the Psi-Warriors for the Psi Wars with the rebelling Psi-Defiers, communicate effectively with many species on Earth and off-planet, eliminate ordinary, elected governments and political boundaries, convene a new group of Global Leaders, and deal with family’s and friends’ reactions. 

In what multiple timelines of the ever-expanding multiverse do Clara and her long-time love, Epifanio Dang, get to be together and which leave Clara alone and lonely as the leader of Earth?

This Changes Everything spans the 30-year story of Clara’s term as Earth’s first Chief Communicator, continuing in nine more Volumes of The Spanners Series.

Are YOU ready for the changes?

Volume I, This Changes Everything:
Ebooks are PERMAFREE on every major site. See http://pattyjansen.com/promo/ and click on the logo for your preferred ebook vendor. Then, scroll down to the 4th grouping and look for my cover. Click on it and it will go right to the vendor’s ebook page.

You can then navigate from there to the other two Volumes’ ebook pages for that vendor, or return here to get the CreateSpace discount codes for purchasing paperbacks of any of the three Volumes throughout December.

Volume I’s paperbacks are now $13.49, 25% off the regular price of $17.99, on CreateSpace, using coupon code H93664AM: https://www.createspace.com/5837347 

Spannersvolume2coverfinal
This Changes My Family and My Life Forever, Vol. II, The Spanners Series

Intrigued by multiple timelines, aliens, psi skills, romance and planetary change? Clara and the alien “Band” are back in Volume II, This Changes My Family and My Life Forever.

Now as Chief Communicator, Clara leads the way for interspecies communication on- and off-planet. Fighting these changes are the Psi-Defiers, led by one of the oldest friends of the Chief of the Psi-Warriors, its reluctant leader, Rabbi Moran Ackerman. Stories from younger Spanners about the first five years of The Transition fill Volume II.

How would YOU do with the changes?

Volume II, This Changes My Family and My Life Forever:
Volume II’s eBOOKS are $3.99 everywhere ebooks are sold and in every format on #Smashwords: https://www.smashwords.com/books/view/424969 

Volume II’s paperbacks are now $14.99, 25% off the regular price of $19.99 on CreateSpace using coupon code H93664AM: https://www.createspace.com/5844431 

Spannersvolume3coverfinal
This Is/Is Not the Way I Want Things to Change, Vol. III, The Spanners Series

Clara, Moran, Espe, Epifanio and the alien Band of holos are back in This Is/Is Not the Way I Want Things to Change, Volume III of The Spanners Series. Psi-Defiers launch increasingly violent protests during this five-year Transition, attempting to block Earth’s membership into the Many Worlds Collective. Earth’s nations and borders must dissolve and Psi-Warriors must strengthen in their battle against the rebels.

Clara, as Earth’s first Chief Communicator, also juggles family conflicts and danger while creating psi skills training Campuses to help Earth through the Psi Wars. Clara timults alternate versions of their futures as the leaders’ duties and consciences force them to make difficult choices across multiple timelines, continuing to train and fight.

Will the Psi-Warriors’ and other leaders’ increasing psi skills, interspecies collaborations and budding alien alliances be enough for Earth to make it through The Transition intact? If there is no clear path for Clara’s and Epifanio’s love, does she partner with Steve or go it alone?

What do YOU do with wanted/unwanted changes?

Volume III, This Is/Is Not the Way I Want Things to Change:
EBOOKS are $3.99 everywhere ebooks are sold and in every format on #Smashwords: https://www.smashwords.com/books/view/588331

Volume III’s paperbacks are now $14.99, 25% off the regular price of $19.99 on CreateSpace using coupon code H93664AM: https://www.createspace.com/5844474

3 paperbacks
The Spanners Series‘ three paperbacks on CreateSpace


Print editions and ebooks published under Timult Books

logo Timult Books


REVIEWERS: Ask for FREE Ebook coupon codes for Volumes II and III on Smashwords any time: sallyember AT yahoo DOT com


For more information about Sally Ember, Ed.D., her bio, books, blog, video talk show (CHANGES conversations between authors), guest blog posts and guidelines, links to author interviews, book trailers and more: http://www.sallyember.com

Current Research in Speculative Fiction Liverpool, UK, (CRSF) Conference was June 27, 2016

Current Research in Speculative Fiction Liverpool, England, UK (CRSF) Conference was Monday, June 27, 2016, at the University of Liverpool!

