2018 Locus Award Winners for Best in Science-Fiction (SF) and Fantasy

2018 #LocusAward Winners for Best in Science-Fiction (#SF, #Scifi) and #Fantasy

Mazel Tov to all the nominees and winners of this prestigious award!

The Locus Science Fiction Foundation announced the winners of the 2018 Locus Awards on June 23. The Locus Awards are chosen by a survey of readers in an open online poll. Connie Willis presented the awards, as well as judged the annual Hawaiian shirt contest.

The winners and nominees in the categories of best science-fiction novel, best fantasy novel, best first novel, and a few others are listed, below. To see the entire list of all categories’ nominees and winners and all categories, including horror, young adult, non-fiction and more, visit Locus’s award announcement: http://locusmag.com/2018/06/2018-locus-awards-winners/

SCIENCE FICTION NOVEL


WINNER: The Collapsing Empire (The Interdependency) by John Scalzi

Also, 2018 HUGO AWARD FINALIST FOR BEST NOVEL
BLURB:

Our universe is ruled by physics. Faster than light travel is impossible―–until the discovery of The Flow, an extradimensional field available at certain points in space-time, which can take us to other planets around other stars.

Riding The Flow, humanity spreads to innumerable other worlds. Earth is forgotten. A new empire arises, the Interdependency, based on the doctrine that no one human outpost can survive without the others. It’s a hedge against interstellar war―and, for the empire’s rulers, a system of control.

The Flow is eternal―–but it’s not static. Just as a river changes course, The Flow changes as well. In rare cases, entire worlds have been cut off from the rest of humanity. When it’s discovered that the entire Flow is moving, possibly separating all human worlds from one another forever, three individuals―–a scientist, a starship captain, and the emperox of the Interdependency―–must race against time to discover what, if anything, can be salvaged from an interstellar empire on the brink of collapse.

FANTASY NOVEL


WINNER: The Stone Sky (The Broken Earth) by N. K. Jemisin

BLURB:

The shattering conclusion to the post-apocalyptic and highly acclaimed New York Times bestselling trilogy that began with The Fifth Season, winner of the Hugo Award for Best Novel in 2016, and The Obelisk Gate, winner of the Hugo Award for Best Novel in 2017.

The Moon will soon return. Whether this heralds the destruction of humankind or something worse will depend on two women.

Essun has inherited the power of Alabaster Tenring. With it, she hopes to find her daughter Nassun and forge a world in which every orogene child can grow up safe.

For Nassun, her mother’s mastery of the Obelisk Gate comes too late. She has seen the evil of the world, and accepted what her mother will not admit: that sometimes what is corrupt cannot be cleansed, only destroyed.

THIS IS THE WAY THE WORLD ENDS… FOR THE LAST TIME.

FIRST NOVEL


WINNER: The Strange Case of the Alchemist’s Daughter (The Extraordinary Adventures of the Athena Club) by Theodora Goss

BLURB:

Based on some of literature’s horror and science-fiction classics, this is the story of a remarkable group of women who come together to solve the mystery of a series of gruesome murders—–and the bigger mystery of their own origins.

Mary Jekyll, alone and penniless following her parents’ death, is curious about the secrets of her father’s mysterious past. One clue in particular hints that Edward Hyde, her father’s former friend and a murderer, may be nearby, and there is a reward for information leading to his capture…a reward that would solve all of her immediate financial woes.

But her hunt leads her to Hyde’s daughter, Diana, a feral child left to be raised by nuns. With the assistance of Sherlock Holmes and Dr. Watson, Mary continues her search for the elusive Hyde, and soon befriends more women, all of whom have been created through terrifying experimentation: Beatrice Rappaccini, Catherin Moreau, and Justine Frankenstein.

When their investigations lead them to the discovery of a secret society of immoral and power-crazed scientists, the horrors of their past return. Now it is up to the monsters to finally triumph over the monstrous.

NOVELLA


WINNER: All Systems Red: The Murderbot Diaries by Martha Wells

Also, Winner: 2017 Nebula Award for Best Novella
Winner: 2018 Alex Award
Finalist: 2017 Hugo Award for Best Novella
One of the Verge’s Best Books of 2017
A New York Times Bestseller
BLURB:

“As a heartless killing machine, I was a complete failure.”

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety.

But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.

On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.

But when a neighboring mission goes dark, it’s up to the scientists and their Murderbot to get to the truth.

NOVELETTE


WINNER: The Hermit of Houston by Samuel R. Delany

BLURB:

Samuel R. Delany‘s first story for F&SF in 40 years (since 1977), “The Hermit of Houston”[:] Those looking for a strongly plotted or action-filled tale are not going to find it here; instead, this is an old man’s rambling, discursive reminiscence, jumping back and forth in time, of his long life in a world that has been shattered and reshaped by some unspecified disaster or series of disasters (probably climate change-related), with national boundaries redrawn and society’s views on sexual identity rethought, so that both men and women as we define them today have been sorted into many different genders, “natural” procreation is sternly discouraged, and much of the rearing of children is left to youth gangs and armies. The story can be hard to chew in some spots, at its most discursive, but if you stick with it, it will reward you with some fascinating social speculation about a different kind of future society and some compelling imagery. (Warning: the story is also much more sexually explicit than is usual for F&SF.)

SHORT STORY


WINNER:The Martian Obelisk“ by Linda Nagata

Read it here: https://www.tor.com/2017/07/19/the-martian-obelisk/

BLURB:

A powerful science-fiction story about an architect on Earth commissioned to create (via long distance) a masterwork with materials from the last abandoned Martian colony, a monument that will last thousands of years longer than Earth, which is dying.

ANTHOLOGY


WINNER: The Book of Swords, Gardner Dozois, Ed., including stories by Elizabeth Bear (Author), George R. R. Martin (Author), Robin Hobb (Author), Scott Lynch (Author), C. J. Cherryh (Author), Garth Nix (Author)

BLURB:

Fantasy fiction has produced some of the most unforgettable heroes ever conjured onto the page…. Classic characters like these made sword and sorcery a storytelling sensation, a cornerstone of fantasy fiction—–and an inspiration for a new generation of writers, spinning their own outsize tales of magic and swashbuckling adventure.

Now, in The Book of Swords, acclaimed editor and bestselling author, Gardner Dozois, presents an all-new anthology of original epic tales by a stellar cast of award-winning modern masters—–many of them set in their authors’ best-loved worlds. Join today’s finest tellers of fantastic tales… on action-packed journeys into the outer realms of dark enchantment and intrepid derring-do, featuring a stunning assortment of fearless swordsmen and warrior women who face down danger and death at every turn with courage, cunning, and cold steel.

