FINAL DAY! Cozy Up to Reading” with Clean Indie Reads’ Mid-Winter Sale: 1/30/16! #CR4U

Cozy Up to Reading” with Clean Indie Reads’ Mid-Winter Sale:
FINAL DAY IS TODAY! 1/30/16!
#CR4U
All genres except erotica, all ages #fiction #ebooks at low prices, discounted, free!
Home of “Flinch-Free Fiction”!

CIR midwinter sale 2016
https://cleanindiereadsale.wordpress.com/

Timult Books‘ ebook format of The Spanners Series‘ first Volume, #scifi, This Changes Everything, is included. AND extra 20% off on paperbacks on CreateSpace for readers of THIS POST ONLY! Keep reading!

Other two ebooks in The Spanners Series could be 25% off and all three paperbacks could be 20% off here. See below! Amazon Kindle and Smashwords, Kobo, iBooks and nook for ebooks; Amazon and CreateSpace for paperbacks.
All links to the right, http://www.sallyember.com and please scroll down)!

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This-Changes-Everything----web-and-ebooks
Vol I’s ebook, This Changes Everything, is PermaFree everywhere. Paperback on Amazon is $17.99. BUT use this DISCOUNT code 7LUC23CY on CreateSpace for 20% off the paperback! All links: to the right and scroll down on http://www.sallyember.com

final cover print
Vol II’s ebook, This Changes My Family and My Life Forever, is $3.99 UNLESS purchased along with the paperback ($19.99) on Amazon, through Kindle Matchbook. THEN, it is only $2.99!
OR, here is a DISCOUNT code 7LUC23CY, special for my readers, for getting 20% off the paperback on CreateSpace
All links to the right; scroll down on http://www.sallyember.com

Spanners - volume 3 cover final
Vol III’s ebook, This Is/Is Not the Way I Want Things to Change, is $3.99 UNLESS purchased along with the paperback ($19.99) on Amazon, through Kindle Matchbook. THEN, it is only $2.99!
OR, here is a DISCOUNT code 7LUC23CY, special for my readers, for getting 20% off the paperback on CreateSpace
All links to the right; scroll down on http://www.sallyember.com

https://cleanindiereadsale.wordpress.com/
Go, browse, download/ purchase over 110 choices, great G, PG and PG-13-rated ebooks of all types!

CIR sale 2016 2

Reluctantly, I give this mess of a book 2 stars, but buyer beware!

I am sorry to have to post this review, but I have given the author, Amy Collins, over a month to make this right. Despite many emails preceding and after the one I quote, below, including promises of payment by a certain date and apologies for its lateness and a new promise, she has posted no payment and provided an unusually bizarre response to my having given her the deadline to respond by the end-of-business yesterday (Thursday, January 28)—see below.

I am appalled and surprised that someone who is publishing a book on writing entitled The Write Way: Everything You Need to Know about Publishing, Selling and Marketing Your Book, would unironically send out ARCs and then another version pre-publication that are both riddled with errors for reviewers.

Know this: the Author and her “publisher” (which I now think is comprised of Collins and one other person in the business) INVITED ME TO REVIEW THIS; I did not solicit her and I rarely do reviews.

After I had read about twenty pages and marked up every page, including the cover, with up to 15 errors PER PAGE, I sent her emails, left voicemails, asked her to communicate with me before I continued. I couldn’t believe this was her final draft. Maybe there was another version, I hoped?

She wrote to tell me that she had had a death in her family and while she was out, that “someone at her office sent out the wrong ARC” (there are two?). Then, for many days, she mostly did not respond (except via automated emails saying she would respond within 24 hours) for this entire communication stream.

She did send me a PDF of another ARC version which was supposedly “the right one,” but it, too, was filled with most of the same errors and some new ones. I read about twenty pages into that and emailed her back, telling her that this PDF ARC was a “new” but not a better version.

I asked for a newer, final ARC; no response. I now think there isn’t a better version (yet).

