My First Experiences with #CreateSpace and #Self-Publishing #Print-On-Demand (#POD) #Books

My First Experiences with #CreateSpace and #Self-Publishing #Print-On-Demand (#POD) #Books

Originally published 11/17/15 as a Guest Post for Krysten Lindsay Hager‘s site to honor the upcoming release of the first three Volumes of The Spanners Series in print and Volume III in ebook format November/December, 2015. Thanks, Krysten!

Curiousity. Hubris. Arrogance. Ignorance. Obstinance. Perseverance. Commitment. Obsessiveness. Attentiveness. Perspicaciousness. Collegial support. Desperation. Need. Willingness to fail repeatedly. Tears. Yelling. Tearing hair out. Back aches. Multiple attempts. Luck.

These are what it takes to become a self-publisher who does her own formatting for both ebooks and print-on-demand formats. Oh, yes: especially hubris and collegial support.

After many weeks of learning (a LOT of learning), practicing, attempting, failing, succeeding, failing, continuing, I can honestly say that not many things in my life have ever been so challenging AND so rewarding. Birthing a child comes to mind. Completing my research, writing and publishing for my dissertation fits this as well.

However, I must say that neither of those seems the same kind of satisfying as conquering CreateSpace to generate the three print format versions of The Spanners Series ebooks in the last several weeks. I spent a total of over 100 hours on this project (not kidding) and I’m not finished, yet.

To accomplish these goals, first I started my own imprint, Timult Books.

I created a logo for that via Logo Garden.

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I bought my own ISBNs under that imprint (and got an AMAZING deal on them, thanks to my online community!).

I registered my publishing company with the state of Missouri.

I listed each of my first three novels with Bowkers in their print formats (I can’t list them under Timult Books in their ebook formats because Smashwords and Amazon already do that, apparently, since I didn’t buy my own ISBNs for those).

I solicited and received a template and much advice and lists of do’s and don’ts from many in my online community (whom I’ve already thanked in previous posts).

I worked with my cover artist, the patient and helpful WillowRaven, to create the print covers (“wraps”) for what would appear on the backs and spines (which I hadn’t had to consider, before).

I created new Front Matter (Copyright page, Dedication page, blank pages) and a Series page at the end of my ebooks and print books that list Timult Books as the imprint/publisher (which I am the sole proprietor/owner of, so it’s all still mine).

I chose the paperback format books’ size (5″ x 8″), covers’ finish (glossy) and papers’ color (cream) and notified her of those choices (these were her recommendations).

I reformatted each entire book, but I didn’t know that my over-300 “page” ebooks would come to over 500 pages each! I had to allow for pagination and facing page/Chapter start requirements, running headers, page breaks, specialized margins (for the size and number of pages) and more formatting alterations that ebooks do not require.

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I redid the Table of Contents (SEVERAL TIMES!!!: don’t do this too soon, either!) to put in page numbers (no page numbers in ebooks!).

I notified my cover artist of the number of pages (THIS HAS TO BE EXACT! Don’t tell her/him too soon!).

I researched and chose the price points for Volume I ($2 less than the others two) and Volumes II and III ($19.99).

I put my books through the formatting “review” process and made all changes, then resubmitted.

I ordered the print proof of Volume I. At many’s direction, I read it aloud to check for errors. DO NOT SKIP THIS STEP!

I was ASTONISHED to discover that I had to make over 500 corrections/ changes (not kidding) to fix mistakes, typos and newly arisen formatting problems as well as to make other edits so that all three Volumes would be in harmony with the formatting (italics, capitalization, phrasing and other language choices) that have become standard for my series by the completion of Volume III but which were NOT “standard” for Volume I at its publication time two years ago or when I published Volume II almost 18 months ago.

I have to do the same read-aloud and resubmit for both Volumes II and III, which are winging their ways to my doorstep and probably are going to arrive by time you read this post.

Pleased to report: so far, great SUCCESS! Volume I Proof copy arrived 11/6/15 and it’s awesome!