FEATURING SIXTEEN ALL-NEW STORIES:

“The Best Man Wins” by K. J. Parker
“Her Father’s Sword” by Robin Hobb
“The Hidden Girl” by Ken Liu
“The Sword of Destiny” by Matthew Hughes
“‘I Am a Handsome Man,’ Said Apollo Crow” by Kate Elliott
“The Triumph of Virtue” by Walter Jon Williams
“The Mocking Tower” by Daniel Abraham
“Hrunting” by C. J. Cherryh
“A Long, Cold Trail” by Garth Nix
“When I Was a Highwayman” by Ellen Kushner
“The Smoke of Gold Is Glory” by Scott Lynch
“The Colgrid Conundrum” by Rich Larson
“The King’s Evil” by Elizabeth Bear
“Waterfalling” by Lavie Tidhar
“The Sword Tyraste” by Cecelia Holland
“The Sons of the Dragon” by George R. R. Martin

And an introduction by Gardner Dozois

COLLECTION


WINNER: Ursula K. Le Guin: The Hainish Novels and Stories

BLURB:

For the first time, a deluxe collector’s edition of the pathbreaking novels and stories that reinvented science fiction, with new introductions by the [recently deceased] author.

In such visionary masterworks as the Nebula and Hugo Award winners, The Left Hand of Darkness and The Dispossessed, Ursula K. Le Guin redrew the map of modern science-fiction, imagining a galactic confederation of human colonies founded by the planet Hain, an array of worlds whose divergent societies—the result of both evolution and genetic engineering—allow her to speculate on what is intrinsic in human nature. Now, for the first time, the complete Hainish novels and stories are collected in a deluxe two-volume Library of America boxed set, with new introductions by the author.

Volume one gathers the first five Hainish novels: Rocannon’s World, in which an ethnologist sent to a bronze-age planet must help defeat an intergalactic enemy; Planet of Exile, the story of human colonists stranded on a planet that is slowly killing them; City of Illusions, which finds a future Earth ruled by the mysterious Shing; and the Hugo and Nebula Award-winning masterpieces, The Left Hand of Darkness and The Dispossessed–—as well as four short stories.

Volume two presents Le Guin’s final two Hainish novels, The Word for World Is Forest, in which Earth enslaves another planet to strip its natural resources, and The Telling, the harrowing story of a society which has suppressed its own cultural heritage. Rounding out the volume are seven short stories and the story suite, Five Ways to Forgiveness, published here in full for the first time.

The endpapers feature Le Guin‘s own hand-drawn map of Gethen, the planet that is the setting for The Left Hand of Darkness, and a full-color chart of the known worlds of Hainish descent.

Amazon‘s announcement, with links to all nominees’ and winners’ book blurbs and covers:

https://www.amazonbookreview.com/post/33312e0b-620f-4f77-87de-8b04d54b454c/2018-locus-award-winners-for-best-in-sf-and-fantasy

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Nominees Announced for Some of #Scifi ‘s Highest Honors, the 52nd Annual #NebulaAwards, 2017

Competition for some of #scifi ‘s highest honors, the 52nd Annual #NebulaAwards, has moved forward!

“The Science Fiction and Fantasy Writers of America (SFWA) has released its nominees for the 2017 Nebula Awards, and it’s an impressive reading list that is once again dominated by women writers.


SFWA Nebula Awards logo

“The Nebula Awards are issued annually by #SFWA to the best works in genre novels, novellas, novelettes, and short stories published in the last year, alongside the Andre Norton Award for Young Adult Science Fiction and Fantasy and the Ray Bradbury Award for Outstanding Dramatic Presentation. The Nebulas are a sort of industry award, determined by professional authors….The winners will be announced on May 19th at this year’s Nebula conference, which will be held from May 17th–20th in Pittsburgh, Pennsylvania.”

Mazel Tov to all the nominees, some who were nominated in more than one category! Go to link for full list, or keep reading, below.

Original list and more info about awards process, schedule of announcements, prizes, etc.: https://nebulas.sfwa.org/2017-nebula-award-finalists-announced/

BEST NOVEL
Amberlough, Lara Elena Donnelly (Tor)
The Strange Case of the Alchemist’s Daughter, Theodora Goss (Saga)
Spoonbenders, Daryl Gregory (Knopf; riverrun)
The Stone Sky, NK Jemisin (Orbit US; Orbit UK)
Six Wakes, Mur Lafferty (Orbit US)
Jade City, Fonda Lee (Orbit US; Orbit UK)
Autonomous, Annalee Newitz (Tor; Orbit UK 2018)

BEST NOVELLA
“River of Teeth,” Sarah Lee Gailey (Tor.com Publishing)
“Passing Strange,” Ellen Klages (Tor.com Publishing)
“And Then There Were (N-One),” Sarah Pinsker (Uncanny 3-4/17)
“Barry’s Deal,” Lawrence M. Schoen (NobleFusion Press)
“All Systems Red,” Martha Wells (Tor.com Publishing)
“The Black Tides of Heaven,” JY Yang (Tor.com Publishing)

BEST NOVELETTE
“Dirty Old Town,” Richard Bowes (Magazine of Fantasy & Science Fiction 5-6/17)
“Weaponized Math,” Jonathan P. Brazee (The Expanding Universe, Vol. 3)
“Wind Will Rove,” Sarah Pinsker (double nominee!) (Asimov’s 9-10/17)
“A Series of Steaks,” Vina Jie-Min Prasad (Clarkesworld; 1/17)
“A Human Stain,” Kelly Robson (Tor.com 1/4/17)
“Small Changes Over Long Periods of Time,” K.M. Szpara (Uncanny 5-6/17)

BEST SHORT STORY
“Fandom for Robots,” Vina Jie-Min Prasad (Author) (double nominee!) (Uncanny 9-10/17)
“Welcome to Your Authentic Indian Experience TM,” Rebecca Roanhorse (Author) (Apex 8/17)
“Utopia, LOL?,” Jamie Wahl (Author) (Strange Horizons 6/5/17)
“Clearly Lettered in a Mostly Steady Hand,” Fran Wilde (author) (Uncanny 9-10/17)
“The Last Novelist (or A Dead Lizard in the Yard),” Matthew Kressel (Author) (Tor.com 3/15/17)
“Carnival Nine,” Caroline M. Yoachim (Author) (Beneath Ceaseless Skies 5/11/17)

THE RAY BRADBURY AWARD FOR OUTSTANDING DRAMATIC PRESENTATION
Get Out (Written by Jordan Peele)
The Good Place: “Michael’s Gambit” (Written by Michael Schur)
Logan (screenplay by Scott Frank, James Mangold, and Michael Green)
The Shape of Water (Screenplay by Guillermo del Toro and Vanessa Taylor) [already won film awards from Hollywood]
Star Wars: The Last Jedi (Written by Rian Johnson)
Wonder Woman (Screenplay by Allan Heinberg)

THE ANDRE NORTON AWARD FOR OUTSTANDING YOUNG ADULT SCIENCE FICTION OR FANTASY BOOK
Exo, Fonda Lee (double nominee!) (Scholastic Press)
Weave a Circle Round, Kari Maaren (Tor)
The Art of Starving, Sam J. Miller (HarperTeen)
Want, Cindy Pon (Simon Pulse)

The Nebula Awards will be presented during the annual SFWA Nebula Conference, which will run from May 17th-20th and feature seminars and panel discussions on the craft and business of writing, SFWA’s annual business meeting, and receptions. On May 20th, a mass autograph session will take place at the Pittsburgh Marriott City Center and is open to the public.