CRSF logo

Here is their report:

CRSF 2016 Post-conference Report
Posted: 04 Jul 2016 05:26 AM PDT
The sixth annual Current Research in Speculative Fiction [CRSF] conference was held last week on Monday 27th June and was a great success.

As usual, the papers delivered were of a high quality and a diverse range of topics from D&D bestiaries to feminist utopia, ecological disaster to Harry Potter, medieval English horror to Japanese dystopian YA and far more besides. As usual huge thanks go to those who presented a paper: thank you for the enthusiasm with which you approached the task and for the hard work you did preparing for the conference, a conference – no matter how the organising goes – is nothing without its delegates.

CRSF 2016 represents a record year for number of delegates, with non-presenting delegates outnumbering presenters for the first time. This was in no small part thanks to the excellent Science Fiction Research Association (SFRA) conference also held in Liverpool on the 28th-30th June, a number of whose delegates came along to see CRSF in action. There were, however, a number of non-presenting delegates, including former presenters from previous years, who made the trip to Liverpool especially to see CRSF, I cannot think of a better endorsement for the atmosphere and organisation of the conference than for those who have been before to want to come back, even if they’re no longer eligible to present.

In total we had fifty-six attendees and thirty papers presented, over three parallel streams, by delegates from institutions throughout the UK, as well as Ireland, Belgium, Germany, Finland, Spain, Russia, Israel, Canada, and the United States, among others.

Thank you to all who attended. Additional thanks to all those who engaged with the conference on social media. I’m a firm believer in the Twitter back channel for conferences, and CRSF performed ably in this regard too. If you’re not on Twitter and you want to (re)discover the tweet-by-tweet coverage of the conference it’s been conveniently archived on Storify here for you.

Thanks also to our wonderful keynote speakers: Dr. Caroline Edwards (Birkbeck University of London) and Dr. Pat Wheeler (University of Hertfordshire) who not only gave fascinating and insightful keynote lectures, but also attended numerous panels, asking insightful and constructive questions throughout, and offering many a kind and supportive word for delegates in the breaks and more informal moments of the conference. Caroline’s paper opened the conference and was entitled ‘”But there is still such beauty”: Post-Apocalyptic Fiction and Eco-Eschatological Time in the 21st-Century’, it took us through such post-apocalyptic novels as Emily St. John Mandel’s Station Eleven and Maggie Gee’s The Flood, highlighting the pastoral beauty often found in these texts and the implications of that for our vision of the apocalypse and the future (if any) of humanity’s role on the Earth. Pat’s keynote was entitled ‘”She can’t love you, she’s just a machine’: Metal-fevered Boys and their Passion for New Eves’, which challenged how we should read gynoids in the twenty-first century: as either challenge or constriction to women’s agency.

Thanks as ever to the University of Liverpool staff who provided support both in the build up to, and during, the conference: the Rendall Building staff, and Filomena Saltao, the Administrator of the School of the Arts, and Siobhan Quinn. Thanks also to Andy Sawyer, academic librarian for the Science Fiction Foundation collection at the University of Liverpool’s Sydney Jones Library, for once again arranging for all delegates to receive free copies of Foundation: The International Review of Science Fiction. Thanks also to the staff at Il Forno, our traditional restaurant of choice, who once again dealt with our large numbers with aplomb.

