“The 2018 #Dragon #Award Winners for the Best in #ScienceFiction and #Fantasy” (reblogging)

“The 2018 #Dragon #Award Winners for the Best in #ScienceFiction and #Fantasy”
Dragon Con logo

https://www.amazonbookreview.com/post/faf0452e-50c0-447c-ac5a-9f5a3ae9d5c7/the-2018-dragon-award-winners-for-the-best-in-science-fiction-and-fantasy

On Sunday, September 2, the winners of the 2018 Dragon Awards were announced at Dragon Con in Atlanta. The Dragon Awards celebrate the best new science fiction, fantasy, graphic novels, and more. The Dragon Awards nominations are made and voted on by fans, making it one of the few major science fiction and fantasy awards that puts the voting directly in the hands of readers without requiring a fee or a membership.

Below are a partial list of the 2018 Dragon Award winners. To see the full list of finalists on the ballot, including comics, role-playing games, and TV shows, visit the site, below.

Best Science Fiction Novel
It Takes Death to Reach a Star by Gareth Worthington and Stu Jones
Persepolis Rising by James S.A. Corey
The Mutineer’s Daughter by Chris Kennedy and Thomas A. Mays
Win by Vera Nazarian
Sins of Her Father by Mike Kupari
Artemis by Andy Weir

Best Fantasy Novel (Including Paranormal)
Shoot the Messenger by Pippa DaCosta
War Hammer by Shayne Silvers
Oathbringer by Brandon Sanderson
The Land: Predators by Aleron Kong
The Traitor God by Cameron Johnston
A Tempered Warrior by Jon R. Osborne

Best Young Adult / Middle Grade Novel
Cold Bath Street by A.J. Hartley
A Court of Frost and Starlight by Sarah J. Maas
When Tinker Met Bell by Alethea Kontis
Brightly Burning by Alexa Donne
Warcross by Marie Lu
Children of Blood and Bone by Tomi Adeyemi

Best Military Science Fiction or Fantasy Novel
Communications Failure by Joe Zieja
Points of Impact by Marko Kloos
Ghost Marines: Integration by Jonathan P. Brazee
Price of Freedom by Craig Martelle and Michael Anderle
Legend by Christopher Woods
A Call to Vengeance by David Weber, Timothy Zahn, and Thomas Pope

Best Alternate History Novel
Dark State by Charles Stross
The Sea Peoples by S.M. Stirling
Witchy Winter by D.J. Butler
Uncharted by Kevin J. Anderson and Sarah A. Hoyt
Dream of the Iron Dragon by Robert Kroese
Minds of Men by Kacey Ezell

Best Media Tie-In Novel
Leia: Princess of Alderaan by Claudia Gray
Before the Storm by Christie Golden
Phasma by Delilah S. Dawson
Fear Itself by James Swallow
Legacy of Onyx by Matt Forbeck
Desperate Hours by David Mack

Best Horror Novel
Beneath the Lighthouse by Julieanne Lynch
Meddling Kids by Edgar Cantero
A Time to Run by Mark Wandrey
The Cabin at the End of the World by Paul Tremblay
Sleeping Beauties by Stephen King and Owen King
Glimpse by Jonathan Maberry

Best Comic Book
Mighty Thor by Jason Aaron and James Harren, Marvel Comics
Doomsday Clock by Geoff Johns and Gary Frank, DC Comics
Aliens: Dead Orbit by James Stokoe, Dark Horse Comics
Mister Miracle by Tom King and Mitch Gerads, DC Comics
Saga by Brian K. Vaughn and Fiona Staples, Image Comics
Star Wars: Darth Vader by Charles D. Soule and Giuseppe Camuncoli, Marvel Comics

Best Graphic Novel
Chicago Typewriter: The Red Ribbon by Brandon Fiadino, Djibril Morissette-Phan, and James Greatorex, Dark Legion Comics
Brandon Sanderson’s White Sand Volume 1 by Brandon Sanderson, Rik Hoskin, and Julius M. Gopez, Dynamite Entertainment
Be Prepared by Vera Brosgol
Monstress Vol. 2: The Blood by Marjorie M. Liu, Sana Takeda, Image Comics
Vision (The Vision) by Tom King, Gabriel Hernandez Walta, Marvel Comics
Paper Girls Volume 4 by Brian K. Vaughn and Cliff Chiang, Image Comics

Best Science Fiction or Fantasy TV Series
The Expanse, Syfy
Game of Thrones, HBO
Lucifer, Fox
Supernatural, CW
Star Trek: Discovery, CBS All Access
Altered Carbon, Netflix
Stranger Things, Netflix

Best Science Fiction or Fantasy Movie
Incredibles 2 directed by Brad Bird
Thor: Ragnorok directed by Taika Waititi
Blade Runner 2049 directed by Denis Villeneuve
Avengers: Infinity War directed by Anthony Russo and Joe Russo
Black Panther directed by Ryan Coogler
Ready Player One directed by Steven Spielberg
Deadpool 2 directed by Dave Leitch

Best Science Fiction or Fantasy PC / Console Game
Fortnite by Epic Games
Cuphead by Studio MDHR
Middle-earth: Shadow of War by Monolith Productions
Destiny 2 by Bungie
Battletech by Harebrained Schemes
Wolfenstein II: The New Colossus by MachineGames

Best Science Fiction or Fantasy Mobile Game
Planescape: Torment, the Enhanced Edition by Beamdog
Nocked! by Andrew Schneider
Lineage 2: Revolution by Netmarble
Final Fantasy XV: Pocket Edition by Square Enix
Harry Potter: Hogwarts Mystery by Jam City

Best Science Fiction or Fantasy Board Game
Rising Sun by CMON Games
When I Dream by Asmodee
Mysterium: Secrets and Lies Expansion by Asmodee
Azul by Plan B Games
Red Dragon Inn 6: Villains by Slugfest Games
Photosynthesis by Blue Orange

Best Science Fiction or Fantasy Miniatures / Collectible Card / Role-Playing Game
Warhammer 40,000 8th Edition by Games Workshop
Force and Destiny Role-playing Game: Knights of Fate by Fantasy Flight Games
Bubblegumshoe – RPG by Evil Hat
Cooking with Dice: The Acid Test by Oddfish Games
D100 Dungeon by Martin Knight
Magic: The Gathering Unstable by Wizards of the Coast

More info, past recipients, archives here:

http://awards.dragoncon.org/2018-ballot/

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2018 #Hugo Award Winners: A great year for women in #sciencefiction and #fantasy — Christchurch City Libraries Blog

 […]

via 2018 Hugo Award Winners: A great year for women in science fiction and fantasy — Christchurch City Libraries Blog

Mazel Tov to all the finalists and winners!