I waited a few days and sent the email, below. After reading my proposal, the author wrote back to say that she knew that I had given her a break on my editing rate (I did have sympathy for her at that point). She wrote to say that she was very grateful for my offer and agreed to pay me for my editing and postage for me to ship the marked-up edition back to her upon receipt of payment. She promised to pay “by the middle of January.”

I told her that I didn’t want to post a negative review. I’d rather that she revise and improve the book before publication: win-win. Plus, I had already completed reading and marking up the book and had marked up every page. I would be happy to get paid for my work.

January 15 came and went; no payment. More emails, more promises, and no payment, and here we are, January 28: nothing. The author said on January 18 that she had been traveling (and still is, apparently; now she’s on a cruise with other authors and publishers, publicists, etc.), but has she obviously access to the internet, since she’s live tweeting from the cruise ship!

I sent her this on Twitter yesterday (1/28/16):

from Sally Ember, Ed.D. ‏@sallyemberedd
to @NewShelvesBooks AMY: Deadline is EOB today Central USA time. My review goes live at 2 AM CST USA Friday, 1/30/16 if no payment is posted

She responded, astonishingly and terribly unprofessionally:

from Amy Collins ‏@NewShelvesBooks
Hi @sallyemberedd Grateful for all the time you put in. Had to redirect the $ to a project I am afraid. I know your review will be spot on.

To which I replied, with a quoted retweet of the above:

from Sally Ember, Ed.D. ‏@sallyemberedd
Sally Ember, Ed.D. Retweeted Amy Collins
This is known as “breach of contract” by professionals. We had a written agreement. #Youoweme #Payup

I won’t bore you with all of our previous correspondence.

In this post, then, the review occurs, starting with the email I sent the author in which I detailed for her many of her book’s most frequent and egregious errors.

Dear Amy,

I don’t know who your developmental, copy and proofreaders/editors are, but they should all be fired.

Here are a sampling of the errors I’ve found, so you know I’m not being a “troll” or pretending to know what I’m doing. You have these types and/or numbers of errors:

—3 errors ON THE COVERS (back and front and spine) in that your formatting is inconsistent (font color, size, style)
—1 error on the TITLE page (do not capitalize “by” or use it at all, actually; this is not a college essay)
—5 errors on the copyright page (no city of publication is listed; no proper copyright symbol was inserted; no need for “by”; missing colons)
—up to 15 errors(!) per page, with at least one and usually more errors on every page throughout the entire book
—TOC has no page numbers in either version, or the page numbers are wrong, and is on the verso rather than recto side
—Some pages have no numbers (the entire Glossary; all front matter)
—paragraphs and some sentences inexplicably start and end mid-sentence on many pages
— bullets are not formatted in a standard fashion within your own book; most of them are formatted incorrectly; AND, you inserted rhetorical questions within them while you BULLETED those questions(!?)
—seem to have no idea how to use (or when to use) the Oxford comma, apparently, and neither do your editors
—random sections (not consistent as to which or why) in italics
—show no permissions granted from the original authors, nor even where the pieces end, when you quote entire articles within your book
—repeating entire sentences and/or paragraphs and/or concepts from one page to the next within the same chapter, sometimes on facing pages. Word for word, sometimes
—use “so” over a hundred times, mostly inappropriately and without proper punctuation
—no standardization I could fathom for/ among and between your levels of headings regarding font, font size, font styles, alignment and/or purposes
—chapters do not all start on the proper side and you have random blank pages between some chapters (which do not result in their staring on the proper side—recto)

This and much more are wrong. I can’t even group or list all your errors.

All unacceptable, wouldn’t you agree?

I had one idea: You could use this as an opportunity to discuss the very things you warn other indies against within your book, and I would work with you on that if you choose to be honorable and do that.

Or, you could pretend it’s all fine, try to fix the errors yourself (good luck with that; you obviously have no clue how to edit your own work), and hope my review sinks to the bottom beneath all your sycophants’ fake ones.

Anyone who gives this book more than 2 stars (and that would be for content, not professionalism), is lying or has no idea how to read or what to expect from a professional nonfiction book.

I actually got quite a lot of good information from this book and do not want to slam you, but your whole “death-in-the-family—someone sent the wrong version” (in a two-person office?) sounds to me, now, like “the dog ate my homework.”

