Reblogging: A Harvard linguist [Steven Pinker] reveals the most misused words in English

A Harvard linguist [Steven Pinker] reveals the most misused words in English
from INC., by Jessica Stillman, Inc., Dec. 17, 2015

An excellent list for writers/authors, readers, speakers, anyone who loves English and wants to use it correctly. Thanks, Jessica and Steven!

http://www.businessinsider.com/a-harvard-linguist-reveals-the-most-misused-words-in-english-2015-12

#Writing #Contest! And, USA National #Punctuation Day® is TODAY! September 24, 2016

Are you (more than slightly) OCD [Obsessive-Compulsive Disordered] about punctuation and grammar? Do you have a mental (or, like me, an actual) correcting pen ready at all times?

In a day-long Professional Development workshop (which included reviewing the state standards on English Language Arts…) last week, I spent many happy minutes disparaging and then correcting the mistakes in the presenter’s Power Point slides and the manual provided.

I found 17 errors in a three-paragraph story alone.

So fun!

Oy!

No wonder this is one of my all-time favorite non-holidays!

USA National #Punctuation Day® is TODAY! September 24, 2016,
Jeff Rubin, Founder

national-punctuation-day-announcement

Also, every year there is a CONTEST! YES! Sharpen your red pencils!

National Punctuation Day® announces 2016 writing contest

This year, for the 13th National Punctuation Day® on September 24, we salute the unsung and under-appreciated heroes of our lives — TEACHERS.

Have you had a teacher who changed your life, someone who brought into focus a subject you hadn’t previously understood, or introduced you to something that became your passion? Maybe you had a teacher who helped you develop a skill that wasn’t natural for you.

Maybe you have a teacher like that now.

Did you have a teacher who, along with the basics they he or she was supposed to be teaching, taught you that it was better to try and fail than to not try at all?

Perhaps two teachers? Three? More?

HERE’S THIS YEAR’S CONTEST: Write a thank-you note of no more than 250 words to a teacher, expressing your gratitude for having been taught how to write using proper grammar, spelling, and punctuation, and how those skills have helped you in your student or adult life. Make it personal by identifying the teacher, subject, school, grade level, and state/country.

Entries will be accepted through October 31 at Jeff@NationalPunctuationDay.com.

Winners in the student and adult divisions will be announced, and prizes will be awarded, in December.

PLEASE visit founder, Jeff Rubin’s, website, where he has explanations of EVERY type of punctuation WITH PHOTOS of those used in English, AND pages of info, recipes (!?) and resources, like “Punctuation Products” and “Punctuation Playtime Program”! http://www.nationalpunctuationday.com/ for more information and fun stuff.

The site also has great posters/signage of excellent punctuation mistakes, videos, radio spots, schools’ participation pix, newspaper coverage of NPD (even right here in St. Louis, MO!) and much more!

Love this sign!

dianadaycare
We can only hope these “Little ‘Genius’s'” can’t read, yet.

Most unusual tribute?
Video of a Punctuation Rap Song by Dots N Dashes: https://youtu.be/4vYrws3766Q The participants make punctuation marks on the football field, as if they were a marching band. Hilarious.

Photos of bad signage and more at: http://www.NationalPunctuationDay.com

Got a photo of an incorrectly punctuated sign?
E-mail it to Jeff Rubin Jeff@NationalPunctuationDay.com and it will be posted on the National Punctuation Day® web site–—with a photo credit!

Here is another video:
http://wabi.tv/2012/09/24/celebrating-national-punctuation-day/

CONTACT JEFF: Jeff also does presentations and answers your punctuation questions and makes live appearances (he lives in the San Francisco Bay Area, California): (510) 724-9507 and Jeff@NationalPunctuationDay.com

Special note
— to any of the students who had/have me as a teacher who happen to have read this far: Copies of your entries and thank-you notes are appreciated, but please proofread them first! ~~~~

Or, here is what I will look like when I see YOUR errors:

win_20160822_092915

Why I #write utopian, #Buddhist-infused, #multiverse #scifi/rom #novels & why you should #read & share them.

Reposted from 10/30/13 and 2/5/15

Writers are often exhorted to write the books we want to read that seem not to exist, yet. I am following that advice with The Spanners Series, especially Volume I, This Changes Everything, which is now PERMAFREE, and also with subsequent volumes (Volume II, This Changes My Family and My Life Forever, released 6/9/14; look for Volumes III and IV in 2015).

