Speculative Fiction #Genres, According to one Jaded #Feminist

Speculative Fiction #Genres, According to one Jaded #Feminist (and two other, actual experts…)

Here are two great sources of info about the overall genre of Speculative Fiction (Spec Fic) and all its subgenres, (also the two main sources of the images, below):
About Speculative Fiction, from blogger/author, Sherry D. Ramsey at http://www.sherrydramsey.com/?page_id=1005; and,
The Difference between Speculative Fiction and Science-Fiction, from SPi Global, at http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/


from http://www.sherrydramsey.com/?page_id=1005

So, you don’t have to go by my jaded, biased, perhaps not entirely fair or accurate descriptions, below.

Also, check out many of the Spec Fic online and hard-copy ‘zines and subscription magazines that publish short stories, plays, graphic novels or excerpts, art, poetry, novellas and announcements, such as: Heliotrope: Online Speculative Fiction Magazine, http://www.heliotropemag.com/

JUST MY OPINIONS, below.

  • Science-Fiction (also known as sci-fi):
    ◙ Stories about what could be or might have been that feature science, tech, weaponry that does not exist (yet); mostly written by men and somewhat invisible women; mostly about men and almost invisible women; if in graphic novel form, the females are scantily clad for no apparent reason, while men are wearing body armor; mostly about men, with one or no female main characters, except to support or be loved by males.
    ◙ If part of a series, “good guys” do not prevail for the long-term but do win in skirmishes, until the end, which can be dystopian (no HEA–Happily Ever After) or partly HEA (at least, for the romantic component).
    ◙ If politically and/or social commentary-oriented, can illustrate the ways our current cultures are harsh (but accurate) regarding racist, species-ist, misogynistic practices and attitudes.
    ◙ Main characters can die, but usually not in the first parts of a series.


    from http://www.sherrydramsey.com/?page_id=1005

  • “Hard” Science-Fiction:
    ◙ Futuristic stories mostly about the male “heroes” (and steroid/testosterone-ridden women, cyborgs and robots) fighting alone or in groups against whom/whatever, using lots of weaponry and spaceships; see above, for costuming; mostly about men, with one or no central female main characters, except to support or be loved by males or inhabit computers.
    ◙ If part of a series, “good guys” do not prevail for the long-term but do win in skirmishes, until the end, which can be dystopian (no HEA–Happily Ever After) or partly HEA (at least, for the romantic component).
    ◙ If dystopian (typically), often includes destruction of one or more planet, victors’ having slaves, horrible classism and race/species discrimination and other awful plot points and outcomes.
    ◙ Main characters can die, but can be reborn into tech creatures. Often, a “space opera” that spans many years/centuries and vast expanses.


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Steam-Punk Fantasy/Science-Fiction:
    ◙ Stories about what might have been or could be, written by both men and women; depicts women in low bodices, wearing corsets, and carrying fans; men have pocket watches, vests, and private (“public” in England) educations or tutors; everything is run by steam engines; characters are mostly Anglo and espouse or resist British/American Anglo upper- and middle-class Victorian values (e.g., either virginal or whorish women, class distinctions, elitist “manners,” rigidly gender-ized clothing); stories are mostly about men, with one or no central female main characters, except to support or be loved by males.
    ◙ If there are GLBT characters, they are usually depicted as deranged/homicidal, stereotypes, and/or objects of ridicule or pity. Rarely has human characters who are not Anglo (so I deliberately included a drawing that has males of color, here).
    ◙ Can include murders and other crimes in which females are the victims or need to be rescued.
    ◙ May not be clear who the “bad” guys are, at first (think, prostitute or crime lord with the “heart of gold”).
    ◙ Main characters cannot die unless already replaced by a successor.


    from https://writingcareer.com/black-power-the-superhero-anthology-is-seeking/

    This anthology, whose prototype cover is above, Black Power: Superheroes of Color, was released last month, February, 2017: https://thenerdsofcolor.org/2017/02/27/black-power-the-superhero-anthology/
    edited by Balogun Ojetade, with a great line-up of authors within it.