I am sorry for you any anyone who buys a poorly edited version of this book.

Here is another idea: if you pay me $400 (which is low-balling my rates, considering how much time I put into my mark-up and these emails), plus $5 shipping, I will send you my marked-up copy.

Then, when you complete all the revisions, send me a new one and I’ll review it at that point.

And, now, as we know, I will not receive any payment for my work, despite her emailed promise to do so. I still have the edited copy.

Here are some photos of the mark-ups:

write way cover
front cover of The Write Way with font, color, size errors and inconsistencies.

write way 1
There are multiple errors on almost every page and not one page without an error.

write way 2 upright
Apparently, can’t even keep paragraphs together; this occurs on several pages. How on earth does a copyeditor/proofreader not see these types of formatting mistakes?

write way 3 upright
There are up to 15 errors on some pages; this one has only 8.

Believe me, I take no pleasure in this.

I would certainly have preferred to have been paid for my time and expertise and to have had a positive relationship with this author.

I also wanted this book to be everything it said it would be and for it to live up to its title and promises. Many other authors would then be able to benefit from it.

However, since Ms. Collins doesn’t keep her word and seems to be clueless as to how to behave professionally, I am no longer surprised by the poor quality of the writing, the editing and the proofreading. Very disappointing, though, wouldn’t you agree?

Whoever did the editing and proofreading should have to refund their money to Ms. Collins. If she or anyone else continues to hire them, s/he/they should fire these horrible excuses for professionals immediately.

As I already stated, there are many great points, tips, ideas and resources in this book, if readers can ignore or get past all the mistakes and problems with the formatting, writing, proofreading and repetitions.

Especially for amy writers who are new to self-publishing, such writers would benefit from reading this book and taking notes. Do as she says, not as she does!

Try to borrow it; don’t buy this version!

Reluctantly, I give this mess of a book 2 stars, but buyer beware!

Definitely do not hire the author or her team for anything at all, ever. She calls herself a “teacher” and an “expert,” but I also found mistakes on her website (no surprise, now), which is: http://www.newshelves.com/ Do not contract with New Shelves for anything since they seem to have with no respect for agreements, unless you’re willing for her/them to decide arbitrarily to put time and money into other projects.

Sorry to have to post this saga and review. I would vastly have preferred the other plan to have occurred, as we had agreed.

When you get back from your cruise, fix your book and try to behave more professionally in the future.

proofreading-details-1
image from http://www.michellerenegoodhew.com

New Release in a great YA/MG Series: Landry in Like (Landry’s True Colors Series: Book 3) by Krysten Lindsay Hager is now out!

New Release in a great YA/MG Series: Landry in Like (Landry’s True Colors Series: Book 3) by Krysten Lindsay Hager is now out!

Krysten has been a guest on my talk show, CHANGES conversations between authors (Episode 15; link is below) and an occasional guest blogger (http://www.sallyember.com/guest-bloggers-hall-of-fame for posts) who also shares my love for supporting other authors. Her Young Adult (YA)/ Middle Grades (MG) series about a fascinating young woman, Landry, now has a new Volume!

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Blurb: Things seem to be going well in Landry Albright’s world—she’s getting invited to be on local talk shows to talk about her modeling career, her best friends have her back, and her boyfriend Vladi has becoming someone she can truly count on…and then everything changes. Suddenly it seems like most of the girls in school are into hanging out at a new teen dance club, while Landry just wants to spend her weekends playing video games and baking cupcakes at sleepovers. Then, Yasmin McCarty, the most popular girl in school, starts to come between Landry’s friendship with Ashanti. Things take a turn when Yasmin tells Vladi that Landry is interested in another boy. Can Landry get her relationships with Ashanti and Vladi back or will she be left out and left behind?

Series Info: The Landry’s True Colors Series is a clean reads young adult humor series about friendship, self-esteem, fitting in, middle school and high school, frenemies, crushes, and self-image.

