December 3 – 4, 2016, Science-Fiction & Fantasy #FREE #EBOOKS and #SALE!

December 3 – 4, 2016, Science-Fiction & Fantasy #FREE #EBOOKS and #SALE! on SF & F, by Patty Jansen. The Spanners Series’ Volume I on ALL ebook retail sites is FREE. Volume II and Volume III #ebooks are $3.99; #CreateSpace #paperbacks 25% off through 12/31/16! http://pattyjansen.com/promo/

Look for Volume I, This Changes Everything, free ebook in the Science Fiction or Fantasy Romance category for all vendors (4th grouping of covers when you scroll down for each vendor).

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If you haven’t gotten my free ebook or used the CreateSpace coupons to get GREATLY discounted paperbacks, DO IT THIS MONTH! See below for details and coupon codes.

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The Spanners Series first three Volumes of utopian science-fiction/romance by Sally Ember, Ed.D. are on sale NOW! Proud member of Clean Indie Reads #CR4U and Fantasy and Science-Fiction Network #FSFnet

The Spanners Series‘ cover art and logo by WillowRaven: http://www.willowraven-illustration.blogspot.com/

Smashwords has The Spanners Series‘ ebooks in every format (reader’s choice) and the links to all formats for all major ebook vendors are on the sale site SF & F as well.

Whether you’re sweating, freezing, rained or snowed on or anywhere in between, there is still time to READ!
Give books for gifts for birthdays, graduations, fall/winter holidays, anniversaries, vacations: any time!

The paperbacks of all three Volumes are 25% off on CreateSpace! See below for details and coupon codes for each of the Volumes.

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This Changes Everything, Vol. I, The Spanners Series

Dr. Clara Ackerman Branon, 58, begins having secret visits from holographic representations of beings from the Many Worlds Collective, a consortium of planet and star systems in the multiverse. When Earth is invited to join the consortium, the secret visits are made public. Now Earthers must adjust their beliefs and ideas about life, religion, culture, identity and everything they think and are.

Clara is selected to be the liaison between Earth and the Many Worlds Collective and she chooses Esperanza Enlaces to be the Chief Media Contact. They team up to provide information to stave off riots and uncertainty. The Many Worlds Collective holos train Clara and the Psi-Warriors for the Psi Wars with the rebelling Psi-Defiers, communicate effectively with many species on Earth and off-planet, eliminate ordinary, elected governments and political boundaries, convene a new group of Global Leaders, and deal with family’s and friends’ reactions. 

In what multiple timelines of the ever-expanding multiverse do Clara and her long-time love, Epifanio Dang, get to be together and which leave Clara alone and lonely as the leader of Earth?

This Changes Everything spans the 30-year story of Clara’s term as Earth’s first Chief Communicator, continuing in nine more Volumes of The Spanners Series.

Are YOU ready for the changes?

Volume I, This Changes Everything:
Ebooks are PERMAFREE on every major site. See http://pattyjansen.com/promo/ and click on the logo for your preferred ebook vendor. Then, scroll down to the 4th grouping and look for my cover. Click on it and it will go right to the vendor’s ebook page.

You can then navigate from there to the other two Volumes’ ebook pages for that vendor, or return here to get the CreateSpace discount codes for purchasing paperbacks of any of the three Volumes throughout December.

Volume I’s paperbacks are now $13.49, 25% off the regular price of $17.99, on CreateSpace, using coupon code H93664AM: https://www.createspace.com/5837347 

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This Changes My Family and My Life Forever, Vol. II, The Spanners Series

Intrigued by multiple timelines, aliens, psi skills, romance and planetary change? Clara and the alien “Band” are back in Volume II, This Changes My Family and My Life Forever.

Now as Chief Communicator, Clara leads the way for interspecies communication on- and off-planet. Fighting these changes are the Psi-Defiers, led by one of the oldest friends of the Chief of the Psi-Warriors, its reluctant leader, Rabbi Moran Ackerman. Stories from younger Spanners about the first five years of The Transition fill Volume II.

How would YOU do with the changes?

Volume II, This Changes My Family and My Life Forever:
Volume II’s eBOOKS are $3.99 everywhere ebooks are sold and in every format on #Smashwords: https://www.smashwords.com/books/view/424969 

Volume II’s paperbacks are now $14.99, 25% off the regular price of $19.99 on CreateSpace using coupon code H93664AM: https://www.createspace.com/5844431 

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This Is/Is Not the Way I Want Things to Change, Vol. III, The Spanners Series

Clara, Moran, Espe, Epifanio and the alien Band of holos are back in This Is/Is Not the Way I Want Things to Change, Volume III of The Spanners Series. Psi-Defiers launch increasingly violent protests during this five-year Transition, attempting to block Earth’s membership into the Many Worlds Collective. Earth’s nations and borders must dissolve and Psi-Warriors must strengthen in their battle against the rebels.

Clara, as Earth’s first Chief Communicator, also juggles family conflicts and danger while creating psi skills training Campuses to help Earth through the Psi Wars. Clara timults alternate versions of their futures as the leaders’ duties and consciences force them to make difficult choices across multiple timelines, continuing to train and fight.

Will the Psi-Warriors’ and other leaders’ increasing psi skills, interspecies collaborations and budding alien alliances be enough for Earth to make it through The Transition intact? If there is no clear path for Clara’s and Epifanio’s love, does she partner with Steve or go it alone?

What do YOU do with wanted/unwanted changes?