    Real cover:

  • Fantasy:
    ◙ Usually set in some pseudo-medieval or -Renaissance, Earth-like setting or Earth’s own possible past or present, but with talking animals, mythical creatures, imaginary creatures (e.g., fairies, gnomes, dwarves, trolls, dragons, giants, ogres, witches, warlocks, wizards); usually includes some kind of magic or pseudo-science mixed with magic; if there are non-human creatures, they are almost always male or overly glamorized females (large breasts, small waists, heavy make-up); could have human shape-shifters who usually become large predators (wolves, bears, lions, panthers, etc.); can have vampires, whose subplots usually include some kind of incapacitation and then sexual assault accompanying the blood-sucking, usually of women by both males and females.
    ◙ Always has “good guys” and “bad guys,” with the “good guys” prevailing in the end.
    ◙ Main characters cannot die unless already replaced by a successor.


    from http://www.sherrydramsey.com/?page_id=1005

  • High Fantasy:
    ◙ Similar to Fantasy, but with more court-like/royal characters and class conflicts/settings; usually some star-crossed royalty romance for the teen or young adult main characters that ends HEA (Happily Ever After); usually has dragons or other mythical creatures centrally featured; for specious reasons, characters often speak in upper-class British accents/styles and/or insert French- or Spanish-sounding words randomly; often heavily laced with sword fights, quests, riddles and other “tests” for the main characters (usually male), which they have to lose at least twice before becoming victorious (“getting the girl” is usually part of their “prize”).
    ◙ Duels are common.
    ◙ Usually HEA (Happily Ever After).
    ◙ Main characters cannot die unless they’re old or can become mythologized and/or unless already replaced by a successor.


    from the cover of Issue 5 of http://www.heliotropemag.com/

  • Urban Fantasy:
    ◙ Similar to Fantasy, but set in decaying cities; usually dystopian/post-apocalyptic; can blend magic with tech, though not as originally or interestingly as the author believes; not enough female characters and frequent fighting among the males; duels are common; cyborgs, androids, political and social tyrants, crime and criminals abound.
    ◙ Only HEA (Happily Ever After) for about 3 “beats,” then more fighting.
    ◙ “Good Guys” can be ethically challenged and compromised frequently.
    ◙ Main characters can die.


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Dark Fantasy:
    ◙ Exactly like one or both of the above Fantasy genres, but with more sex (sometimes BDSM or hard-core porn, here); lots of blood, gore, fighting, elements of Horror, etc.; has conflicts that maim, kill off or otherwise harm the female characters severely, who then need to be rescued (when possible); hauntings, ghosts, evil from other dimensions and realms, summonings gone wrong and other horror-like elements can occur frequently, usually showing the main characters to be idiots; features ominous castles and fortresses a lot.
    ◙ Does not usually go with HEA (Happily Ever After) because the main characters get to be “happy” (have amazing sex and lie around together afterwards) for about 3 “beats” before someone tries to kill one or both of them.
    ◙ Main characters can be cursed, ensorceled and/or die.


    from http://wallpaper-gallery.net/wallpapers/dark-fantasy-wallpapers.html

  • Horror:
    ◙ Similar to Dark Fantasy or Dystopian Sci-Fi, but with more gore, blood, death, suspense, killing, maiming, scaring, scarring, psychological and physical trauma of all kinds as both the causes/ motivations and outcomes for the characters AND the readers (can you tell I do not read Horror?); often has demons, demonic forces, battles between “good” and “evil” embodied in various physical and spirit bodies.
    ◙ Doesn’t even think about including “Happy” endings, except as punctuation marks between disasters and/or parodies.
    ◙ Main characters can and do die, usually horrifically (pun intended).


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Young Adult Speculative Fiction (usually known as YA Spec Fic):
    ◙ Usually dystopian, futuristic Sci-fi or Fantasy; features an abundance of orphans or single-parent-raised main characters; usually has one female for every two male main characters; often includes a plot/characterization that starts with the MC as an undistinguished, low-living, bullied, betrayed, enslaved or harried young person who then experiences the uncovering of special powers or previously unknown importance revealed in the first few chapters.
    ◙ Big on “destiny,” “fate,” “saving the world” and such…really, the MCs are attempting to help only a small number of beings within or a local geographic section of their/”our” world.
    ◙ Can be leaning more toward Fantasy or Sci-fi or blend both.
    ◙ Main characters can die, but usually only within an extended series; most do not.
    NOTE: YA Spec Fic is probably the best source among all Spec Fic subgenres for finding stories that feature people of color, those with disabilities or who are neuro-atypical, queer and other non-mainstream main characters and sidekicks.


image from a guest post by Julia Ember (no relation) on Jamie Kramer’s Books and Ladders blog, http://booksandladders.blogspot.com/2016/06/guestpost-unicorn-tracks-by-julia-ember.html


I told you I was jaded. I am not the only one, by any means. The following quote and analysis (please read entire article; link below) sums up my major complaints perfectly:

[Spec Fic is] not just about shiny, phallic rocket ships populated by deep-in-the-closet Aryan brethren conquering the Final Frontier, people. It’s about different futures, alternate realities, dangerous fantasies. You’d think such places, where dragons dwell, would be heavily populated with equally unusual people, but nope. Looks like everybody important there is white, male, anglophone and straight. Not to mention perfectly healthy physically and mentally.

