Week TWO Info for “The Author’s Adventure Summit 2017,” run by Lisa DeSpain

“The Author’s Adventure Summit 2017” is hosted by:
Lisa DeSpain, “The Successful Author’s Book Coach” (her own eponym), who can be reached at: lisa@book2bestseller.com, and who can be found (and more info, also) at: http://book2bestseller.com
[I am not endorsing, recommending, or benefitting, myself. I have attended worthwhile webinars/workshops online led by a few of these presenters. Sharing, therefore.]

Lisa sent this note and schedule, below, to those of us who subscribe to her newsletter and who signed up to be notified of this coming week’s events in the The Author’s Adventure Summit 2017 (which runs May 8 – 19, 2017).

Sign up here: http://www.book2bestseller.com/authors-adventure-summit/ to get on the list, access the free events, or decide to pay and access more (I am not paying).

Hi – just a quick note to let you know what’s happening this upcoming week. I’ll be sending a daily schedule with links so you can easily click through to the summit interviews for the day. Here’s an overview of the week:

WEEK TWO SCHEDULE

Monday, May 15
Derek Murphy, “Fantastic Fiction Promotional Strategies” http://book2bestseller.com/derek-murphy
Jill Celeste, “The Director of Marketing for Your Book Business” http://book2bestseller.com/jill-celeste
Elena Rahrig, “Traditional Publisher or Self-Publisher?” http://book2bestseller.com/elena-rahrig

Tuesday, May 16
Eric Van Der Hope, “Finding Your Tribe & Building Your Platform” http://book2bestseller.com/eric-van-der-hope
Lori Hardegree, “Facebook Secrets for Authors (The Red Hot Edition)” http://book2bestseller.com/lori-hardegree
Penny Sansevieri, “Offline and Online Marketing Strategies” http://book2bestseller.com/penny-sansevieri

Wednesday, May 17
Shari Stauch, “Fun Ways to Build Your Author Platform” http://book2bestseller.com/shari-stauch
Kiki Chatfield, “New Publicity Methods You’ve Never Heard Of” http://book2bestseller.com/kiki-chatfield
Kimberley Grabas, “6 Essential Elements of a Flawless Book Launch” http://book2bestseller.com/kimberley-grabas

Thursday, May 18
Sharon Hamilton, “Becoming a Bestselling Author” http://book2bestseller.com/sharon-hamilton
Alinka Rutkowska, “Why 72% of Self-Published Authors Never Sell
More Than 1,000 Books” http://book2bestseller.com/alinka-rutkowska
Jen Levitz, “5 Keys to Writing a Lead Generating Business Book” http://book2bestseller.com/jen-levitz

Friday, May 19
Judith Briles, “The Book Shepherd” http://book2bestseller.com/judith-briles
Lisa DeSpain, “Summit Wrap-Up” http://book2bestseller.com/lisa-interview

WEEK ONE SCHEDULE (may need to pay to view older shows…)

Monday, May 8
Randy Peyser, “How to Get a Book Deal with a Publisher” http://book2bestseller.com/randy-peyser
Tamara Monosoff, “Adding Interactivity and Working with Affiliates” http://book2bestseller.com/tamara-monosoff
Tenita Johnson, “Beyond the Bestseller List” http://book2bestseller.com/tenita-johnson

Tuesday, May 9
Valerie Gangas, “Going Pro on the Path to Enlightenment” http://book2bestseller.com/valerie-gangas
Laila Ali, “From Traditional to Self-Published” http://book2bestseller.com/laila-ali
Rocky Callen, “Learning How to Bleed Ink” http://book2bestseller.com/rocky-callen

Wednesday, May 10
Amanda Young, “Finding Clarity as You Write Your Book” http://book2bestseller.com/amanda-young
Ellie McLove, “Editing: When to Change it or Leave it for Style” http://book2bestseller.com/ellie-mclove
Nina Amir, “Inspiration to Creation” http://book2bestseller.com/nina-amir

Thursday, May 11
Tamara Dever, “The Selling Power of Book Design” http://book2bestseller.com/tamara-dever
Joel Friedlander, “Secret Ways that Authors Really Make Money” http://book2bestseller.com/joel-friedlander
Robin Cutler, “Getting Ingram Distribution through IngramSpark” http://book2bestseller.com/robin-cutler