Quoted from the above blog, everything below this line:

The World Science Fiction Convention* … hosting the Hugo Award ceremony has …this year’s Hugo Award winners … announced.

Women dominated this year’s Hugo Awards in what has turned out to be a great year for women in science fiction and fantasy; a genre, that it is fair to say, has been dominated historically by men….

Cover of The stone skyBest Novel: The Stone Sky, by N.K. Jemisin

This year’s Hugo Award for best novel goes to Book three of The Broken Earth Trilogy by N.K. Jemisin. Books one and two, The Fifth Season and The Obelisk Gate respectively, are both previous winners of the award. This also makes N.K. Jemisin the first author to win three Hugo Awards for best novel in a row as well as making The Broken Earth the only trilogy in which all three novels are best novel winners (the closest to doing so previously was Kim Stanley Robinson‘s Mars Trilogy with two wins and a finalist position).

Cover of No time to spareBest Related Work: No Time to Spare, By Ursula Le Guin.

Essentially, this is the reward for best piece of non-fiction related to the world of science fiction and fantasy and understandably, recently deceased Ursula Le Guin, now six time winner of the Hugo Award and Science Fiction royalty, is the winner of this category. ‘No Time to Spare’ is a collection of Le Guin’s musings on various subjects from the mundane to the philosophical.

Cover of Monstress vol. 2Best Graphic Story: Monstress, by Marjorie Liu and Sana Takeda

The best graphic novel of the year is the sequel to 2017’s winner: ‘Monstress Vol. 2’. Monstress is an apocalyptic steampunk fable notable for its exceptional artwork (with artist Sana Takeda also winning this year’s award for Best Professional Artist) and interesting world building.

Best Dramatic Presentation, Long Form: Wonder Woman, screenplay by Allan Heinberg, story by Zack Snyder & Allan Heinberg and Jason Fuchs, directed by Patty Jenkins (DC Films / Warner Brothers).

What essentially amounts to the award for best film, Wonder Woman takes the cake for its adaptation of the DC Comic hero in a film that captures the essence of this year’s Hugo Awards winners.

Winners of all categories are as follows:

Best Novella: All Systems Red, by Martha Wells

Best Novelette: The Secret Life of Bots, by Suzanne Palmer

Best Short Story: Welcome to your Authentic Indian Experience™, by Rebecca Roanhorse

Best Series: World of the Five Gods, by Lois McMaster Bujold

Best Dramatic Presentation, Short Form: The Good Place: “The Trolley Problem,” written by Josh Siegal and Dylan Morgan, directed by Dean Holland

Best Editor, Short Form: Lynne M. Thomas & Michael Damian Thomas

Best Editor, Long Form: Sheila E. Gilbert

Best Professional Artist: Sana Takeda

Best Semiprozine: Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, and Julia Rios; podcast produced by Erika Ensign & Steven Schapansky

Best Fanzine: File 770, edited by Mike Glyer

Best Fancast: Ditch Diggers, presented by Mur Lafferty and Matt Wallace

Best Fan Writer: Sarah Gailey

Best Fan Artist: Geneva Benton

2018 Locus Award Winners for Best in Science-Fiction (SF) and Fantasy

2018 #LocusAward Winners for Best in Science-Fiction (#SF, #Scifi) and #Fantasy

Mazel Tov to all the nominees and winners of this prestigious award!

The Locus Science Fiction Foundation announced the winners of the 2018 Locus Awards on June 23. The Locus Awards are chosen by a survey of readers in an open online poll. Connie Willis presented the awards, as well as judged the annual Hawaiian shirt contest.

The winners and nominees in the categories of best science-fiction novel, best fantasy novel, best first novel, and a few others are listed, below. To see the entire list of all categories’ nominees and winners and all categories, including horror, young adult, non-fiction and more, visit Locus’s award announcement: http://locusmag.com/2018/06/2018-locus-awards-winners/

SCIENCE FICTION NOVEL


WINNER: The Collapsing Empire (The Interdependency) by John Scalzi

Also, 2018 HUGO AWARD FINALIST FOR BEST NOVEL
BLURB:

Our universe is ruled by physics. Faster than light travel is impossible―–until the discovery of The Flow, an extradimensional field available at certain points in space-time, which can take us to other planets around other stars.

Riding The Flow, humanity spreads to innumerable other worlds. Earth is forgotten. A new empire arises, the Interdependency, based on the doctrine that no one human outpost can survive without the others. It’s a hedge against interstellar war―and, for the empire’s rulers, a system of control.

The Flow is eternal―–but it’s not static. Just as a river changes course, The Flow changes as well. In rare cases, entire worlds have been cut off from the rest of humanity. When it’s discovered that the entire Flow is moving, possibly separating all human worlds from one another forever, three individuals―–a scientist, a starship captain, and the emperox of the Interdependency―–must race against time to discover what, if anything, can be salvaged from an interstellar empire on the brink of collapse.

FANTASY NOVEL


WINNER: The Stone Sky (The Broken Earth) by N. K. Jemisin

BLURB:

The shattering conclusion to the post-apocalyptic and highly acclaimed New York Times bestselling trilogy that began with The Fifth Season, winner of the Hugo Award for Best Novel in 2016, and The Obelisk Gate, winner of the Hugo Award for Best Novel in 2017.

The Moon will soon return. Whether this heralds the destruction of humankind or something worse will depend on two women.

Essun has inherited the power of Alabaster Tenring. With it, she hopes to find her daughter Nassun and forge a world in which every orogene child can grow up safe.

For Nassun, her mother’s mastery of the Obelisk Gate comes too late. She has seen the evil of the world, and accepted what her mother will not admit: that sometimes what is corrupt cannot be cleansed, only destroyed.

THIS IS THE WAY THE WORLD ENDS… FOR THE LAST TIME.

FIRST NOVEL


WINNER: The Strange Case of the Alchemist’s Daughter (The Extraordinary Adventures of the Athena Club) by Theodora Goss

BLURB:

Based on some of literature’s horror and science-fiction classics, this is the story of a remarkable group of women who come together to solve the mystery of a series of gruesome murders—–and the bigger mystery of their own origins.

Mary Jekyll, alone and penniless following her parents’ death, is curious about the secrets of her father’s mysterious past. One clue in particular hints that Edward Hyde, her father’s former friend and a murderer, may be nearby, and there is a reward for information leading to his capture…a reward that would solve all of her immediate financial woes.