The Nebula Awards recognize the best works of science fiction and fantasy published in the United States as selected by members of the Science Fiction and Fantasy Writers of America. The first Nebula Awards were presented in 1966.

In addition to the Nebula Awards, SFWA will present the Bradbury Award for Outstanding Dramatic Presentation, the Andre Norton Award for Outstanding Young Adult Science Fiction or Fantasy Book, the Kate Wilhelm Solstice Award, the Kevin O’Donnell, Jr. Service to SFWA Award, and the Damon Knight Memorial Grand Master Award.

#DEAR = “Drop Everything And Read” Day #book #sale 4/12/17! Many #free and #discounted at #FSFnet and Here!

#DEAR = “Drop Everything And Read” Day #book #sale 4/12/17

Many #free and #discounted at #FSFnet (Fantasy and Science-Fiction Network) and Here!
Get any ebook format you want on Smashwords and discount codes for paperbacks on CreateSpace, or use Kindle Matchbook on Amazon when you buy both versions of each Volume (see below)! AND go to #FSFnet (Fantasy and Science-Fiction Network) for more deals (see below).

G-, PG- and PG-13-rated Fantasy and Science-Fiction sale books are at http://www.fsfnet.com and http://www.sallyember.com/blog

All three published Volumes of the sci-fi/romance/multiverse/utopian/paranormal (psi) ebooks in The Spanners Series for adults/NA/YA are participating in this great sale! And, if you prefer or want also to have paperbacks, scroll to the end for the coupon codes on CreateSpace to purchase those, or use Kindle Matchbook to buy both versions of any Volume.

Volume I, This Changes Everything, The Spanners Series, by Sally Ember, Ed.D.
Dr. Clara Ackerman Branon, 58, begins having secret visits from holographic representations of  beings from the Many Worlds Collective, a consortium of planet and star systems in the multiverse. When Earth is invited to join the consortium, the secret visits are made public. Now Earthers must adjust their beliefs and ideas about life, religion, culture, identity and everything they think and are. Clara is selected to be the liaison between Earth and the Many Worlds Collective and she chooses Esperanza Enlaces to be the Media Contact. They team up to provide information to stave off riots and uncertainty. The Many Worlds Collective holos train Clara and the Psi-Warriors for the Psi Wars with the rebelling Psi-Defiers, communicate effectively with many species on Earth and off-planet, eliminate ordinary, elected governments and political boundaries, convene a new group of Global Leaders, and deal with family’s and friends’ reactions. 

TSS v1

In what multiple timelines of the ever-expanding multiverse do Clara and her long-time love, Epifanio Dang, get to be together and which leave Clara alone and lonely as the leader of Earth? This Changes Everything begins the 30-year story of Clara’s term as Earth’s first Chief Communicator, continuing in nine more Volumes of The Spanners Series.
Are you ready for the changes?

Vol I ebook, all formats, is PERMA-FREE!

https://www.smashwords.com/books/view/376197

For discounts on paperbacks of all three Volumes on CreateSpace, use Coupon Codes and links, below, for 25% off, or use Kindle Matchbook

Volume II, This Changes My Family and My Life Forever, The Spanners Series, by Sally Ember, Ed.D.
COUPON CODE for 25% off ebook on Smashwords, only: DP34M Expires 4/13/17
Intrigued by multiple timelines, aliens, psi skills, romance and planetary change? Clara and the alien “Band” are back in Volume II, This Changes My Family and My Life Forever, The Spanners Series. Now as Chief Communicator, Clara leads the way for interspecies communication on- and off-planet.

TSS v2

Fighting these changes are the Psi-Defiers, led by one of the oldest friends of the Chief of the Psi-Warriors, its reluctant leader, Rabbi Moran Ackerman. Stories from younger Spanners about the first five years of The Transition fill Volume II.
How would you do with the changes?

Usually, ebook for Vol II is $3.99; “DEAR Days” Promotional price: $2.99

https://www.smashwords.com/books/view/424969

Enter the code prior to completing checkout. COUPON CODE for Vol II, 25% off, Smashwords, only: DP34M Expires 4/13/17

Volume III, This Is/Is Not the Way I Want Things to Change, The Spanners Series, by Sally Ember, Ed.D.
COUPON CODE for 50% off ebook on Smashwords, only: KX35W Expires 4/13/17
Clara, Moran, Espe, Epifanio and the alien Band of holos are back in This Is /Is Not The Way I Want Things to Change of The Spanners Series. Psi-Defiers launch increasingly violent protests during this five-year Transition, attempting to block Earth’s membership into the Many Worlds Collective. To join, Earth’s nations and borders must dissolve and Psi-Warriors must strengthen in their battle against the rebels.
Clara, continuing as Earth’s first Chief Communicator, also juggles family conflicts and danger while creating psi skills training Campuses to help Earth through the Psi-Wars. Clara timults alternate versions of their futures as the leaders’ duties and consciences force them each to make difficult choices across multiple timelines while continuing to train and fight.

Spannersvolume3coverfinal

Will the Psi-Warriors’ and other leaders’ increasing psi skills, interspecies collaborations and budding alien alliances be enough for Earth to make it through The Transition intact? If there is no clear path for Clara’s and Epifanio’s love, does she partner with Steve or go it alone?
What do you do with wanted/unwanted changes?

Usually, ebook for Vol III is $3.99; “DEAR Days” Promotional price, Vol III: $2.00

https://www.smashwords.com/books/view/588331

Enter the code prior to completing checkout. COUPON CODE for 50% off, Smashwords only: KX35W Expires 4/13/17

OR, you when you buy both the Amazon ebook on Kindle with the paperback on Amazon of the same Volume, using Kindle Matchbook, you get discounts on both versions of each Volume! Go to The Spanners Series on Amazon for details and links, https://goo.gl/Qagqex.

Amazon The Spanners Series‘ ebooks’ and paperbacks’ links:
Vol I: http://www.amzn.com/B00HFELTG8, ebook;

https://goo.gl/hcb9CL, paperback
Vol II: http://www.amzn.com/B00KU5Q7KC, ebook;

https://goo.gl/536u4F, paperback
Vol III: http://www.amzn.com/B0177Z1KRM, ebook;

https://goo.gl/g3MLp8, paperback

Cover art and logo for The Spanners Series all by Aidana Willowraven: http://www.willowraven-illustration.blogspot.com/


BOOK TRAILERS for all three volumes, here:

Volume I, This Changes Everything

https://youtu.be/QJDEt1O8yQ8?list=PLPbfKicwk4dE_bsvzZO7X8-IIqqLY15uS

or

https://goo.gl/8OLVSr

AND

https://youtu.be/X_8ZFVY9BMg?list=PLPbfKicwk4dE_bsvzZO7X8-IIqqLY15uS

or

https://goo.gl/MvYFH3

AND

https://youtu.be/WL9lPK8IhRk?list=PLPbfKicwk4dE_bsvzZO7X8-IIqqLY15uS

or

https://goo.gl/APrn9P

Volume II, This Changes My Family and My Life Forever

https://youtu.be/WenvYeasiik?list=PLPbfKicwk4dE_bsvzZO7X8-IIqqLY15uS

or

https://goo.gl/ERqLHY

Volume III, This Is/Is Not the Way I Want Things to Change

https://youtu.be/uINdFH0XS18?list=PLPbfKicwk4dE_bsvzZO7X8-IIqqLY15uS

or

https://goo.gl/q9NGsg

AND

Find ALL books participating in the DEAR sale and stock up on your favorite genres, authors and titles OR scout out some new talent here and at http://www.fsfnet.com