Genre: contemporary, clean teen fiction

What people are saying about True Colors (Landry’s True Colors Series, Book 1), from Teenage Book Recommendations in the UK:

This is a fantastically relatable and real book which I feel captures all of the insecurities and troubles which haunt the modern teenage girl. It is about a young model who has to go through tough times when she is torn between a life as a model and managing her friendships. You learn which friends she can most trust and which will create the drama typical of teenage life. Follow the life of Landry and try to see if you can find out which are her true friends before their true colours are revealed. This book is all about relationships, hopes and truth. I loved this book!

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Landry in Like cover

Excerpt from Landry in Like:
I wanted to call my friends and tell them about being on the talk show, but Mom said we had to be at the TV station super early—–even before school started. She said I could text them, but I had to turn off my phone and go to bed.

“I’m waking you up at four a.m.,” she said. “You have to be there at five-thirty.”

“Can I just call Peyton and Ashanti? Please?”

“Fine, but you have five minutes and then that phone is mine and you’re in bed.”

I dialed Peyton, but her mom said she was in the shower. I told her mom about the show tomorrow and said my mom wouldn’t let me stay up any later to call Peyton back.

“How exciting! I will make sure Peyton knows, and I will be watching you tomorrow. Good luck, honey,” Mrs. Urich said.

I called Ashanti next and told her.

“Get out. Get. Out. No way. This is so exciting!”

“I’m so nervous. My stomach is already doing cartwheels. I can’t do one, but my stomach can. Seems unfair. What if I throw up before I go on? I did that right before I went on at the statewide Ingénue modeling competition in Detroit, and my mom had to give me a cough drop to cover up the smell.”

“I’m sure you’ll be fine, but… just in case, take a cough drop with you,” Ashanti said. “Good luck. You’ll be great and I’ll go set the DVR now.”

I hung up and sent a text to Vladi, India, Devon, Thalia, Tori, and Ericka, so no one would be mad and feel left out. Then I shut off my phone. Mom poked her head in the door to make sure I was in bed.

“Night, hon. Try to get some rest,” she said.

Easier said than done. I stared at my ceiling while thinking about all the things that could possibly go wrong tomorrow. Seeing as the show was on in the morning, I never got to watch it, so I had no idea what the set was like — did it have super high chairs and I’d struggle to get into them? And what if it had those higher stools that were kind of tippy and my rear overshot the seat and I fell off? Or what if the prep questions got lost and the interviewer asked me random things like my feelings on nuclear war or asked me about some foreign political leader who I had never heard of before, and I appeared stupid? Why did I say I’d do this? I tried to get comfortable and it felt like I had just dozed off when I felt my mom shaking my shoulder.

“Rise and shine, TV star,” she said.


Book trailer: https://www.youtube.com/watch?v=2CsGREKFQco&feature=youtu.be
Purchase LINKS:
Amazon: http://www.amazon.com/Landry-Like-Landrys-True-Colors-ebook/dp/B01AL6AUA2/ref=asap_bc?ie=UTF8
Amazon UK: http://www.amazon.co.uk/Landry-Like-Landrys-True-Colors-ebook/dp/B01AL6AUA2/ref=sr_1_2?ie=UTF8&qid=1453196883&sr=8-2&keywords=krysten+hager
Barnes & Noble: http://www.barnesandnoble.com/w/landry-in-like-krysten-lindsay-hager/1123253456?ean=2940157767242
Nook UK: http://www.nook.com/gb/ebooks/landry-in-like-by-krysten-lindsay-hager/2940157767242
Kobo: https://store.kobobooks.com/en-us/ebook/landry-in-like
iTunes/iBooks: https://itunes.apple.com/us/book/landry-in-like/id1076225388?mt=11


Author bio:
Krysten Lindsay Hager is the author of the Landry’s True Colors Series, a clean reads young adult series and the new ​Star Series. Krysten writes about friendship, self-esteem, fitting in, middle school and high school, frenemies, modeling, crushes, values and self-image in True Colors, Best Friends…Forever? and Landry in Like (Landry’s True Colors Series), as well as in Next Door to a Star (Star Series). Her sequel to Next Door to a Star will be out March 22, 2016.