—penned by Paula R. Stiles, “Diversity in Speculative Fiction,” on http://www.fantasy-magazine.com/non-fiction/articles/diversity-in-speculative-fiction/, from the Dec., 2016 (Issue 60) – People of Colo(u)r Destroy Fantasy! Special Issue [NOTE: “Fantasy Magazine has merged with its sister publication, Lightspeed, so this site will no longer be updated with new content. However, the fiction and interviews you would have found here at Fantasy will now be part of Lightspeed, so please sign up for our newsletter (sent out once or twice a month) to receive updates about the release of new issues of Lightspeed Magazine, news about the magazine, and more.”]
——-Lightspeed Magazine also published, starting in 2014, Queers Destroy… each of the subgenres (Fantasy, Horror, Fantasy), starting with Science-Fiction Special Issues, which you can find out about here: http://www.destroysf.com/queers/
And, on that same page, they have links to their POC [People of Color] Destroy… series of Special Issues for each subgenre (Fantasy, Horror, Fantasy)


2015’s Queers Destroy Science-Fiction cover

—Women are at the forefront of these critiques and do them so well, I have so many to choose from. Here is another, from an interview conducted by Alexandra Alter with N. K. Jemisin [Jemisin was the the first African-American writer and the first woman of color to win a Hugo Award for “best novel” (others have won for short fiction)], “N. K. Jemisin on Diversity in Science-Fiction and Inspiration From Dreams,” published by the New York Times (!?) on https://www.nytimes.com/2016/08/25/books/n-k-jemisin-on-diversity-in-science-fiction-and-inspiration-from-dreams.html?_r=0
Jemisin says she “decided to focus on an oppressive society at the macro scale and what that society does to individuals” in her spec fic novels. Why? Because “a woman of color from an impoverished culture, being brought up among wealthy, privileged white people and having to cope and perform in ways that she has not been raised to do… was obviously drawn from some personal experiences. I do that in everything — explorations of power, identity and belonging.”

—Another great article, “Genrequeer,” by Theodore McCombs at http://www.fictionunbound.com/blog/2016/4/6/genrequeer, offers this excellent insight: “To make space for black achievement and transcendence, speculative fiction lets us change all the rules that should never have been rules in the first place.”


So, there is a lot of hope for increasing diversity, better representation of women and girls, more interesting stories and compelling ways to resolve conflicts than wars and violence in the Spec Fic genre and all its subgenres, with dozens of websites, groups and other resources to help us find them.

Here are some:
—The Black Science Fiction Society: http://www.blacksciencefictionsociety.com


Logo from Black Science Fiction Society website, 2017

—The Speculative Literature Foundation offers “Diverse Writers and Diverse Worlds Grants …The two $500 awards support any purpose that writer recipients may choose to benefit their work.”
FMI: http://speculativeliterature.org/ and a resource list of orgs for writers of Spec Fic: http://speculativeliterature.org/writers-resources-2/writers/writers-organizations-2/

African-American Sci-Fi: http://www.africanamericansciencefiction.com/

Latino Spec Fic: http://www.latinospeculativefiction.com/, which published Latin@ Rising: An Anthology of Latin@ Science Fiction and Fantasy, which “is the first anthology to bring together U.S. Latinos/as who are working in science fiction, fantasy, and other speculative genres”; edited by Matthew David Goodwin.


Cover of Latino@ Rising: An Anthology of Latin@ Science Fiction and Fantasy

—Two other not-so-recent anthologies: Dark Matter: Reading the Bones (2005), edited by Sheree R. Thomas, and Cosmos Latinos: An Anthology of Science Fiction from Latin America and Spain (2003), edited by Andrea L. Bell and Yolanda Molina-Gavilán, which “showcase African-American and (mostly) Spanish-speaking spec-fic writers, respectively.”

—Check out writers in the sub-category of Afrofuturism, which is defined in Wikipedia: “Afrofuturism addresses themes and concerns of the African diaspora through a technoculture and science-fiction lens, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afrodiasporic experiences.” https://en.wikipedia.org/wiki/Afrofuturism

Tracy Mumford, about a year ago, wrote, in: “‘We want to hear new voices’: Diversity in sci-fi and fantasy” for https://www.mprnews.org/story/2016/04/05/books-diversity-in-sci-fi-and-fantasy [as part of The Thread newsletter, which I recommend you sign up for right now (on that page)], some great commentary about those topics.
This article also has a great recommended reading list, curated during and prior to 2015, mostly, of diverse writers’ work in spec fic.