PAPERBACK LOVERS:

25% off SALE for all three Volumes of The Spanners Series!

logo-createspace

Coupon Code is H93664AM for 25% off for YOU for an or all three Volumes, below!
CreateSpace paperbacks’ links:
Vol I: https://www.createspace.com/5837347 

Vol II: https://www.createspace.com/5844431

Vol III: https://www.createspace.com/5844474

All published by Timult Books

logo Timult Books

Speculative Fiction #Genres, According to one Jaded #Feminist

Speculative Fiction #Genres, According to one Jaded #Feminist (and two other, actual experts…)

Here are two great sources of info about the overall genre of Speculative Fiction (Spec Fic) and all its subgenres, (also the two main sources of the images, below):
About Speculative Fiction, from blogger/author, Sherry D. Ramsey at http://www.sherrydramsey.com/?page_id=1005; and,
The Difference between Speculative Fiction and Science-Fiction, from SPi Global, at http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/


from http://www.sherrydramsey.com/?page_id=1005

So, you don’t have to go by my jaded, biased, perhaps not entirely fair or accurate descriptions, below.

Also, check out many of the Spec Fic online and hard-copy ‘zines and subscription magazines that publish short stories, plays, graphic novels or excerpts, art, poetry, novellas and announcements, such as: Heliotrope: Online Speculative Fiction Magazine, http://www.heliotropemag.com/

JUST MY OPINIONS, below.

  • Science-Fiction (also known as sci-fi):
    ◙ Stories about what could be or might have been that feature science, tech, weaponry that does not exist (yet); mostly written by men and somewhat invisible women; mostly about men and almost invisible women; if in graphic novel form, the females are scantily clad for no apparent reason, while men are wearing body armor; mostly about men, with one or no female main characters, except to support or be loved by males.
    ◙ If part of a series, “good guys” do not prevail for the long-term but do win in skirmishes, until the end, which can be dystopian (no HEA–Happily Ever After) or partly HEA (at least, for the romantic component).
    ◙ If politically and/or social commentary-oriented, can illustrate the ways our current cultures are harsh (but accurate) regarding racist, species-ist, misogynistic practices and attitudes.
    ◙ Main characters can die, but usually not in the first parts of a series.


    from http://www.sherrydramsey.com/?page_id=1005

  • “Hard” Science-Fiction:
    ◙ Futuristic stories mostly about the male “heroes” (and steroid/testosterone-ridden women, cyborgs and robots) fighting alone or in groups against whom/whatever, using lots of weaponry and spaceships; see above, for costuming; mostly about men, with one or no central female main characters, except to support or be loved by males or inhabit computers.
    ◙ If part of a series, “good guys” do not prevail for the long-term but do win in skirmishes, until the end, which can be dystopian (no HEA–Happily Ever After) or partly HEA (at least, for the romantic component).
    ◙ If dystopian (typically), often includes destruction of one or more planet, victors’ having slaves, horrible classism and race/species discrimination and other awful plot points and outcomes.
    ◙ Main characters can die, but can be reborn into tech creatures. Often, a “space opera” that spans many years/centuries and vast expanses.


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Steam-Punk Fantasy/Science-Fiction:
    ◙ Stories about what might have been or could be, written by both men and women; depicts women in low bodices, wearing corsets, and carrying fans; men have pocket watches, vests, and private (“public” in England) educations or tutors; everything is run by steam engines; characters are mostly Anglo and espouse or resist British/American Anglo upper- and middle-class Victorian values (e.g., either virginal or whorish women, class distinctions, elitist “manners,” rigidly gender-ized clothing); stories are mostly about men, with one or no central female main characters, except to support or be loved by males.
    ◙ If there are GLBT characters, they are usually depicted as deranged/homicidal, stereotypes, and/or objects of ridicule or pity. Rarely has human characters who are not Anglo (so I deliberately included a drawing that has males of color, here).
    ◙ Can include murders and other crimes in which females are the victims or need to be rescued.
    ◙ May not be clear who the “bad” guys are, at first (think, prostitute or crime lord with the “heart of gold”).
    ◙ Main characters cannot die unless already replaced by a successor.


    from https://writingcareer.com/black-power-the-superhero-anthology-is-seeking/

    This anthology, whose prototype cover is above, Black Power: Superheroes of Color, was released last month, February, 2017: https://thenerdsofcolor.org/2017/02/27/black-power-the-superhero-anthology/
    edited by Balogun Ojetade, with a great line-up of authors within it.

    Real cover:

  • Fantasy:
    ◙ Usually set in some pseudo-medieval or -Renaissance, Earth-like setting or Earth’s own possible past or present, but with talking animals, mythical creatures, imaginary creatures (e.g., fairies, gnomes, dwarves, trolls, dragons, giants, ogres, witches, warlocks, wizards); usually includes some kind of magic or pseudo-science mixed with magic; if there are non-human creatures, they are almost always male or overly glamorized females (large breasts, small waists, heavy make-up); could have human shape-shifters who usually become large predators (wolves, bears, lions, panthers, etc.); can have vampires, whose subplots usually include some kind of incapacitation and then sexual assault accompanying the blood-sucking, usually of women by both males and females.
    ◙ Always has “good guys” and “bad guys,” with the “good guys” prevailing in the end.
    ◙ Main characters cannot die unless already replaced by a successor.


    from http://www.sherrydramsey.com/?page_id=1005

  • High Fantasy:
    ◙ Similar to Fantasy, but with more court-like/royal characters and class conflicts/settings; usually some star-crossed royalty romance for the teen or young adult main characters that ends HEA (Happily Ever After); usually has dragons or other mythical creatures centrally featured; for specious reasons, characters often speak in upper-class British accents/styles and/or insert French- or Spanish-sounding words randomly; often heavily laced with sword fights, quests, riddles and other “tests” for the main characters (usually male), which they have to lose at least twice before becoming victorious (“getting the girl” is usually part of their “prize”).
    ◙ Duels are common.
    ◙ Usually HEA (Happily Ever After).
    ◙ Main characters cannot die unless they’re old or can become mythologized and/or unless already replaced by a successor.


    from the cover of Issue 5 of http://www.heliotropemag.com/

  • Urban Fantasy:
    ◙ Similar to Fantasy, but set in decaying cities; usually dystopian/post-apocalyptic; can blend magic with tech, though not as originally or interestingly as the author believes; not enough female characters and frequent fighting among the males; duels are common; cyborgs, androids, political and social tyrants, crime and criminals abound.
    ◙ Only HEA (Happily Ever After) for about 3 “beats,” then more fighting.
    ◙ “Good Guys” can be ethically challenged and compromised frequently.
    ◙ Main characters can die.