Volume III, This Is/Is Not the Way I Want Things to Change:
EBOOKS are $3.99 everywhere ebooks are sold and in every format on #Smashwords: https://www.smashwords.com/books/view/588331

Volume III’s paperbacks are now $14.99, 25% off the regular price of $19.99 on CreateSpace using coupon code H93664AM: https://www.createspace.com/5844474

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The Spanners Series‘ three paperbacks on CreateSpace


Print editions and ebooks published under Timult Books

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REVIEWERS: Ask for FREE Ebook coupon codes for Volumes II and III on Smashwords any time: sallyember AT yahoo DOT com


For more information about Sally Ember, Ed.D., her bio, books, blog, video talk show (CHANGES conversations between authors), guest blog posts and guidelines, links to author interviews, book trailers and more: http://www.sallyember.com

Current Research in Speculative Fiction Liverpool, UK, (CRSF) Conference was June 27, 2016

Current Research in Speculative Fiction Liverpool, England, UK (CRSF) Conference was Monday, June 27, 2016, at the University of Liverpool!

CRSF logo

Here is their report:

CRSF 2016 Post-conference Report
Posted: 04 Jul 2016 05:26 AM PDT
The sixth annual Current Research in Speculative Fiction [CRSF] conference was held last week on Monday 27th June and was a great success.

As usual, the papers delivered were of a high quality and a diverse range of topics from D&D bestiaries to feminist utopia, ecological disaster to Harry Potter, medieval English horror to Japanese dystopian YA and far more besides. As usual huge thanks go to those who presented a paper: thank you for the enthusiasm with which you approached the task and for the hard work you did preparing for the conference, a conference – no matter how the organising goes – is nothing without its delegates.

CRSF 2016 represents a record year for number of delegates, with non-presenting delegates outnumbering presenters for the first time. This was in no small part thanks to the excellent Science Fiction Research Association (SFRA) conference also held in Liverpool on the 28th-30th June, a number of whose delegates came along to see CRSF in action. There were, however, a number of non-presenting delegates, including former presenters from previous years, who made the trip to Liverpool especially to see CRSF, I cannot think of a better endorsement for the atmosphere and organisation of the conference than for those who have been before to want to come back, even if they’re no longer eligible to present.

In total we had fifty-six attendees and thirty papers presented, over three parallel streams, by delegates from institutions throughout the UK, as well as Ireland, Belgium, Germany, Finland, Spain, Russia, Israel, Canada, and the United States, among others.

Thank you to all who attended. Additional thanks to all those who engaged with the conference on social media. I’m a firm believer in the Twitter back channel for conferences, and CRSF performed ably in this regard too. If you’re not on Twitter and you want to (re)discover the tweet-by-tweet coverage of the conference it’s been conveniently archived on Storify here for you.

Thanks also to our wonderful keynote speakers: Dr. Caroline Edwards (Birkbeck University of London) and Dr. Pat Wheeler (University of Hertfordshire) who not only gave fascinating and insightful keynote lectures, but also attended numerous panels, asking insightful and constructive questions throughout, and offering many a kind and supportive word for delegates in the breaks and more informal moments of the conference. Caroline’s paper opened the conference and was entitled ‘”But there is still such beauty”: Post-Apocalyptic Fiction and Eco-Eschatological Time in the 21st-Century’, it took us through such post-apocalyptic novels as Emily St. John Mandel’s Station Eleven and Maggie Gee’s The Flood, highlighting the pastoral beauty often found in these texts and the implications of that for our vision of the apocalypse and the future (if any) of humanity’s role on the Earth. Pat’s keynote was entitled ‘”She can’t love you, she’s just a machine’: Metal-fevered Boys and their Passion for New Eves’, which challenged how we should read gynoids in the twenty-first century: as either challenge or constriction to women’s agency.

Thanks as ever to the University of Liverpool staff who provided support both in the build up to, and during, the conference: the Rendall Building staff, and Filomena Saltao, the Administrator of the School of the Arts, and Siobhan Quinn. Thanks also to Andy Sawyer, academic librarian for the Science Fiction Foundation collection at the University of Liverpool’s Sydney Jones Library, for once again arranging for all delegates to receive free copies of Foundation: The International Review of Science Fiction. Thanks also to the staff at Il Forno, our traditional restaurant of choice, who once again dealt with our large numbers with aplomb.

As always we welcome your feedback on CRSF 2016, all comments are useful and appreciated. Please leave a comment on our website’s post at http://currentresearchinspeculativefiction.blogspot.com, or e-mail them to us at crsf.team@gmail.com.

CRSF will return in 2017….

Glyn Morgan,
Molly Cobb,
Leimar Garcia-Siino,
Chris Pak

I wish I could have been there.

To refresh, if you missed my explanatory pre-conference post, read below:

CRSF is a postgraduate conference designed to promote the research of speculative fictions including, but not limited to, science fiction, fantasy and horror.

Our aim is to showcase some of the latest developments in this dynamic and evolving field, by providing a platform for the presentation of current research by postgraduates. The conference will also encourage the discussion of this research and the construction of crucial networks with fellow researchers.

The planned schedule was as follows:

9:00-9:30: Registration and Refreshments

9:30-10:30: Keynote Lecture #1: Dr Caroline Edwards,

“But there is still such beauty”: Post-Apocalyptic Fiction and Eco-Eschatological Time in the 21st-Century

10:30 -12:00: First Round of Panels

1.1: Press START to Play
Andrew Ferguson – Clipping Out of Bounds: Reading House of Leaves Through Portal

House_of_leaves

  • Britanny Kuhn – [Awaiting Title]
  • Ivaylo Shmilev – Oppression, Warfare and Transcultural Memory in the Complex Post- Apocalyptic Environments of the S.T.A.L.K.E.R. Game Series

    STALKER game image

1.2: Horrific Narratives
Travis Gasque – The New Cosmic Horror: A Genre Molded by Tabletop Roleplaying Games and Postmodern Horror
Matthew McCall – “My manez mynde to maddyng malte”: Tracing Horror in the Middle English Pearl

Pearl_Poet

  • Selena Middleton – Climate Collapse and the Uncontained Body in James Tiptree Jr.’s A Momentary Taste of Being

    Momentary taste (in the 1975 anthology, The New Atlantis and Other Novellas of Science-Fiction)

1.3: You’re Only Young Once
Lan Ma – Censorship and Resistance: Information Control in Japanese Dystopian Young Adult Fiction in the 21st Century
Alison Baker – Protocols for the education of young witches and wizards
Arunima Dey – The Grotesque in the Harry Potter Series

Potter box set

12:00 -13:00: Second Round of Panels

2.1: Beasts and Bestiaries
Rob O’Connor – “The History of All Hitherto-Existing Societies is the History of Monsters”: The Bestiary and the Depiction of Monsters as Social Commentary
Sandra Mänty – Representation and function of animals in the world of Harry Potter

Potter collection cover

2.2: The Greater Good
Maxine Gee – “If something stinks put a lid on it, don’t see it”: Self-censorship and the brave new world of Psycho Pass

Psycho Pass

  • Jonathan Ferguson – Crimes Against The Greater Good are Victimless Crimes?