Friday, May 12
Steven Spatz, “Distribution + Service = A Winning Combination” http://book2bestseller.com/steven-spatz
Kristin Steele & Dan Verdick,”The Top 4 Things You Need to Know About Book
Marketing” http://book2bestseller.com/kristin-and-dan

The Presenters for both weeks of The Author’s Adventure Summit 2017

Lisa ended her email with a few cute lines, then this info:

P.S. If you think you’re going to have trouble watching the interviews on their live dates, you might want to get a VIP access pass (if you haven’t already). Here’s the link to become a VIP: http://www.book2bestseller.com/masterclass-vip/

Indie Author Fringe’s 2nd online conference, “Fringe to BookExpo,” is Saturday, June 3rd, 2017

2017’s Indie Author Fringe 2nd of 3 online conferences, “Fringe to BookExpo,”, happens in a few weeks, on Saturday, June 3rd, 2017. Click here for more info and to register: http://selfpublishingadvice.org/what-is-indie-author-fringe/

This year’s conference “features 24-hours of self-publishing sessions for authors with an independent spirit. The agenda we’re developing will help you reach more readers and sell more books, and includes tips, tools, and techniques for marketing and promoting yourself and your book.”

I am a proud member of Alli, and this message is from one of the three organizers, Orna Ross, of Alli (the Alliance of Independent Authors)(David Penny and Jay Artale are the other two):

SPEAKERS

We’ve added more speakers and you can click here, http://selfpublishingadvice.org/bookexpo-indie-author-fringe-2017-speakers/ , to view the bios we’ve published so far.

COMPETITION

It’s free to enter our Book Cover Competition here, http://selfpublishingadvice.org/indie-author-fringe-2017-cover-competition-submission/ , and you can check out the competition entries we’ve already received [on that site as well].

Over the coming weeks, we’ll let you know about the Sponsor deals and discounts, and reveal the changes we’re implementing for this upcoming Indie Author Fringe event.

Until then, happy writing and publishing…

Next Alli Indie Author Fringe online conference: October 14, 2017.

“Last Pass” Proofreading Already Successful!

“Last Pass” Proofreading Already Successful!

NEWLY REVISED info below…

Experienced editor, writer, grammarian and excellent speller as well as college-level writing professor now available for your document’s/manuscript’s FINAL proofreading.

Found no fewer than 14 errors and made several suggestions for two SHORT pieces (brochure, poster) from recent client who told me her current proofreader and she had BOTH already “proofread” these pieces! Last Pass is excellent…and essential!

Pay me less if your piece has fewer mistakes!

Only $0.25 per error
(one quarter, USA currency, payable via PayPal or snailmail checks).

When you’re fairly certain your other proofreaders have “done the trick,” let me have the “last pass.” If I don’t find any mistakes, you pay me only $25.00 for every 200 pages, because it usually takes me one hour/200 pages (about 40,000 words), to read through for errors. All errors marked, for evidence.

Usual no-error costs:
— $5 for short pieces, fewer than 2500 words (brochures, blurbs, posters, banners, etc.)
—$10 for short stories
—$15 for novelettes
—$25 for novellas
—$50 or more for full-length plays or novels

$2 extra, per page, with or without other errors, if you want the document to be checked for formatting and consistency in usage as well as the usual proofreading checks (punctuation, grammar, word choice, capitals, spelling and typos).

— Manuscripts must be provided in as a document in MS Word or OpenOffice Word or similar format (not epub, Scrivener, PDF). $5.00 surcharge, approximately, for editing suggestions and/or if the document does not allow for mark-up changes right on the document and I have to send each error/suggestion by typing out sentences, 1 per error/suggestion.

No developmental, story or other larger editing provided.

If I deem that the manuscript isn’t proofreader-ready, I return it/do not proofread it, charging only $10 service charge.

Quick turn-around on most jobs. I am fast, thorough, accurate and correct.

No ebook or publication final formatting provided. No book design, cover design, or blurb-writing (but will proof these, when requested).