—Queer Sci-Fi has so much to offer, now, and via so many sites. Here is one website that may list the majority of them and offers more resources, besides: https://queerscifi.com/


Weigh in, please. I’d love to have great discussions, here, about other elements of Spec Fic and intersectionality (the places that social identities overlap and in which we analyze privilege, oppression and efforts to effect change). What have I left out, got wrong, etc.?

I’d love to hear from you. I also welcome Guest Bloggers (see my site for Guidelines): http://www.sallyember.com/

Current Research in Speculative Fiction Liverpool, UK, (CRSF) Conference was June 27, 2016

Current Research in Speculative Fiction Liverpool, England, UK (CRSF) Conference was Monday, June 27, 2016, at the University of Liverpool!

CRSF logo

Here is their report:

CRSF 2016 Post-conference Report
Posted: 04 Jul 2016 05:26 AM PDT
The sixth annual Current Research in Speculative Fiction [CRSF] conference was held last week on Monday 27th June and was a great success.

As usual, the papers delivered were of a high quality and a diverse range of topics from D&D bestiaries to feminist utopia, ecological disaster to Harry Potter, medieval English horror to Japanese dystopian YA and far more besides. As usual huge thanks go to those who presented a paper: thank you for the enthusiasm with which you approached the task and for the hard work you did preparing for the conference, a conference – no matter how the organising goes – is nothing without its delegates.

CRSF 2016 represents a record year for number of delegates, with non-presenting delegates outnumbering presenters for the first time. This was in no small part thanks to the excellent Science Fiction Research Association (SFRA) conference also held in Liverpool on the 28th-30th June, a number of whose delegates came along to see CRSF in action. There were, however, a number of non-presenting delegates, including former presenters from previous years, who made the trip to Liverpool especially to see CRSF, I cannot think of a better endorsement for the atmosphere and organisation of the conference than for those who have been before to want to come back, even if they’re no longer eligible to present.

In total we had fifty-six attendees and thirty papers presented, over three parallel streams, by delegates from institutions throughout the UK, as well as Ireland, Belgium, Germany, Finland, Spain, Russia, Israel, Canada, and the United States, among others.

Thank you to all who attended. Additional thanks to all those who engaged with the conference on social media. I’m a firm believer in the Twitter back channel for conferences, and CRSF performed ably in this regard too. If you’re not on Twitter and you want to (re)discover the tweet-by-tweet coverage of the conference it’s been conveniently archived on Storify here for you.

Thanks also to our wonderful keynote speakers: Dr. Caroline Edwards (Birkbeck University of London) and Dr. Pat Wheeler (University of Hertfordshire) who not only gave fascinating and insightful keynote lectures, but also attended numerous panels, asking insightful and constructive questions throughout, and offering many a kind and supportive word for delegates in the breaks and more informal moments of the conference. Caroline’s paper opened the conference and was entitled ‘”But there is still such beauty”: Post-Apocalyptic Fiction and Eco-Eschatological Time in the 21st-Century’, it took us through such post-apocalyptic novels as Emily St. John Mandel’s Station Eleven and Maggie Gee’s The Flood, highlighting the pastoral beauty often found in these texts and the implications of that for our vision of the apocalypse and the future (if any) of humanity’s role on the Earth. Pat’s keynote was entitled ‘”She can’t love you, she’s just a machine’: Metal-fevered Boys and their Passion for New Eves’, which challenged how we should read gynoids in the twenty-first century: as either challenge or constriction to women’s agency.

Thanks as ever to the University of Liverpool staff who provided support both in the build up to, and during, the conference: the Rendall Building staff, and Filomena Saltao, the Administrator of the School of the Arts, and Siobhan Quinn. Thanks also to Andy Sawyer, academic librarian for the Science Fiction Foundation collection at the University of Liverpool’s Sydney Jones Library, for once again arranging for all delegates to receive free copies of Foundation: The International Review of Science Fiction. Thanks also to the staff at Il Forno, our traditional restaurant of choice, who once again dealt with our large numbers with aplomb.

As always we welcome your feedback on CRSF 2016, all comments are useful and appreciated. Please leave a comment on our website’s post at http://currentresearchinspeculativefiction.blogspot.com, or e-mail them to us at crsf.team@gmail.com.