But her hunt leads her to Hyde’s daughter, Diana, a feral child left to be raised by nuns. With the assistance of Sherlock Holmes and Dr. Watson, Mary continues her search for the elusive Hyde, and soon befriends more women, all of whom have been created through terrifying experimentation: Beatrice Rappaccini, Catherin Moreau, and Justine Frankenstein.

When their investigations lead them to the discovery of a secret society of immoral and power-crazed scientists, the horrors of their past return. Now it is up to the monsters to finally triumph over the monstrous.

NOVELLA


WINNER: All Systems Red: The Murderbot Diaries by Martha Wells

Also, Winner: 2017 Nebula Award for Best Novella
Winner: 2018 Alex Award
Finalist: 2017 Hugo Award for Best Novella
One of the Verge’s Best Books of 2017
A New York Times Bestseller
BLURB:

“As a heartless killing machine, I was a complete failure.”

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety.

But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.

On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.

But when a neighboring mission goes dark, it’s up to the scientists and their Murderbot to get to the truth.

NOVELETTE


WINNER: The Hermit of Houston by Samuel R. Delany

BLURB:

Samuel R. Delany‘s first story for F&SF in 40 years (since 1977), “The Hermit of Houston”[:] Those looking for a strongly plotted or action-filled tale are not going to find it here; instead, this is an old man’s rambling, discursive reminiscence, jumping back and forth in time, of his long life in a world that has been shattered and reshaped by some unspecified disaster or series of disasters (probably climate change-related), with national boundaries redrawn and society’s views on sexual identity rethought, so that both men and women as we define them today have been sorted into many different genders, “natural” procreation is sternly discouraged, and much of the rearing of children is left to youth gangs and armies. The story can be hard to chew in some spots, at its most discursive, but if you stick with it, it will reward you with some fascinating social speculation about a different kind of future society and some compelling imagery. (Warning: the story is also much more sexually explicit than is usual for F&SF.)

SHORT STORY


WINNER:The Martian Obelisk“ by Linda Nagata

Read it here: https://www.tor.com/2017/07/19/the-martian-obelisk/

BLURB:

A powerful science-fiction story about an architect on Earth commissioned to create (via long distance) a masterwork with materials from the last abandoned Martian colony, a monument that will last thousands of years longer than Earth, which is dying.

ANTHOLOGY


WINNER: The Book of Swords, Gardner Dozois, Ed., including stories by Elizabeth Bear (Author), George R. R. Martin (Author), Robin Hobb (Author), Scott Lynch (Author), C. J. Cherryh (Author), Garth Nix (Author)

BLURB:

Fantasy fiction has produced some of the most unforgettable heroes ever conjured onto the page…. Classic characters like these made sword and sorcery a storytelling sensation, a cornerstone of fantasy fiction—–and an inspiration for a new generation of writers, spinning their own outsize tales of magic and swashbuckling adventure.

Now, in The Book of Swords, acclaimed editor and bestselling author, Gardner Dozois, presents an all-new anthology of original epic tales by a stellar cast of award-winning modern masters—–many of them set in their authors’ best-loved worlds. Join today’s finest tellers of fantastic tales… on action-packed journeys into the outer realms of dark enchantment and intrepid derring-do, featuring a stunning assortment of fearless swordsmen and warrior women who face down danger and death at every turn with courage, cunning, and cold steel.

FEATURING SIXTEEN ALL-NEW STORIES:

“The Best Man Wins” by K. J. Parker
“Her Father’s Sword” by Robin Hobb
“The Hidden Girl” by Ken Liu
“The Sword of Destiny” by Matthew Hughes
“‘I Am a Handsome Man,’ Said Apollo Crow” by Kate Elliott
“The Triumph of Virtue” by Walter Jon Williams
“The Mocking Tower” by Daniel Abraham
“Hrunting” by C. J. Cherryh
“A Long, Cold Trail” by Garth Nix
“When I Was a Highwayman” by Ellen Kushner
“The Smoke of Gold Is Glory” by Scott Lynch
“The Colgrid Conundrum” by Rich Larson
“The King’s Evil” by Elizabeth Bear
“Waterfalling” by Lavie Tidhar
“The Sword Tyraste” by Cecelia Holland
“The Sons of the Dragon” by George R. R. Martin

And an introduction by Gardner Dozois

COLLECTION


WINNER: Ursula K. Le Guin: The Hainish Novels and Stories

BLURB:

For the first time, a deluxe collector’s edition of the pathbreaking novels and stories that reinvented science fiction, with new introductions by the [recently deceased] author.

In such visionary masterworks as the Nebula and Hugo Award winners, The Left Hand of Darkness and The Dispossessed, Ursula K. Le Guin redrew the map of modern science-fiction, imagining a galactic confederation of human colonies founded by the planet Hain, an array of worlds whose divergent societies—the result of both evolution and genetic engineering—allow her to speculate on what is intrinsic in human nature. Now, for the first time, the complete Hainish novels and stories are collected in a deluxe two-volume Library of America boxed set, with new introductions by the author.

Volume one gathers the first five Hainish novels: Rocannon’s World, in which an ethnologist sent to a bronze-age planet must help defeat an intergalactic enemy; Planet of Exile, the story of human colonists stranded on a planet that is slowly killing them; City of Illusions, which finds a future Earth ruled by the mysterious Shing; and the Hugo and Nebula Award-winning masterpieces, The Left Hand of Darkness and The Dispossessed–—as well as four short stories.

Volume two presents Le Guin’s final two Hainish novels, The Word for World Is Forest, in which Earth enslaves another planet to strip its natural resources, and The Telling, the harrowing story of a society which has suppressed its own cultural heritage. Rounding out the volume are seven short stories and the story suite, Five Ways to Forgiveness, published here in full for the first time.

The endpapers feature Le Guin‘s own hand-drawn map of Gethen, the planet that is the setting for The Left Hand of Darkness, and a full-color chart of the known worlds of Hainish descent.

Amazon‘s announcement, with links to all nominees’ and winners’ book blurbs and covers:

https://www.amazonbookreview.com/post/33312e0b-620f-4f77-87de-8b04d54b454c/2018-locus-award-winners-for-best-in-sf-and-fantasy

Nominees Announced for Some of #Scifi ‘s Highest Honors, the 52nd Annual #NebulaAwards, 2017

Competition for some of #scifi ‘s highest honors, the 52nd Annual #NebulaAwards, has moved forward!

“The Science Fiction and Fantasy Writers of America (SFWA) has released its nominees for the 2017 Nebula Awards, and it’s an impressive reading list that is once again dominated by women writers.