2.3: Character Studies
Beata Gubacsi – Monstrous Transformations: Becoming posthuman through art in Vandermeer’s Ambergris novels

Ambergris 1

  • Matteo Barbagallo – Do we have a deal? Petyr Baelish, Varys, Rumpelstiltskin and their role as Doppelganger

13:00 -13:45: Lunch Break

13:45 -14:45: Keynote Lecture #2: Dr Patricia Wheeler

“She can’t love you, she’s just a machine”: Metal-fevered Boys and their Passion for New Eves

14:45 -16:15: Third Round of Panels

3.1: Revenge of the Film
Pablo Gómez Muñoz – Greening Apocalypse: Eco-Conscious Disaster in Twenty-First Century Science-Fiction Cinema
Josephine Swarbrick – Monstrous Men and Masculine Monsters: Gender and the Cyborg in Paul Verhoeven’s Robocop (1987) and José Padilha’s Robocop (2014)

Robocop

  • David Contreras – Gothic Surrealism in Mexican Cyberpunk Short Film: The Borderlands Strike Back

3.2: Theoretically Speaking
Jo Lindsay Walton – The Dystopian Glimpse
Artem Zubov – Science-fiction studies and genre theory
Pascal Lemaire – Fans of history first, fans of S-F more distantly ? Alternate History as a form of History’s fan fiction

3.3: Tell Me a Tale
Kanta Dihal – Science and Religion in Madeleine L’Engle’s A Wrinkle in Time and Philip Pullman’s His Dark Materials

Wrinkle coverPullman box set

  • Rina Jean Baroukh – “Your Light Has Come” : Fantasy and Reality in Shimon Adaf’s Sunburnt Faces

    Sunburnt faces cover

  • Laura-Marie von Czarnowsky – Re-Defining the Bildungsroman: Traumatic Journeys as a Trend in Contemporary Fantasy Fiction

16:15 -16:30: Refreshment Break [YES: English Tea Time!]

16:30 -18:00: Fourth Round of Panels

4.1: Perceptions of the Female Self
Sonya Dyer – aPOCalypso: Janelle Monae and (Science) Fictional Black Feminisms
Sarah Lohmann – “Solar Loyalties”: The Utopian Ethics of Posthumanism in Naomi Mitchison’s Memoirs of a Spacewoman

Spacewoman cover

  • Mylène Branco – The Construction of the Female Self in L.P. Hartley’s Facial Justice

    Facial cover

4.2: Alternate Beings
Tom Kewin – ‘A Society of Screens’: The State of Digital Surveillance and the Repercussions for the Humanist Subject
Mattia Petricola – From mesmeric trance to living avatars: Rethinking consciousness and death after Mr. Valdemar

Valdemar

4.3: Dystopian Time, Resurgent Space
Gabrielle Bunn – Future Ruins: The intersection of nature and culture in the post-apocalyptic landscape of J. G. Ballard’s The Drowned World (1962)

Drowned cover

  • Hollie Johnson – Anarchy, Nostalgia, and Resistance: The Role of Nature in We, Brave New World, Nineteen Eighty-Four

    We cover1984

  • Thomas Connolly – “There was a thing called Heaven”: The end of time in Huxley’s Brave New World

    Brave New World cover

18.00 -19.00: Post-Conference Wine Reception and Official Conference Group Photo

Download a PDF of the entire schedule here: https://drive.google.com/file/d/0B4DNnD_AmJQmeWdEREJfemd1YWs/view

Want to present or attend next year? The “Call for Papers” usually occurs in early December for the following June’s annual conference. Check out past conferences/calls and get more information here and visit their
website: http://currentresearchinspeculativefiction.blogspot.com/
or contact their team (the team members’ list has not been recently updated, yet: CRSF.team@gmail.com and follow their Tweets: ‎@CRSFteam

Their website is not very “interesting,” IMHO, but the topics ARE. Here is a sampling of Q & A from their FAQs…

FAQ

What is CRSF?
CRSF is short for Current Research in Speculative Fiction, an annual conference organised by postgraduate students for postgraduate students. The conference was first held in 2010 at the University of Liverpool and has been held annually since, attracting an international selection of speakers from as far afield as Turkey and the USA. The conference aims to provide a welcoming and friendly atmosphere for researchers who are at the very beginnings of their fields to test ideas, network with others, and gain valuable conference experience.

What is Speculative Fiction?
Simply put, we consider speculative fiction to be the collective name for the non-mimetic genres of science-fiction, fantasy, horror, and their related sub-genres. Essentially, if it’s a bit weird, it’s probably eligible. If in doubt, feel free to run your idea by us. At this juncture, it’s probably also worth us pointing out that the conference doesn’t discriminate among media: papers on television, film, video games, music, fan culture, etc., are as welcome at CRSF as papers on literature.

I’m an undergraduate student/ university faculty member/ speculative fiction fan/ author, can I attend?
We welcome non-presenting delegates from all aspects of speculative fiction whether you be a non-academic fan or a professor at a university.

