Speculative Fiction #Genres, According to one Jaded #Feminist

Speculative Fiction #Genres, According to one Jaded #Feminist (and two other, actual experts…)

Here are two great sources of info about the overall genre of Speculative Fiction (Spec Fic) and all its subgenres, (also the two main sources of the images, below):
About Speculative Fiction, from blogger/author, Sherry D. Ramsey at http://www.sherrydramsey.com/?page_id=1005; and,
The Difference between Speculative Fiction and Science-Fiction, from SPi Global, at http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/


from http://www.sherrydramsey.com/?page_id=1005

So, you don’t have to go by my jaded, biased, perhaps not entirely fair or accurate descriptions, below.

Also, check out many of the Spec Fic online and hard-copy ‘zines and subscription magazines that publish short stories, plays, graphic novels or excerpts, art, poetry, novellas and announcements, such as: Heliotrope: Online Speculative Fiction Magazine, http://www.heliotropemag.com/

JUST MY OPINIONS, below.

  • Science-Fiction (also known as sci-fi):
    ◙ Stories about what could be or might have been that feature science, tech, weaponry that does not exist (yet); mostly written by men and somewhat invisible women; mostly about men and almost invisible women; if in graphic novel form, the females are scantily clad for no apparent reason, while men are wearing body armor; mostly about men, with one or no female main characters, except to support or be loved by males.
    ◙ If part of a series, “good guys” do not prevail for the long-term but do win in skirmishes, until the end, which can be dystopian (no HEA–Happily Ever After) or partly HEA (at least, for the romantic component).
    ◙ If politically and/or social commentary-oriented, can illustrate the ways our current cultures are harsh (but accurate) regarding racist, species-ist, misogynistic practices and attitudes.
    ◙ Main characters can die, but usually not in the first parts of a series.


    from http://www.sherrydramsey.com/?page_id=1005

  • “Hard” Science-Fiction:
    ◙ Futuristic stories mostly about the male “heroes” (and steroid/testosterone-ridden women, cyborgs and robots) fighting alone or in groups against whom/whatever, using lots of weaponry and spaceships; see above, for costuming; mostly about men, with one or no central female main characters, except to support or be loved by males or inhabit computers.
    ◙ If part of a series, “good guys” do not prevail for the long-term but do win in skirmishes, until the end, which can be dystopian (no HEA–Happily Ever After) or partly HEA (at least, for the romantic component).
    ◙ If dystopian (typically), often includes destruction of one or more planet, victors’ having slaves, horrible classism and race/species discrimination and other awful plot points and outcomes.
    ◙ Main characters can die, but can be reborn into tech creatures. Often, a “space opera” that spans many years/centuries and vast expanses.


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Steam-Punk Fantasy/Science-Fiction:
    ◙ Stories about what might have been or could be, written by both men and women; depicts women in low bodices, wearing corsets, and carrying fans; men have pocket watches, vests, and private (“public” in England) educations or tutors; everything is run by steam engines; characters are mostly Anglo and espouse or resist British/American Anglo upper- and middle-class Victorian values (e.g., either virginal or whorish women, class distinctions, elitist “manners,” rigidly gender-ized clothing); stories are mostly about men, with one or no central female main characters, except to support or be loved by males.
    ◙ If there are GLBT characters, they are usually depicted as deranged/homicidal, stereotypes, and/or objects of ridicule or pity. Rarely has human characters who are not Anglo (so I deliberately included a drawing that has males of color, here).
    ◙ Can include murders and other crimes in which females are the victims or need to be rescued.
    ◙ May not be clear who the “bad” guys are, at first (think, prostitute or crime lord with the “heart of gold”).
    ◙ Main characters cannot die unless already replaced by a successor.


    from https://writingcareer.com/black-power-the-superhero-anthology-is-seeking/

    This anthology, whose prototype cover is above, Black Power: Superheroes of Color, was released last month, February, 2017: https://thenerdsofcolor.org/2017/02/27/black-power-the-superhero-anthology/
    edited by Balogun Ojetade, with a great line-up of authors within it.