I am an avid reader and have probably read hundreds of thousands of books in my 56 years of reading independently and quickly, sometimes devouring ten books a week. If I say books like mine—a series like The Spanners—don’t yet exist, I’m probably correct.

logoAuthorsDen
All buy links, reviews, interviews, readings and more: http://www.sallyember.com/Spanners Look right; scroll down.

Why am I writing #science-fiction/#romance, #Buddhist-infused, #multiverse/#multiple timelines #utopian #novels besides the reason already given? And, why should you read them? Because we live in a deteriorating, or degenerating Age, according to #Tibetan Buddhists (and probably many others I’m not bothering to research right now).

When I first hear this claim, I disbelieve it. Aren’t most things “improving” for humanity? Modern medicine, technology, transportation, knowledge of all types: in the 20th and 21st centuries, we are experiencing incontrovertible advances, mind-blowing progress, right? Plus, that POV is just such a downer!

Why would the Buddha’s followers propose and then Buddhist teachers and scholars maintain such a doom-and-gloom perspective on life? It’s not enough that Buddha focused his teachings on suffering and impermanence? Most Buddhists must be depressed: that’s what I thought.

I could understand why Tibetans, having been living under horrible oppression, genocide and cultural destruction under Chinese rule for decades, would be so pessimistic. But, we’re in the good ole’ USA: things are great here, right?

Not so much. I won’t go into the facts we all know now (even more than ever, thanks to Snodwen and Manning) about how screwed up the USA has been and still is, nor how terrible the economy is here and everywhere. I won’t provide the list. We all know too well the horrors of our modern life. Modern tragedies, however, are actually not even relevant to this discussion.

The “degenerating” part of our Age has little to do with actual external conditions. Our deterioration involves humans’ not being able to learn #dharma, not being able to find qualified and worthy Buddhist teachers, not being able to practice meditation well or at all. The Buddha’s teachings and Buddhists practitioners are what are degenerating, in what is called “The Third Age” or “The Latter Day of the Law.”

You can look this up. http://en.wikipedia.org/wiki/Three_Ages_of_Buddhism

My point is, dystopian futures abound. Most sci-fi writers, even those that include romance in their stories, write of increasingly worsening conditions on and around this planet and across the Universe. They pile on the violence, showing increasing discord, more political and social unrest, deaths and destructions even worse than we have now. We already have too much awfulness for me to want to read about even worse futures.

Enough, already: I believe we need some hope, ideas of how else things could go, whether or not I always believe they will take these turns. Since I can’t find this optimism in the daily news or libraries’ and bookstores’ fiction, I decide to create it. I need this in my personal life, for the USA, for the continent, the water, air and land: I am imagining routes for improvement for the planet and the entire universe.

When I #meditate, especially during a #retreat phase in which I was #contemplating lives of beings in the “God Realm,” it occured to me repeatedly that we live in opulence amid squalor, all over the planet. Beauty smack dab in the middle of ugliness, every day. #Yin and #yang. We do have to “take the good with the bad,” but do we have to emphasize the “bad”?

I do not.

In my novels, even when things are “bad,” there is more good than bad. Buddha teaches often that we have to discern between “good” and “bad” even as we know these are illusory. Many teachings expound on how there is NO “good” or “bad,” no “birth” and no “death,” no “coming” and no “going.”

While you puzzle over that, I’m going to continue my utopian illusions in The Spanners Series. In my current and future multiverses, beings, including humans, will have love, better conditions and dharma: they/we have it all!

Furthermore, I’m going to HOPE—even though we are instructed to meditate partly in order to relinquish all hope and all fear—that YOU read my books and enjoy them as much as I enjoy writing them.

Please let me know! Write your comments here on this and other posts, on excerpts from my novel, and whatever else occurs to you. Let’s converse!

Reluctantly, I give this mess of a book 2 stars, but buyer beware!

I am sorry to have to post this review, but I have given the author, Amy Collins, over a month to make this right. Despite many emails preceding and after the one I quote, below, including promises of payment by a certain date and apologies for its lateness and a new promise, she has posted no payment and provided an unusually bizarre response to my having given her the deadline to respond by the end-of-business yesterday (Thursday, January 28)—see below.

I am appalled and surprised that someone who is publishing a book on writing entitled The Write Way: Everything You Need to Know about Publishing, Selling and Marketing Your Book, would unironically send out ARCs and then another version pre-publication that are both riddled with errors for reviewers.