SFWA Nebula Awards logo

“The Nebula Awards are issued annually by #SFWA to the best works in genre novels, novellas, novelettes, and short stories published in the last year, alongside the Andre Norton Award for Young Adult Science Fiction and Fantasy and the Ray Bradbury Award for Outstanding Dramatic Presentation. The Nebulas are a sort of industry award, determined by professional authors….The winners will be announced on May 19th at this year’s Nebula conference, which will be held from May 17th–20th in Pittsburgh, Pennsylvania.”

Mazel Tov to all the nominees, some who were nominated in more than one category! Go to link for full list, or keep reading, below.

Original list and more info about awards process, schedule of announcements, prizes, etc.: https://nebulas.sfwa.org/2017-nebula-award-finalists-announced/

BEST NOVEL
Amberlough, Lara Elena Donnelly (Tor)
The Strange Case of the Alchemist’s Daughter, Theodora Goss (Saga)
Spoonbenders, Daryl Gregory (Knopf; riverrun)
The Stone Sky, NK Jemisin (Orbit US; Orbit UK)
Six Wakes, Mur Lafferty (Orbit US)
Jade City, Fonda Lee (Orbit US; Orbit UK)
Autonomous, Annalee Newitz (Tor; Orbit UK 2018)

BEST NOVELLA
“River of Teeth,” Sarah Lee Gailey (Tor.com Publishing)
“Passing Strange,” Ellen Klages (Tor.com Publishing)
“And Then There Were (N-One),” Sarah Pinsker (Uncanny 3-4/17)
“Barry’s Deal,” Lawrence M. Schoen (NobleFusion Press)
“All Systems Red,” Martha Wells (Tor.com Publishing)
“The Black Tides of Heaven,” JY Yang (Tor.com Publishing)

BEST NOVELETTE
“Dirty Old Town,” Richard Bowes (Magazine of Fantasy & Science Fiction 5-6/17)
“Weaponized Math,” Jonathan P. Brazee (The Expanding Universe, Vol. 3)
“Wind Will Rove,” Sarah Pinsker (double nominee!) (Asimov’s 9-10/17)
“A Series of Steaks,” Vina Jie-Min Prasad (Clarkesworld; 1/17)
“A Human Stain,” Kelly Robson (Tor.com 1/4/17)
“Small Changes Over Long Periods of Time,” K.M. Szpara (Uncanny 5-6/17)

BEST SHORT STORY
“Fandom for Robots,” Vina Jie-Min Prasad (Author) (double nominee!) (Uncanny 9-10/17)
“Welcome to Your Authentic Indian Experience TM,” Rebecca Roanhorse (Author) (Apex 8/17)
“Utopia, LOL?,” Jamie Wahl (Author) (Strange Horizons 6/5/17)
“Clearly Lettered in a Mostly Steady Hand,” Fran Wilde (author) (Uncanny 9-10/17)
“The Last Novelist (or A Dead Lizard in the Yard),” Matthew Kressel (Author) (Tor.com 3/15/17)
“Carnival Nine,” Caroline M. Yoachim (Author) (Beneath Ceaseless Skies 5/11/17)

THE RAY BRADBURY AWARD FOR OUTSTANDING DRAMATIC PRESENTATION
Get Out (Written by Jordan Peele)
The Good Place: “Michael’s Gambit” (Written by Michael Schur)
Logan (screenplay by Scott Frank, James Mangold, and Michael Green)
The Shape of Water (Screenplay by Guillermo del Toro and Vanessa Taylor) [already won film awards from Hollywood]
Star Wars: The Last Jedi (Written by Rian Johnson)
Wonder Woman (Screenplay by Allan Heinberg)

THE ANDRE NORTON AWARD FOR OUTSTANDING YOUNG ADULT SCIENCE FICTION OR FANTASY BOOK
Exo, Fonda Lee (double nominee!) (Scholastic Press)
Weave a Circle Round, Kari Maaren (Tor)
The Art of Starving, Sam J. Miller (HarperTeen)
Want, Cindy Pon (Simon Pulse)

The Nebula Awards will be presented during the annual SFWA Nebula Conference, which will run from May 17th-20th and feature seminars and panel discussions on the craft and business of writing, SFWA’s annual business meeting, and receptions. On May 20th, a mass autograph session will take place at the Pittsburgh Marriott City Center and is open to the public.

The Nebula Awards recognize the best works of science fiction and fantasy published in the United States as selected by members of the Science Fiction and Fantasy Writers of America. The first Nebula Awards were presented in 1966.

In addition to the Nebula Awards, SFWA will present the Bradbury Award for Outstanding Dramatic Presentation, the Andre Norton Award for Outstanding Young Adult Science Fiction or Fantasy Book, the Kate Wilhelm Solstice Award, the Kevin O’Donnell, Jr. Service to SFWA Award, and the Damon Knight Memorial Grand Master Award.

#DEAR = “Drop Everything And Read” Day #book #sale 4/12/17! Many #free and #discounted at #FSFnet and Here!

#DEAR = “Drop Everything And Read” Day #book #sale 4/12/17

Many #free and #discounted at #FSFnet (Fantasy and Science-Fiction Network) and Here!
Get any ebook format you want on Smashwords and discount codes for paperbacks on CreateSpace, or use Kindle Matchbook on Amazon when you buy both versions of each Volume (see below)! AND go to #FSFnet (Fantasy and Science-Fiction Network) for more deals (see below).

G-, PG- and PG-13-rated Fantasy and Science-Fiction sale books are at http://www.fsfnet.com and http://www.sallyember.com/blog

All three published Volumes of the sci-fi/romance/multiverse/utopian/paranormal (psi) ebooks in The Spanners Series for adults/NA/YA are participating in this great sale! And, if you prefer or want also to have paperbacks, scroll to the end for the coupon codes on CreateSpace to purchase those, or use Kindle Matchbook to buy both versions of any Volume.

Volume I, This Changes Everything, The Spanners Series, by Sally Ember, Ed.D.
Dr. Clara Ackerman Branon, 58, begins having secret visits from holographic representations of  beings from the Many Worlds Collective, a consortium of planet and star systems in the multiverse. When Earth is invited to join the consortium, the secret visits are made public. Now Earthers must adjust their beliefs and ideas about life, religion, culture, identity and everything they think and are. Clara is selected to be the liaison between Earth and the Many Worlds Collective and she chooses Esperanza Enlaces to be the Media Contact. They team up to provide information to stave off riots and uncertainty. The Many Worlds Collective holos train Clara and the Psi-Warriors for the Psi Wars with the rebelling Psi-Defiers, communicate effectively with many species on Earth and off-planet, eliminate ordinary, elected governments and political boundaries, convene a new group of Global Leaders, and deal with family’s and friends’ reactions. 