    Real cover:

  • Fantasy:
    ◙ Usually set in some pseudo-medieval or -Renaissance, Earth-like setting or Earth’s own possible past or present, but with talking animals, mythical creatures, imaginary creatures (e.g., fairies, gnomes, dwarves, trolls, dragons, giants, ogres, witches, warlocks, wizards); usually includes some kind of magic or pseudo-science mixed with magic; if there are non-human creatures, they are almost always male or overly glamorized females (large breasts, small waists, heavy make-up); could have human shape-shifters who usually become large predators (wolves, bears, lions, panthers, etc.); can have vampires, whose subplots usually include some kind of incapacitation and then sexual assault accompanying the blood-sucking, usually of women by both males and females.
    ◙ Always has “good guys” and “bad guys,” with the “good guys” prevailing in the end.
    ◙ Main characters cannot die unless already replaced by a successor.


    from http://www.sherrydramsey.com/?page_id=1005

  • High Fantasy:
    ◙ Similar to Fantasy, but with more court-like/royal characters and class conflicts/settings; usually some star-crossed royalty romance for the teen or young adult main characters that ends HEA (Happily Ever After); usually has dragons or other mythical creatures centrally featured; for specious reasons, characters often speak in upper-class British accents/styles and/or insert French- or Spanish-sounding words randomly; often heavily laced with sword fights, quests, riddles and other “tests” for the main characters (usually male), which they have to lose at least twice before becoming victorious (“getting the girl” is usually part of their “prize”).
    ◙ Duels are common.
    ◙ Usually HEA (Happily Ever After).
    ◙ Main characters cannot die unless they’re old or can become mythologized and/or unless already replaced by a successor.


    from the cover of Issue 5 of http://www.heliotropemag.com/

  • Urban Fantasy:
    ◙ Similar to Fantasy, but set in decaying cities; usually dystopian/post-apocalyptic; can blend magic with tech, though not as originally or interestingly as the author believes; not enough female characters and frequent fighting among the males; duels are common; cyborgs, androids, political and social tyrants, crime and criminals abound.
    ◙ Only HEA (Happily Ever After) for about 3 “beats,” then more fighting.
    ◙ “Good Guys” can be ethically challenged and compromised frequently.
    ◙ Main characters can die.


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Dark Fantasy:
    ◙ Exactly like one or both of the above Fantasy genres, but with more sex (sometimes BDSM or hard-core porn, here); lots of blood, gore, fighting, elements of Horror, etc.; has conflicts that maim, kill off or otherwise harm the female characters severely, who then need to be rescued (when possible); hauntings, ghosts, evil from other dimensions and realms, summonings gone wrong and other horror-like elements can occur frequently, usually showing the main characters to be idiots; features ominous castles and fortresses a lot.
    ◙ Does not usually go with HEA (Happily Ever After) because the main characters get to be “happy” (have amazing sex and lie around together afterwards) for about 3 “beats” before someone tries to kill one or both of them.
    ◙ Main characters can be cursed, ensorceled and/or die.


    from http://wallpaper-gallery.net/wallpapers/dark-fantasy-wallpapers.html

  • Horror:
    ◙ Similar to Dark Fantasy or Dystopian Sci-Fi, but with more gore, blood, death, suspense, killing, maiming, scaring, scarring, psychological and physical trauma of all kinds as both the causes/ motivations and outcomes for the characters AND the readers (can you tell I do not read Horror?); often has demons, demonic forces, battles between “good” and “evil” embodied in various physical and spirit bodies.
    ◙ Doesn’t even think about including “Happy” endings, except as punctuation marks between disasters and/or parodies.
    ◙ Main characters can and do die, usually horrifically (pun intended).


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Young Adult Speculative Fiction (usually known as YA Spec Fic):
    ◙ Usually dystopian, futuristic Sci-fi or Fantasy; features an abundance of orphans or single-parent-raised main characters; usually has one female for every two male main characters; often includes a plot/characterization that starts with the MC as an undistinguished, low-living, bullied, betrayed, enslaved or harried young person who then experiences the uncovering of special powers or previously unknown importance revealed in the first few chapters.
    ◙ Big on “destiny,” “fate,” “saving the world” and such…really, the MCs are attempting to help only a small number of beings within or a local geographic section of their/”our” world.
    ◙ Can be leaning more toward Fantasy or Sci-fi or blend both.
    ◙ Main characters can die, but usually only within an extended series; most do not.
    NOTE: YA Spec Fic is probably the best source among all Spec Fic subgenres for finding stories that feature people of color, those with disabilities or who are neuro-atypical, queer and other non-mainstream main characters and sidekicks.


image from a guest post by Julia Ember (no relation) on Jamie Kramer’s Books and Ladders blog, http://booksandladders.blogspot.com/2016/06/guestpost-unicorn-tracks-by-julia-ember.html


I told you I was jaded. I am not the only one, by any means. The following quote and analysis (please read entire article; link below) sums up my major complaints perfectly:

[Spec Fic is] not just about shiny, phallic rocket ships populated by deep-in-the-closet Aryan brethren conquering the Final Frontier, people. It’s about different futures, alternate realities, dangerous fantasies. You’d think such places, where dragons dwell, would be heavily populated with equally unusual people, but nope. Looks like everybody important there is white, male, anglophone and straight. Not to mention perfectly healthy physically and mentally.