I accept almost all genres in fiction and topics in non-fiction, EXCEPT those with graphic violence, war/military/terrorist scenes or BDSM/erotica. I do not proof graphic novels/comics or artwork.


Invoiced on 4/1/17 for the first two projects for this new “Last Pass” proofreading service!

Total, $18.50
—Invoice 1, $15.00, 41 errors/concerns, 6-page brochure, fewer than 2500 words; editing suggestions cost about $5.00 extra per document, under 2500 words.
—Invoice 2, $3.50, 14 errors/concerns, 1-page poster, fewer than 2500 words.
Not April Fools, either.
Affordable, reliable, quick turn-around, excellent eye for all types of errors.
Check me out!


Contact: sallyember AT yahoo DOT com
For more information, my blog, my books, more: http://www.sallyember.com

“Youngledore”! Fascinating plans for “Fantastic Beasts” sequel with Jude Law in that role!

Some Fantastic news: Jude Law has just been cast as Young Pope Albus Dumbledore in the sequel to Fantastic Beasts and Where to Find Them, a spinoff-prequel to the Harry Potter books. (There will be five Beast movies altogether, unless J.K. Rowling runs out of gibberish names for CGI animals sooner.) Variety broke the news that Law would be filling (well, pre-filling) the shoes of Michael…

via Jude Law to Play Young Albus Dumbledore, a.k.a. “Youngledore,” in ‘Fantastic Beasts’ Sequel — and Perhaps Have More Than Just a Goddamn Gay “Moment” — Flavorwire

Speculative Fiction #Genres, According to one Jaded #Feminist

Speculative Fiction #Genres, According to one Jaded #Feminist (and two other, actual experts…)

Here are two great sources of info about the overall genre of Speculative Fiction (Spec Fic) and all its subgenres, (also the two main sources of the images, below):
About Speculative Fiction, from blogger/author, Sherry D. Ramsey at http://www.sherrydramsey.com/?page_id=1005; and,
The Difference between Speculative Fiction and Science-Fiction, from SPi Global, at http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/


from http://www.sherrydramsey.com/?page_id=1005

So, you don’t have to go by my jaded, biased, perhaps not entirely fair or accurate descriptions, below.

Also, check out many of the Spec Fic online and hard-copy ‘zines and subscription magazines that publish short stories, plays, graphic novels or excerpts, art, poetry, novellas and announcements, such as: Heliotrope: Online Speculative Fiction Magazine, http://www.heliotropemag.com/

JUST MY OPINIONS, below.

  • Science-Fiction (also known as sci-fi):
    ◙ Stories about what could be or might have been that feature science, tech, weaponry that does not exist (yet); mostly written by men and somewhat invisible women; mostly about men and almost invisible women; if in graphic novel form, the females are scantily clad for no apparent reason, while men are wearing body armor; mostly about men, with one or no female main characters, except to support or be loved by males.
    ◙ If part of a series, “good guys” do not prevail for the long-term but do win in skirmishes, until the end, which can be dystopian (no HEA–Happily Ever After) or partly HEA (at least, for the romantic component).
    ◙ If politically and/or social commentary-oriented, can illustrate the ways our current cultures are harsh (but accurate) regarding racist, species-ist, misogynistic practices and attitudes.
    ◙ Main characters can die, but usually not in the first parts of a series.


    from http://www.sherrydramsey.com/?page_id=1005

  • “Hard” Science-Fiction:
    ◙ Futuristic stories mostly about the male “heroes” (and steroid/testosterone-ridden women, cyborgs and robots) fighting alone or in groups against whom/whatever, using lots of weaponry and spaceships; see above, for costuming; mostly about men, with one or no central female main characters, except to support or be loved by males or inhabit computers.
    ◙ If part of a series, “good guys” do not prevail for the long-term but do win in skirmishes, until the end, which can be dystopian (no HEA–Happily Ever After) or partly HEA (at least, for the romantic component).
    ◙ If dystopian (typically), often includes destruction of one or more planet, victors’ having slaves, horrible classism and race/species discrimination and other awful plot points and outcomes.
    ◙ Main characters can die, but can be reborn into tech creatures. Often, a “space opera” that spans many years/centuries and vast expanses.