How much does CRSF cost to attend?
Since CRSF is funded entirely off the delegate fees we can never be 100% sure of our budget until we know how many papers we will be accepting for the conference. As such, confirmed fees are not available until after abstracts have been processed and invitations to present accepted. However, as a guide, past conferences have charged £30 (about $44 USA) for the day with an early bird discount available for those who register early. This fee includes lunch and refreshments.

Final 2 Days! Fantasy & Science-Fiction Network’s Year’s BlockBuster Book Sale

FINAL 2 Days! Fantasy & Science-Fiction Network’s Year’s BlockBuster Book Sale Through 12/31/15! #SciFi #Fantasy #FSFnet

Two more days to load gifts into people’s ereaders! #Free and 99-cent sci-fi and fantasy stories and entire books available! Celebrate the New Year and cuddle up through winter weather with BOOKS!

FSFnet 2015 HolidaySale
http://fsfnet.com/2015/12/18/years-end-blockbuster-sale/

Find your favorite writers of Fantasy & Science-Fiction and new authors! Sale includes children’s, ebooks, paperbacks, short stories, audio books on sale, all rated G, PG, PG-13!

Sale includes:

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20% off on the first or any of the three or all three paperbacks in The Spanners Series! Save $3.60 – $11.60!

3 paperbacks

Get Coupon Code for CreateSpace paperbacks ONLY in The Spanners Series by Sally Ember, Ed.D., by emailing sallyember @ Yahoo DOT com 12/19 – 31/15 then, browse for other specials: http://fsfnet.com/2015/12/12/coming-soon-years-end-blockbuster-sale/

Volume I, This Changes Everything, usually $17.99, save $3.60 http://www.CreateSpace.com/5837347 
EBOOK is permafree. Links: http://www.sallyember.com/Spanners Look right; scroll down.

Volume II, This Changes My Family and My Life Forever, usually $19.99, save $4.00 http://www.CreateSpace.com/5844431
EBOOK is $3.99 Links: http://www.sallyember.com/Spanners Look right; scroll down.

Volume III, This Is/Is Not the Way I Want Things to Change, usually $19.99, save $4.00 http://www.CreateSpace.com/5844474
EBOOK is $3.99 Links: http://www.sallyember.com/Spanners Look right; scroll down.

http://www.sallyember.com for book trailers, author interviews, excerpts, blurbs, more!

All from logo by Sally Ember, Ed.D.

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One-year Anniversary of *CHANGES* *conversations between authors* on 8/5/15!

CHANGES Episode 37, with teen author, Vartika Singh Sikarwar, and host, Sally Ember, Ed.D.

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For my one-year anniversary of the CHANGES conversations between authors show, I am proud to be hosting my first teen author guest, Vartika Singh Sikarwar, who is also a memoir writer, essayist and poet!

Vartika looking forward

We are LIVE on Wednesday, August 5, 10 – 11 AM EDT USA,
Google+ https://plus.google.com/events/cj1b52u2sjs7ul83c11urdicqno  or
Youtube http://www.youtube.com/watch?v=52tbA0kZ4jI

Vartika’s writing can be found: http://www.wattpad.com/user/VartikaS ,
https://www.facebook.com/MyAdventureToTheSecretDoor
and http://www.teenink.com/users/VartikaSinghSikarwar

Vartika Door

Watch conversations with my previous CHANGES guests any time: https://www.youtube.com/playlist?list=PLPbfKicwk4dFdeVSAY1tfhtjaEY_clmfq

CHANGES Trailer Image_3

Learn more about and get yourself on or recommend someone to be scheduled as a guest for CHANGES conversations between authors:  https://sallyember.com/changes-videocasts-by-sally-ember-ed-d/


HOWEVER: I seem to be “running out of guests” for CHANGES conversations between authors. Coming up next week on its one-year anniversary and only have 2 guests scheduled after that; done by mid-Sept., at this point.

Should I close up shop?

Do you have ideas about whether or not to continue, and, if so, how to attract fascinating author guests?

Thanks, Crew!

Observations from a Master of #Timetravel: Guest Post by Devorah Fox

I am so pleased to welcome Devorah (Dee) Fox as my guest blogger today. Dee is a #fantasy/ #thriller #author and #columnist who was my guest on CHANGES conversations between authors for Episode 18.

Dee is a contributing writer to a new anthology about time travel releasing this month and has an interesting set of questions posed, below, regarding the distinctions (or not) among #Fantasy, Science-Fiction (#scifi) and general #fiction, with a discussion of #parallel/ #alternate #universes and multiple #timelines as well. Since I deal with many of these topics in my own writing, via The Spanners Series, http://www.sallyember.com/Spanners-2, we both welcome your comments, questions and experiences! Join the conversation, please!

For more information about how to reach Dee and know more about her writing, to become a guest on CHANGES or become a guest blogger on my site, see below this post.

Thanks for visiting!


Observations from a Master of #Timetravel

by Guest Blogger, Devorah Fox

A couple of years ago, I ruminated on what categorized a story a Fantasy as opposed to General Fiction. Fiction is about made-up stuff. That’s why it’s fiction and not nonfiction. I asked myself: is a work considered Fantasy simply by virtue of the degree to which the fiction is imaginative?

Although I am now on the fourth book in The Bewildering Adventures of King Bewilliam, labeled by me as an “epic Fantasy series,” I’m still not convinced that these stories belong in the Fantasy genre. It’s true that they are set in an imagined geography and in a period that is more “once upon a time” than an actual historic era. And yes, the hero battles dragons, sea monsters, and other mythical creatures. However, the life challenges that King Bewilliam faces are contemporary: career displacement and divorce in The Lost King; parenting in The King’s Ransom; the nature of leadership and the morality of war in The King’s Redress. So, are those stories Fantasy?