Know this: the Author and her “publisher” (which I now think is comprised of Collins and one other person in the business) INVITED ME TO REVIEW THIS; I did not solicit her and I rarely do reviews.

After I had read about twenty pages and marked up every page, including the cover, with up to 15 errors PER PAGE, I sent her emails, left voicemails, asked her to communicate with me before I continued. I couldn’t believe this was her final draft. Maybe there was another version, I hoped?

She wrote to tell me that she had had a death in her family and while she was out, that “someone at her office sent out the wrong ARC” (there are two?). Then, for many days, she mostly did not respond (except via automated emails saying she would respond within 24 hours) for this entire communication stream.

She did send me a PDF of another ARC version which was supposedly “the right one,” but it, too, was filled with most of the same errors and some new ones. I read about twenty pages into that and emailed her back, telling her that this PDF ARC was a “new” but not a better version.

I asked for a newer, final ARC; no response. I now think there isn’t a better version (yet).

I waited a few days and sent the email, below. After reading my proposal, the author wrote back to say that she knew that I had given her a break on my editing rate (I did have sympathy for her at that point). She wrote to say that she was very grateful for my offer and agreed to pay me for my editing and postage for me to ship the marked-up edition back to her upon receipt of payment. She promised to pay “by the middle of January.”

I told her that I didn’t want to post a negative review. I’d rather that she revise and improve the book before publication: win-win. Plus, I had already completed reading and marking up the book and had marked up every page. I would be happy to get paid for my work.

January 15 came and went; no payment. More emails, more promises, and no payment, and here we are, January 28: nothing. The author said on January 18 that she had been traveling (and still is, apparently; now she’s on a cruise with other authors and publishers, publicists, etc.), but has she obviously access to the internet, since she’s live tweeting from the cruise ship!

I sent her this on Twitter yesterday (1/28/16):

from Sally Ember, Ed.D. ‏@sallyemberedd
to @NewShelvesBooks AMY: Deadline is EOB today Central USA time. My review goes live at 2 AM CST USA Friday, 1/30/16 if no payment is posted

She responded, astonishingly and terribly unprofessionally:

from Amy Collins ‏@NewShelvesBooks
Hi @sallyemberedd Grateful for all the time you put in. Had to redirect the $ to a project I am afraid. I know your review will be spot on.

To which I replied, with a quoted retweet of the above:

from Sally Ember, Ed.D. ‏@sallyemberedd
Sally Ember, Ed.D. Retweeted Amy Collins
This is known as “breach of contract” by professionals. We had a written agreement. #Youoweme #Payup

I won’t bore you with all of our previous correspondence.

In this post, then, the review occurs, starting with the email I sent the author in which I detailed for her many of her book’s most frequent and egregious errors.

Dear Amy,

I don’t know who your developmental, copy and proofreaders/editors are, but they should all be fired.

Here are a sampling of the errors I’ve found, so you know I’m not being a “troll” or pretending to know what I’m doing. You have these types and/or numbers of errors:

—3 errors ON THE COVERS (back and front and spine) in that your formatting is inconsistent (font color, size, style)
—1 error on the TITLE page (do not capitalize “by” or use it at all, actually; this is not a college essay)
—5 errors on the copyright page (no city of publication is listed; no proper copyright symbol was inserted; no need for “by”; missing colons)
—up to 15 errors(!) per page, with at least one and usually more errors on every page throughout the entire book
—TOC has no page numbers in either version, or the page numbers are wrong, and is on the verso rather than recto side
—Some pages have no numbers (the entire Glossary; all front matter)
—paragraphs and some sentences inexplicably start and end mid-sentence on many pages
— bullets are not formatted in a standard fashion within your own book; most of them are formatted incorrectly; AND, you inserted rhetorical questions within them while you BULLETED those questions(!?)
—seem to have no idea how to use (or when to use) the Oxford comma, apparently, and neither do your editors
—random sections (not consistent as to which or why) in italics
—show no permissions granted from the original authors, nor even where the pieces end, when you quote entire articles within your book
—repeating entire sentences and/or paragraphs and/or concepts from one page to the next within the same chapter, sometimes on facing pages. Word for word, sometimes
—use “so” over a hundred times, mostly inappropriately and without proper punctuation
—no standardization I could fathom for/ among and between your levels of headings regarding font, font size, font styles, alignment and/or purposes
—chapters do not all start on the proper side and you have random blank pages between some chapters (which do not result in their staring on the proper side—recto)

This and much more are wrong. I can’t even group or list all your errors.