CRSF will return in 2017….

Glyn Morgan,
Molly Cobb,
Leimar Garcia-Siino,
Chris Pak

I wish I could have been there.

To refresh, if you missed my explanatory pre-conference post, read below:

CRSF is a postgraduate conference designed to promote the research of speculative fictions including, but not limited to, science fiction, fantasy and horror.

Our aim is to showcase some of the latest developments in this dynamic and evolving field, by providing a platform for the presentation of current research by postgraduates. The conference will also encourage the discussion of this research and the construction of crucial networks with fellow researchers.

The planned schedule was as follows:

9:00-9:30: Registration and Refreshments

9:30-10:30: Keynote Lecture #1: Dr Caroline Edwards,

“But there is still such beauty”: Post-Apocalyptic Fiction and Eco-Eschatological Time in the 21st-Century

10:30 -12:00: First Round of Panels

1.1: Press START to Play
Andrew Ferguson – Clipping Out of Bounds: Reading House of Leaves Through Portal

House_of_leaves

  • Britanny Kuhn – [Awaiting Title]
  • Ivaylo Shmilev – Oppression, Warfare and Transcultural Memory in the Complex Post- Apocalyptic Environments of the S.T.A.L.K.E.R. Game Series

    STALKER game image

1.2: Horrific Narratives
Travis Gasque – The New Cosmic Horror: A Genre Molded by Tabletop Roleplaying Games and Postmodern Horror
Matthew McCall – “My manez mynde to maddyng malte”: Tracing Horror in the Middle English Pearl

Pearl_Poet

  • Selena Middleton – Climate Collapse and the Uncontained Body in James Tiptree Jr.’s A Momentary Taste of Being

    Momentary taste (in the 1975 anthology, The New Atlantis and Other Novellas of Science-Fiction)

1.3: You’re Only Young Once
Lan Ma – Censorship and Resistance: Information Control in Japanese Dystopian Young Adult Fiction in the 21st Century
Alison Baker – Protocols for the education of young witches and wizards
Arunima Dey – The Grotesque in the Harry Potter Series

Potter box set

12:00 -13:00: Second Round of Panels

2.1: Beasts and Bestiaries
Rob O’Connor – “The History of All Hitherto-Existing Societies is the History of Monsters”: The Bestiary and the Depiction of Monsters as Social Commentary
Sandra Mänty – Representation and function of animals in the world of Harry Potter

Potter collection cover

2.2: The Greater Good
Maxine Gee – “If something stinks put a lid on it, don’t see it”: Self-censorship and the brave new world of Psycho Pass

Psycho Pass

  • Jonathan Ferguson – Crimes Against The Greater Good are Victimless Crimes?

2.3: Character Studies
Beata Gubacsi – Monstrous Transformations: Becoming posthuman through art in Vandermeer’s Ambergris novels

Ambergris 1

  • Matteo Barbagallo – Do we have a deal? Petyr Baelish, Varys, Rumpelstiltskin and their role as Doppelganger

13:00 -13:45: Lunch Break

13:45 -14:45: Keynote Lecture #2: Dr Patricia Wheeler

“She can’t love you, she’s just a machine”: Metal-fevered Boys and their Passion for New Eves

14:45 -16:15: Third Round of Panels

3.1: Revenge of the Film
Pablo Gómez Muñoz – Greening Apocalypse: Eco-Conscious Disaster in Twenty-First Century Science-Fiction Cinema
Josephine Swarbrick – Monstrous Men and Masculine Monsters: Gender and the Cyborg in Paul Verhoeven’s Robocop (1987) and José Padilha’s Robocop (2014)

Robocop

  • David Contreras – Gothic Surrealism in Mexican Cyberpunk Short Film: The Borderlands Strike Back

3.2: Theoretically Speaking
Jo Lindsay Walton – The Dystopian Glimpse
Artem Zubov – Science-fiction studies and genre theory
Pascal Lemaire – Fans of history first, fans of S-F more distantly ? Alternate History as a form of History’s fan fiction

3.3: Tell Me a Tale
Kanta Dihal – Science and Religion in Madeleine L’Engle’s A Wrinkle in Time and Philip Pullman’s His Dark Materials

Wrinkle coverPullman box set

  • Rina Jean Baroukh – “Your Light Has Come” : Fantasy and Reality in Shimon Adaf’s Sunburnt Faces

    Sunburnt faces cover

  • Laura-Marie von Czarnowsky – Re-Defining the Bildungsroman: Traumatic Journeys as a Trend in Contemporary Fantasy Fiction

16:15 -16:30: Refreshment Break [YES: English Tea Time!]

