Live in or want to go to #Bali to study #music, #dance, #psychodrama, #yoga?

Live in or want to go to #Bali to study #music, #dance, #psychodrama, #yoga? Check out Motivational Arts Unlimited/ Consultants, Mario Cossa’s upcoming classes, workshops, retreats and other events!

Musical Theatre Dancing Class- Starts 21 Feb, 2016
Intro To Psychodrama Group- 22 Feb, 2016
Tending The Garden Of The Soul: A Retreat For Personal Restoration And Renewal- 17-23 July, 2016

What is MAU? MOTIVATIONAL ARTS UNLIMITED is established to provide training and personal growth experiences using creative and expressive arts (especially drama and movement) in combination with yoga and other types of body work to support positive life change while reflecting the cultural and spiritual awareness of its community in Bali, Indonesia.

MUSICAL THEATRE DANCING FOR FUN AND FITNESS
Sundays 10-11am : 21 & 28 Feb and 6 & 13 March
Tuesdays 3-4pm : 23 Feb and 1 & 15 march
(no class Tues, 8 March in preparation for Nyepi)
at Ubud Fitness Bottom Floor – Jalan Jero Gadung – Ubud, Bali, Indonesia

Mario in Anything Goes
Mario Cossa is in the center of this photo of Dames at Sea

Musical Theatre Dancing For Fun And Fitness
Whether you have been tapping your toes for years or have never heard of “jazz hands,” you can join the fun and enjoy a good aerobic workout set to an assortment of musical numbers from a wide range of shows. Simple choreography will keep it lite and easy as we soft shoe and Busby Berkeley (etc.) our way through a fun workout.
See video »https://www.facebook.com/926608724051297/videos/1111316422247192/
Tuition: Rp 100,000 per class (including tax), come with a friend and pay 2 for Rp. 150,000 (tax included) or pre-pay 4 classes : Rp 350,000 (including tax)
Pre-registration requested
e-mail: mario AT dramario.net or call (0)361 479 2782 or go to our FB Event Page.

PSYCHODRAMA FOR PERSONAL GROWTH
A 2-hour introductory session
Monday, 22 Feb, 2016 – 6-8pm
In Ubud, Bali, Indonesia
(Directions provided when you pre-register.)

Intro to Psychodrama

Psychodrama For Personal Growth
“Psychodrama,” from its Greek roots, literally means “the soul in action!” Developed initially by J.L. Moreno in the 1920s, it is currently practiced, with many variations, throughout the world. Moreno was also a pioneer in Improvisational Theatre and Social Network Theory and felt that since our lives are lived in action and interaction, sitting (or laying down as the Freudians practiced) and merely talking was not an effective means of promoting greater health and developing a broader role repertoire. Join in the co-creation of a safe and supportive group environment for personal exploration and transformation.
See video


Registration fee (to cover venue cost): Rp 30,000
Pre-registration requested.
e-mail: mario AT dramario.net or call (0)361 479 2782 or go to our FB Event Page.

Tending the Garden of the Soul

I think it is essential sometimes to retreat, to stop everything that you have been doing, to stop your beliefs and experiences completely, and look at them anew…
If you can do so, you would be open to the mysteries of nature and to things that are whispering about us, which you would not otherwise reach. ~ J. Krishnamurti

Join us for a 6-night, restorative retreat in the magical garden island of Bali to renew your connection to nature and to the Self. In the lush sanctuary of Villa Gaia (http://www.gaiaretreatcenter.com), we will use the concepts and practices of Jungian depth psychology and Morenian psychodrama to co-create sacred spaces in which soul-making can take place.

For C.G. Jung, the Soul is visible in the rich images of our dreams and imaginings. For J.L. Moreno, the Soul is encountered in action and in our social relationships. This retreat offers grace-filled opportunities to share with others an exploration of your inner garden landscape and to encounter your inner gardener – the One Who Tends the Soul.

DATES: Sunday 17th July to Saturday 23rd July 2016
TUITION: US$1,250 for shared room or US $ 1800 for private room. (Residents of Bali who elect to reside off site may participate in the retreat and enjoy shared meals for a fee of US $650.)