When I embarked on a short story for Masters of Time: A Sci-Fi and Time Travel Anthology, I found myself wondering about the difference between Fantasy and Science-Fiction. I’ve seen the comment that Science-Fiction explores the possible, albeit improbable, while Fantasy explores the impossible, but I wouldn’t agree. I don’t see a clear distinction between imagining a world that includes aliens versus one that includes werewolves.

mastersoftimecover
Masters of Time: A Sci-Fi and Time Travel Anthology

Ray Bradbury, whose work falls into both genres, suggested that Science-Fiction is a logical projection of the future. Science-Fiction takes as its departure point what we do know about reality, whereas Fantasy is based in invention.

I prefer to think that Fantasy explores what we don’t know about reality. At the risk of sounding metaphysical, there are planes of existence for which we cannot provide evidence using our five senses. Nevertheless, spiritualists and religious leaders encourage belief in the numinous. Fantasy embraces the supernatural and the paranormal, but notice that “natural” and “normal” are at its roots. I’d go even further and say that scientists are very imaginative and fantasize about what we don’t know…yet. What makes them Scientists is that they then seek to prove or disprove that, while Fantasists don’t seek proof.

Many a Fantasist has explored time travel as if it were possible. Even noted scientists take the idea seriously, according to a blog post by theoretical physicist, Dr. Michio Kaku. He wrote that a contemporary of Einstein, mathematician, Kurt Goedel, suggested that time is flexible: it speeds up and slows down. Also, time has whirlpools in which it could wrap itself into a circle. This would enable anyone walking along the direction of rotation to find themselves returned to the starting point but backwards in time.

Decades later, mathematician, Roy Kerr, proposed the concept of a rotating black hole. Dr. Michio Kaku explained it this way: “…[T]he black hole would not collapse to a point (as previously thought) but into a spinning ring (of neutrons). The ring would be circulating so rapidly that centrifugal force would keep the ring from collapsing under gravity. The ring, in turn, acts like the Looking Glass of Alice. Anyone walking through the ring would not die, but could pass through the ring into an alternate universe.”

Before we all run off and start building time machines, though, we should address some paradoxes. Take, for instance, this problem: if you go back in time and undo the circumstances that led to your birth, you would never come to be, much less be around to time travel. This is what’s known as the Grandfather Paradox, which results in an inconsistent causal loop. It puts “effect” ahead of “cause” instead of the other way around, as we commonly understand it. This paradox creates an infinite loop: you go back in time and kill your grandfather, thereby preventing your own birth, thereby preventing yourself from going back in time to kill your grandfather, thus your grandfather is never killed, which allows you to be born, so you can go back in time and kill your grandfather….

Let’s say, instead, that time is fixed, that even if occurrences of the past are changed, the future that they led to cannot be. For example, you travel back in time and kill your grandfather (poor Grandad. Whatever did he do to deserve all this antagonism?). To cover your actions, you replace him with someone else, but that man marries and somehow gives birth to your father, who has a child—–you–—so, you are born, after all.

Another possibility is that there are alternative and parallel universes. If this is so, you can travel back in time, kill your grandfather and thwart any offspring, including you. However, all you have done is alter one timeline. Others, including the one in which you do exist, continue unchanged. However, you (the homicidal maniac time-traveler), cannot return to that timeline.

Indeed, the protagonist of my story, “Turning the Tide,” doesn’t so much travel through time herself as she changes it. She reaches into the past to put two men she loves on different paths, effectively moving them into parallel universes, where they enjoy brighter futures.

It’s not hard for me to believe in parallel timelines. At any point in any of our lives, there are different tracks we can follow, deliberately or reactively. The Time Master in “Turning the Tide” knows that the consequence of her manipulation could be that she never meets the men she so loves. However, it’s also entirely possible that, even though their lives took different courses, one or both of them could still meet her. There are so many roads, with so many forks in them. Any one of them could intersect with another parallel timeline, just at a different point.

You’ll find both Fantasy and Science-Fiction at the heart of the stories in the newly-launched Masters of Time: A Sci-Fi and Time Travel Anthology Check it out: http://meet-the-time-masters.blogspot.com.

You can find about more about my epic Fantasy (or not) series, The Bewildering Adventures of King Bewilliam: http://devorahfox.com and http://www.amazon.com/-/e/B006L9BJAO.

threeKBWbooks
The Bewildering Adventures of King Bewilliam


Dee’s Links:

website: http://devorahfox.com
Facebook: https://facebook.com/DevorahFoxAuthor
Amazon Author Page: http://www.amazon.com/-/e/B006L9BJAO
YouTube Channel: https://www.youtube.com/user/devorahfox/videos

MOT links:

webpage: http://timeanthology.blogspot.com/
Amazon: http://www.amazon.com/Masters-Time-Science-Fiction-Anthology/dp/1514173727
Trailer: http://youtu.be/PovabW4fyjQ
Apple iBooks/iTunes: http://apple.co/1bp77vK
Smashwords: http://bit.ly/1K3ggGi
Barnes & Noble/ nook: http://bit.ly/1Kkkr0C

Devorah actual
Devorah (Dee) Fox


Dee Fox was also my guest on CHANGES conversations between authors, an almost-weekly, Google+/Youtube video chat show, on Episode 18. Watch conversations with my previous CHANGES guests any time: http://goo.gl/eX0D8T

OPENINGS occur frequently! #Authors, especially those in sci-fi/speculative fiction and who blog, learn more about and get yourself on CHANGES, and
#Readers, recommend an #author to be scheduled as a guest: http://goo.gl/1dbkZV


If you’d like to be a Guest Blogger, please visit my Guest Bloggers’ Hall of Fame and learn what’s involved.

Thanks for visiting, commenting, following, and enjoying this site! http://www.sallyember.com

“Let’s Talk #Anthologies: How To Put One Together And Sell It”: Guest Blog Post by Alesha Escobar

I am so pleased to welcome Alesha Escobar as my guest blogger today. Alesha is a #fantasy/science-fiction and thriller author who does “mash-ups.” Alesha also concocted the idea of and edited an anthology of stories related to time travel, one of my favorite topics!