TSS v1

In what multiple timelines of the ever-expanding multiverse do Clara and her long-time love, Epifanio Dang, get to be together and which leave Clara alone and lonely as the leader of Earth? This Changes Everything begins the 30-year story of Clara’s term as Earth’s first Chief Communicator, continuing in nine more Volumes of The Spanners Series.
Are you ready for the changes?

Vol I ebook, all formats, is PERMA-FREE!

https://www.smashwords.com/books/view/376197

For discounts on paperbacks of all three Volumes on CreateSpace, use Coupon Codes and links, below, for 25% off, or use Kindle Matchbook

Volume II, This Changes My Family and My Life Forever, The Spanners Series, by Sally Ember, Ed.D.
COUPON CODE for 25% off ebook on Smashwords, only: DP34M Expires 4/13/17
Intrigued by multiple timelines, aliens, psi skills, romance and planetary change? Clara and the alien “Band” are back in Volume II, This Changes My Family and My Life Forever, The Spanners Series. Now as Chief Communicator, Clara leads the way for interspecies communication on- and off-planet.

TSS v2

Fighting these changes are the Psi-Defiers, led by one of the oldest friends of the Chief of the Psi-Warriors, its reluctant leader, Rabbi Moran Ackerman. Stories from younger Spanners about the first five years of The Transition fill Volume II.
How would you do with the changes?

Usually, ebook for Vol II is $3.99; “DEAR Days” Promotional price: $2.99

https://www.smashwords.com/books/view/424969

Enter the code prior to completing checkout. COUPON CODE for Vol II, 25% off, Smashwords, only: DP34M Expires 4/13/17

Volume III, This Is/Is Not the Way I Want Things to Change, The Spanners Series, by Sally Ember, Ed.D.
COUPON CODE for 50% off ebook on Smashwords, only: KX35W Expires 4/13/17
Clara, Moran, Espe, Epifanio and the alien Band of holos are back in This Is /Is Not The Way I Want Things to Change of The Spanners Series. Psi-Defiers launch increasingly violent protests during this five-year Transition, attempting to block Earth’s membership into the Many Worlds Collective. To join, Earth’s nations and borders must dissolve and Psi-Warriors must strengthen in their battle against the rebels.
Clara, continuing as Earth’s first Chief Communicator, also juggles family conflicts and danger while creating psi skills training Campuses to help Earth through the Psi-Wars. Clara timults alternate versions of their futures as the leaders’ duties and consciences force them each to make difficult choices across multiple timelines while continuing to train and fight.

Spannersvolume3coverfinal

Will the Psi-Warriors’ and other leaders’ increasing psi skills, interspecies collaborations and budding alien alliances be enough for Earth to make it through The Transition intact? If there is no clear path for Clara’s and Epifanio’s love, does she partner with Steve or go it alone?
What do you do with wanted/unwanted changes?

Usually, ebook for Vol III is $3.99; “DEAR Days” Promotional price, Vol III: $2.00

https://www.smashwords.com/books/view/588331

Enter the code prior to completing checkout. COUPON CODE for 50% off, Smashwords only: KX35W Expires 4/13/17

OR, you when you buy both the Amazon ebook on Kindle with the paperback on Amazon of the same Volume, using Kindle Matchbook, you get discounts on both versions of each Volume! Go to The Spanners Series on Amazon for details and links, https://goo.gl/Qagqex.

Amazon The Spanners Series‘ ebooks’ and paperbacks’ links:
Vol I: http://www.amzn.com/B00HFELTG8, ebook;

https://goo.gl/hcb9CL, paperback
Vol II: http://www.amzn.com/B00KU5Q7KC, ebook;

https://goo.gl/536u4F, paperback
Vol III: http://www.amzn.com/B0177Z1KRM, ebook;

https://goo.gl/g3MLp8, paperback

Cover art and logo for The Spanners Series all by Aidana Willowraven: http://www.willowraven-illustration.blogspot.com/


BOOK TRAILERS for all three volumes, here:

Volume I, This Changes Everything

https://youtu.be/QJDEt1O8yQ8?list=PLPbfKicwk4dE_bsvzZO7X8-IIqqLY15uS

or

https://goo.gl/8OLVSr

AND

https://youtu.be/X_8ZFVY9BMg?list=PLPbfKicwk4dE_bsvzZO7X8-IIqqLY15uS

or

https://goo.gl/MvYFH3

AND

https://youtu.be/WL9lPK8IhRk?list=PLPbfKicwk4dE_bsvzZO7X8-IIqqLY15uS

or

https://goo.gl/APrn9P

Volume II, This Changes My Family and My Life Forever

https://youtu.be/WenvYeasiik?list=PLPbfKicwk4dE_bsvzZO7X8-IIqqLY15uS

or

https://goo.gl/ERqLHY

Volume III, This Is/Is Not the Way I Want Things to Change

https://youtu.be/uINdFH0XS18?list=PLPbfKicwk4dE_bsvzZO7X8-IIqqLY15uS

or

https://goo.gl/q9NGsg

AND

Find ALL books participating in the DEAR sale and stock up on your favorite genres, authors and titles OR scout out some new talent here and at http://www.fsfnet.com


PAPERBACK LOVERS:

25% off SALE for all three Volumes of The Spanners Series!

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Coupon Code is H93664AM for 25% off for YOU for an or all three Volumes, below!
CreateSpace paperbacks’ links:
Vol I: https://www.createspace.com/5837347 

Vol II: https://www.createspace.com/5844431

Vol III: https://www.createspace.com/5844474

All published by Timult Books

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Speculative Fiction #Genres, According to one Jaded #Feminist

Speculative Fiction #Genres, According to one Jaded #Feminist (and two other, actual experts…)

Here are two great sources of info about the overall genre of Speculative Fiction (Spec Fic) and all its subgenres, (also the two main sources of the images, below):
About Speculative Fiction, from blogger/author, Sherry D. Ramsey at http://www.sherrydramsey.com/?page_id=1005; and,
The Difference between Speculative Fiction and Science-Fiction, from SPi Global, at http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/


from http://www.sherrydramsey.com/?page_id=1005

So, you don’t have to go by my jaded, biased, perhaps not entirely fair or accurate descriptions, below.

Also, check out many of the Spec Fic online and hard-copy ‘zines and subscription magazines that publish short stories, plays, graphic novels or excerpts, art, poetry, novellas and announcements, such as: Heliotrope: Online Speculative Fiction Magazine, http://www.heliotropemag.com/

JUST MY OPINIONS, below.