All unacceptable, wouldn’t you agree?

I had one idea: You could use this as an opportunity to discuss the very things you warn other indies against within your book, and I would work with you on that if you choose to be honorable and do that.

Or, you could pretend it’s all fine, try to fix the errors yourself (good luck with that; you obviously have no clue how to edit your own work), and hope my review sinks to the bottom beneath all your sycophants’ fake ones.

Anyone who gives this book more than 2 stars (and that would be for content, not professionalism), is lying or has no idea how to read or what to expect from a professional nonfiction book.

I actually got quite a lot of good information from this book and do not want to slam you, but your whole “death-in-the-family—someone sent the wrong version” (in a two-person office?) sounds to me, now, like “the dog ate my homework.”

I am sorry for you any anyone who buys a poorly edited version of this book.

Here is another idea: if you pay me $400 (which is low-balling my rates, considering how much time I put into my mark-up and these emails), plus $5 shipping, I will send you my marked-up copy.

Then, when you complete all the revisions, send me a new one and I’ll review it at that point.

And, now, as we know, I will not receive any payment for my work, despite her emailed promise to do so. I still have the edited copy.

Here are some photos of the mark-ups:

write way cover
front cover of The Write Way with font, color, size errors and inconsistencies.

write way 1
There are multiple errors on almost every page and not one page without an error.

write way 2 upright
Apparently, can’t even keep paragraphs together; this occurs on several pages. How on earth does a copyeditor/proofreader not see these types of formatting mistakes?

write way 3 upright
There are up to 15 errors on some pages; this one has only 8.

Believe me, I take no pleasure in this.

I would certainly have preferred to have been paid for my time and expertise and to have had a positive relationship with this author.

I also wanted this book to be everything it said it would be and for it to live up to its title and promises. Many other authors would then be able to benefit from it.

However, since Ms. Collins doesn’t keep her word and seems to be clueless as to how to behave professionally, I am no longer surprised by the poor quality of the writing, the editing and the proofreading. Very disappointing, though, wouldn’t you agree?

Whoever did the editing and proofreading should have to refund their money to Ms. Collins. If she or anyone else continues to hire them, s/he/they should fire these horrible excuses for professionals immediately.

As I already stated, there are many great points, tips, ideas and resources in this book, if readers can ignore or get past all the mistakes and problems with the formatting, writing, proofreading and repetitions.

Especially for amy writers who are new to self-publishing, such writers would benefit from reading this book and taking notes. Do as she says, not as she does!

Try to borrow it; don’t buy this version!

Reluctantly, I give this mess of a book 2 stars, but buyer beware!

Definitely do not hire the author or her team for anything at all, ever. She calls herself a “teacher” and an “expert,” but I also found mistakes on her website (no surprise, now), which is: http://www.newshelves.com/ Do not contract with New Shelves for anything since they seem to have with no respect for agreements, unless you’re willing for her/them to decide arbitrarily to put time and money into other projects.

Sorry to have to post this saga and review. I would vastly have preferred the other plan to have occurred, as we had agreed.

When you get back from your cruise, fix your book and try to behave more professionally in the future.

proofreading-details-1
image from http://www.michellerenegoodhew.com

MacArthur [Foundation] Announces [a year-long series of] Performances, Discussion to Celebrate 35 Years of Iconic Fellowship Program”

MacArthur [Foundation] Announces [a year-long series of] Performances, Discussion to Celebrate 35 Years of Iconic Fellowship Program”
https://www.macfound.org/press/press-releases/macarthur-announces-performances-discussion-celebrate-35-years-iconic-fellowship-program/#sthash.wuDoFQcB.dpuf

AND

Events Calendar
https://www.macfound.org/events/fellows35/?all=1

The-MacArthur-Fellowship-Program logo

These events are happening mostly in Chicago and on the East Coast (Washington, D.C., New York City), but will be broadcast/put online as well. Awesome! And, “Most of the events will be open to the public for free or at low cost.”

I have always been fascinated by and love seeing who gets these grants each year. I adore the entire secrecy of the process (no one knows, supposedly, who does the selecting, no one can be nominated, and no one can self-nominate). So, one day, my friends and I imagine, someone gets this phone call or email saying: You have been selected as a MacArthur Foundation Fellow for a “Genius Grant”! What an amazing thing to happen!