To honor the release of the anthology, Masters of Time (MOT), this month and because many of the included topics appear in my own writing, via The Spanners Series, http://www.sallyember.com/Spanners-2, we both welcome your comments, questions and experiences! Join the conversation, please!

Because MOT includes contributions from one of my CHANGES conversations between authors Google+/Youtube Hangout On Air (HOA) guests who is guest blogging here next week (July 15, ) about MOT-related themes, Devorah (Dee) Fox, and a previous guest blogger, Samantha LaFantasie (November 5, 2014, “5 Ways to Deal with Writer’s Block”), I am especially glad to help publicize this new anthology.

For more information about how to reach Alesha and know more about her writing, to become a guest on CHANGES or become a guest blogger on my site, see below this post.

Thanks for visiting!


Let’s Talk #Anthologies: How To Put One Together And Sell It
by Alesha Escobar

If I could gather some of my favorite sci-fi and fantasy authors into one room, I’d politely inform them that they couldn’t leave until they’ve handed over a compilation of new, addictive stories for my reading pleasure.

Except George R.R. Martin. I’d only let him participate if he promised to stop killing characters.

One of the best things about settling into a good sci-fi/fantasy book is being taken away to an imaginative world, running alongside characters you care about and feeling their heartache and triumphs. An anthology is a tasty buffet of good stories, whether they’re short tales or full-length ones. They can treat you to the scope of a single author’s creativity or a varied range of authors collaborating with each other.

Last year in an end-of-the-year blog post, I predicted (as much as one could) that we would see an uptick in time-travel stories. I decided to put my money where my mouth was and compile a time-travel anthology, Masters of Time.

mastersoftimecover

Now that I had the concept down (science-fiction and fantasy time travel), I knew I had to reach out to authors I respected and whose work I’ve enjoyed. Once I had that taken care of, then came in the “business aspect.”

If you’re an author thinking about contributing to an anthology or compiling one, I’ll share about this process in the hopes that it gives you an idea of the amount of work it takes, as well as how to avoid some pitfalls.

So, You’ve Got Your Book’s Theme and Your Author Line-up: Now What?

Contracts, Baby!

I’m the co-owner of a micro-press, Creative Alchemy, Inc. Not only was I going to contribute to this anthology as an author, I was also going to publish it through Creative Alchemy. As much as my co-authors love me, they have busy lives, projects, and bills to pay. They weren’t going to contribute a story for free, and as savvy writers, they wanted to know the royalties breakdown, publishing rights, and the length of time they’d have to wait before they could publish their individual stories on their own.

These are all valid concerns, so I drew up contracts in order to have it all settled and agreed upon. Even if the people you’re working with are friends or are trustworthy, still: have a signed contract. It won’t hurt.

Secure an Editor

I highly recommend that your editor is someone who is not a co-author of the project. It will help with objectivity, it will be one fewer thing you have to worry about, and it will guarantee that you’ll come out with a polished book. When compiling Masters of Time, our amazing editor, Charmaine, had no qualms with throwing us into the re-write dungeon when needed. Her insight, constructive criticism and feedback helped shape our work and mold it into something we could be proud of.

Set Deadlines

When is the first draft due? The second? And the last? Try to have a tentative release date scheduled as early as possible so you can work “backwards” toward that goal. Having specific dates written down also motivates writers and keep them accountable for turning in manuscripts.

Get a Professional to Format the Book

When six or more people email you their stories in MS Word format, they’re going to be coming in different fonts and sizes and with different formatting. Y’all know how picky Smashwords is with its vetting system and you don’t want to upload to Kindle Direct Publishing and use the preview feature only to find that your book looks horrible.

Save yourself the headache; once all the stories are compiled into a master document and edited, send it off to the formatter. This is also the perfect time to remind you to get your cover artist and work on the best image you believe will perfectly represent the book.

Dot Your I’s and Cross Your T’s

Don’t neglect things like spelling the co-authors’ names the way that they want them to be spelled. One of my co-authors always needs his middle initial included, otherwise he is confused with another author by the same name. Does your author want to go by a pen name? Make sure you’ve got that down as well.

Have your co-authors submit their bios, book links and social media profiles, storing them in Evernote or another handy place. It’s a pain to ask them twenty times for this information because you never bothered to copy it down.

Double-check each story title and make sure they’re the final choices. Sometimes authors will start off with one title (or a temporary one) and then change it for the final version. Everything should be up-to-date and consistent.

And, after all has been edited and formatted, do another comb-through!

Don’t Wait Until Release Day to Tell the World about It

I swear I still have friends and relatives shrugging their shoulders and telling me, “Sweetie, why didn’t you say you wrote a book? I didn’t know!” Oh, believe me, I’ve been saying it 😉

Many people, including interested readers, lead busy lives. The internet throws loads of information at us all day, every day, and our social media feeds get more crowded by the second. It’s not a surprise that some people miss the exciting news that your latest project has just been released—so don’t wait until release day to alert people.

Masters of Time will be officially released July 13, but I’ve been advertising the anthology since the beginning of this year. How? As soon as I could, I put the book on pre-order and alerted my email subscribers (if you don’t have an author newsletter, start one). Several book promotion sites will advertise your pre-order, and then there are some seriously cool book bloggers out there who will also be happy to do a cover reveal, an interview, feature or a review of an advanced copy. Bloggers also love giveaways, so if you have a giveaway attached to your book release, it’s a plus!

I’ve announced my anthology at my own blog as well as brought in and featured my co-authors. We’ve exchanged guest posts. I hit the social media pavement and let my Facebook, Twitter, and Google+ friends know. As we got closer to July, the advertising became more urgent, and I did all this while abiding by the principle of not spamming. It’s great to tell people about your book, but remember not to spam.

Also, while the bulk of your efforts may be through the internet, don’t neglect creating awareness in real life: is your local bookstore or library open to your holding an event? Can you share bookmarks, cards or flyers? Perhaps you can host a speaking engagement at your nearest book club or school campus? Get creative with the ways you can reach people and grow visibility for your book.