TCE proof

—-Volume I, This Changes Everything, is available in print on CreateSpace for $17.99!
PLEASE PURCHASE PRINT FORMAT BOOKS DIRECTLY FROM CreateSpace: I get a larger royalty that way, and your price doesn’t change!
Volume I CreateSpace POD link: https://www.createspace.com/5837347

Volume II (after Thanksgiving):

This-Changes-Everything----web-and-ebooks

As an ebook, it is PERMAFREE:
Volume I Amazon ebook link: http://www.amazon.com/dp/B00HFELTG8   
Volume I Smashwords ebook link:https://www.smashwords.com/books/view/376197

Dr. Clara Ackerman Branon, 58, begins having secret visits from holographic representations of beings from the Many Worlds Collective, a consortium of planet and star systems in the multiverse. When Earth is invited to join the consortium, the secret visits are made public. Now Earthers must adjust their beliefs and ideas about life, religion, culture, identity and everything they think and are.

Clara is selected to be the liaison between Earth and the Many Worlds Collective and she chooses Esperanza Enlaces to be the Media Contact. They team up to provide information to stave off riots and uncertainty. The Many Worlds Collective holos train Clara and the Psi-Warriors for the Psi Wars with the rebelling Psi-Defiers, communicate effectively with many species on Earth and off-planet, eliminate ordinary, elected governments and political boundaries, convene a new group of Global Leaders, and deal with family’s and friends’ reactions. 

In what multiple timelines of the ever-expanding multiverse do Clara and her long-time love, Epifanio Dang, get to be together and which leave Clara alone and lonely as the leader of Earth?

This Changes Everything spans the 30-year story of Clara’s term as Earth’s first Chief Communicator, continuing in nine more Volumes of The Spanners Series.

Are YOU ready for the changes?

—-Volumes II and III are in process (I have to check and fix anything via the print proofs, then resubmit and we’re on) and right behind that one, each at $19.99.

—-Volume II, This Changes My Family and My life Forever, becomes available during or right after Thanksgiving week.  
Volume II CreateSpace POD link: https://www.createspace.com/5844431

Volume III: (after Dec. 7):

final cover print

Available as an ebook for $3.99:
Volume II Amazon ebook link: http://www.amazon.com/dp/B00KU5Q7KC
Volume II Smashwords ebook link: https://www.smashwords.com/books/view/424969

Intrigued by multiple timelines, aliens, psi skills, romance and planetary change? Clara and the alien “Band” are back.

Now as Chief Communicator, Clara leads the way for interspecies communication on- and off-planet. Fighting these changes are the Psi-Defiers, led by one of the oldest friends of the Chief of the Psi-Warriors, its reluctant leader, Rabbi Moran Ackerman. Stories from younger Spanners about the first five years of The Transition fill Volume II.

How would YOU do with the changes?

—-Volume III, This Is/Is Not the Way I Want Things to Change, becomes available in both print and ebook formats the same day as its wide release, 12/8/15, right on schedule.

Volume III CreateSpace POD link: https://www.createspace.com/5844474

Spanners - volume 3 cover final

In pre-orders NOW through 12/7/15 in ebook format for half-price, $1.99. Releases 12/8/15 as an ebook for $3.99:
Volume III Amazon ebook link: http://www.amazon.com/dp/B0177Z1KRM
Volume III Smashwords ebook link: https://www.smashwords.com/books/view/588331

Clara, Moran, Espe, Epifanio and the alien Band of holos are back. Psi-Defiers launch increasingly violent protests during this five-year Transition, attempting to block Earth’s membership into the Many Worlds Collective. Earth’s nations and borders must dissolve and Psi-Warriors must strengthen in their battle against the rebels.

Clara, as Earth’s first Chief Communicator, also juggles family conflicts and danger while creating psi skills training Campuses to help Earth through the Psi Wars. Clara timults alternate versions of their futures as the leaders’ duties and consciences force them to make difficult choices across multiple timelines, continuing to train and fight.

Will the Psi-Warriors’ and other leaders’ increasing psi skills, interspecies collaborations and budding alien alliances be enough for Earth to make it through The Transition intact? If there is no clear path for Clara’s and Epifanio’s love, does she partner with Steve or go it alone?

What do YOU do with wanted/unwanted changes?

All buy links, book trailers, excerpts, author interviews and more: http://www.sallyember.com Look right; scroll down.

Or, go right to Amazon, my Sally Ember Author Central page, and find links to each book in each format here: http://www.amazon.com/-/e/B00HEV2UEW 

If you don’t use a Kindle, go to Smashwords for all formats of ebooks, or go to iBooks, nook or Kobo directly for ebooks.