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Krysten Lindsay Hager caricature

Krysten is a book addict who has never met a bookstore she didn’t like. She’s worked as a journalist and writes YA, MG, humor essays, and adult fiction. She is originally from Michigan and has lived in Portugal, South Dakota, and currently resides in southwestern Ohio where you can find her reading and writing when she’s not catching up on her favorite shows. She received her master’s degree from the University of Michigan-Flint.

Follow:
Website: http://www.krystenlindsay.com/
Instagram: http://instagram.com/krystenlindsay
Amazon: http://www.amazon.com/Krysten-Lindsay-Hager/e/B00L2JC9P2/
Pinterest: http://www.pinterest.com/krystenlindsay/
Facebook: https://www.facebook.com/KrystenLindsayHagerAuthor
Twitter: https://twitter.com/KrystenLindsay @KrystenLindsay
Goodreads: https://www.goodreads.com/author/show/8298036.Krysten_Lindsay_Hager

NextDoor Cover
Next Door to a Star cover

Author talk show interviews: http://wdtn.com/2014/11/06/true-colors/
True Colors (Landry’s True Colors Series Book One)
and CHANGES Episode 14: https://plus.google.com/u/0/events/cqqct9l8rnpi2o2e9kusu9mav6k or Youtube: http://www.youtube.com/watch?v=2ukIWKpyDKI


Authors: ontact Sally Ember, Ed.D.: sallyember AT yahoo DOT com to be on her almost-weekly talk show, CHANGES conversations between authors, after visiting this page https://sallyember.com/changes-videocasts-by-sally-ember-ed-d/ and reading (following) the instructions.

Bloggers: If you’d like to be a guest blogger, visit this page http://www.sallyember.com/guest-bloggers-hall-of-fame and then contact Sally:

MacArthur [Foundation] Announces [a year-long series of] Performances, Discussion to Celebrate 35 Years of Iconic Fellowship Program”

MacArthur [Foundation] Announces [a year-long series of] Performances, Discussion to Celebrate 35 Years of Iconic Fellowship Program”
https://www.macfound.org/press/press-releases/macarthur-announces-performances-discussion-celebrate-35-years-iconic-fellowship-program/#sthash.wuDoFQcB.dpuf

AND

Events Calendar
https://www.macfound.org/events/fellows35/?all=1

The-MacArthur-Fellowship-Program logo

These events are happening mostly in Chicago and on the East Coast (Washington, D.C., New York City), but will be broadcast/put online as well. Awesome! And, “Most of the events will be open to the public for free or at low cost.”

I have always been fascinated by and love seeing who gets these grants each year. I adore the entire secrecy of the process (no one knows, supposedly, who does the selecting, no one can be nominated, and no one can self-nominate). So, one day, my friends and I imagine, someone gets this phone call or email saying: You have been selected as a MacArthur Foundation Fellow for a “Genius Grant”! What an amazing thing to happen!

The panel chooses such an excellent variety of creative, intelligent, talented and skilled individuals, also. Each year, we can learn about their Fellows and meet jugglers, dancers, scientists, writers, playwrights, poets, musicians, choreographers, youth workers and other educators, environmentalists and activists of other types and whoever strikes their fancy all honored in this way. Usually they choose about 20 people from all around the country. Not all are young, not all are older; not all are men or women; not all are Caucasian. Fabulous.

The MacArthur Fellowship[s], called “genius grants” by the media, recognize[s] exceptionally creative individuals with a track record of achievement and the potential for significant contributions in the future.

Fellows each receive a no-strings-attached stipend of $625,000, which comes with no stipulations or reporting requirements and allows recipients maximum freedom to follow their own creative visions. Since 1981, 942 people have been named MacArthur Fellows.

Fellows are selected through a rigorous process that has involved thousands of expert and anonymous nominators, evaluators, and selectors over the years.

The Foundation does not accept unsolicited nominations.

This year “is expected to include the following events as well as others to be announced later.