Now, Here Are Some Things I Already Wish I’d Done Differently

  1. I wish I would’ve added a few more authors to the anthology. While this collection is an amazing read, there are six of us contributing short stories and it’s 100 pages total. Not bad, but some promotion sites are used to presenting 800-page book collections and boxsets to their audience. I should’ve considered book length as one of my goals, though in my gut I do believe I chose the right authors and stories. This won’t necessarily harm us, but it will definitely be part of my planning process next time.
  2. I wish I would’ve done cross-critique among my co-authors. Though my in-house editor oversaw the book, I think there is additional value in authors reading one another’s contributing stories and offering feedback. This was done with the New Myths anthology I contributed to for HDWP Books, and it was an amazing process. It also lets your co-authors know what the other stories are about and it gives them room to mention these stories in interviews and blog posts.
  3. I wish I hadn’t had a “this is my responsibility” mentality. My co-authors were (and are) willing and ready to boost promotion and cross-promote, but sometimes I shied away because I felt that I needed to “prove myself” and show that I knew how to market a book. I also didn’t want to disappoint them. Duh! There is strength in numbers. If you’re the publisher or “leader” of an anthology, there’s nothing wrong with being open to letting your cohorts help you pick up the marketing and promotion slack. In fact, it’s better to have them all on board, helping. We have various skills, gifts, contacts and audience sizes. Working together to promote the book will only benefit the group—you’re in this together.

Hopefully, sharing my anthology process has given you an idea of what it’s like and what you should plan for.

If you’re a reader, perhaps this has been a nice peek into the world of writing and what it takes to get that amazing, finished product out to you.


Thank you, Sally, for inviting me today, and I hope you all continue to be entertained and inspired by great stories!


About the Author

Alesha Escobar writes fantasy to support her chocolate habit. She enjoys everything from Tolkien and Dante to the Dresden Files and Hellblazer comics. She resides in California with her partner-in-crime, Luis Escobar, a 20-year art veteran on The Simpsons television show.

Alesha is the author of The Gray Tower Trilogy, an action-packed, supernatural spy thriller set in an alternate 1940’s. The trilogy books have hit the Amazon bestsellers lists for Historical Fantasy and Mashups.

You can find Alesha at her weekly blog, Fantasy, Mashups, & Mayhem, where she discusses fantasy and science-fiction TV shows, movies and books, and celebrity gossip…She’s just kidding about the celebrity gossip.

But, there IS a giveaway for MOT: http://timeanthology.blogspot.com/p/enter-giveaway.html

The Black Dagger Gods (short story, New Myths Anthology)

 
Find Alesha on:

Alesha Escobar


MOT links:

webpage: http://timeanthology.blogspot.com/
Amazon: http://www.amazon.com/Masters-Time-Science-Fiction-Anthology/dp/1514173727
Trailer: http://youtu.be/PovabW4fyjQ
Apple iBooks/iTunes: http://apple.co/1bp77vK
Smashwords: http://bit.ly/1K3ggGi
Barnes & Noble/ nook: http://bit.ly/1Kkkr0C


CHANGES conversations between authors is an almost-weekly, Google+/Youtube video chat show. Watch conversations with my previous CHANGES guests any time: http://goo.gl/eX0D8T

OPENINGS occur frequently! #Authors, especially those in sci-fi/speculative fiction and who blog, learn more about and get yourself on CHANGES, and
#Readers, recommend an #author to be scheduled as a guest: http://goo.gl/1dbkZV


If you’d like to be a Guest Blogger, please visit my Guest Bloggers’ Hall of Fame and learn what’s involved.

Thanks for visiting, commenting, following, and enjoying this site! http://www.sallyember.com

WRITING AND PROMOTING A SERIES: Series authors, Nicholas C. Rossis and Charles Yallowitz

WRITING AND PROMOTING A SERIES:

by series authors, Nicholas C. Rossis, Pearseus series, and

Charles Yallowitz, Legends of Windemere series

Guest bloggers and former guests on CHANGES conversations between authors
(Episodes 7 and 9), http://www.sallyember.com

PEARSUS VIGIL NOW AVAILABLE ON AMAZON

PEARSEUS: VIGIL NOW AVAILABLE ON AMAZON

This joint post was made possible by the invitation of Sally Ember, who has been gracious enough to allow us to speak on her blog. She has done this knowing that Mr. Rossis and Mr. Yallowitz have a history of crazy antics. Indeed, some of these antics occurred on Sally’s very own LIVE video show *CHANGES* conversations between authors, which you can find online. Thank you to Sally Ember and we hope everyone enjoys this post on writing a series.

Check out Nicholas’s newest release, Pearseus: Vigil, by clicking on the above cover art and
prepare for a March/April debut of Charles’s next book, Legends of Windemere: Sleeper of the Wildwood Fugue.

Charles: First, I would like to say that I’m happy to be working with Nicholas again and on a post this time. Our back and forth on our blogs is a lot of fun and he has a very sharp, creative mind that keeps me on my toes. This carries over into his writing, which impressively spans several genres.

Nicholas: Same goes for me. I’m very impressed by Charles, both as an author and as a person. Plus, it’s great to have someone who gets my weird sense of humor!

What is the hardest part about promoting a series?
Charles: It’s really easy at the beginning because you can play around with teasers and you only have one book out. Then you get the second and try to find ways to promote without revealing everything in the first book. Around the third book, if you go higher than a trilogy, you get caught between avoiding big revelations in the earlier books and spoilers for the next one. It’s a really hectic balancing act because you don’t want to say too much. Yet, you have to say enough to keep people interested and lead to them to the rest of the series.

I’ve found that you have to make sacrifices in this, for example, revealing a minor spoiler to promote the next book while keeping the big stuff secret. A teaser helps, too, because it isn’t so much a spoiler, but a hint that something is going to happen or a foreshadowed event is coming to pass. Oddly enough, I found that Twitter is the less nerve-wracking social media site to promote a series on because the 140-character limit means you can’t say much and it’s hard to tiptoe around spoilers like that; you have to stick to catchy blurbs or small quotes from the book.