Please Note: Participation is limited to 14 on a first-registered-first-served basis.
A registration deposit of US$500 is required to hold your space. Deposit is refundable through 1 April, 2016; half-refundable through 15 May, 2016. Bank transfer fees are the responsibility of the participant. Balance of payment due 1 July, 2016.

Gaia retreat center
Gaia Retreat Center

Residential Tuition Includes:
Transport from airport to Villa Gaia Retreat Center
Accommodation, Tax and Service Charge
Buffet breakfast – Monday through Saturday
Four lunches (one on your own during Wednesday’s free afternoon)
Four dinners (two on your own during Tuesday’s and Thursday’s free evenings)
Eleven Facilitated action exploration sessions
Facilitated Opening and Closing Ceremonies
Facilitated By: Mario Cossa, RDT/MT, TEP, CAWT and J. Kaya Prpic, PhD, Diploma Candidate – CG Jung Institute, Zurich.
Registration Enquiries and Forms:
soulgardendreaming AT gmail.com

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MacArthur [Foundation] Announces [a year-long series of] Performances, Discussion to Celebrate 35 Years of Iconic Fellowship Program”

MacArthur [Foundation] Announces [a year-long series of] Performances, Discussion to Celebrate 35 Years of Iconic Fellowship Program”
https://www.macfound.org/press/press-releases/macarthur-announces-performances-discussion-celebrate-35-years-iconic-fellowship-program/#sthash.wuDoFQcB.dpuf

AND

Events Calendar
https://www.macfound.org/events/fellows35/?all=1

The-MacArthur-Fellowship-Program logo

These events are happening mostly in Chicago and on the East Coast (Washington, D.C., New York City), but will be broadcast/put online as well. Awesome! And, “Most of the events will be open to the public for free or at low cost.”

I have always been fascinated by and love seeing who gets these grants each year. I adore the entire secrecy of the process (no one knows, supposedly, who does the selecting, no one can be nominated, and no one can self-nominate). So, one day, my friends and I imagine, someone gets this phone call or email saying: You have been selected as a MacArthur Foundation Fellow for a “Genius Grant”! What an amazing thing to happen!

The panel chooses such an excellent variety of creative, intelligent, talented and skilled individuals, also. Each year, we can learn about their Fellows and meet jugglers, dancers, scientists, writers, playwrights, poets, musicians, choreographers, youth workers and other educators, environmentalists and activists of other types and whoever strikes their fancy all honored in this way. Usually they choose about 20 people from all around the country. Not all are young, not all are older; not all are men or women; not all are Caucasian. Fabulous.

The MacArthur Fellowship[s], called “genius grants” by the media, recognize[s] exceptionally creative individuals with a track record of achievement and the potential for significant contributions in the future.

Fellows each receive a no-strings-attached stipend of $625,000, which comes with no stipulations or reporting requirements and allows recipients maximum freedom to follow their own creative visions. Since 1981, 942 people have been named MacArthur Fellows.

Fellows are selected through a rigorous process that has involved thousands of expert and anonymous nominators, evaluators, and selectors over the years.

The Foundation does not accept unsolicited nominations.

This year “is expected to include the following events as well as others to be announced later.