  • Public artist Rick Lowe will deliver a lecture on “Art in the Social Context” at Stanford University’s Haas Center for Public Service as part of the Mimi and Peter E. Haas Distinguished Visitor program (Stanford, CA, Feb. 4).
  • The College Art Association will host a discussion with photographer LaToya Ruby Frazier and public artist Rick Lowe as part of its 104th Annual Conference (Washington, DC, Feb. 5).
  • The Poetry Foundation will present the Chicago-based collective Every House Has a Door’s adaptation of a work by poet Jay Wright (Chicago, Feb. 20).
  • In conjunction with an exhibition of her work, the Whitney Museum of American Art will host a discussion with documentary filmmaker Laura Poitras (New York City, Feb.).
  • Sixth & I, a historic synagogue and cultural event space, will present a panel discussion on immigration featuring writers Chimamanda Ngozi Adichie and Aleksandar Hemon and Assistant to the President and Director of the Domestic Policy Council Cecilia Muñoz (Washington, DC, March 7).
  • New York’s 92nd Street Y will present a panel discussion featuring MacArthur Fellows (New York, March).
  • Chicago’s Museum of Science and Industry will host MacArthur Fellows for events marking National Robotics Week, including Jr. Science Cafes, a public conversation, and robotics demonstrations (Chicago, April 2).
  • The National Museum of African American History and Culture, Smithsonian Institution, in collaboration with the American Historical Association, will host a conference on “The Future of the African American Past,” featuring scholars, activists and historians, including several MacArthur Fellows (Washington, DC, May 19-21, 2016).
  • The Poetry Foundation will host a reading by poet and writer Alice Fulton (Chicago, May 24).
  • The Economic Club of Chicago will feature two conversation pairings with arts entrepreneur Claire Chase and music educator Aaron Dworkin as well as computational biologist John Novembre and historian Tara Zahra (Chicago, May 25).
  • Wingspread will host a public event featuring MacArthur Fellows working on issues of interest to the Johnson Foundation and the Racine community (Racine, Wisconsin, May).
  • The Chicago Humanities Festival will host a one-day series of programs highlighting the work of MacArthur Fellows (Chicago, May).
  • MacArthur Fellows will be featured in a plenary session at the annual convention of Americans for the Arts (Boston, June).
  • Orchestra conductor and MacArthur Fellow Marin Alsop is designing three free evenings of performances in conjunction with the Grant Park Music Festival that will showcase MacArthur Fellows working in music and science, including cellist Alisa Weilerstein, violinist Regina Carter, and composer Osvaldo Golijov (Chicago, July).
  • The Harris Theater will host a free, two-night dance performance series featuring curated works created by MacArthur Fellows, including Kyle Abraham, Merce Cunningham, Michelle Dorrance, Susan Marshall, Mark Morris, and Shen Wei (Chicago, Sept. 16 and 17 or 18).
  • The Chicago Humanities Festival will incorporate MacArthur Fellows into its regular annual programming (Chicago, Sept.).
  • The John F. Kennedy Center for the Performing Arts will host two free public performances by MacArthur Fellows through its Millennium Stage series (Washington, DC, Oct.).
  • Conservation biologist Claire Kremen will speak at as part of the Women in Science series at The Field Museum (Chicago, Nov. 2).
  • Also during the year-long anniversary MacArthur Fellows will field questions from the public in Reddit ask-me-anything sessions and appear on other digital platforms.

Attend! View! Learn! Appreciate! Enjoy!

More info about the Fellows Eligibility, Criteria and Selection Process, from their website:

Criteria:
“There are three criteria for selection of Fellows: exceptional creativity, promise for important future advances based on a track record of significant accomplishment, and potential for the fellowship to facilitate subsequent creative work.

“The MacArthur Fellows Program is intended to encourage people of outstanding talent to pursue their own creative, intellectual, and professional inclinations. In keeping with this purpose, the Foundation awards fellowships directly to individuals rather than through institutions. Recipients may be writers, scientists, artists, social scientists, humanists, teachers, entrepreneurs, or those in other fields, with or without institutional affiliations. They may use their fellowship to advance their expertise, engage in bold new work, or, if they wish, to change fields or alter the direction of their careers.