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Dark Fantasy:
    ◙ Exactly like one or both of the above Fantasy genres, but with more sex (sometimes BDSM or hard-core porn, here); lots of blood, gore, fighting, elements of Horror, etc.; has conflicts that maim, kill off or otherwise harm the female characters severely, who then need to be rescued (when possible); hauntings, ghosts, evil from other dimensions and realms, summonings gone wrong and other horror-like elements can occur frequently, usually showing the main characters to be idiots; features ominous castles and fortresses a lot.
    ◙ Does not usually go with HEA (Happily Ever After) because the main characters get to be “happy” (have amazing sex and lie around together afterwards) for about 3 “beats” before someone tries to kill one or both of them.
    ◙ Main characters can be cursed, ensorceled and/or die.


    from http://wallpaper-gallery.net/wallpapers/dark-fantasy-wallpapers.html

  • Horror:
    ◙ Similar to Dark Fantasy or Dystopian Sci-Fi, but with more gore, blood, death, suspense, killing, maiming, scaring, scarring, psychological and physical trauma of all kinds as both the causes/ motivations and outcomes for the characters AND the readers (can you tell I do not read Horror?); often has demons, demonic forces, battles between “good” and “evil” embodied in various physical and spirit bodies.
    ◙ Doesn’t even think about including “Happy” endings, except as punctuation marks between disasters and/or parodies.
    ◙ Main characters can and do die, usually horrifically (pun intended).


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Young Adult Speculative Fiction (usually known as YA Spec Fic):
    ◙ Usually dystopian, futuristic Sci-fi or Fantasy; features an abundance of orphans or single-parent-raised main characters; usually has one female for every two male main characters; often includes a plot/characterization that starts with the MC as an undistinguished, low-living, bullied, betrayed, enslaved or harried young person who then experiences the uncovering of special powers or previously unknown importance revealed in the first few chapters.
    ◙ Big on “destiny,” “fate,” “saving the world” and such…really, the MCs are attempting to help only a small number of beings within or a local geographic section of their/”our” world.
    ◙ Can be leaning more toward Fantasy or Sci-fi or blend both.
    ◙ Main characters can die, but usually only within an extended series; most do not.
    NOTE: YA Spec Fic is probably the best source among all Spec Fic subgenres for finding stories that feature people of color, those with disabilities or who are neuro-atypical, queer and other non-mainstream main characters and sidekicks.


image from a guest post by Julia Ember (no relation) on Jamie Kramer’s Books and Ladders blog, http://booksandladders.blogspot.com/2016/06/guestpost-unicorn-tracks-by-julia-ember.html


I told you I was jaded. I am not the only one, by any means. The following quote and analysis (please read entire article; link below) sums up my major complaints perfectly:

[Spec Fic is] not just about shiny, phallic rocket ships populated by deep-in-the-closet Aryan brethren conquering the Final Frontier, people. It’s about different futures, alternate realities, dangerous fantasies. You’d think such places, where dragons dwell, would be heavily populated with equally unusual people, but nope. Looks like everybody important there is white, male, anglophone and straight. Not to mention perfectly healthy physically and mentally.

—penned by Paula R. Stiles, “Diversity in Speculative Fiction,” on http://www.fantasy-magazine.com/non-fiction/articles/diversity-in-speculative-fiction/, from the Dec., 2016 (Issue 60) – People of Colo(u)r Destroy Fantasy! Special Issue [NOTE: “Fantasy Magazine has merged with its sister publication, Lightspeed, so this site will no longer be updated with new content. However, the fiction and interviews you would have found here at Fantasy will now be part of Lightspeed, so please sign up for our newsletter (sent out once or twice a month) to receive updates about the release of new issues of Lightspeed Magazine, news about the magazine, and more.”]
——-Lightspeed Magazine also published, starting in 2014, Queers Destroy… each of the subgenres (Fantasy, Horror, Fantasy), starting with Science-Fiction Special Issues, which you can find out about here: http://www.destroysf.com/queers/
And, on that same page, they have links to their POC [People of Color] Destroy… series of Special Issues for each subgenre (Fantasy, Horror, Fantasy)


2015’s Queers Destroy Science-Fiction cover

—Women are at the forefront of these critiques and do them so well, I have so many to choose from. Here is another, from an interview conducted by Alexandra Alter with N. K. Jemisin [Jemisin was the the first African-American writer and the first woman of color to win a Hugo Award for “best novel” (others have won for short fiction)], “N. K. Jemisin on Diversity in Science-Fiction and Inspiration From Dreams,” published by the New York Times (!?) on https://www.nytimes.com/2016/08/25/books/n-k-jemisin-on-diversity-in-science-fiction-and-inspiration-from-dreams.html?_r=0
Jemisin says she “decided to focus on an oppressive society at the macro scale and what that society does to individuals” in her spec fic novels. Why? Because “a woman of color from an impoverished culture, being brought up among wealthy, privileged white people and having to cope and perform in ways that she has not been raised to do… was obviously drawn from some personal experiences. I do that in everything — explorations of power, identity and belonging.”

—Another great article, “Genrequeer,” by Theodore McCombs at http://www.fictionunbound.com/blog/2016/4/6/genrequeer, offers this excellent insight: “To make space for black achievement and transcendence, speculative fiction lets us change all the rules that should never have been rules in the first place.”


So, there is a lot of hope for increasing diversity, better representation of women and girls, more interesting stories and compelling ways to resolve conflicts than wars and violence in the Spec Fic genre and all its subgenres, with dozens of websites, groups and other resources to help us find them.

Here are some:
—The Black Science Fiction Society: http://www.blacksciencefictionsociety.com


Logo from Black Science Fiction Society website, 2017

—The Speculative Literature Foundation offers “Diverse Writers and Diverse Worlds Grants …The two $500 awards support any purpose that writer recipients may choose to benefit their work.”
FMI: http://speculativeliterature.org/ and a resource list of orgs for writers of Spec Fic: http://speculativeliterature.org/writers-resources-2/writers/writers-organizations-2/

African-American Sci-Fi: http://www.africanamericansciencefiction.com/

Latino Spec Fic: http://www.latinospeculativefiction.com/, which published Latin@ Rising: An Anthology of Latin@ Science Fiction and Fantasy, which “is the first anthology to bring together U.S. Latinos/as who are working in science fiction, fantasy, and other speculative genres”; edited by Matthew David Goodwin.


Cover of Latino@ Rising: An Anthology of Latin@ Science Fiction and Fantasy

—Two other not-so-recent anthologies: Dark Matter: Reading the Bones (2005), edited by Sheree R. Thomas, and Cosmos Latinos: An Anthology of Science Fiction from Latin America and Spain (2003), edited by Andrea L. Bell and Yolanda Molina-Gavilán, which “showcase African-American and (mostly) Spanish-speaking spec-fic writers, respectively.”