The panel chooses such an excellent variety of creative, intelligent, talented and skilled individuals, also. Each year, we can learn about their Fellows and meet jugglers, dancers, scientists, writers, playwrights, poets, musicians, choreographers, youth workers and other educators, environmentalists and activists of other types and whoever strikes their fancy all honored in this way. Usually they choose about 20 people from all around the country. Not all are young, not all are older; not all are men or women; not all are Caucasian. Fabulous.

The MacArthur Fellowship[s], called “genius grants” by the media, recognize[s] exceptionally creative individuals with a track record of achievement and the potential for significant contributions in the future.

Fellows each receive a no-strings-attached stipend of $625,000, which comes with no stipulations or reporting requirements and allows recipients maximum freedom to follow their own creative visions. Since 1981, 942 people have been named MacArthur Fellows.

Fellows are selected through a rigorous process that has involved thousands of expert and anonymous nominators, evaluators, and selectors over the years.

The Foundation does not accept unsolicited nominations.

This year “is expected to include the following events as well as others to be announced later.

  • Public artist Rick Lowe will deliver a lecture on “Art in the Social Context” at Stanford University’s Haas Center for Public Service as part of the Mimi and Peter E. Haas Distinguished Visitor program (Stanford, CA, Feb. 4).
  • The College Art Association will host a discussion with photographer LaToya Ruby Frazier and public artist Rick Lowe as part of its 104th Annual Conference (Washington, DC, Feb. 5).
  • The Poetry Foundation will present the Chicago-based collective Every House Has a Door’s adaptation of a work by poet Jay Wright (Chicago, Feb. 20).
  • In conjunction with an exhibition of her work, the Whitney Museum of American Art will host a discussion with documentary filmmaker Laura Poitras (New York City, Feb.).
  • Sixth & I, a historic synagogue and cultural event space, will present a panel discussion on immigration featuring writers Chimamanda Ngozi Adichie and Aleksandar Hemon and Assistant to the President and Director of the Domestic Policy Council Cecilia Muñoz (Washington, DC, March 7).
  • New York’s 92nd Street Y will present a panel discussion featuring MacArthur Fellows (New York, March).
  • Chicago’s Museum of Science and Industry will host MacArthur Fellows for events marking National Robotics Week, including Jr. Science Cafes, a public conversation, and robotics demonstrations (Chicago, April 2).
  • The National Museum of African American History and Culture, Smithsonian Institution, in collaboration with the American Historical Association, will host a conference on “The Future of the African American Past,” featuring scholars, activists and historians, including several MacArthur Fellows (Washington, DC, May 19-21, 2016).
  • The Poetry Foundation will host a reading by poet and writer Alice Fulton (Chicago, May 24).
  • The Economic Club of Chicago will feature two conversation pairings with arts entrepreneur Claire Chase and music educator Aaron Dworkin as well as computational biologist John Novembre and historian Tara Zahra (Chicago, May 25).
  • Wingspread will host a public event featuring MacArthur Fellows working on issues of interest to the Johnson Foundation and the Racine community (Racine, Wisconsin, May).
  • The Chicago Humanities Festival will host a one-day series of programs highlighting the work of MacArthur Fellows (Chicago, May).
  • MacArthur Fellows will be featured in a plenary session at the annual convention of Americans for the Arts (Boston, June).
  • Orchestra conductor and MacArthur Fellow Marin Alsop is designing three free evenings of performances in conjunction with the Grant Park Music Festival that will showcase MacArthur Fellows working in music and science, including cellist Alisa Weilerstein, violinist Regina Carter, and composer Osvaldo Golijov (Chicago, July).
  • The Harris Theater will host a free, two-night dance performance series featuring curated works created by MacArthur Fellows, including Kyle Abraham, Merce Cunningham, Michelle Dorrance, Susan Marshall, Mark Morris, and Shen Wei (Chicago, Sept. 16 and 17 or 18).
  • The Chicago Humanities Festival will incorporate MacArthur Fellows into its regular annual programming (Chicago, Sept.).
  • The John F. Kennedy Center for the Performing Arts will host two free public performances by MacArthur Fellows through its Millennium Stage series (Washington, DC, Oct.).
  • Conservation biologist Claire Kremen will speak at as part of the Women in Science series at The Field Museum (Chicago, Nov. 2).
  • Also during the year-long anniversary MacArthur Fellows will field questions from the public in Reddit ask-me-anything sessions and appear on other digital platforms.

Attend! View! Learn! Appreciate! Enjoy!

More info about the Fellows Eligibility, Criteria and Selection Process, from their website:

Criteria:
“There are three criteria for selection of Fellows: exceptional creativity, promise for important future advances based on a track record of significant accomplishment, and potential for the fellowship to facilitate subsequent creative work.