As always we welcome your feedback on CRSF 2016, all comments are useful and appreciated. Please leave a comment on our website’s post at http://currentresearchinspeculativefiction.blogspot.com, or e-mail them to us at crsf.team@gmail.com.

CRSF will return in 2017….

Glyn Morgan,
Molly Cobb,
Leimar Garcia-Siino,
Chris Pak

I wish I could have been there.

To refresh, if you missed my explanatory pre-conference post, read below:

CRSF is a postgraduate conference designed to promote the research of speculative fictions including, but not limited to, science fiction, fantasy and horror.

Our aim is to showcase some of the latest developments in this dynamic and evolving field, by providing a platform for the presentation of current research by postgraduates. The conference will also encourage the discussion of this research and the construction of crucial networks with fellow researchers.

The planned schedule was as follows:

9:00-9:30: Registration and Refreshments

9:30-10:30: Keynote Lecture #1: Dr Caroline Edwards,

“But there is still such beauty”: Post-Apocalyptic Fiction and Eco-Eschatological Time in the 21st-Century

10:30 -12:00: First Round of Panels

1.1: Press START to Play
Andrew Ferguson – Clipping Out of Bounds: Reading House of Leaves Through Portal

House_of_leaves

  • Britanny Kuhn – [Awaiting Title]
  • Ivaylo Shmilev – Oppression, Warfare and Transcultural Memory in the Complex Post- Apocalyptic Environments of the S.T.A.L.K.E.R. Game Series

    STALKER game image

1.2: Horrific Narratives
Travis Gasque – The New Cosmic Horror: A Genre Molded by Tabletop Roleplaying Games and Postmodern Horror
Matthew McCall – “My manez mynde to maddyng malte”: Tracing Horror in the Middle English Pearl

Pearl_Poet

  • Selena Middleton – Climate Collapse and the Uncontained Body in James Tiptree Jr.’s A Momentary Taste of Being

    Momentary taste (in the 1975 anthology, The New Atlantis and Other Novellas of Science-Fiction)

1.3: You’re Only Young Once
Lan Ma – Censorship and Resistance: Information Control in Japanese Dystopian Young Adult Fiction in the 21st Century
Alison Baker – Protocols for the education of young witches and wizards
Arunima Dey – The Grotesque in the Harry Potter Series

Potter box set

12:00 -13:00: Second Round of Panels

2.1: Beasts and Bestiaries
Rob O’Connor – “The History of All Hitherto-Existing Societies is the History of Monsters”: The Bestiary and the Depiction of Monsters as Social Commentary
Sandra Mänty – Representation and function of animals in the world of Harry Potter

Potter collection cover

2.2: The Greater Good
Maxine Gee – “If something stinks put a lid on it, don’t see it”: Self-censorship and the brave new world of Psycho Pass

Psycho Pass

  • Jonathan Ferguson – Crimes Against The Greater Good are Victimless Crimes?

2.3: Character Studies
Beata Gubacsi – Monstrous Transformations: Becoming posthuman through art in Vandermeer’s Ambergris novels

Ambergris 1

  • Matteo Barbagallo – Do we have a deal? Petyr Baelish, Varys, Rumpelstiltskin and their role as Doppelganger

13:00 -13:45: Lunch Break

13:45 -14:45: Keynote Lecture #2: Dr Patricia Wheeler

“She can’t love you, she’s just a machine”: Metal-fevered Boys and their Passion for New Eves

14:45 -16:15: Third Round of Panels

3.1: Revenge of the Film
Pablo Gómez Muñoz – Greening Apocalypse: Eco-Conscious Disaster in Twenty-First Century Science-Fiction Cinema
Josephine Swarbrick – Monstrous Men and Masculine Monsters: Gender and the Cyborg in Paul Verhoeven’s Robocop (1987) and José Padilha’s Robocop (2014)

Robocop

  • David Contreras – Gothic Surrealism in Mexican Cyberpunk Short Film: The Borderlands Strike Back