3 paperbacks

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I CONQUERED #CreateSpace! This Changes Everything, Volume I, The Spanners Series is in Print starting November 13, 2015!

I CONQUERED #CreateSpace! This Changes Everything, Volume I, The Spanners Series is in Print starting November 13, 2015!

This-Changes-Everything----web-and-ebooks

FYI: Margins for 5″ x 8″ book with 543 pages need to be:
1.25″ inner, 0.5″ for the rest.
0 for gutter.

This Changes Everything, Volume II, This Changes My Family and My Life Forever, and III, This Is/Is Not the Way I Want Things to Change, of The Spanners Series by Sally Ember​, Ed.D., will be available as print editions!
$17.99 for Volume I, starting in early November! Check Amazon or my website http://www.sallyember.com (look right; scroll down) for links.
Other two to follow closely thereafter, probably at around the same price.

Yippee! Thanks, everyone, especially authors Madeline Duffy on Facebook, Dana Delamar at http://danadelamar.blogspot.com/p/createspace-tips.html and Megan at http://Toadyland.com plus the people in the CreateSpace Community forums!

If you still prefer ebooks and/or love a free one, Volume I is permafree; Volume II is $3.99 and Volume III is now in half-price pre-orders ($1.99) through 12/7/15; Vol III ebook goes into full release on 12/8/15 @$3.99 as an ebook. Website for links: http://www.sallyember.com (look right; scroll down).

Buy your sci-fi-lovin’ family and friends one of the best utopian, romantic, multiverse, psi-infused, scientific, alien-filled, Jewish/ Buddhist and absolutely unique novels you’ll ever read or give as a gift when you invest in The Spanners Series from Timult Books.

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Consider purchasing BOOKS or gift cards to Amazon for whatever birthdays or holidays you celebrate!

More FYI for ebook Indie Publishers/Self-Published Authors, if you might need better distribution:
To place your book(s) on all Amazon’s Kindle Stores (USA, UK, France, Germany, Italy and Spain, Brazil, Japan, India etc.), and in North America, via Apple, Baker & Taylor, Barnes & Noble, Kobo, Ingram, and in Europe, via Askews & Holts, Blackwell’s, BlioBook, Depository, Kalahari.net, Waterstones, Whitcoulls, WH Smith, you can use BookBaby or .eBookpartnership, for example. There are others.

You have to have your ebook files in the appropriate formats ready to upload. They do not help with that, but there are many forums and communities online who do.

Their yearly fee is less than $100 and you can save LOTS of hours for uploading your book and for tracking accounts with these retailers.

They do not take commissions, such as Smashwords and Kindle do. You keep 100% of the revenue from online retail.

However, you should buy your own ISBN’s, preferably a block of ten ($295 for ten vs. $125 for one as of November, 2015), on Bowker.

Remember to register your book(s) (print and electronic) worldwide with Bowker’s database because that is used by bookstores and libraries around the world.

Announcing: Timult Books!

Announcing the formation of my own small press:

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For now, Timult Books (pronounced with the long “i” as it “eye”) publishes print and ebook versions of The Spanners Series, which are science-fiction/ romance/ multiverse/ psi-infused/ utopian stories for adults, Young and New Adults about our alternative present(s) and near future(s).

Soon, I may accept others’ publications or write some of my own that are not part of that series. All publications are somehow to be related to the science-fiction/ speculative fiction themes of timultaneity, timulting, timult (these are terms invented by my actual son, Merlyn Ember, for and Clara Branon’s son, Zephyr Branon in The Spanners Series).

The terms refer to the simultaneous nature of all time and the multiple timelines in our multiverse (timultaneity) which some people have the special skill to be able to be perceiving/”seeing” and “knowing” (which is timulting). When they use their skills to look into various possible and actual “presents,” “pasts” and “futures,” that person is said to timult their own and/or others’ events, circumstances and lives.

These URLs, below, are now mine. For a while, they all redirect to THIS site (http://www.sallyember.com) and are not developed at all, until I decide to put in the time to have a separate website for the publication company. When I am ready, I’ll be using the first one only, timultbooks.com .
http://timultbooks.com
http://timultbooks.net
http://timultbooks.org
http://timultbooks.info
(I purchased the other three so no one can use them and confuse anyone by having anything that is not published by MY company on those sites.)