“The MacArthur Fellows Program is intended to encourage people of outstanding talent to pursue their own creative, intellectual, and professional inclinations. In keeping with this purpose, the Foundation awards fellowships directly to individuals rather than through institutions. Recipients may be writers, scientists, artists, social scientists, humanists, teachers, entrepreneurs, or those in other fields, with or without institutional affiliations. They may use their fellowship to advance their expertise, engage in bold new work, or, if they wish, to change fields or alter the direction of their careers.

“Although nominees are reviewed for their achievements, the fellowship is not a lifetime achievement award, but rather an investment in a person’s originality, insight, and potential. Indeed, the purpose of the MacArthur Fellows Program is to enable recipients to exercise their own creative instincts for the benefit of human society.

“The Foundation does not require or expect specific products or reports from MacArthur Fellows and does not evaluate recipients’ creativity during the term of the fellowship. The MacArthur Fellowship is a “no strings attached” award in support of people, not projects. Each fellowship comes with a stipend of $625,000 to the recipient, paid out in equal quarterly installments over five years.”

How Fellows are Chosen:
“Nominees are brought to the Program’s attention through a constantly changing pool of invited external nominators. The nominators are encouraged to nominate the most creative people they know within their field and beyond. They are chosen from as broad a range of fields and areas of interest as possible.

“Nominations are evaluated by an independent Selection Committee composed of about a dozen leaders in the arts, sciences, humanities professions, and for-profit and nonprofit communities. Each nomination is considered with respect to the program’s selection criteria, based on the nomination letter along with original works of the nominee and evaluations from other experts collected by the program staff.

“After a thorough, multi-step review, the Selection Committee makes its recommendations to the President and Board of Directors of the MacArthur Foundation. Announcement of the annual list is usually made in September. While there are no quotas or limits, typically 20 to 30 Fellows are selected each year. Since 1981, 942 people have been named MacArthur Fellows.

“Nominators, evaluators, and selectors all serve anonymously and their correspondence is kept confidential. This policy enables participants to provide their honest impressions independent of outside influence.

“The Fellows Program does not accept applications or unsolicited nominations.”

Eligibility:
“There are no restrictions on becoming a Fellow, except that nominees must be either residents or citizens of the United States, and must not hold elective office or advanced positions in government as defined by the statute.”

2015 #MacArthur Fellows: 24 Extraordinarily Creative People Who Inspire Us All

Let’s celebrate extraordinary and amazing and beneficial and FUN people! I first heard about these annual awards when they were only about $200,000 and they were called “Genius Grants.”

The cool thing about this award is that the group of people who nominate and select these individuals every year are ANONYMOUS and it is apparently impossible to discover their identities. This protects the process from corruption, one would hope.

I’ve heard that the recipient gets a phone call “out of the blue,” since they don’t even know they’re being considered, to announce that they are selected and about to receive one of our highest honors and a huge cash award.

The idea behind these awards is that the Fellows can then “quit their day jobs” or work less for money while living on the investments/cash they get/accumulate from this award. That liberates them to pursue their genius ideas even further! YEAH!

I also love that they make a concerted effort and usually succeed in finding obscure, diverse, interesting and helpful people to whom to give this important award each year. Check out the 2015 cohort!

Spread the word! Read about these people and their projects to youth and adults to inspire us all to be better! There is no upper age limit on recipients, either!

2015_McArthur F fellows_feature-alt

2015 MacArthur Fellows: 24 Extraordinarily Creative People Who Inspire Us All

Recognizing 24 exceptionally creative individuals with a track record of achievement and the potential for significant contributions in the future, the Foundation today named the 2015 MacArthur Fellows. Fellows will each receive a no-strings-attached stipend of $625,000, allowing recipients maximum freedom to follow their own creative visions.

“These 24 delightfully diverse MacArthur Fellows are shedding light and making progress on critical issues, pushing the boundaries of their fields, and improving our world in imaginative, unexpected ways,” said MacArthur President Julia Stasch. “Their work, their commitment, and their creativity inspire us all.”

https://www.macfound.org/fellows/class/2015/

“Should You #Write What You Know?” Guest Post by Krysten Lindsay Hager

I am excited to welcome back a previous guest blogger for today’s post, someone who was also a guest on Episode 15 of #CHANGES conversations between authors (see below for links), and who is an award-winning #YA and middle grades #novelist, #blogger and nonfiction author, Krysten Lindsay Hager!