16:30 -18:00: Fourth Round of Panels

4.1: Perceptions of the Female Self
Sonya Dyer – aPOCalypso: Janelle Monae and (Science) Fictional Black Feminisms
Sarah Lohmann – “Solar Loyalties”: The Utopian Ethics of Posthumanism in Naomi Mitchison’s Memoirs of a Spacewoman

Spacewoman cover

  • Mylène Branco – The Construction of the Female Self in L.P. Hartley’s Facial Justice

    Facial cover

4.2: Alternate Beings
Tom Kewin – ‘A Society of Screens’: The State of Digital Surveillance and the Repercussions for the Humanist Subject
Mattia Petricola – From mesmeric trance to living avatars: Rethinking consciousness and death after Mr. Valdemar

Valdemar

4.3: Dystopian Time, Resurgent Space
Gabrielle Bunn – Future Ruins: The intersection of nature and culture in the post-apocalyptic landscape of J. G. Ballard’s The Drowned World (1962)

Drowned cover

  • Hollie Johnson – Anarchy, Nostalgia, and Resistance: The Role of Nature in We, Brave New World, Nineteen Eighty-Four

    We cover1984

  • Thomas Connolly – “There was a thing called Heaven”: The end of time in Huxley’s Brave New World

    Brave New World cover

18.00 -19.00: Post-Conference Wine Reception and Official Conference Group Photo

Download a PDF of the entire schedule here: https://drive.google.com/file/d/0B4DNnD_AmJQmeWdEREJfemd1YWs/view

Want to present or attend next year? The “Call for Papers” usually occurs in early December for the following June’s annual conference. Check out past conferences/calls and get more information here and visit their
website: http://currentresearchinspeculativefiction.blogspot.com/
or contact their team (the team members’ list has not been recently updated, yet: CRSF.team@gmail.com and follow their Tweets: ‎@CRSFteam

Their website is not very “interesting,” IMHO, but the topics ARE. Here is a sampling of Q & A from their FAQs…

FAQ

What is CRSF?
CRSF is short for Current Research in Speculative Fiction, an annual conference organised by postgraduate students for postgraduate students. The conference was first held in 2010 at the University of Liverpool and has been held annually since, attracting an international selection of speakers from as far afield as Turkey and the USA. The conference aims to provide a welcoming and friendly atmosphere for researchers who are at the very beginnings of their fields to test ideas, network with others, and gain valuable conference experience.

What is Speculative Fiction?
Simply put, we consider speculative fiction to be the collective name for the non-mimetic genres of science-fiction, fantasy, horror, and their related sub-genres. Essentially, if it’s a bit weird, it’s probably eligible. If in doubt, feel free to run your idea by us. At this juncture, it’s probably also worth us pointing out that the conference doesn’t discriminate among media: papers on television, film, video games, music, fan culture, etc., are as welcome at CRSF as papers on literature.

I’m an undergraduate student/ university faculty member/ speculative fiction fan/ author, can I attend?
We welcome non-presenting delegates from all aspects of speculative fiction whether you be a non-academic fan or a professor at a university.

How much does CRSF cost to attend?
Since CRSF is funded entirely off the delegate fees we can never be 100% sure of our budget until we know how many papers we will be accepting for the conference. As such, confirmed fees are not available until after abstracts have been processed and invitations to present accepted. However, as a guide, past conferences have charged £30 (about $44 USA) for the day with an early bird discount available for those who register early. This fee includes lunch and refreshments.

My recommendations are on “SF SIGNAL” “MIND MELD” “This Is What We Want To Read In 2016”!

My recommendations are on “SF SIGNAL” “MIND MELD” “This Is What We Want To Read In 2016”!

Andrea Johnson was kind enough to invite and include me in this amazing roster of #speculative #fiction authors’ recommendations for upcoming spec fiction books we are looking forward to reading this year.

Mine are near the middle of the list, this time.

Visit, comment, subscribe!

http://www.sfsignal.com/archives/2016/01/target-113mind-meld-want-read-2016/

What about other 2016 new releases in Speculative Fiction? There are so many lists/books!