3.2: Theoretically Speaking
Jo Lindsay Walton – The Dystopian Glimpse
Artem Zubov – Science-fiction studies and genre theory
Pascal Lemaire – Fans of history first, fans of S-F more distantly ? Alternate History as a form of History’s fan fiction

3.3: Tell Me a Tale
Kanta Dihal – Science and Religion in Madeleine L’Engle’s A Wrinkle in Time and Philip Pullman’s His Dark Materials

Wrinkle coverPullman box set

  • Rina Jean Baroukh – “Your Light Has Come” : Fantasy and Reality in Shimon Adaf’s Sunburnt Faces

    Sunburnt faces cover

  • Laura-Marie von Czarnowsky – Re-Defining the Bildungsroman: Traumatic Journeys as a Trend in Contemporary Fantasy Fiction

16:15 -16:30: Refreshment Break [YES: English Tea Time!]

16:30 -18:00: Fourth Round of Panels

4.1: Perceptions of the Female Self
Sonya Dyer – aPOCalypso: Janelle Monae and (Science) Fictional Black Feminisms
Sarah Lohmann – “Solar Loyalties”: The Utopian Ethics of Posthumanism in Naomi Mitchison’s Memoirs of a Spacewoman

Spacewoman cover

  • Mylène Branco – The Construction of the Female Self in L.P. Hartley’s Facial Justice

    Facial cover

4.2: Alternate Beings
Tom Kewin – ‘A Society of Screens’: The State of Digital Surveillance and the Repercussions for the Humanist Subject
Mattia Petricola – From mesmeric trance to living avatars: Rethinking consciousness and death after Mr. Valdemar

Valdemar

4.3: Dystopian Time, Resurgent Space
Gabrielle Bunn – Future Ruins: The intersection of nature and culture in the post-apocalyptic landscape of J. G. Ballard’s The Drowned World (1962)

Drowned cover

  • Hollie Johnson – Anarchy, Nostalgia, and Resistance: The Role of Nature in We, Brave New World, Nineteen Eighty-Four

    We cover1984

  • Thomas Connolly – “There was a thing called Heaven”: The end of time in Huxley’s Brave New World

    Brave New World cover

18.00 -19.00: Post-Conference Wine Reception and Official Conference Group Photo

Download a PDF of the entire schedule here: https://drive.google.com/file/d/0B4DNnD_AmJQmeWdEREJfemd1YWs/view

Want to present or attend next year? The “Call for Papers” usually occurs in early December for the following June’s annual conference. Check out past conferences/calls and get more information here and visit their
website: http://currentresearchinspeculativefiction.blogspot.com/
or contact their team (the team members’ list has not been recently updated, yet: CRSF.team@gmail.com and follow their Tweets: ‎@CRSFteam

Their website is not very “interesting,” IMHO, but the topics ARE. Here is a sampling of Q & A from their FAQs…

FAQ

What is CRSF?
CRSF is short for Current Research in Speculative Fiction, an annual conference organised by postgraduate students for postgraduate students. The conference was first held in 2010 at the University of Liverpool and has been held annually since, attracting an international selection of speakers from as far afield as Turkey and the USA. The conference aims to provide a welcoming and friendly atmosphere for researchers who are at the very beginnings of their fields to test ideas, network with others, and gain valuable conference experience.

What is Speculative Fiction?
Simply put, we consider speculative fiction to be the collective name for the non-mimetic genres of science-fiction, fantasy, horror, and their related sub-genres. Essentially, if it’s a bit weird, it’s probably eligible. If in doubt, feel free to run your idea by us. At this juncture, it’s probably also worth us pointing out that the conference doesn’t discriminate among media: papers on television, film, video games, music, fan culture, etc., are as welcome at CRSF as papers on literature.

I’m an undergraduate student/ university faculty member/ speculative fiction fan/ author, can I attend?
We welcome non-presenting delegates from all aspects of speculative fiction whether you be a non-academic fan or a professor at a university.