  • Science-Fiction (also known as sci-fi):
    ◙ Stories about what could be or might have been that feature science, tech, weaponry that does not exist (yet); mostly written by men and somewhat invisible women; mostly about men and almost invisible women; if in graphic novel form, the females are scantily clad for no apparent reason, while men are wearing body armor; mostly about men, with one or no female main characters, except to support or be loved by males.
    ◙ If part of a series, “good guys” do not prevail for the long-term but do win in skirmishes, until the end, which can be dystopian (no HEA–Happily Ever After) or partly HEA (at least, for the romantic component).
    ◙ If politically and/or social commentary-oriented, can illustrate the ways our current cultures are harsh (but accurate) regarding racist, species-ist, misogynistic practices and attitudes.
    ◙ Main characters can die, but usually not in the first parts of a series.


    from http://www.sherrydramsey.com/?page_id=1005

  • “Hard” Science-Fiction:
    ◙ Futuristic stories mostly about the male “heroes” (and steroid/testosterone-ridden women, cyborgs and robots) fighting alone or in groups against whom/whatever, using lots of weaponry and spaceships; see above, for costuming; mostly about men, with one or no central female main characters, except to support or be loved by males or inhabit computers.
    ◙ If part of a series, “good guys” do not prevail for the long-term but do win in skirmishes, until the end, which can be dystopian (no HEA–Happily Ever After) or partly HEA (at least, for the romantic component).
    ◙ If dystopian (typically), often includes destruction of one or more planet, victors’ having slaves, horrible classism and race/species discrimination and other awful plot points and outcomes.
    ◙ Main characters can die, but can be reborn into tech creatures. Often, a “space opera” that spans many years/centuries and vast expanses.


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Steam-Punk Fantasy/Science-Fiction:
    ◙ Stories about what might have been or could be, written by both men and women; depicts women in low bodices, wearing corsets, and carrying fans; men have pocket watches, vests, and private (“public” in England) educations or tutors; everything is run by steam engines; characters are mostly Anglo and espouse or resist British/American Anglo upper- and middle-class Victorian values (e.g., either virginal or whorish women, class distinctions, elitist “manners,” rigidly gender-ized clothing); stories are mostly about men, with one or no central female main characters, except to support or be loved by males.
    ◙ If there are GLBT characters, they are usually depicted as deranged/homicidal, stereotypes, and/or objects of ridicule or pity. Rarely has human characters who are not Anglo (so I deliberately included a drawing that has males of color, here).
    ◙ Can include murders and other crimes in which females are the victims or need to be rescued.
    ◙ May not be clear who the “bad” guys are, at first (think, prostitute or crime lord with the “heart of gold”).
    ◙ Main characters cannot die unless already replaced by a successor.


    from https://writingcareer.com/black-power-the-superhero-anthology-is-seeking/

    This anthology, whose prototype cover is above, Black Power: Superheroes of Color, was released last month, February, 2017: https://thenerdsofcolor.org/2017/02/27/black-power-the-superhero-anthology/
    edited by Balogun Ojetade, with a great line-up of authors within it.

    Real cover:

  • Fantasy:
    ◙ Usually set in some pseudo-medieval or -Renaissance, Earth-like setting or Earth’s own possible past or present, but with talking animals, mythical creatures, imaginary creatures (e.g., fairies, gnomes, dwarves, trolls, dragons, giants, ogres, witches, warlocks, wizards); usually includes some kind of magic or pseudo-science mixed with magic; if there are non-human creatures, they are almost always male or overly glamorized females (large breasts, small waists, heavy make-up); could have human shape-shifters who usually become large predators (wolves, bears, lions, panthers, etc.); can have vampires, whose subplots usually include some kind of incapacitation and then sexual assault accompanying the blood-sucking, usually of women by both males and females.
    ◙ Always has “good guys” and “bad guys,” with the “good guys” prevailing in the end.
    ◙ Main characters cannot die unless already replaced by a successor.


    from http://www.sherrydramsey.com/?page_id=1005

  • High Fantasy:
    ◙ Similar to Fantasy, but with more court-like/royal characters and class conflicts/settings; usually some star-crossed royalty romance for the teen or young adult main characters that ends HEA (Happily Ever After); usually has dragons or other mythical creatures centrally featured; for specious reasons, characters often speak in upper-class British accents/styles and/or insert French- or Spanish-sounding words randomly; often heavily laced with sword fights, quests, riddles and other “tests” for the main characters (usually male), which they have to lose at least twice before becoming victorious (“getting the girl” is usually part of their “prize”).
    ◙ Duels are common.
    ◙ Usually HEA (Happily Ever After).
    ◙ Main characters cannot die unless they’re old or can become mythologized and/or unless already replaced by a successor.


    from the cover of Issue 5 of http://www.heliotropemag.com/

  • Urban Fantasy:
    ◙ Similar to Fantasy, but set in decaying cities; usually dystopian/post-apocalyptic; can blend magic with tech, though not as originally or interestingly as the author believes; not enough female characters and frequent fighting among the males; duels are common; cyborgs, androids, political and social tyrants, crime and criminals abound.
    ◙ Only HEA (Happily Ever After) for about 3 “beats,” then more fighting.
    ◙ “Good Guys” can be ethically challenged and compromised frequently.
    ◙ Main characters can die.


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Dark Fantasy:
    ◙ Exactly like one or both of the above Fantasy genres, but with more sex (sometimes BDSM or hard-core porn, here); lots of blood, gore, fighting, elements of Horror, etc.; has conflicts that maim, kill off or otherwise harm the female characters severely, who then need to be rescued (when possible); hauntings, ghosts, evil from other dimensions and realms, summonings gone wrong and other horror-like elements can occur frequently, usually showing the main characters to be idiots; features ominous castles and fortresses a lot.
    ◙ Does not usually go with HEA (Happily Ever After) because the main characters get to be “happy” (have amazing sex and lie around together afterwards) for about 3 “beats” before someone tries to kill one or both of them.
    ◙ Main characters can be cursed, ensorceled and/or die.


    from http://wallpaper-gallery.net/wallpapers/dark-fantasy-wallpapers.html

  • Horror:
    ◙ Similar to Dark Fantasy or Dystopian Sci-Fi, but with more gore, blood, death, suspense, killing, maiming, scaring, scarring, psychological and physical trauma of all kinds as both the causes/ motivations and outcomes for the characters AND the readers (can you tell I do not read Horror?); often has demons, demonic forces, battles between “good” and “evil” embodied in various physical and spirit bodies.
    ◙ Doesn’t even think about including “Happy” endings, except as punctuation marks between disasters and/or parodies.
    ◙ Main characters can and do die, usually horrifically (pun intended).