—penned by Paula R. Stiles, “Diversity in Speculative Fiction,” on http://www.fantasy-magazine.com/non-fiction/articles/diversity-in-speculative-fiction/, from the Dec., 2016 (Issue 60) – People of Colo(u)r Destroy Fantasy! Special Issue [NOTE: “Fantasy Magazine has merged with its sister publication, Lightspeed, so this site will no longer be updated with new content. However, the fiction and interviews you would have found here at Fantasy will now be part of Lightspeed, so please sign up for our newsletter (sent out once or twice a month) to receive updates about the release of new issues of Lightspeed Magazine, news about the magazine, and more.”]
——-Lightspeed Magazine also published, starting in 2014, Queers Destroy… each of the subgenres (Fantasy, Horror, Fantasy), starting with Science-Fiction Special Issues, which you can find out about here: http://www.destroysf.com/queers/
And, on that same page, they have links to their POC [People of Color] Destroy… series of Special Issues for each subgenre (Fantasy, Horror, Fantasy)


2015’s Queers Destroy Science-Fiction cover

—Women are at the forefront of these critiques and do them so well, I have so many to choose from. Here is another, from an interview conducted by Alexandra Alter with N. K. Jemisin [Jemisin was the the first African-American writer and the first woman of color to win a Hugo Award for “best novel” (others have won for short fiction)], “N. K. Jemisin on Diversity in Science-Fiction and Inspiration From Dreams,” published by the New York Times (!?) on https://www.nytimes.com/2016/08/25/books/n-k-jemisin-on-diversity-in-science-fiction-and-inspiration-from-dreams.html?_r=0
Jemisin says she “decided to focus on an oppressive society at the macro scale and what that society does to individuals” in her spec fic novels. Why? Because “a woman of color from an impoverished culture, being brought up among wealthy, privileged white people and having to cope and perform in ways that she has not been raised to do… was obviously drawn from some personal experiences. I do that in everything — explorations of power, identity and belonging.”

—Another great article, “Genrequeer,” by Theodore McCombs at http://www.fictionunbound.com/blog/2016/4/6/genrequeer, offers this excellent insight: “To make space for black achievement and transcendence, speculative fiction lets us change all the rules that should never have been rules in the first place.”


So, there is a lot of hope for increasing diversity, better representation of women and girls, more interesting stories and compelling ways to resolve conflicts than wars and violence in the Spec Fic genre and all its subgenres, with dozens of websites, groups and other resources to help us find them.

Here are some:
—The Black Science Fiction Society: http://www.blacksciencefictionsociety.com


Logo from Black Science Fiction Society website, 2017

—The Speculative Literature Foundation offers “Diverse Writers and Diverse Worlds Grants …The two $500 awards support any purpose that writer recipients may choose to benefit their work.”
FMI: http://speculativeliterature.org/ and a resource list of orgs for writers of Spec Fic: http://speculativeliterature.org/writers-resources-2/writers/writers-organizations-2/

African-American Sci-Fi: http://www.africanamericansciencefiction.com/

Latino Spec Fic: http://www.latinospeculativefiction.com/, which published Latin@ Rising: An Anthology of Latin@ Science Fiction and Fantasy, which “is the first anthology to bring together U.S. Latinos/as who are working in science fiction, fantasy, and other speculative genres”; edited by Matthew David Goodwin.


Cover of Latino@ Rising: An Anthology of Latin@ Science Fiction and Fantasy

—Two other not-so-recent anthologies: Dark Matter: Reading the Bones (2005), edited by Sheree R. Thomas, and Cosmos Latinos: An Anthology of Science Fiction from Latin America and Spain (2003), edited by Andrea L. Bell and Yolanda Molina-Gavilán, which “showcase African-American and (mostly) Spanish-speaking spec-fic writers, respectively.”

—Check out writers in the sub-category of Afrofuturism, which is defined in Wikipedia: “Afrofuturism addresses themes and concerns of the African diaspora through a technoculture and science-fiction lens, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afrodiasporic experiences.” https://en.wikipedia.org/wiki/Afrofuturism

Tracy Mumford, about a year ago, wrote, in: “‘We want to hear new voices’: Diversity in sci-fi and fantasy” for https://www.mprnews.org/story/2016/04/05/books-diversity-in-sci-fi-and-fantasy [as part of The Thread newsletter, which I recommend you sign up for right now (on that page)], some great commentary about those topics.
This article also has a great recommended reading list, curated during and prior to 2015, mostly, of diverse writers’ work in spec fic.