  • Public artist Rick Lowe will deliver a lecture on “Art in the Social Context” at Stanford University’s Haas Center for Public Service as part of the Mimi and Peter E. Haas Distinguished Visitor program (Stanford, CA, Feb. 4).
  • The College Art Association will host a discussion with photographer LaToya Ruby Frazier and public artist Rick Lowe as part of its 104th Annual Conference (Washington, DC, Feb. 5).
  • The Poetry Foundation will present the Chicago-based collective Every House Has a Door’s adaptation of a work by poet Jay Wright (Chicago, Feb. 20).
  • In conjunction with an exhibition of her work, the Whitney Museum of American Art will host a discussion with documentary filmmaker Laura Poitras (New York City, Feb.).
  • Sixth & I, a historic synagogue and cultural event space, will present a panel discussion on immigration featuring writers Chimamanda Ngozi Adichie and Aleksandar Hemon and Assistant to the President and Director of the Domestic Policy Council Cecilia Muñoz (Washington, DC, March 7).
  • New York’s 92nd Street Y will present a panel discussion featuring MacArthur Fellows (New York, March).
  • Chicago’s Museum of Science and Industry will host MacArthur Fellows for events marking National Robotics Week, including Jr. Science Cafes, a public conversation, and robotics demonstrations (Chicago, April 2).
  • The National Museum of African American History and Culture, Smithsonian Institution, in collaboration with the American Historical Association, will host a conference on “The Future of the African American Past,” featuring scholars, activists and historians, including several MacArthur Fellows (Washington, DC, May 19-21, 2016).
  • The Poetry Foundation will host a reading by poet and writer Alice Fulton (Chicago, May 24).
  • The Economic Club of Chicago will feature two conversation pairings with arts entrepreneur Claire Chase and music educator Aaron Dworkin as well as computational biologist John Novembre and historian Tara Zahra (Chicago, May 25).
  • Wingspread will host a public event featuring MacArthur Fellows working on issues of interest to the Johnson Foundation and the Racine community (Racine, Wisconsin, May).
  • The Chicago Humanities Festival will host a one-day series of programs highlighting the work of MacArthur Fellows (Chicago, May).
  • MacArthur Fellows will be featured in a plenary session at the annual convention of Americans for the Arts (Boston, June).
  • Orchestra conductor and MacArthur Fellow Marin Alsop is designing three free evenings of performances in conjunction with the Grant Park Music Festival that will showcase MacArthur Fellows working in music and science, including cellist Alisa Weilerstein, violinist Regina Carter, and composer Osvaldo Golijov (Chicago, July).
  • The Harris Theater will host a free, two-night dance performance series featuring curated works created by MacArthur Fellows, including Kyle Abraham, Merce Cunningham, Michelle Dorrance, Susan Marshall, Mark Morris, and Shen Wei (Chicago, Sept. 16 and 17 or 18).
  • The Chicago Humanities Festival will incorporate MacArthur Fellows into its regular annual programming (Chicago, Sept.).
  • The John F. Kennedy Center for the Performing Arts will host two free public performances by MacArthur Fellows through its Millennium Stage series (Washington, DC, Oct.).
  • Conservation biologist Claire Kremen will speak at as part of the Women in Science series at The Field Museum (Chicago, Nov. 2).
  • Also during the year-long anniversary MacArthur Fellows will field questions from the public in Reddit ask-me-anything sessions and appear on other digital platforms.

Attend! View! Learn! Appreciate! Enjoy!

More info about the Fellows Eligibility, Criteria and Selection Process, from their website:

Criteria:
“There are three criteria for selection of Fellows: exceptional creativity, promise for important future advances based on a track record of significant accomplishment, and potential for the fellowship to facilitate subsequent creative work.

“The MacArthur Fellows Program is intended to encourage people of outstanding talent to pursue their own creative, intellectual, and professional inclinations. In keeping with this purpose, the Foundation awards fellowships directly to individuals rather than through institutions. Recipients may be writers, scientists, artists, social scientists, humanists, teachers, entrepreneurs, or those in other fields, with or without institutional affiliations. They may use their fellowship to advance their expertise, engage in bold new work, or, if they wish, to change fields or alter the direction of their careers.

“Although nominees are reviewed for their achievements, the fellowship is not a lifetime achievement award, but rather an investment in a person’s originality, insight, and potential. Indeed, the purpose of the MacArthur Fellows Program is to enable recipients to exercise their own creative instincts for the benefit of human society.

“The Foundation does not require or expect specific products or reports from MacArthur Fellows and does not evaluate recipients’ creativity during the term of the fellowship. The MacArthur Fellowship is a “no strings attached” award in support of people, not projects. Each fellowship comes with a stipend of $625,000 to the recipient, paid out in equal quarterly installments over five years.”

How Fellows are Chosen:
“Nominees are brought to the Program’s attention through a constantly changing pool of invited external nominators. The nominators are encouraged to nominate the most creative people they know within their field and beyond. They are chosen from as broad a range of fields and areas of interest as possible.