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Young Adult Speculative Fiction (usually known as YA Spec Fic):
    ◙ Usually dystopian, futuristic Sci-fi or Fantasy; features an abundance of orphans or single-parent-raised main characters; usually has one female for every two male main characters; often includes a plot/characterization that starts with the MC as an undistinguished, low-living, bullied, betrayed, enslaved or harried young person who then experiences the uncovering of special powers or previously unknown importance revealed in the first few chapters.
    ◙ Big on “destiny,” “fate,” “saving the world” and such…really, the MCs are attempting to help only a small number of beings within or a local geographic section of their/”our” world.
    ◙ Can be leaning more toward Fantasy or Sci-fi or blend both.
    ◙ Main characters can die, but usually only within an extended series; most do not.
    NOTE: YA Spec Fic is probably the best source among all Spec Fic subgenres for finding stories that feature people of color, those with disabilities or who are neuro-atypical, queer and other non-mainstream main characters and sidekicks.


image from a guest post by Julia Ember (no relation) on Jamie Kramer’s Books and Ladders blog, http://booksandladders.blogspot.com/2016/06/guestpost-unicorn-tracks-by-julia-ember.html


I told you I was jaded. I am not the only one, by any means. The following quote and analysis (please read entire article; link below) sums up my major complaints perfectly:

[Spec Fic is] not just about shiny, phallic rocket ships populated by deep-in-the-closet Aryan brethren conquering the Final Frontier, people. It’s about different futures, alternate realities, dangerous fantasies. You’d think such places, where dragons dwell, would be heavily populated with equally unusual people, but nope. Looks like everybody important there is white, male, anglophone and straight. Not to mention perfectly healthy physically and mentally.

—penned by Paula R. Stiles, “Diversity in Speculative Fiction,” on http://www.fantasy-magazine.com/non-fiction/articles/diversity-in-speculative-fiction/, from the Dec., 2016 (Issue 60) – People of Colo(u)r Destroy Fantasy! Special Issue [NOTE: “Fantasy Magazine has merged with its sister publication, Lightspeed, so this site will no longer be updated with new content. However, the fiction and interviews you would have found here at Fantasy will now be part of Lightspeed, so please sign up for our newsletter (sent out once or twice a month) to receive updates about the release of new issues of Lightspeed Magazine, news about the magazine, and more.”]
——-Lightspeed Magazine also published, starting in 2014, Queers Destroy… each of the subgenres (Fantasy, Horror, Fantasy), starting with Science-Fiction Special Issues, which you can find out about here: http://www.destroysf.com/queers/
And, on that same page, they have links to their POC [People of Color] Destroy… series of Special Issues for each subgenre (Fantasy, Horror, Fantasy)


2015’s Queers Destroy Science-Fiction cover

—Women are at the forefront of these critiques and do them so well, I have so many to choose from. Here is another, from an interview conducted by Alexandra Alter with N. K. Jemisin [Jemisin was the the first African-American writer and the first woman of color to win a Hugo Award for “best novel” (others have won for short fiction)], “N. K. Jemisin on Diversity in Science-Fiction and Inspiration From Dreams,” published by the New York Times (!?) on https://www.nytimes.com/2016/08/25/books/n-k-jemisin-on-diversity-in-science-fiction-and-inspiration-from-dreams.html?_r=0
Jemisin says she “decided to focus on an oppressive society at the macro scale and what that society does to individuals” in her spec fic novels. Why? Because “a woman of color from an impoverished culture, being brought up among wealthy, privileged white people and having to cope and perform in ways that she has not been raised to do… was obviously drawn from some personal experiences. I do that in everything — explorations of power, identity and belonging.”

—Another great article, “Genrequeer,” by Theodore McCombs at http://www.fictionunbound.com/blog/2016/4/6/genrequeer, offers this excellent insight: “To make space for black achievement and transcendence, speculative fiction lets us change all the rules that should never have been rules in the first place.”


So, there is a lot of hope for increasing diversity, better representation of women and girls, more interesting stories and compelling ways to resolve conflicts than wars and violence in the Spec Fic genre and all its subgenres, with dozens of websites, groups and other resources to help us find them.

Here are some:
—The Black Science Fiction Society: http://www.blacksciencefictionsociety.com


Logo from Black Science Fiction Society website, 2017

—The Speculative Literature Foundation offers “Diverse Writers and Diverse Worlds Grants …The two $500 awards support any purpose that writer recipients may choose to benefit their work.”
FMI: http://speculativeliterature.org/ and a resource list of orgs for writers of Spec Fic: http://speculativeliterature.org/writers-resources-2/writers/writers-organizations-2/

African-American Sci-Fi: http://www.africanamericansciencefiction.com/

Latino Spec Fic: http://www.latinospeculativefiction.com/, which published Latin@ Rising: An Anthology of Latin@ Science Fiction and Fantasy, which “is the first anthology to bring together U.S. Latinos/as who are working in science fiction, fantasy, and other speculative genres”; edited by Matthew David Goodwin.


Cover of Latino@ Rising: An Anthology of Latin@ Science Fiction and Fantasy

—Two other not-so-recent anthologies: Dark Matter: Reading the Bones (2005), edited by Sheree R. Thomas, and Cosmos Latinos: An Anthology of Science Fiction from Latin America and Spain (2003), edited by Andrea L. Bell and Yolanda Molina-Gavilán, which “showcase African-American and (mostly) Spanish-speaking spec-fic writers, respectively.”

—Check out writers in the sub-category of Afrofuturism, which is defined in Wikipedia: “Afrofuturism addresses themes and concerns of the African diaspora through a technoculture and science-fiction lens, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afrodiasporic experiences.” https://en.wikipedia.org/wiki/Afrofuturism

Tracy Mumford, about a year ago, wrote, in: “‘We want to hear new voices’: Diversity in sci-fi and fantasy” for https://www.mprnews.org/story/2016/04/05/books-diversity-in-sci-fi-and-fantasy [as part of The Thread newsletter, which I recommend you sign up for right now (on that page)], some great commentary about those topics.
This article also has a great recommended reading list, curated during and prior to 2015, mostly, of diverse writers’ work in spec fic.

—Queer Sci-Fi has so much to offer, now, and via so many sites. Here is one website that may list the majority of them and offers more resources, besides: https://queerscifi.com/


Weigh in, please. I’d love to have great discussions, here, about other elements of Spec Fic and intersectionality (the places that social identities overlap and in which we analyze privilege, oppression and efforts to effect change). What have I left out, got wrong, etc.?