—Queer Sci-Fi has so much to offer, now, and via so many sites. Here is one website that may list the majority of them and offers more resources, besides: https://queerscifi.com/


Weigh in, please. I’d love to have great discussions, here, about other elements of Spec Fic and intersectionality (the places that social identities overlap and in which we analyze privilege, oppression and efforts to effect change). What have I left out, got wrong, etc.?

I’d love to hear from you. I also welcome Guest Bloggers (see my site for Guidelines): http://www.sallyember.com/

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WRITING AND PROMOTING A SERIES: Series authors, Nicholas C. Rossis and Charles Yallowitz

WRITING AND PROMOTING A SERIES:

by series authors, Nicholas C. Rossis, Pearseus series, and

Charles Yallowitz, Legends of Windemere series

Guest bloggers and former guests on CHANGES conversations between authors
(Episodes 7 and 9), http://www.sallyember.com

PEARSUS VIGIL NOW AVAILABLE ON AMAZON

PEARSEUS: VIGIL NOW AVAILABLE ON AMAZON

This joint post was made possible by the invitation of Sally Ember, who has been gracious enough to allow us to speak on her blog. She has done this knowing that Mr. Rossis and Mr. Yallowitz have a history of crazy antics. Indeed, some of these antics occurred on Sally’s very own LIVE video show *CHANGES* conversations between authors, which you can find online. Thank you to Sally Ember and we hope everyone enjoys this post on writing a series.

Check out Nicholas’s newest release, Pearseus: Vigil, by clicking on the above cover art and
prepare for a March/April debut of Charles’s next book, Legends of Windemere: Sleeper of the Wildwood Fugue.

Charles: First, I would like to say that I’m happy to be working with Nicholas again and on a post this time. Our back and forth on our blogs is a lot of fun and he has a very sharp, creative mind that keeps me on my toes. This carries over into his writing, which impressively spans several genres.

Nicholas: Same goes for me. I’m very impressed by Charles, both as an author and as a person. Plus, it’s great to have someone who gets my weird sense of humor!

What is the hardest part about promoting a series?
Charles: It’s really easy at the beginning because you can play around with teasers and you only have one book out. Then you get the second and try to find ways to promote without revealing everything in the first book. Around the third book, if you go higher than a trilogy, you get caught between avoiding big revelations in the earlier books and spoilers for the next one. It’s a really hectic balancing act because you don’t want to say too much. Yet, you have to say enough to keep people interested and lead to them to the rest of the series.

I’ve found that you have to make sacrifices in this, for example, revealing a minor spoiler to promote the next book while keeping the big stuff secret. A teaser helps, too, because it isn’t so much a spoiler, but a hint that something is going to happen or a foreshadowed event is coming to pass. Oddly enough, I found that Twitter is the less nerve-wracking social media site to promote a series on because the 140-character limit means you can’t say much and it’s hard to tiptoe around spoilers like that; you have to stick to catchy blurbs or small quotes from the book.

CLICK FOR AMAZON SITE Cover Art by Jason Pedersen

CLICK FOR AMAZON SITE
Cover Art by Jason Pedersen

Nicholas: I agree with Charles that Twitter is a great promotional medium for a series, as my marketing relies on a short quote and a link.

One of the best things about having a series is that you can have a different book on sale each month and it will help the others’ sales as well. However, unlike Charles, I have also made a book bundle available. This contains all the books published so far in Pearseus. Obviously, when this is on sale, no one buys the rest of the books. However, it does attract a lot of attention as it offers great value for money. So, it’s all a bit of a balancing act.

How difficult is it to maintain continuity in a series and what tricks do you use to accomplish this?
Charles: I once switched one of my main character’s eye colors and a minor recurring character lost his hair. So some of the details can be messed up if one isn’t careful. Perhaps the biggest challenge to story continuity is that you can forget some foreshadowing or you do something that alters a previously established rule. Middle books can also have events that change the finale because what you plan in your head might not always be what comes out on paper. It really is a game of memory and concentration or like putting together a 5,000-piece puzzle with no picture to guide you.