“Nominations are evaluated by an independent Selection Committee composed of about a dozen leaders in the arts, sciences, humanities professions, and for-profit and nonprofit communities. Each nomination is considered with respect to the program’s selection criteria, based on the nomination letter along with original works of the nominee and evaluations from other experts collected by the program staff.

“After a thorough, multi-step review, the Selection Committee makes its recommendations to the President and Board of Directors of the MacArthur Foundation. Announcement of the annual list is usually made in September. While there are no quotas or limits, typically 20 to 30 Fellows are selected each year. Since 1981, 942 people have been named MacArthur Fellows.

“Nominators, evaluators, and selectors all serve anonymously and their correspondence is kept confidential. This policy enables participants to provide their honest impressions independent of outside influence.

“The Fellows Program does not accept applications or unsolicited nominations.”

Eligibility:
“There are no restrictions on becoming a Fellow, except that nominees must be either residents or citizens of the United States, and must not hold elective office or advanced positions in government as defined by the statute.”

2015 #MacArthur Fellows: 24 Extraordinarily Creative People Who Inspire Us All

Let’s celebrate extraordinary and amazing and beneficial and FUN people! I first heard about these annual awards when they were only about $200,000 and they were called “Genius Grants.”

The cool thing about this award is that the group of people who nominate and select these individuals every year are ANONYMOUS and it is apparently impossible to discover their identities. This protects the process from corruption, one would hope.

I’ve heard that the recipient gets a phone call “out of the blue,” since they don’t even know they’re being considered, to announce that they are selected and about to receive one of our highest honors and a huge cash award.

The idea behind these awards is that the Fellows can then “quit their day jobs” or work less for money while living on the investments/cash they get/accumulate from this award. That liberates them to pursue their genius ideas even further! YEAH!

I also love that they make a concerted effort and usually succeed in finding obscure, diverse, interesting and helpful people to whom to give this important award each year. Check out the 2015 cohort!

Spread the word! Read about these people and their projects to youth and adults to inspire us all to be better! There is no upper age limit on recipients, either!

2015_McArthur F fellows_feature-alt

2015 MacArthur Fellows: 24 Extraordinarily Creative People Who Inspire Us All

Recognizing 24 exceptionally creative individuals with a track record of achievement and the potential for significant contributions in the future, the Foundation today named the 2015 MacArthur Fellows. Fellows will each receive a no-strings-attached stipend of $625,000, allowing recipients maximum freedom to follow their own creative visions.

“These 24 delightfully diverse MacArthur Fellows are shedding light and making progress on critical issues, pushing the boundaries of their fields, and improving our world in imaginative, unexpected ways,” said MacArthur President Julia Stasch. “Their work, their commitment, and their creativity inspire us all.”

https://www.macfound.org/fellows/class/2015/

“What We Bring to the Table”: Guest Post by Colette Black

I am delighted to welcome dance-, art- and music-lover, author, and previous guest on CHANGES conversations between authors (Episode 16; see below for more info and URL), Colette Black, as a guest blogger today! Please enjoy her post as much as I did, comment, visit her sites, check out her series.

“What We Bring to the Table”
by Colette Black

piano-pinkies
Piano Pinkies: by Deanna Roberts

Art, like most information, is diverse and subject to interpretation. I grew up listening to my oldest brother’s piano skills. He could play almost anything by ear, read and juxtapose most pieces of music, and composed according to his fingers’ whims. My brother never seemed to get rattled, always even keel, but his music told a different story. Sometimes, it told me he was happy, contemplative, angry, annoyed, or a myriad of different emotions. When he was going through a divorce, it spoke of profound loss, confusion, anger, and pain. That is what art does: it speaks to us in a deeper language.

I started to understand art’s language when I saw my first ballet performance, in lower elementary school, on the small stage of our cafeteria/rec center.

1024px-Ballet-Ballerina-1853
Ballerina: Wikimedia Loadmaster (David R. Tribble)

I was amazed, entranced, dumbfounded. And I began to seek. Dancing was out of the question. My sister had told me I had the coordination of a clown from the time I could walk. As a side note, I now love to dance and my coordination is much improved. Unsure what this inner yearning meant, I attended plays, participated in plays, failed at orchestra, did pretty well in high school choir, developed a love for Shakespeare and poetry, melted in bliss as I walked the halls of the Louvre, and even dabbled in cake decorating. I learned a few things. One, is that I never want a career as a cake decorator; too much stress. The other, that art’s language is broad and powerful.