I’d love to hear from you. I also welcome Guest Bloggers (see my site for Guidelines): http://www.sallyember.com/

December 3 – 4, 2016, Science-Fiction & Fantasy #FREE #EBOOKS and #SALE!

December 3 – 4, 2016, Science-Fiction & Fantasy #FREE #EBOOKS and #SALE! on SF & F, by Patty Jansen. The Spanners Series’ Volume I on ALL ebook retail sites is FREE. Volume II and Volume III #ebooks are $3.99; #CreateSpace #paperbacks 25% off through 12/31/16! http://pattyjansen.com/promo/

Look for Volume I, This Changes Everything, free ebook in the Science Fiction or Fantasy Romance category for all vendors (4th grouping of covers when you scroll down for each vendor).

dec-3-4-2016-sf-and-f-promo

If you haven’t gotten my free ebook or used the CreateSpace coupons to get GREATLY discounted paperbacks, DO IT THIS MONTH! See below for details and coupon codes.

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The Spanners Series first three Volumes of utopian science-fiction/romance by Sally Ember, Ed.D. are on sale NOW! Proud member of Clean Indie Reads #CR4U and Fantasy and Science-Fiction Network #FSFnet

The Spanners Series‘ cover art and logo by WillowRaven: http://www.willowraven-illustration.blogspot.com/

Smashwords has The Spanners Series‘ ebooks in every format (reader’s choice) and the links to all formats for all major ebook vendors are on the sale site SF & F as well.

Whether you’re sweating, freezing, rained or snowed on or anywhere in between, there is still time to READ!
Give books for gifts for birthdays, graduations, fall/winter holidays, anniversaries, vacations: any time!

The paperbacks of all three Volumes are 25% off on CreateSpace! See below for details and coupon codes for each of the Volumes.

SpannersVolume1coverfinal
This Changes Everything, Vol. I, The Spanners Series

Dr. Clara Ackerman Branon, 58, begins having secret visits from holographic representations of beings from the Many Worlds Collective, a consortium of planet and star systems in the multiverse. When Earth is invited to join the consortium, the secret visits are made public. Now Earthers must adjust their beliefs and ideas about life, religion, culture, identity and everything they think and are.

Clara is selected to be the liaison between Earth and the Many Worlds Collective and she chooses Esperanza Enlaces to be the Chief Media Contact. They team up to provide information to stave off riots and uncertainty. The Many Worlds Collective holos train Clara and the Psi-Warriors for the Psi Wars with the rebelling Psi-Defiers, communicate effectively with many species on Earth and off-planet, eliminate ordinary, elected governments and political boundaries, convene a new group of Global Leaders, and deal with family’s and friends’ reactions. 

In what multiple timelines of the ever-expanding multiverse do Clara and her long-time love, Epifanio Dang, get to be together and which leave Clara alone and lonely as the leader of Earth?

This Changes Everything spans the 30-year story of Clara’s term as Earth’s first Chief Communicator, continuing in nine more Volumes of The Spanners Series.

Are YOU ready for the changes?

Volume I, This Changes Everything:
Ebooks are PERMAFREE on every major site. See http://pattyjansen.com/promo/ and click on the logo for your preferred ebook vendor. Then, scroll down to the 4th grouping and look for my cover. Click on it and it will go right to the vendor’s ebook page.

You can then navigate from there to the other two Volumes’ ebook pages for that vendor, or return here to get the CreateSpace discount codes for purchasing paperbacks of any of the three Volumes throughout December.

Volume I’s paperbacks are now $13.49, 25% off the regular price of $17.99, on CreateSpace, using coupon code H93664AM: https://www.createspace.com/5837347 

Spannersvolume2coverfinal
This Changes My Family and My Life Forever, Vol. II, The Spanners Series

Intrigued by multiple timelines, aliens, psi skills, romance and planetary change? Clara and the alien “Band” are back in Volume II, This Changes My Family and My Life Forever.

Now as Chief Communicator, Clara leads the way for interspecies communication on- and off-planet. Fighting these changes are the Psi-Defiers, led by one of the oldest friends of the Chief of the Psi-Warriors, its reluctant leader, Rabbi Moran Ackerman. Stories from younger Spanners about the first five years of The Transition fill Volume II.

How would YOU do with the changes?

Volume II, This Changes My Family and My Life Forever:
Volume II’s eBOOKS are $3.99 everywhere ebooks are sold and in every format on #Smashwords: https://www.smashwords.com/books/view/424969 

Volume II’s paperbacks are now $14.99, 25% off the regular price of $19.99 on CreateSpace using coupon code H93664AM: https://www.createspace.com/5844431 

Spannersvolume3coverfinal
This Is/Is Not the Way I Want Things to Change, Vol. III, The Spanners Series

Clara, Moran, Espe, Epifanio and the alien Band of holos are back in This Is/Is Not the Way I Want Things to Change, Volume III of The Spanners Series. Psi-Defiers launch increasingly violent protests during this five-year Transition, attempting to block Earth’s membership into the Many Worlds Collective. Earth’s nations and borders must dissolve and Psi-Warriors must strengthen in their battle against the rebels.

Clara, as Earth’s first Chief Communicator, also juggles family conflicts and danger while creating psi skills training Campuses to help Earth through the Psi Wars. Clara timults alternate versions of their futures as the leaders’ duties and consciences force them to make difficult choices across multiple timelines, continuing to train and fight.

Will the Psi-Warriors’ and other leaders’ increasing psi skills, interspecies collaborations and budding alien alliances be enough for Earth to make it through The Transition intact? If there is no clear path for Clara’s and Epifanio’s love, does she partner with Steve or go it alone?

What do YOU do with wanted/unwanted changes?

Volume III, This Is/Is Not the Way I Want Things to Change:
EBOOKS are $3.99 everywhere ebooks are sold and in every format on #Smashwords: https://www.smashwords.com/books/view/588331

Volume III’s paperbacks are now $14.99, 25% off the regular price of $19.99 on CreateSpace using coupon code H93664AM: https://www.createspace.com/5844474

3 paperbacks
The Spanners Series‘ three paperbacks on CreateSpace


Print editions and ebooks published under Timult Books

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REVIEWERS: Ask for FREE Ebook coupon codes for Volumes II and III on Smashwords any time: sallyember AT yahoo DOT com


For more information about Sally Ember, Ed.D., her bio, books, blog, video talk show (CHANGES conversations between authors), guest blog posts and guidelines, links to author interviews, book trailers and more: http://www.sallyember.com