“Although nominees are reviewed for their achievements, the fellowship is not a lifetime achievement award, but rather an investment in a person’s originality, insight, and potential. Indeed, the purpose of the MacArthur Fellows Program is to enable recipients to exercise their own creative instincts for the benefit of human society.

“The Foundation does not require or expect specific products or reports from MacArthur Fellows and does not evaluate recipients’ creativity during the term of the fellowship. The MacArthur Fellowship is a “no strings attached” award in support of people, not projects. Each fellowship comes with a stipend of $625,000 to the recipient, paid out in equal quarterly installments over five years.”

How Fellows are Chosen:
“Nominees are brought to the Program’s attention through a constantly changing pool of invited external nominators. The nominators are encouraged to nominate the most creative people they know within their field and beyond. They are chosen from as broad a range of fields and areas of interest as possible.

“Nominations are evaluated by an independent Selection Committee composed of about a dozen leaders in the arts, sciences, humanities professions, and for-profit and nonprofit communities. Each nomination is considered with respect to the program’s selection criteria, based on the nomination letter along with original works of the nominee and evaluations from other experts collected by the program staff.

“After a thorough, multi-step review, the Selection Committee makes its recommendations to the President and Board of Directors of the MacArthur Foundation. Announcement of the annual list is usually made in September. While there are no quotas or limits, typically 20 to 30 Fellows are selected each year. Since 1981, 942 people have been named MacArthur Fellows.

“Nominators, evaluators, and selectors all serve anonymously and their correspondence is kept confidential. This policy enables participants to provide their honest impressions independent of outside influence.

“The Fellows Program does not accept applications or unsolicited nominations.”

Eligibility:
“There are no restrictions on becoming a Fellow, except that nominees must be either residents or citizens of the United States, and must not hold elective office or advanced positions in government as defined by the statute.”

Cozy Up to Reading” with Clean Indie Reads’ Mid-Winter Sale: 1/24 – 30/16! #CR4U

Cozy Up to Reading” with Clean Indie Reads’ Mid-Winter Sale:
1/24 – 30/16!
#CR4U
All genres except erotica, all ages #fiction #ebooks at low prices, discounted, free!
Home of “Flinch-Free Fiction”!

CIR midwinter sale 2016
https://cleanindiereadsale.wordpress.com/

Timult Books‘ ebook format of The Spanners Series‘ first Volume, #scifi, This Changes Everything, is included. AND extra 20% off on paperbacks on CreateSpace for readers of THIS POST ONLY! Keep reading!

Other two ebooks in The Spanners Series could be 25% off and all three paperbacks could be 20% off here. See below! Amazon Kindle and Smashwords, Kobo, iBooks and nook for ebooks; Amazon and CreateSpace for paperbacks.
All links to the right, http://www.sallyember.com and please scroll down)!

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This-Changes-Everything----web-and-ebooks
Vol I’s ebook, This Changes Everything, is PermaFree everywhere. Paperback on Amazon is $17.99. BUT use this DISCOUNT code 7LUC23CY on CreateSpace for 20% off the paperback! All links: to the right and scroll down on http://www.sallyember.com

final cover print
Vol II’s ebook, This Changes My Family and My Life Forever, is $3.99 UNLESS purchased along with the paperback ($19.99) on Amazon, through Kindle Matchbook. THEN, it is only $2.99!
OR, here is a DISCOUNT code 7LUC23CY, special for my readers, for getting 20% off the paperback on CreateSpace
All links to the right; scroll down on http://www.sallyember.com

Spanners - volume 3 cover final
Vol III’s ebook, This Is/Is Not the Way I Want Things to Change, is $3.99 UNLESS purchased along with the paperback ($19.99) on Amazon, through Kindle Matchbook. THEN, it is only $2.99!
OR, here is a DISCOUNT code 7LUC23CY, special for my readers, for getting 20% off the paperback on CreateSpace
All links to the right; scroll down on http://www.sallyember.com

https://cleanindiereadsale.wordpress.com/
Go, browse, download/ purchase over 110 choices, great G, PG and PG-13-rated ebooks of all types!

CIR sale 2016 2