There are two tricks that I use. One is that I keep notes on a lot of things that I believe I will forget. For example, I had some minor characters who step into the spotlight in a later book and I never gave them much description in their first appearances. There was just enough that they stood out and I had to make sure I had those identifiers written down. The other trick is never to be afraid to look back at your earlier books to confirm information. If you have even an inkling that you’re off on a fact, then jump back to the book where you know the information has already been written. This helps with plot lines, character descriptions, world-building and anything else that carries over from book to book.

Nicholas: LOL—I love the idea of “a 5,000-piece puzzle with no picture to guide you.” Indeed, it can feel that way at times.

I have a .doc file that includes all sorts of minor details, from names to subplots. Also, when I write, I always have my older books open as well. That way, I’m instantly able to jump back and forth and check things out. For example, a lot of the action takes place in a place called the “Chamber of Justice.” Every now and again, I’ll catch myself typing “Chambers of Justice” (plural) instead, so I have to remember it’s actually singular. I have no idea why some days it feels self-evident it’s singular and others that it’s plural, but that’s just how it is.

Pearseus Bundle on Amazon

Pearseus Bundle on Amazon

Do you have any suggestions for readers who wish to get into reading a long series?
Charles: I’m a fan of starting from the beginning, but I know many who start at the most recent book. If you do this, then I highly suggest that you read the earlier books at some point for more context and to see events that don’t get mentioned again. Also, one must be patient with a series because the story is stretched out and every book will have an opening. Also, not everything gets cleared up at the end of the earlier books. That understanding helps a reader accept that questions will remain. The only other tip I have is that you have to trust that the author knows what he or she is doing. I see a lot of readers try to demand that certain events happen in a story, but those desires might not fall in line with what the author has planned.

Nicholas: This is a typical “patience is a virtue” situation. Writing a series is a serious responsibility. Reading a series is an investment of both time and money, so we have to make sure that each and every book not only meets the readers’ expectations, but exceeds them. We owe them as much. That is why I’m grateful to all my readers, but those who have invested in Pearseus hold a special place in my heart.

There are several things we can do to make it easier on the reader, of course. For example, all my Pearseus books have a map with the cities and places that have been revealed so far, plus any new ones. Also, I have a character list at the beginning (and in “X-ray,” if reading on a Kindle), with a two-sentence description of who that person is. Another good idea is to offer a quick reminder each time a minor character first appears. For example, you can say something along the lines of:

“Parad walked into the room. He spotted Angel, his daughter, and smiled.”
This helps people who may have forgotten who Angel is.

Yet another trick I use is to give names to as few people as possible. For example, a minor character may be safely referred to by their property or occupation. Readers don’t need to know the name of every healer that tends a hero’s wounds or every blacksmith that sharpens his weapons.

Finally, the best thing to do is to make sure each book can stand on its own. That means no cliffhangers and no obscure references—at least not without a reminder.

Sadly, this is not always possible. Mad Water, the third book in the series, ends on a cliffhanger because the subplots raised there are not resolved for another 400 pages. So I could either have an 800-page-long book or two 400-page ones, the first of which ends on a cliffhanger.

Obviously, I chose the latter, which brings me back to readers’ patience. 🙂


CLICK FOR AMAZON SITE Cover Art by Jason Pedersen

CLICK FOR AMAZON SITE
Cover Art by Jason Pedersen

Charles Yallowitz‘s Information

charles_author_photo_bw
Blog: www.legendsofwindemere.com
Twitter: https://twitter.com/cyallowitz
Facebook:https://www.facebook.com/CharlesYallowitz
Amazon Author Page: http://www.amazon.com/Charles-E-Yallowitz/e/B00AX1MSQA/
Website: www.charleseyallowitz.com
Jason Pedersen, Legends of Windemere‘s Cover Artist: http://www.jasonpedersen.com/

Nicholas Rossis‘ Information

Nicholas Rossis
Blog:http://nicholasrossis.me/ .
Amazon Author Page: http://www.amazon.com/Nicholas-C.-Rossis/e/B00FXXIBZA/
Goodreads: Pearseus: Schism can be read for free on Goodreads.
Twitter: www.twitter.com/Nicholas_Rossis
Google+: https://plus.google.com/+NicholasRossis
Facebook: www.facebook.com/NicholasCRossis

Sally Ember, Ed.D., is the author of the sci-fi/romance/utopian ebooks in The Spanners Series. Volume I, This Changes Everything, is permafree. Volume II, This Changes My Family and My Life Forever, is usually $3.99. Look for Volumes III and IV in 2015.
All reviews, info, excerpts, links: http://www.sallyember.com/Spanners