—Check out writers in the sub-category of Afrofuturism, which is defined in Wikipedia: “Afrofuturism addresses themes and concerns of the African diaspora through a technoculture and science-fiction lens, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afrodiasporic experiences.” https://en.wikipedia.org/wiki/Afrofuturism

Tracy Mumford, about a year ago, wrote, in: “‘We want to hear new voices’: Diversity in sci-fi and fantasy” for https://www.mprnews.org/story/2016/04/05/books-diversity-in-sci-fi-and-fantasy [as part of The Thread newsletter, which I recommend you sign up for right now (on that page)], some great commentary about those topics.
This article also has a great recommended reading list, curated during and prior to 2015, mostly, of diverse writers’ work in spec fic.

—Queer Sci-Fi has so much to offer, now, and via so many sites. Here is one website that may list the majority of them and offers more resources, besides: https://queerscifi.com/


Weigh in, please. I’d love to have great discussions, here, about other elements of Spec Fic and intersectionality (the places that social identities overlap and in which we analyze privilege, oppression and efforts to effect change). What have I left out, got wrong, etc.?

I’d love to hear from you. I also welcome Guest Bloggers (see my site for Guidelines): http://www.sallyember.com/

December 3 – 4, 2016, Science-Fiction & Fantasy #FREE #EBOOKS and #SALE!

December 3 – 4, 2016, Science-Fiction & Fantasy #FREE #EBOOKS and #SALE! on SF & F, by Patty Jansen. The Spanners Series’ Volume I on ALL ebook retail sites is FREE. Volume II and Volume III #ebooks are $3.99; #CreateSpace #paperbacks 25% off through 12/31/16! http://pattyjansen.com/promo/

Look for Volume I, This Changes Everything, free ebook in the Science Fiction or Fantasy Romance category for all vendors (4th grouping of covers when you scroll down for each vendor).

dec-3-4-2016-sf-and-f-promo

If you haven’t gotten my free ebook or used the CreateSpace coupons to get GREATLY discounted paperbacks, DO IT THIS MONTH! See below for details and coupon codes.

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logoAuthorsDen
The Spanners Series first three Volumes of utopian science-fiction/romance by Sally Ember, Ed.D. are on sale NOW! Proud member of Clean Indie Reads #CR4U and Fantasy and Science-Fiction Network #FSFnet

The Spanners Series‘ cover art and logo by WillowRaven: http://www.willowraven-illustration.blogspot.com/

Smashwords has The Spanners Series‘ ebooks in every format (reader’s choice) and the links to all formats for all major ebook vendors are on the sale site SF & F as well.

Whether you’re sweating, freezing, rained or snowed on or anywhere in between, there is still time to READ!
Give books for gifts for birthdays, graduations, fall/winter holidays, anniversaries, vacations: any time!

The paperbacks of all three Volumes are 25% off on CreateSpace! See below for details and coupon codes for each of the Volumes.

SpannersVolume1coverfinal
This Changes Everything, Vol. I, The Spanners Series

Dr. Clara Ackerman Branon, 58, begins having secret visits from holographic representations of beings from the Many Worlds Collective, a consortium of planet and star systems in the multiverse. When Earth is invited to join the consortium, the secret visits are made public. Now Earthers must adjust their beliefs and ideas about life, religion, culture, identity and everything they think and are.

Clara is selected to be the liaison between Earth and the Many Worlds Collective and she chooses Esperanza Enlaces to be the Chief Media Contact. They team up to provide information to stave off riots and uncertainty. The Many Worlds Collective holos train Clara and the Psi-Warriors for the Psi Wars with the rebelling Psi-Defiers, communicate effectively with many species on Earth and off-planet, eliminate ordinary, elected governments and political boundaries, convene a new group of Global Leaders, and deal with family’s and friends’ reactions. 

In what multiple timelines of the ever-expanding multiverse do Clara and her long-time love, Epifanio Dang, get to be together and which leave Clara alone and lonely as the leader of Earth?

This Changes Everything spans the 30-year story of Clara’s term as Earth’s first Chief Communicator, continuing in nine more Volumes of The Spanners Series.

Are YOU ready for the changes?

Volume I, This Changes Everything:
Ebooks are PERMAFREE on every major site. See http://pattyjansen.com/promo/ and click on the logo for your preferred ebook vendor. Then, scroll down to the 4th grouping and look for my cover. Click on it and it will go right to the vendor’s ebook page.

You can then navigate from there to the other two Volumes’ ebook pages for that vendor, or return here to get the CreateSpace discount codes for purchasing paperbacks of any of the three Volumes throughout December.

Volume I’s paperbacks are now $13.49, 25% off the regular price of $17.99, on CreateSpace, using coupon code H93664AM: https://www.createspace.com/5837347 

Spannersvolume2coverfinal
This Changes My Family and My Life Forever, Vol. II, The Spanners Series

Intrigued by multiple timelines, aliens, psi skills, romance and planetary change? Clara and the alien “Band” are back in Volume II, This Changes My Family and My Life Forever.

Now as Chief Communicator, Clara leads the way for interspecies communication on- and off-planet. Fighting these changes are the Psi-Defiers, led by one of the oldest friends of the Chief of the Psi-Warriors, its reluctant leader, Rabbi Moran Ackerman. Stories from younger Spanners about the first five years of The Transition fill Volume II.

How would YOU do with the changes?

Volume II, This Changes My Family and My Life Forever:
Volume II’s eBOOKS are $3.99 everywhere ebooks are sold and in every format on #Smashwords: https://www.smashwords.com/books/view/424969 

Volume II’s paperbacks are now $14.99, 25% off the regular price of $19.99 on CreateSpace using coupon code H93664AM: https://www.createspace.com/5844431 

Spannersvolume3coverfinal
This Is/Is Not the Way I Want Things to Change, Vol. III, The Spanners Series

Clara, Moran, Espe, Epifanio and the alien Band of holos are back in This Is/Is Not the Way I Want Things to Change, Volume III of The Spanners Series. Psi-Defiers launch increasingly violent protests during this five-year Transition, attempting to block Earth’s membership into the Many Worlds Collective. Earth’s nations and borders must dissolve and Psi-Warriors must strengthen in their battle against the rebels.

Clara, as Earth’s first Chief Communicator, also juggles family conflicts and danger while creating psi skills training Campuses to help Earth through the Psi Wars. Clara timults alternate versions of their futures as the leaders’ duties and consciences force them to make difficult choices across multiple timelines, continuing to train and fight.

Will the Psi-Warriors’ and other leaders’ increasing psi skills, interspecies collaborations and budding alien alliances be enough for Earth to make it through The Transition intact? If there is no clear path for Clara’s and Epifanio’s love, does she partner with Steve or go it alone?

What do YOU do with wanted/unwanted changes?