Goodreads has a list:
https://www.goodreads.com/genres/new_releases/science-fiction

Here, via Barnes & Noble, some editors/publishers/bookstore owners are tooting their own horns, so to speak (hawking their own company’s books)? First:
http://www.barnesandnoble.com/blog/sci-fi-fantasy/2016-books-sff-editors-want-you-to-read/

then, with lots of overlap, this one:

http://www.barnesandnoble.com/blog/sci-fi-fantasy/42-sff-books-we-cant-wait-to-read-in-2016-in-2-sentences-or-less/

If you’re focused on #Fantasy and want to know when most upcoming releases (from predominantly/exclusively MALE authors, which I’m sure is some kind of weird accident… sure, it is) that are already scheduled are due to be available, use this new-releases calendar (most do not have covers, yet):
http://www.bestfantasybookshq.com/best-fantasy-books-2016/

A much better and more inclusive list, here, from Locus Online:
http://www.locusmag.com/Resources/ForthcomingBooks.html

from B*TCH MEDIA, “#Feminism and #Science-Fiction” #Podcasts

from B*TCH MEDIA, “#Feminism and #Science-Fiction” #Podcasts

If you are a feminist, interested in feminism, a science-fiction writer or reader, or all four, you MUST listen to these 4 podcasts from Popaganda of B*TCH MEDIA.

You can listen to them all in a row (first window) or listen to each one separately. Here are the titles of the four podcasts in this Episode of Popaganda:

fem_sci_2

“The beautiful ‘feminism and sci-fi’ illustration is from Voyage by Molly Mendoza. Voyage is a visual essay on the Voyager Interstellar Mission and is embedded with the themes of wonder, distance, and exploring places far away from home.”

  • DEEP THOUGHTS ON ELLEN RIPLEY: Ellen Ripley and Gender in “Alien”
  • INTERVIEW WITH WALIDAH IMARISHA: Peace, Justice, and Octavia Butler
  • INTERVIEW WITH ADRIENNE MAREE BROWN: What Can Social Justice Activists Learn from Science Fiction?
  • AN ESSAY ON FAMILY, SCIENCE, AND POP CULTURE: The Laws of Familial Thermodynamics

If you don’t subscribe, yet, to BiTCH MEDIA, an unavoidable pop-up comes with this link, below, asking for you to subscribe. Sorry. I don’t know how to disable it, but honestly, you SHOULD subscribe and, if you can afford it, donate. BiTCH MEDIA is a great source of info, critique and news.

LINK TO ALL PODCASTS:
http://bitchmagazine.org/post/popaganda-episode-feminism-and-science-fiction

from B*TCH MEDIA, “#Feminism and #Science-Fiction” #Podcasts

from B*TCH MEDIA, “#Feminism and #Science-Fiction” #Podcasts

If you are a feminist, interested in feminism, a science-fiction writer or reader, or all four, you MUST listen to these 4 podcasts from Popaganda of B*TCH MEDIA.

You can listen to them all in a row (first window) or listen to each one separately. Here are the titles of the four podcasts in this Episode of Popaganda:

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“The beautiful ‘feminism and sci-fi’ illustration is from Voyage by Molly Mendoza. Voyage is a visual essay on the Voyager Interstellar Mission and is embedded with the themes of wonder, distance, and exploring places far away from home.”

  • DEEP THOUGHTS ON ELLEN RIPLEY: Ellen Ripley and Gender in “Alien”
  • INTERVIEW WITH WALIDAH IMARISHA: Peace, Justice, and Octavia Butler
  • INTERVIEW WITH ADRIENNE MAREE BROWN: What Can Social Justice Activists Learn from Science Fiction?
  • AN ESSAY ON FAMILY, SCIENCE, AND POP CULTURE: The Laws of Familial Thermodynamics

If you don’t subscribe, yet, to BiTCH MEDIA, an unavoidable pop-up comes with this link, below, asking for you to subscribe. Sorry. I don’t know how to disable it, but honestly, you SHOULD subscribe and, if you can afford it, donate. BiTCH MEDIA is a great source of info, critique and news.

LINK TO ALL PODCASTS:
http://bitchmagazine.org/post/popaganda-episode-feminism-and-science-fiction

Latest #Author #Interview with Sally Ember, Ed.D., on Connie Dunn’s page, goes live TODAY!

Thanks for a fun and great #interview, Connie, conducted/recorded on September 4, 2014, despite numerous technical difficulties!

My interview goes live TODAY, September 29, 2014. We talked about #writing, #science-fiction, The Spanners Series and its #aliens, the Series’ #cover art and Aidana Willowraven as the cover artist,

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my #utopian views, writing in the present tense to emphasize the #multiverse/#paranormal/#psi elements, #science/#research, book #reviews, “crowd creating” and other #collaborations, ghost writing, #series writing, writing across #genres and for multiple audiences/age groups, inspiration/creativity, my writing history (from age 9 on), #editing, #indie publishing and much more.

http://publishwithconnie.com/mondaymorning is the link to Connie’s website. Please visit, look at her books and what she offers to authors!