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Steam-Punk Fantasy/Science-Fiction:
    ◙ Stories about what might have been or could be, written by both men and women; depicts women in low bodices, wearing corsets, and carrying fans; men have pocket watches, vests, and private (“public” in England) educations or tutors; everything is run by steam engines; characters are mostly Anglo and espouse or resist British/American Anglo upper- and middle-class Victorian values (e.g., either virginal or whorish women, class distinctions, elitist “manners,” rigidly gender-ized clothing); stories are mostly about men, with one or no central female main characters, except to support or be loved by males.
    ◙ If there are GLBT characters, they are usually depicted as deranged/homicidal, stereotypes, and/or objects of ridicule or pity. Rarely has human characters who are not Anglo (so I deliberately included a drawing that has males of color, here).
    ◙ Can include murders and other crimes in which females are the victims or need to be rescued.
    ◙ May not be clear who the “bad” guys are, at first (think, prostitute or crime lord with the “heart of gold”).
    ◙ Main characters cannot die unless already replaced by a successor.


    from https://writingcareer.com/black-power-the-superhero-anthology-is-seeking/

    This anthology, whose prototype cover is above, Black Power: Superheroes of Color, was released last month, February, 2017: https://thenerdsofcolor.org/2017/02/27/black-power-the-superhero-anthology/
    edited by Balogun Ojetade, with a great line-up of authors within it.

    Real cover:

  • Fantasy:
    ◙ Usually set in some pseudo-medieval or -Renaissance, Earth-like setting or Earth’s own possible past or present, but with talking animals, mythical creatures, imaginary creatures (e.g., fairies, gnomes, dwarves, trolls, dragons, giants, ogres, witches, warlocks, wizards); usually includes some kind of magic or pseudo-science mixed with magic; if there are non-human creatures, they are almost always male or overly glamorized females (large breasts, small waists, heavy make-up); could have human shape-shifters who usually become large predators (wolves, bears, lions, panthers, etc.); can have vampires, whose subplots usually include some kind of incapacitation and then sexual assault accompanying the blood-sucking, usually of women by both males and females.
    ◙ Always has “good guys” and “bad guys,” with the “good guys” prevailing in the end.
    ◙ Main characters cannot die unless already replaced by a successor.


    from http://www.sherrydramsey.com/?page_id=1005

  • High Fantasy:
    ◙ Similar to Fantasy, but with more court-like/royal characters and class conflicts/settings; usually some star-crossed royalty romance for the teen or young adult main characters that ends HEA (Happily Ever After); usually has dragons or other mythical creatures centrally featured; for specious reasons, characters often speak in upper-class British accents/styles and/or insert French- or Spanish-sounding words randomly; often heavily laced with sword fights, quests, riddles and other “tests” for the main characters (usually male), which they have to lose at least twice before becoming victorious (“getting the girl” is usually part of their “prize”).
    ◙ Duels are common.
    ◙ Usually HEA (Happily Ever After).
    ◙ Main characters cannot die unless they’re old or can become mythologized and/or unless already replaced by a successor.


    from the cover of Issue 5 of http://www.heliotropemag.com/

  • Urban Fantasy:
    ◙ Similar to Fantasy, but set in decaying cities; usually dystopian/post-apocalyptic; can blend magic with tech, though not as originally or interestingly as the author believes; not enough female characters and frequent fighting among the males; duels are common; cyborgs, androids, political and social tyrants, crime and criminals abound.
    ◙ Only HEA (Happily Ever After) for about 3 “beats,” then more fighting.
    ◙ “Good Guys” can be ethically challenged and compromised frequently.
    ◙ Main characters can die.