For example, the Mona Lisa. I’d seen replicas and art prints of the Mona Lisa more than once. Eh; no big deal. What’s all the fuss? Then I saw the real deal in the Louvre. Wow. It touched me on a deep and profound level: the “mystery,” the “humanity”: all of the adjectives I’d heard to describe her finally came together. Other paintings and sculptures within that gorgeous museum had similar effects, but some didn’t. Some expressed an appreciation for the human body while others seemed to only suggest lust and base emotions.

Mona_Lisa,_by_Leonardo_da_Vinci,_from_C2RMF_retouched

Some brought a smile to my face while others brought only darkness and discomfort. Now, I’m not making a judgment on the value of art, but I made a personal decision.

Whatever I bring to the table, I want it to make a positive difference in people’s lives, even if subtly. So, when I started to write with hopes of publication, I tried to come up with nice, Christian stories….and failed.

As a devout Christian, this was difficult for me to accept. Was I not good enough? Was my faith lacking? It took time to realize that my muse just didn’t roll in that direction. I wanted to observe and recreate human nature from the viewpoint of alternate worlds, realities and circumstances. We all live in the real world, but it’s when we put ourselves in another world, with other possibilities, that I feel we are able to look at our biases and our beliefs with the most clarity: there are fewer preconceptions to stand in our way. And so, after seeking for decades, I found my medium and I knew exactly how I wanted to use it.

Pageflex Persona [document: PRS0000032_00038]
Desolation: Cover art by Suzanne Helmigh

Words placed in the strategic organization of sentence structure, as an art, is both limiting and unlimited. Like other media, there are rules, but just as the rules of dimension, line, and color can be dabbled with by an artist, the rules of grammar and vocabulary are the author’s palette. Many have at least painted a room or a piece of furniture, taken pictures with their cell phone, or at least watched one episode of Dancing with the Stars or The Voice? But some people haven’t. Words, whether spoken, signed, or read, are something that resonates with everyone, regardless of race, socioeconomic class, or age. As authors, we arrange that familiar-to-all medium so it evokes the same deep message that comes from other forms of art. Each sentence and each page are asking our reader to look at life from another angle, under different lighting and with a different knowledge set. When readers are done, we hope they can set the book down and see their own world, even themselves, from another perspective, under different lighting and with more knowledge.

That is what I hope to bring to the table. In the end, I hope it makes for a brighter, better world.
#Art #cmbvyawrite #Words


Colette

Colette Black lives in the far outskirts of Phoenix, Arizona, USA, with her family, 2 dogs, a mischievous cat and the occasional unwanted scorpion. She loves learning new things, vacations, and the color purple. She writes New Adult and Young Adult sci-fi and fantasy novels with kick-butt characters, lots of action, and always a touch of romance. You can find her at: http://www.coletteblack.net/ or http://www.fictorians.com/

You can find her series, Mankind’s Redemption, in ebook and paperback formats:
Amazon: http://www.amazon.com/Noble-Ark-Mankinds-Redemption-1/dp/1497456207
Barnes&Noble: http://www.barnesandnoble.com/s/Colette-Black?store=allproducts&keyword=Colette+Black
Kobo: https://store.kobobooks.com/search?Query=Mankind%27s+Redemption
Smashwords: http://www.smashwords.com/books/search?query=Mankind%27s+Redemption
and other major retailers.


Colette Black was my guest on Episode 16 of CHANGES conversations between authors. Watch conversations with my previous CHANGES guests any time:
https://www.youtube.com/playlist?list=PLPbfKicwk4dFdeVSAY1tfhtjaEY_clmfq

Learn more about and get yourself or recommend someone to be scheduled as a guest:    https://sallyember.com/changes-videocasts-by-sally-ember-ed-d/


Want to be a guest blogger on my site? Visit my “Guest Bloggers Hall of Fame” to review other guest posts, read my guidelines and then contact me if you’re interested: http://www.sallyember.com/guest-bloggers-hall-of-fame/