How much does CRSF cost to attend?
Since CRSF is funded entirely off the delegate fees we can never be 100% sure of our budget until we know how many papers we will be accepting for the conference. As such, confirmed fees are not available until after abstracts have been processed and invitations to present accepted. However, as a guide, past conferences have charged £30 (about $44 USA) for the day with an early bird discount available for those who register early. This fee includes lunch and refreshments.

Final 2 Days! Fantasy & Science-Fiction Network’s Year’s BlockBuster Book Sale

FINAL 2 Days! Fantasy & Science-Fiction Network’s Year’s BlockBuster Book Sale Through 12/31/15! #SciFi #Fantasy #FSFnet

Two more days to load gifts into people’s ereaders! #Free and 99-cent sci-fi and fantasy stories and entire books available! Celebrate the New Year and cuddle up through winter weather with BOOKS!

FSFnet 2015 HolidaySale
http://fsfnet.com/2015/12/18/years-end-blockbuster-sale/

Find your favorite writers of Fantasy & Science-Fiction and new authors! Sale includes children’s, ebooks, paperbacks, short stories, audio books on sale, all rated G, PG, PG-13!

Sale includes:

logoAuthorsDen

20% off on the first or any of the three or all three paperbacks in The Spanners Series! Save $3.60 – $11.60!

3 paperbacks

Get Coupon Code for CreateSpace paperbacks ONLY in The Spanners Series by Sally Ember, Ed.D., by emailing sallyember @ Yahoo DOT com 12/19 – 31/15 then, browse for other specials: http://fsfnet.com/2015/12/12/coming-soon-years-end-blockbuster-sale/

Volume I, This Changes Everything, usually $17.99, save $3.60 http://www.CreateSpace.com/5837347 
EBOOK is permafree. Links: http://www.sallyember.com/Spanners Look right; scroll down.

Volume II, This Changes My Family and My Life Forever, usually $19.99, save $4.00 http://www.CreateSpace.com/5844431
EBOOK is $3.99 Links: http://www.sallyember.com/Spanners Look right; scroll down.

Volume III, This Is/Is Not the Way I Want Things to Change, usually $19.99, save $4.00 http://www.CreateSpace.com/5844474
EBOOK is $3.99 Links: http://www.sallyember.com/Spanners Look right; scroll down.

http://www.sallyember.com for book trailers, author interviews, excerpts, blurbs, more!

All from logo by Sally Ember, Ed.D.

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One-year Anniversary of *CHANGES* *conversations between authors* on 8/5/15!

CHANGES Episode 37, with teen author, Vartika Singh Sikarwar, and host, Sally Ember, Ed.D.

CHANGES Theme Image_3

For my one-year anniversary of the CHANGES conversations between authors show, I am proud to be hosting my first teen author guest, Vartika Singh Sikarwar, who is also a memoir writer, essayist and poet!

Vartika looking forward

We are LIVE on Wednesday, August 5, 10 – 11 AM EDT USA,
Google+ https://plus.google.com/events/cj1b52u2sjs7ul83c11urdicqno  or
Youtube http://www.youtube.com/watch?v=52tbA0kZ4jI

Vartika’s writing can be found: http://www.wattpad.com/user/VartikaS ,
https://www.facebook.com/MyAdventureToTheSecretDoor
and http://www.teenink.com/users/VartikaSinghSikarwar

Vartika Door

Watch conversations with my previous CHANGES guests any time: https://www.youtube.com/playlist?list=PLPbfKicwk4dFdeVSAY1tfhtjaEY_clmfq

CHANGES Trailer Image_3

Learn more about and get yourself on or recommend someone to be scheduled as a guest for CHANGES conversations between authors:  https://sallyember.com/changes-videocasts-by-sally-ember-ed-d/


HOWEVER: I seem to be “running out of guests” for CHANGES conversations between authors. Coming up next week on its one-year anniversary and only have 2 guests scheduled after that; done by mid-Sept., at this point.