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Dark Fantasy:
    ◙ Exactly like one or both of the above Fantasy genres, but with more sex (sometimes BDSM or hard-core porn, here); lots of blood, gore, fighting, elements of Horror, etc.; has conflicts that maim, kill off or otherwise harm the female characters severely, who then need to be rescued (when possible); hauntings, ghosts, evil from other dimensions and realms, summonings gone wrong and other horror-like elements can occur frequently, usually showing the main characters to be idiots; features ominous castles and fortresses a lot.
    ◙ Does not usually go with HEA (Happily Ever After) because the main characters get to be “happy” (have amazing sex and lie around together afterwards) for about 3 “beats” before someone tries to kill one or both of them.
    ◙ Main characters can be cursed, ensorceled and/or die.


    from http://wallpaper-gallery.net/wallpapers/dark-fantasy-wallpapers.html

  • Horror:
    ◙ Similar to Dark Fantasy or Dystopian Sci-Fi, but with more gore, blood, death, suspense, killing, maiming, scaring, scarring, psychological and physical trauma of all kinds as both the causes/ motivations and outcomes for the characters AND the readers (can you tell I do not read Horror?); often has demons, demonic forces, battles between “good” and “evil” embodied in various physical and spirit bodies.
    ◙ Doesn’t even think about including “Happy” endings, except as punctuation marks between disasters and/or parodies.
    ◙ Main characters can and do die, usually horrifically (pun intended).


    from http://www.spi-global.com/blog/cs-blog/the-difference-between-speculative-fiction-and-science-fiction/

  • Young Adult Speculative Fiction (usually known as YA Spec Fic):
    ◙ Usually dystopian, futuristic Sci-fi or Fantasy; features an abundance of orphans or single-parent-raised main characters; usually has one female for every two male main characters; often includes a plot/characterization that starts with the MC as an undistinguished, low-living, bullied, betrayed, enslaved or harried young person who then experiences the uncovering of special powers or previously unknown importance revealed in the first few chapters.
    ◙ Big on “destiny,” “fate,” “saving the world” and such…really, the MCs are attempting to help only a small number of beings within or a local geographic section of their/”our” world.
    ◙ Can be leaning more toward Fantasy or Sci-fi or blend both.
    ◙ Main characters can die, but usually only within an extended series; most do not.
    NOTE: YA Spec Fic is probably the best source among all Spec Fic subgenres for finding stories that feature people of color, those with disabilities or who are neuro-atypical, queer and other non-mainstream main characters and sidekicks.


image from a guest post by Julia Ember (no relation) on Jamie Kramer’s Books and Ladders blog, http://booksandladders.blogspot.com/2016/06/guestpost-unicorn-tracks-by-julia-ember.html


I told you I was jaded. I am not the only one, by any means. The following quote and analysis (please read entire article; link below) sums up my major complaints perfectly:

[Spec Fic is] not just about shiny, phallic rocket ships populated by deep-in-the-closet Aryan brethren conquering the Final Frontier, people. It’s about different futures, alternate realities, dangerous fantasies. You’d think such places, where dragons dwell, would be heavily populated with equally unusual people, but nope. Looks like everybody important there is white, male, anglophone and straight. Not to mention perfectly healthy physically and mentally.

—penned by Paula R. Stiles, “Diversity in Speculative Fiction,” on http://www.fantasy-magazine.com/non-fiction/articles/diversity-in-speculative-fiction/, from the Dec., 2016 (Issue 60) – People of Colo(u)r Destroy Fantasy! Special Issue [NOTE: “Fantasy Magazine has merged with its sister publication, Lightspeed, so this site will no longer be updated with new content. However, the fiction and interviews you would have found here at Fantasy will now be part of Lightspeed, so please sign up for our newsletter (sent out once or twice a month) to receive updates about the release of new issues of Lightspeed Magazine, news about the magazine, and more.”]
——-Lightspeed Magazine also published, starting in 2014, Queers Destroy… each of the subgenres (Fantasy, Horror, Fantasy), starting with Science-Fiction Special Issues, which you can find out about here: http://www.destroysf.com/queers/
And, on that same page, they have links to their POC [People of Color] Destroy… series of Special Issues for each subgenre (Fantasy, Horror, Fantasy)