Read her insights into what an #author ought to write about, below, and please comment here, http://www.sallyember.com/blog and on her site (see below for all her links).


“Should You #Write What You Know?”

What makes a person go back in time to those #teen years to relive all the awkward, cringe-worthy moments of growing up, crushes and trying to fit in while juggling homework and friendships? Was I crazy even to think about writing about that?

Probably.

Yes; most definitely, yes.

But, then again, sanity is overrated…or so I’ve heard.

Back when I began #writing seriously, I had been taking creative writing classes and even did a one-on-one independent study with my English professor. This is the first time that I finished a young adult novel. I liked my finished book, but I felt there was another story I needed to tell.

I tried different ideas out, outlined, free-formed it, scribbled on napkins and in journals, but nothing felt quite right. I had heard the phrase, “write what you know,” but it didn’t resonate that strongly with me. However, when I heard, “Write the book you would want to read,” well, that one hit home with me.

desk one

I decided that instead of trying to write for the market or what I thought people would want to read, I would write a story that I wanted to read. I told myself this story was just an exercise for me and there was no pressure to submit it or even finish it.

You know what happened? The words began to flow. It wasn’t so much about form and structure as it was about enjoying the process again. I’d soon learn that the writing reflected that.

A few months later, I had heard somewhat late about a writing conference that gave writers the opportunity to sign up for a critique. Since it was first-come, first-served, I had been waitlisted.

However, when I arrived at the conference, I saw that I had a spot in the critique queue. I asked the woman behind the counter how was it that I suddenly had a critique time assigned? I’m not saying she winked or anything, but she told me “they had found a spot” for me.

I didn’t question anything. I just said, “Thank you!” and I went to my appointment.

I went in, anxious and about to throw up. Those of you who have read any of my Landry’s True Colors Series or remember the scene in Next Door to a Star with Hadley getting ready for her first day of 10th grade, are now thinking, “Oh, that’s where Landry/Hadley gets her feel-the-fear-but–do-it-anyway bit from.”

The editor went through the chapter with me and then she came to the part in which my character has been left out by her two best friends and has to get up and walk across the room and ask another group of girls if she can join them. The editor looked at me and said: “My heart was in my throat as I wondered: would these new girls accept her? Would they let her sit with them?”

As she told me how she felt emotionally connected with the character, it hit me–—that moment I had written about was based on my own feelings. Way back in middle school, I had done that incredibly long walk in the cafeteria to another table to see if someone would let me in their group after my own crew had stopped talking to me for a day. (Who knows why, and, at the time, it seemed catastrophic to me.) That awkward, uncomfortable memory that I wasn’t even sure I should write about had brought up something in this woman who was reading it for the first time.

It was then that I realized that writing honestly about my character’s (and my) vulnerabilities was the only way to bring truth and authenticity to my stories. The fact that this person was so interested in this story’s world made me realize that I had something that someone wanted to read.

desk two
Krysten’s Writing Area

I found out that when I focused on the story I needed to tell and had written from a different place inside of me, that all brought my book to life. It made me realize the importance of writing what is in your heart–—the story only you can tell.


Krysten’s new release!

NEXT DOOR TO A STAR
by Krysten Lindsay Hager
Audience: Young Adult
Realistic Fiction

★ SYNOPSIS ★

Hadley Daniels is tired of feeling invisible.

After Hadley’s best friend moves away and she gets on the bad side of some girls at school, she goes to spend the summer with her grandparents in the Lake Michigan resort town of Grand Haven. Her next-door-neighbor is none other than teen TV star, Simone Hendrickson, who is everything Hadley longs to be–—pretty, popular, and famous—–and she’s thrilled when Simone treats her like a friend.

Being popular is a lot harder than it looks.

It’s fun and flattering when Simone includes her in her circle, though Hadley is puzzled about why her new friend refuses to discuss her former Hollywood life. Caught up with Simone, Hadley finds herself ignoring her quiet, steadfast friend, Charlotte.

To make things even more complicated, along comes Nick Jenkins…

He’s sweet and good-looking, and Hadley can be herself around him without all the fake drama. However, the mean girls have other ideas and they fill Nick’s head with lies about Hadley, sending him running back to his ex-girlfriend and leaving Hadley heartbroken.

So, when her parents decide to relocate to Grand Haven, Hadley hopes things will change when school starts…only to be disappointed once again.