Volume III, This Is/Is Not the Way I Want Things to Change:
EBOOKS are $3.99 everywhere ebooks are sold and in every format on #Smashwords: https://www.smashwords.com/books/view/588331

Volume III’s paperbacks are now $14.99, 25% off the regular price of $19.99 on CreateSpace using coupon code H93664AM: https://www.createspace.com/5844474

3 paperbacks
The Spanners Series‘ three paperbacks on CreateSpace


Print editions and ebooks published under Timult Books

logo Timult Books


REVIEWERS: Ask for FREE Ebook coupon codes for Volumes II and III on Smashwords any time: sallyember AT yahoo DOT com


For more information about Sally Ember, Ed.D., her bio, books, blog, video talk show (CHANGES conversations between authors), guest blog posts and guidelines, links to author interviews, book trailers and more: http://www.sallyember.com

Current Research in Speculative Fiction Liverpool, UK, (CRSF) Conference was June 27, 2016

Current Research in Speculative Fiction Liverpool, England, UK (CRSF) Conference was Monday, June 27, 2016, at the University of Liverpool!

CRSF logo

Here is their report:

CRSF 2016 Post-conference Report
Posted: 04 Jul 2016 05:26 AM PDT
The sixth annual Current Research in Speculative Fiction [CRSF] conference was held last week on Monday 27th June and was a great success.

As usual, the papers delivered were of a high quality and a diverse range of topics from D&D bestiaries to feminist utopia, ecological disaster to Harry Potter, medieval English horror to Japanese dystopian YA and far more besides. As usual huge thanks go to those who presented a paper: thank you for the enthusiasm with which you approached the task and for the hard work you did preparing for the conference, a conference – no matter how the organising goes – is nothing without its delegates.

CRSF 2016 represents a record year for number of delegates, with non-presenting delegates outnumbering presenters for the first time. This was in no small part thanks to the excellent Science Fiction Research Association (SFRA) conference also held in Liverpool on the 28th-30th June, a number of whose delegates came along to see CRSF in action. There were, however, a number of non-presenting delegates, including former presenters from previous years, who made the trip to Liverpool especially to see CRSF, I cannot think of a better endorsement for the atmosphere and organisation of the conference than for those who have been before to want to come back, even if they’re no longer eligible to present.

In total we had fifty-six attendees and thirty papers presented, over three parallel streams, by delegates from institutions throughout the UK, as well as Ireland, Belgium, Germany, Finland, Spain, Russia, Israel, Canada, and the United States, among others.

Thank you to all who attended. Additional thanks to all those who engaged with the conference on social media. I’m a firm believer in the Twitter back channel for conferences, and CRSF performed ably in this regard too. If you’re not on Twitter and you want to (re)discover the tweet-by-tweet coverage of the conference it’s been conveniently archived on Storify here for you.

Thanks also to our wonderful keynote speakers: Dr. Caroline Edwards (Birkbeck University of London) and Dr. Pat Wheeler (University of Hertfordshire) who not only gave fascinating and insightful keynote lectures, but also attended numerous panels, asking insightful and constructive questions throughout, and offering many a kind and supportive word for delegates in the breaks and more informal moments of the conference. Caroline’s paper opened the conference and was entitled ‘”But there is still such beauty”: Post-Apocalyptic Fiction and Eco-Eschatological Time in the 21st-Century’, it took us through such post-apocalyptic novels as Emily St. John Mandel’s Station Eleven and Maggie Gee’s The Flood, highlighting the pastoral beauty often found in these texts and the implications of that for our vision of the apocalypse and the future (if any) of humanity’s role on the Earth. Pat’s keynote was entitled ‘”She can’t love you, she’s just a machine’: Metal-fevered Boys and their Passion for New Eves’, which challenged how we should read gynoids in the twenty-first century: as either challenge or constriction to women’s agency.

Thanks as ever to the University of Liverpool staff who provided support both in the build up to, and during, the conference: the Rendall Building staff, and Filomena Saltao, the Administrator of the School of the Arts, and Siobhan Quinn. Thanks also to Andy Sawyer, academic librarian for the Science Fiction Foundation collection at the University of Liverpool’s Sydney Jones Library, for once again arranging for all delegates to receive free copies of Foundation: The International Review of Science Fiction. Thanks also to the staff at Il Forno, our traditional restaurant of choice, who once again dealt with our large numbers with aplomb.

As always we welcome your feedback on CRSF 2016, all comments are useful and appreciated. Please leave a comment on our website’s post at http://currentresearchinspeculativefiction.blogspot.com, or e-mail them to us at crsf.team@gmail.com.

CRSF will return in 2017….

Glyn Morgan,
Molly Cobb,
Leimar Garcia-Siino,
Chris Pak

I wish I could have been there.

To refresh, if you missed my explanatory pre-conference post, read below:

CRSF is a postgraduate conference designed to promote the research of speculative fictions including, but not limited to, science fiction, fantasy and horror.

Our aim is to showcase some of the latest developments in this dynamic and evolving field, by providing a platform for the presentation of current research by postgraduates. The conference will also encourage the discussion of this research and the construction of crucial networks with fellow researchers.

The planned schedule was as follows:

9:00-9:30: Registration and Refreshments

9:30-10:30: Keynote Lecture #1: Dr Caroline Edwards,

“But there is still such beauty”: Post-Apocalyptic Fiction and Eco-Eschatological Time in the 21st-Century

10:30 -12:00: First Round of Panels

1.1: Press START to Play
Andrew Ferguson – Clipping Out of Bounds: Reading House of Leaves Through Portal

House_of_leaves

  • Britanny Kuhn – [Awaiting Title]
  • Ivaylo Shmilev – Oppression, Warfare and Transcultural Memory in the Complex Post- Apocalyptic Environments of the S.T.A.L.K.E.R. Game Series

    STALKER game image

1.2: Horrific Narratives
Travis Gasque – The New Cosmic Horror: A Genre Molded by Tabletop Roleplaying Games and Postmodern Horror
Matthew McCall – “My manez mynde to maddyng malte”: Tracing Horror in the Middle English Pearl

Pearl_Poet

  • Selena Middleton – Climate Collapse and the Uncontained Body in James Tiptree Jr.’s A Momentary Taste of Being

    Momentary taste (in the 1975 anthology, The New Atlantis and Other Novellas of Science-Fiction)

1.3: You’re Only Young Once
Lan Ma – Censorship and Resistance: Information Control in Japanese Dystopian Young Adult Fiction in the 21st Century
Alison Baker – Protocols for the education of young witches and wizards
Arunima Dey – The Grotesque in the Harry Potter Series

Potter box set

12:00 -13:00: Second Round of Panels

2.1: Beasts and Bestiaries
Rob O’Connor – “The History of All Hitherto-Existing Societies is the History of Monsters”: The Bestiary and the Depiction of Monsters as Social Commentary
Sandra Mänty – Representation and function of animals in the world of Harry Potter

Potter collection cover

2.2: The Greater Good
Maxine Gee – “If something stinks put a lid on it, don’t see it”: Self-censorship and the brave new world of Psycho Pass

Psycho Pass

  • Jonathan Ferguson – Crimes Against The Greater Good are Victimless Crimes?