2015’s Queers Destroy Science-Fiction cover

—Women are at the forefront of these critiques and do them so well, I have so many to choose from. Here is another, from an interview conducted by Alexandra Alter with N. K. Jemisin [Jemisin was the the first African-American writer and the first woman of color to win a Hugo Award for “best novel” (others have won for short fiction)], “N. K. Jemisin on Diversity in Science-Fiction and Inspiration From Dreams,” published by the New York Times (!?) on https://www.nytimes.com/2016/08/25/books/n-k-jemisin-on-diversity-in-science-fiction-and-inspiration-from-dreams.html?_r=0
Jemisin says she “decided to focus on an oppressive society at the macro scale and what that society does to individuals” in her spec fic novels. Why? Because “a woman of color from an impoverished culture, being brought up among wealthy, privileged white people and having to cope and perform in ways that she has not been raised to do… was obviously drawn from some personal experiences. I do that in everything — explorations of power, identity and belonging.”

—Another great article, “Genrequeer,” by Theodore McCombs at http://www.fictionunbound.com/blog/2016/4/6/genrequeer, offers this excellent insight: “To make space for black achievement and transcendence, speculative fiction lets us change all the rules that should never have been rules in the first place.”


So, there is a lot of hope for increasing diversity, better representation of women and girls, more interesting stories and compelling ways to resolve conflicts than wars and violence in the Spec Fic genre and all its subgenres, with dozens of websites, groups and other resources to help us find them.

Here are some:
—The Black Science Fiction Society: http://www.blacksciencefictionsociety.com


Logo from Black Science Fiction Society website, 2017

—The Speculative Literature Foundation offers “Diverse Writers and Diverse Worlds Grants …The two $500 awards support any purpose that writer recipients may choose to benefit their work.”
FMI: http://speculativeliterature.org/ and a resource list of orgs for writers of Spec Fic: http://speculativeliterature.org/writers-resources-2/writers/writers-organizations-2/

African-American Sci-Fi: http://www.africanamericansciencefiction.com/

Latino Spec Fic: http://www.latinospeculativefiction.com/, which published Latin@ Rising: An Anthology of Latin@ Science Fiction and Fantasy, which “is the first anthology to bring together U.S. Latinos/as who are working in science fiction, fantasy, and other speculative genres”; edited by Matthew David Goodwin.


Cover of Latino@ Rising: An Anthology of Latin@ Science Fiction and Fantasy

—Two other not-so-recent anthologies: Dark Matter: Reading the Bones (2005), edited by Sheree R. Thomas, and Cosmos Latinos: An Anthology of Science Fiction from Latin America and Spain (2003), edited by Andrea L. Bell and Yolanda Molina-Gavilán, which “showcase African-American and (mostly) Spanish-speaking spec-fic writers, respectively.”

—Check out writers in the sub-category of Afrofuturism, which is defined in Wikipedia: “Afrofuturism addresses themes and concerns of the African diaspora through a technoculture and science-fiction lens, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afrodiasporic experiences.” https://en.wikipedia.org/wiki/Afrofuturism

Tracy Mumford, about a year ago, wrote, in: “‘We want to hear new voices’: Diversity in sci-fi and fantasy” for https://www.mprnews.org/story/2016/04/05/books-diversity-in-sci-fi-and-fantasy [as part of The Thread newsletter, which I recommend you sign up for right now (on that page)], some great commentary about those topics.
This article also has a great recommended reading list, curated during and prior to 2015, mostly, of diverse writers’ work in spec fic.

—Queer Sci-Fi has so much to offer, now, and via so many sites. Here is one website that may list the majority of them and offers more resources, besides: https://queerscifi.com/


Weigh in, please. I’d love to have great discussions, here, about other elements of Spec Fic and intersectionality (the places that social identities overlap and in which we analyze privilege, oppression and efforts to effect change). What have I left out, got wrong, etc.?

I’d love to hear from you. I also welcome Guest Bloggers (see my site for Guidelines): http://www.sallyember.com/

Reblogging: A Harvard linguist [Steven Pinker] reveals the most misused words in English

A Harvard linguist [Steven Pinker] reveals the most misused words in English
from INC., by Jessica Stillman, Inc., Dec. 17, 2015

An excellent list for writers/authors, readers, speakers, anyone who loves English and wants to use it correctly. Thanks, Jessica and Steven!

http://www.businessinsider.com/a-harvard-linguist-reveals-the-most-misused-words-in-english-2015-12