Should I close up shop?

Do you have ideas about whether or not to continue, and, if so, how to attract fascinating author guests?

Thanks, Crew!

Observations from a Master of #Timetravel: Guest Post by Devorah Fox

I am so pleased to welcome Devorah (Dee) Fox as my guest blogger today. Dee is a #fantasy/ #thriller #author and #columnist who was my guest on CHANGES conversations between authors for Episode 18.

Dee is a contributing writer to a new anthology about time travel releasing this month and has an interesting set of questions posed, below, regarding the distinctions (or not) among #Fantasy, Science-Fiction (#scifi) and general #fiction, with a discussion of #parallel/ #alternate #universes and multiple #timelines as well. Since I deal with many of these topics in my own writing, via The Spanners Series, http://www.sallyember.com/Spanners-2, we both welcome your comments, questions and experiences! Join the conversation, please!

For more information about how to reach Dee and know more about her writing, to become a guest on CHANGES or become a guest blogger on my site, see below this post.

Thanks for visiting!


Observations from a Master of #Timetravel

by Guest Blogger, Devorah Fox

A couple of years ago, I ruminated on what categorized a story a Fantasy as opposed to General Fiction. Fiction is about made-up stuff. That’s why it’s fiction and not nonfiction. I asked myself: is a work considered Fantasy simply by virtue of the degree to which the fiction is imaginative?

Although I am now on the fourth book in The Bewildering Adventures of King Bewilliam, labeled by me as an “epic Fantasy series,” I’m still not convinced that these stories belong in the Fantasy genre. It’s true that they are set in an imagined geography and in a period that is more “once upon a time” than an actual historic era. And yes, the hero battles dragons, sea monsters, and other mythical creatures. However, the life challenges that King Bewilliam faces are contemporary: career displacement and divorce in The Lost King; parenting in The King’s Ransom; the nature of leadership and the morality of war in The King’s Redress. So, are those stories Fantasy?

When I embarked on a short story for Masters of Time: A Sci-Fi and Time Travel Anthology, I found myself wondering about the difference between Fantasy and Science-Fiction. I’ve seen the comment that Science-Fiction explores the possible, albeit improbable, while Fantasy explores the impossible, but I wouldn’t agree. I don’t see a clear distinction between imagining a world that includes aliens versus one that includes werewolves.

mastersoftimecover
Masters of Time: A Sci-Fi and Time Travel Anthology

Ray Bradbury, whose work falls into both genres, suggested that Science-Fiction is a logical projection of the future. Science-Fiction takes as its departure point what we do know about reality, whereas Fantasy is based in invention.

I prefer to think that Fantasy explores what we don’t know about reality. At the risk of sounding metaphysical, there are planes of existence for which we cannot provide evidence using our five senses. Nevertheless, spiritualists and religious leaders encourage belief in the numinous. Fantasy embraces the supernatural and the paranormal, but notice that “natural” and “normal” are at its roots. I’d go even further and say that scientists are very imaginative and fantasize about what we don’t know…yet. What makes them Scientists is that they then seek to prove or disprove that, while Fantasists don’t seek proof.

Many a Fantasist has explored time travel as if it were possible. Even noted scientists take the idea seriously, according to a blog post by theoretical physicist, Dr. Michio Kaku. He wrote that a contemporary of Einstein, mathematician, Kurt Goedel, suggested that time is flexible: it speeds up and slows down. Also, time has whirlpools in which it could wrap itself into a circle. This would enable anyone walking along the direction of rotation to find themselves returned to the starting point but backwards in time.

Decades later, mathematician, Roy Kerr, proposed the concept of a rotating black hole. Dr. Michio Kaku explained it this way: “…[T]he black hole would not collapse to a point (as previously thought) but into a spinning ring (of neutrons). The ring would be circulating so rapidly that centrifugal force would keep the ring from collapsing under gravity. The ring, in turn, acts like the Looking Glass of Alice. Anyone walking through the ring would not die, but could pass through the ring into an alternate universe.”