Cliques. Back-stabbing. Love gone bad.

Is this really what it’s like to live…Next Door To A Star?

Book trailer: https://www.youtube.com/watch?v=nnLXsu2c43k

Next Door to a Star
NextDoor Cover

Excerpt from Next Door to a Star:

The school year should end right after spring break, because all anyone can focus on is summer vacation. You can’t learn anything new because all you can think about is all the fun stuff you’re going to do once you don’t have to get up at the butt crack of dawn. Summer always seems full of possibilities.

Nothing exciting ever happens during the school year, but maybe, during summer vacation, you could run into a hot celebrity and he’d decide to put you in his next music video. Okay, it wasn’t like I knew anybody that happened to, but my grandparents did live next door to a former TV star, Simone Hendrickson, and Simone was discovered in an ice cream parlor one summer. Of course, she lived in L.A. at the time and was already doing plays and commercials, so the guy who discovered her had already seen her perform. But hey, it was summer, she got discovered, and that was all that mattered.
Amazing stuff didn’t happen to me.

You know what happened to me last summer? I stepped on a bee and had to go to the emergency room. They’re not going to make an E! True Hollywood Story out of my life. I didn’t go on exotic vacations—–like today, I was being dragged along with my parents to my cousin’s graduation party. Most people waited until at least the end of May before having a grad party, but Charisma was having hers early because she was leaving on a trip to Spain.

I was dreading this party because I didn’t want to listen to everybody talk about how smart and talented Charisma was–—making me feel like a blob in comparison—–but my mom RSVP’d even though I said I’d rather die than go. My death threats meant nothing.

But still, for some strange reason, I had a feeling this summer was going to be different.

About Krysten

Krysten Lindsay Hager
(author photo courtesy of Shannon DiGiacomo)

Krysten Lindsay Hager is an obsessive reader and has never met a bookstore she didn’t like. She’s worked as a journalist and humor essayist, and writes for teens, tweens, and adults. She is the author of the Landry’s True Colors Series and her work has been featured in USA Today and named as Amazon’s #1 Hot New Releases in Teen & Young Adult Values and Virtues Fiction and Amazon’s #1 Hot New Releases in Children’s Books on Values. She’s originally from Michigan and has lived in South Dakota, Portugal, and southwestern Ohio. She received her master’s degree from the University of Michigan-Flint.

Connect with Krysten Lindsay Hager

Website: http://www.krystenlindsay.com/
Instagram: http://instagram.com/krystenlindsay
Facebook: https://www.facebook.com/KrystenLindsayHagerAuthor
Twitter: @KrystenLindsay
Goodreads: https://www.goodreads.com/author/show/8298036.Krysten_Lindsay_Hager
Amazon author page: http://www.amazon.com/Krysten-Lindsay-Hager/e/B00L2JC9P2/ref=ntt_athr_dp_pel_1

Book trailer for Landry’s True Colors Series provided by Videos by O.
https://www.youtube.com/watch?v=RFp2fPFbvTQ&feature=youtu.be

Buy links:
Amazon USA: http://www.amazon.com/Next-Door-Krysten-Lindsay-Hager-ebook/dp/B0149HTAK0
Amazon UK: http://www.amazon.co.uk/Next-Door-Krysten-Lindsay-Hager/dp/1680582690
Barnes & Noble: http://www.barnesandnoble.com/w/next-door-to-a-star-krysten-lindsay-hager/1122588304?ean=9781680582697
Nook UK: http://www.nook.com/gb/search?utf8=%E2%9C%93&%5Bs%5Dkeyword=krysten+lindsay+hager
Books-a-million: http://www.booksamillion.com/p/Next-Door-Star/Krysten-Lindsay-Hager/9781680582697?id=6130980443153
itunes: https://itunes.apple.com/us/author/krysten-lindsay-hager/id890673226?mt=11
Kobo: https://store.kobobooks.com/en-US/search?query=Krysten%20Lindsay%20Hager&fcsearchfield=Author&fclanguages=all

If you enjoyed this post, please comment/like it here AND go visit Krysten’s sites.


Krysten Lindsay Hager was my guest on Episode 15 of CHANGES conversations between authors. Watch conversations with my previous CHANGES guests any time:
https://www.youtube.com/playlist?list=PLPbfKicwk4dFdeVSAY1tfhtjaEY_clmfq

Learn more about and get yourself or recommend someone to be scheduled as a guest:    https://sallyember.com/changes-videocasts-by-sally-ember-ed-d/


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