2.3: Character Studies
Beata Gubacsi – Monstrous Transformations: Becoming posthuman through art in Vandermeer’s Ambergris novels

Ambergris 1

  • Matteo Barbagallo – Do we have a deal? Petyr Baelish, Varys, Rumpelstiltskin and their role as Doppelganger

13:00 -13:45: Lunch Break

13:45 -14:45: Keynote Lecture #2: Dr Patricia Wheeler

“She can’t love you, she’s just a machine”: Metal-fevered Boys and their Passion for New Eves

14:45 -16:15: Third Round of Panels

3.1: Revenge of the Film
Pablo Gómez Muñoz – Greening Apocalypse: Eco-Conscious Disaster in Twenty-First Century Science-Fiction Cinema
Josephine Swarbrick – Monstrous Men and Masculine Monsters: Gender and the Cyborg in Paul Verhoeven’s Robocop (1987) and José Padilha’s Robocop (2014)

Robocop

  • David Contreras – Gothic Surrealism in Mexican Cyberpunk Short Film: The Borderlands Strike Back

3.2: Theoretically Speaking
Jo Lindsay Walton – The Dystopian Glimpse
Artem Zubov – Science-fiction studies and genre theory
Pascal Lemaire – Fans of history first, fans of S-F more distantly ? Alternate History as a form of History’s fan fiction

3.3: Tell Me a Tale
Kanta Dihal – Science and Religion in Madeleine L’Engle’s A Wrinkle in Time and Philip Pullman’s His Dark Materials

Wrinkle coverPullman box set

  • Rina Jean Baroukh – “Your Light Has Come” : Fantasy and Reality in Shimon Adaf’s Sunburnt Faces

    Sunburnt faces cover

  • Laura-Marie von Czarnowsky – Re-Defining the Bildungsroman: Traumatic Journeys as a Trend in Contemporary Fantasy Fiction

16:15 -16:30: Refreshment Break [YES: English Tea Time!]

16:30 -18:00: Fourth Round of Panels

4.1: Perceptions of the Female Self
Sonya Dyer – aPOCalypso: Janelle Monae and (Science) Fictional Black Feminisms
Sarah Lohmann – “Solar Loyalties”: The Utopian Ethics of Posthumanism in Naomi Mitchison’s Memoirs of a Spacewoman

Spacewoman cover

  • Mylène Branco – The Construction of the Female Self in L.P. Hartley’s Facial Justice

    Facial cover

4.2: Alternate Beings
Tom Kewin – ‘A Society of Screens’: The State of Digital Surveillance and the Repercussions for the Humanist Subject
Mattia Petricola – From mesmeric trance to living avatars: Rethinking consciousness and death after Mr. Valdemar

Valdemar

4.3: Dystopian Time, Resurgent Space
Gabrielle Bunn – Future Ruins: The intersection of nature and culture in the post-apocalyptic landscape of J. G. Ballard’s The Drowned World (1962)

Drowned cover

  • Hollie Johnson – Anarchy, Nostalgia, and Resistance: The Role of Nature in We, Brave New World, Nineteen Eighty-Four

    We cover1984

  • Thomas Connolly – “There was a thing called Heaven”: The end of time in Huxley’s Brave New World

    Brave New World cover

18.00 -19.00: Post-Conference Wine Reception and Official Conference Group Photo

Download a PDF of the entire schedule here: https://drive.google.com/file/d/0B4DNnD_AmJQmeWdEREJfemd1YWs/view

Want to present or attend next year? The “Call for Papers” usually occurs in early December for the following June’s annual conference. Check out past conferences/calls and get more information here and visit their
website: http://currentresearchinspeculativefiction.blogspot.com/
or contact their team (the team members’ list has not been recently updated, yet: CRSF.team@gmail.com and follow their Tweets: ‎@CRSFteam

Their website is not very “interesting,” IMHO, but the topics ARE. Here is a sampling of Q & A from their FAQs…

FAQ

What is CRSF?
CRSF is short for Current Research in Speculative Fiction, an annual conference organised by postgraduate students for postgraduate students. The conference was first held in 2010 at the University of Liverpool and has been held annually since, attracting an international selection of speakers from as far afield as Turkey and the USA. The conference aims to provide a welcoming and friendly atmosphere for researchers who are at the very beginnings of their fields to test ideas, network with others, and gain valuable conference experience.

What is Speculative Fiction?
Simply put, we consider speculative fiction to be the collective name for the non-mimetic genres of science-fiction, fantasy, horror, and their related sub-genres. Essentially, if it’s a bit weird, it’s probably eligible. If in doubt, feel free to run your idea by us. At this juncture, it’s probably also worth us pointing out that the conference doesn’t discriminate among media: papers on television, film, video games, music, fan culture, etc., are as welcome at CRSF as papers on literature.

I’m an undergraduate student/ university faculty member/ speculative fiction fan/ author, can I attend?
We welcome non-presenting delegates from all aspects of speculative fiction whether you be a non-academic fan or a professor at a university.

How much does CRSF cost to attend?
Since CRSF is funded entirely off the delegate fees we can never be 100% sure of our budget until we know how many papers we will be accepting for the conference. As such, confirmed fees are not available until after abstracts have been processed and invitations to present accepted. However, as a guide, past conferences have charged £30 (about $44 USA) for the day with an early bird discount available for those who register early. This fee includes lunch and refreshments.

Final 2 Days! Fantasy & Science-Fiction Network’s Year’s BlockBuster Book Sale

FINAL 2 Days! Fantasy & Science-Fiction Network’s Year’s BlockBuster Book Sale Through 12/31/15! #SciFi #Fantasy #FSFnet

Two more days to load gifts into people’s ereaders! #Free and 99-cent sci-fi and fantasy stories and entire books available! Celebrate the New Year and cuddle up through winter weather with BOOKS!

FSFnet 2015 HolidaySale
http://fsfnet.com/2015/12/18/years-end-blockbuster-sale/

Find your favorite writers of Fantasy & Science-Fiction and new authors! Sale includes children’s, ebooks, paperbacks, short stories, audio books on sale, all rated G, PG, PG-13!

Sale includes:

logoAuthorsDen

20% off on the first or any of the three or all three paperbacks in The Spanners Series! Save $3.60 – $11.60!

3 paperbacks

Get Coupon Code for CreateSpace paperbacks ONLY in The Spanners Series by Sally Ember, Ed.D., by emailing sallyember @ Yahoo DOT com 12/19 – 31/15 then, browse for other specials: http://fsfnet.com/2015/12/12/coming-soon-years-end-blockbuster-sale/

Volume I, This Changes Everything, usually $17.99, save $3.60 http://www.CreateSpace.com/5837347 
EBOOK is permafree. Links: http://www.sallyember.com/Spanners Look right; scroll down.

Volume II, This Changes My Family and My Life Forever, usually $19.99, save $4.00 http://www.CreateSpace.com/5844431
EBOOK is $3.99 Links: http://www.sallyember.com/Spanners Look right; scroll down.

Volume III, This Is/Is Not the Way I Want Things to Change, usually $19.99, save $4.00 http://www.CreateSpace.com/5844474
EBOOK is $3.99 Links: http://www.sallyember.com/Spanners Look right; scroll down.

http://www.sallyember.com for book trailers, author interviews, excerpts, blurbs, more!

All from logo by Sally Ember, Ed.D.

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