CLICK FOR AMAZON SITE Cover Art by Jason Pedersen

CLICK FOR AMAZON SITE
Cover Art by Jason Pedersen

Nicholas: I agree with Charles that Twitter is a great promotional medium for a series, as my marketing relies on a short quote and a link.

One of the best things about having a series is that you can have a different book on sale each month and it will help the others’ sales as well. However, unlike Charles, I have also made a book bundle available. This contains all the books published so far in Pearseus. Obviously, when this is on sale, no one buys the rest of the books. However, it does attract a lot of attention as it offers great value for money. So, it’s all a bit of a balancing act.

How difficult is it to maintain continuity in a series and what tricks do you use to accomplish this?
Charles: I once switched one of my main character’s eye colors and a minor recurring character lost his hair. So some of the details can be messed up if one isn’t careful. Perhaps the biggest challenge to story continuity is that you can forget some foreshadowing or you do something that alters a previously established rule. Middle books can also have events that change the finale because what you plan in your head might not always be what comes out on paper. It really is a game of memory and concentration or like putting together a 5,000-piece puzzle with no picture to guide you.

There are two tricks that I use. One is that I keep notes on a lot of things that I believe I will forget. For example, I had some minor characters who step into the spotlight in a later book and I never gave them much description in their first appearances. There was just enough that they stood out and I had to make sure I had those identifiers written down. The other trick is never to be afraid to look back at your earlier books to confirm information. If you have even an inkling that you’re off on a fact, then jump back to the book where you know the information has already been written. This helps with plot lines, character descriptions, world-building and anything else that carries over from book to book.

Nicholas: LOL—I love the idea of “a 5,000-piece puzzle with no picture to guide you.” Indeed, it can feel that way at times.

I have a .doc file that includes all sorts of minor details, from names to subplots. Also, when I write, I always have my older books open as well. That way, I’m instantly able to jump back and forth and check things out. For example, a lot of the action takes place in a place called the “Chamber of Justice.” Every now and again, I’ll catch myself typing “Chambers of Justice” (plural) instead, so I have to remember it’s actually singular. I have no idea why some days it feels self-evident it’s singular and others that it’s plural, but that’s just how it is.

Pearseus Bundle on Amazon

Pearseus Bundle on Amazon

Do you have any suggestions for readers who wish to get into reading a long series?
Charles: I’m a fan of starting from the beginning, but I know many who start at the most recent book. If you do this, then I highly suggest that you read the earlier books at some point for more context and to see events that don’t get mentioned again. Also, one must be patient with a series because the story is stretched out and every book will have an opening. Also, not everything gets cleared up at the end of the earlier books. That understanding helps a reader accept that questions will remain. The only other tip I have is that you have to trust that the author knows what he or she is doing. I see a lot of readers try to demand that certain events happen in a story, but those desires might not fall in line with what the author has planned.

Nicholas: This is a typical “patience is a virtue” situation. Writing a series is a serious responsibility. Reading a series is an investment of both time and money, so we have to make sure that each and every book not only meets the readers’ expectations, but exceeds them. We owe them as much. That is why I’m grateful to all my readers, but those who have invested in Pearseus hold a special place in my heart.

There are several things we can do to make it easier on the reader, of course. For example, all my Pearseus books have a map with the cities and places that have been revealed so far, plus any new ones. Also, I have a character list at the beginning (and in “X-ray,” if reading on a Kindle), with a two-sentence description of who that person is. Another good idea is to offer a quick reminder each time a minor character first appears. For example, you can say something along the lines of:

“Parad walked into the room. He spotted Angel, his daughter, and smiled.”
This helps people who may have forgotten who Angel is.

Yet another trick I use is to give names to as few people as possible. For example, a minor character may be safely referred to by their property or occupation. Readers don’t need to know the name of every healer that tends a hero’s wounds or every blacksmith that sharpens his weapons.

Finally, the best thing to do is to make sure each book can stand on its own. That means no cliffhangers and no obscure references—at least not without a reminder.

Sadly, this is not always possible. Mad Water, the third book in the series, ends on a cliffhanger because the subplots raised there are not resolved for another 400 pages. So I could either have an 800-page-long book or two 400-page ones, the first of which ends on a cliffhanger.

Obviously, I chose the latter, which brings me back to readers’ patience. 🙂


CLICK FOR AMAZON SITE Cover Art by Jason Pedersen

CLICK FOR AMAZON SITE
Cover Art by Jason Pedersen

Charles Yallowitz‘s Information

charles_author_photo_bw
Blog: www.legendsofwindemere.com
Twitter: https://twitter.com/cyallowitz
Facebook:https://www.facebook.com/CharlesYallowitz
Amazon Author Page: http://www.amazon.com/Charles-E-Yallowitz/e/B00AX1MSQA/
Website: www.charleseyallowitz.com
Jason Pedersen, Legends of Windemere‘s Cover Artist: http://www.jasonpedersen.com/

Nicholas Rossis‘ Information

Nicholas Rossis
Blog:http://nicholasrossis.me/ .
Amazon Author Page: http://www.amazon.com/Nicholas-C.-Rossis/e/B00FXXIBZA/
Goodreads: Pearseus: Schism can be read for free on Goodreads.
Twitter: www.twitter.com/Nicholas_Rossis
Google+: https://plus.google.com/+NicholasRossis
Facebook: www.facebook.com/NicholasCRossis

Sally Ember, Ed.D., is the author of the sci-fi/romance/utopian ebooks in The Spanners Series. Volume I, This Changes Everything, is permafree. Volume II, This Changes My Family and My Life Forever, is usually $3.99. Look for Volumes III and IV in 2015.
All reviews, info, excerpts, links: http://www.sallyember.com/Spanners