From there, you can go listen to my interview: http://publishwithconnie.com/teleseminar-dashboard/sally-ember/

My post for the Goodreads’ Genre-Specific Review Group’s Fall 2014 Blog Hop Tour: “COMFORT” is this year’s theme.

Do you like to read and/or write: mysteries, fantasy, science-fiction, romance, children’s, young adult (YA) or any combination of these? Genre is what we call those types of stories and novels, and if you say “YES!” then this Blog Tour is for YOU! Visit, read, comment, LIKE, share, reblog!

My “COMFORT” post appears today, on Sept. 27, so visit other sites, below, also!

THE COMFORT THAT COMES FROM WRITING AND READING
UTOPIAN SPECULATIVE FICTION

by Sally Ember, Ed.D., author of The Spanners Series ebooks, blogger and host of CHANGES, almost-weekly Google + Hangout On Air (HOA)

When I’m discouraged, disheartened, heartbroken, experiencing achingly painful unrequited love, unemployed, displaced, uprooted, tired, in physical pain, lonely, confused, disempowered and in despair about the state of world affairs, our climate and so much more, what do I do? I write my way out of this mess into my imagined (and actual, according to multiverse theories) utopian near-futures in The Spanners Series ebooks (full-length novels) and short stories.

Why be “here” when I can be in a better “there”?

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Some of the themes and problems I “tackle” and “solve” or at least improve via my plotting in The Spanners Series via extraordinary applications of science, intervention of the paranormal, including the newly or not-yet invented and/or the embellished, are:

  • homophobia/heterosexism and gender biases due to intolerance and ignorance of actual diversity in sexual orientation and gender identities
  • violence, depression, and anti-social tendencies caused/fueled by excesses of testosterone and other imbalances in body/brain chemistry
  • species-ism and the inability of humans to communicate well with and respect other species (on Earth and elsewhere)
  • habits of thinking that embed humans in linearity, singularity and other mistakes due to misunderstandings of physics and/or lack of knowledge of simultaneous time and the multiverse
  • motion/travel sickness and altitude sickness
  • political corruption and inappropriate, sociopathic leaders in positions of power and authority
  • greed and unequal distributions of all finite and necessary resources
  • unequal access to education, health care, housing, training and opportunities
  • inability to recognize and honor multiple forms of intelligence, talent and usefulness among individuals of many species, especially humans
  • intolerance and hatred due to limited or incorrect understanding of facts (of origins, science, truth) and lack of acceptance of differences in beliefs and values that inspires violent attempts to stay entrenched despite evidence to the contrary
  • fear-based decision-making and false narrowing of options due to willful or accidental ignorance of choices
  • and even more.

    It is SO MUCH FUN as well as comforting to write my way out of difficulties we face into better circumstances, situations and experiences.

    Or, if I’m not in the mood to write, then I go searching for others’ “solutions.” I need to read some stories with a “happy ending” or immerse myself in other uplifting genre or humorous modern fiction to COMFORT my spirit during these awful times. Fiction’s positive possibilities are endless: the love is sublime, the heroes and “good” guys/women prevail, the “bad” guys/women are caught/stopped. Aaahh.

    hope love and happy endings

    image from: http://hopelovehappyendings.blogspot.com

    I rely on getting to the beneficial outcomes: all is made right by the last page (or as right as it can be). I sigh with contentment, relief, happiness as I read/write.

    What about you? What in your writing and reading comforts YOU? What do you look for in genre fiction to soothe your spirit?

    Leave comments and suggestions here, please! And, don’t forget to visit and comment on the other sites’ posts in this blog hop tour! Thanks!

    Goodreads’ Genre-Specific Review Group’s Fall 2014 Blog Hop Tour: “COMFORT” is this year’s theme.

    GSRG-blog-hop-Sept

    TOUR DATES and SITES
    (Posts are still LIVE or available in archives on and after the listed date, so visit any time!)

    September 23http://www.elainepcantrell.blogspot.com

    September 24https://www.goodreads.com/author/show/387792.Marilyn_Peake/blog
    http://www.marilynpeake.com

    September 25http://rjcrayton.com/blog

    September 26http://www.susandayauthor.com

    September 27http://www.sallyember.com/blog
    http://michelle-abbott.weebly.com/