Before we all run off and start building time machines, though, we should address some paradoxes. Take, for instance, this problem: if you go back in time and undo the circumstances that led to your birth, you would never come to be, much less be around to time travel. This is what’s known as the Grandfather Paradox, which results in an inconsistent causal loop. It puts “effect” ahead of “cause” instead of the other way around, as we commonly understand it. This paradox creates an infinite loop: you go back in time and kill your grandfather, thereby preventing your own birth, thereby preventing yourself from going back in time to kill your grandfather, thus your grandfather is never killed, which allows you to be born, so you can go back in time and kill your grandfather….

Let’s say, instead, that time is fixed, that even if occurrences of the past are changed, the future that they led to cannot be. For example, you travel back in time and kill your grandfather (poor Grandad. Whatever did he do to deserve all this antagonism?). To cover your actions, you replace him with someone else, but that man marries and somehow gives birth to your father, who has a child—–you–—so, you are born, after all.

Another possibility is that there are alternative and parallel universes. If this is so, you can travel back in time, kill your grandfather and thwart any offspring, including you. However, all you have done is alter one timeline. Others, including the one in which you do exist, continue unchanged. However, you (the homicidal maniac time-traveler), cannot return to that timeline.

Indeed, the protagonist of my story, “Turning the Tide,” doesn’t so much travel through time herself as she changes it. She reaches into the past to put two men she loves on different paths, effectively moving them into parallel universes, where they enjoy brighter futures.

It’s not hard for me to believe in parallel timelines. At any point in any of our lives, there are different tracks we can follow, deliberately or reactively. The Time Master in “Turning the Tide” knows that the consequence of her manipulation could be that she never meets the men she so loves. However, it’s also entirely possible that, even though their lives took different courses, one or both of them could still meet her. There are so many roads, with so many forks in them. Any one of them could intersect with another parallel timeline, just at a different point.

You’ll find both Fantasy and Science-Fiction at the heart of the stories in the newly-launched Masters of Time: A Sci-Fi and Time Travel Anthology Check it out: http://meet-the-time-masters.blogspot.com.

You can find about more about my epic Fantasy (or not) series, The Bewildering Adventures of King Bewilliam: http://devorahfox.com and http://www.amazon.com/-/e/B006L9BJAO.

threeKBWbooks
The Bewildering Adventures of King Bewilliam


Dee’s Links:

website: http://devorahfox.com
Facebook: https://facebook.com/DevorahFoxAuthor
Amazon Author Page: http://www.amazon.com/-/e/B006L9BJAO
YouTube Channel: https://www.youtube.com/user/devorahfox/videos

MOT links:

webpage: http://timeanthology.blogspot.com/
Amazon: http://www.amazon.com/Masters-Time-Science-Fiction-Anthology/dp/1514173727
Trailer: http://youtu.be/PovabW4fyjQ
Apple iBooks/iTunes: http://apple.co/1bp77vK
Smashwords: http://bit.ly/1K3ggGi
Barnes & Noble/ nook: http://bit.ly/1Kkkr0C

Devorah actual
Devorah (Dee) Fox


Dee Fox was also my guest on CHANGES conversations between authors, an almost-weekly, Google+/Youtube video chat show, on Episode 18. Watch conversations with my previous CHANGES guests any time: http://goo.gl/eX0D8T

OPENINGS occur frequently! #Authors, especially those in sci-fi/speculative fiction and who blog, learn more about and get yourself on CHANGES, and
#Readers, recommend an #author to be scheduled as a guest: http://goo.gl/1dbkZV


If you’d like to be a Guest Blogger, please visit my Guest Bloggers’ Hall of Fame and learn what’s involved.

Thanks for visiting, commenting, following, and enjoying this site! http://www.sallyember.com