If you are an indie author who would like to have your writing, either fiction of the speculative / science-fiction genre, such as short stories, novellas, novelettes, novels, graphic novels, or poetry, screenplays, nonfiction or essays that utilize these themes or topics to be developed under this imprint and wear the banner of logo_1833057_print high rez  transparent, contact me at sallyember AT yahoo DOT com .

I provide the services of editing, formatting, proofreading, writing tutoring for variable and negotiable hourly rates.
I also offer marketing and other types of support and assistance for a small fee or barter, regardless of how your books are published.

If your writing fits into the Timult Books‘ themes and you want to “join” my small press, let’s talk!

If you’re feeling congratulatory, supportive, and are somewhat “flush” and/or want to celebrate my writing, videocasts and publishing accomplishments and hope for more, please consider a contribution to my #crowdfunding campaign (which entitles you to “rewards” ranging from a free ebook to discounts on my services to writers), at http://www.patreon.com/sallyember

OR use the PayPal donation button on my site (look to the right sidebar) for a non-reward contribution opportunity.

15 reasons I could only give a 2-Star #Review for The Self-Publisher’s Ultimate Resource Guide, 2015

I received an Advance Review Copy (ARC) of The Self-Publisher’s Ultimate Resource Guide and promised to write and post an honest review here on my own blog and on at lesat one other ebook site (see links, below) in exchange.

Self-publishing Ultimate cover

According to the co-editors, this Guide “is the first and largest collection of curated and verified resources for independent authors who plan to publish their own books. Produced by a team with long experience in both traditional and independent publishing, the over 850 resources are listed in an easy-to-use format that includes live links, phone numbers, email addresses and brief descriptive copy. The Guide makes vendors and other resources easy to find by separating them into 33 distinct categories within the 3 main tasks the self-publisher must deal with. How to Prepare, Publish, and Promote their books.”

15 reasons I could only give a 2-Star #Review for

The Self-Publisher’s Ultimate Resource Guide

PERSONAL NOTE: This Guide already received some excellent endorsements from “heavy-hitters” in the Indie-Publishing industry, several of whom happen to be my unofficial mentors: Mark Coker of Smashwords, Joanna Penn of The Creative Penn, and Joan Stewart, The Publicity Hound, to name a few.

I’m daring to add to and not to agree with these experts’ opinions, here. If I were you, I’d also go read theirs! And, please: I’m trying to be constructive, so I give a lot of recommendations and make many pleas. It’s not just a pan.

I wanted to like this book. I wanted to give it 5 stars. I cannot.

The best thing I can say about this is that the editors promise that they want it to be improved and added to quarterly or annually.

I am NOT trying to be snarky or mean. I genuinely went in with high hopes and expectations, given all the hype and positive endorsements this Guide has had. These hopes were dashed in the first few chapters and it did not get better as I went along.

I hope they will take my critique and others’ feedback to make the Guide better, not just longer.

Here are my 15 reasons for giving Guide only 2 stars:

  1. Why isn’t this an actual GUIDE? Why is the Guide almost entirely just a lot of somewhat organized lists?
    Instead of directing, informing, and assisting new indie authors with each selected aspect (and I do like the aspects, or chapters, they decided to include), there is a lot of information not given. This info is either missing, such as the reasons a writer would need to use a section or how to use the information provided, or withheld, such as the providing of a rating system or users’ experiences for each resource—annotations, as in YELP or Angie’s List—for each entry.
    If we wanted to acquire a list of resources, we could do that from many other places.
    The editors say these have been vetted, but where is the evidence of that? What did they assess? Why don’t they include their assessments, or a summary of why each listing is “better” than those not included, and for what, exactly?
    I was very disappointed in the editors’ lack of interaction with each listing provided. They seem to have merely collected a lot of self-written descriptions or blurbs about each entry (meaning, written by each resource provider, not the editors or users) and put the selected listings in alphabetical order.
    Since they say they vetted each entry and rejected some, why aren’t we reading more about WHY they included each entry?
    If I had paid for this “GUIDE,” I’d want a refund.

  2. This book was poorly written and edited. However, the authors’ long, impressive bios (see below) list extensive experiences in editing and proofreading. They also exhort the need for both in this Guide .
    However, even though I wasn’t looking for or expecting to find mistakes, find them I did. There were numerous mistakes in grammar, punctuation and syntax as well as inexcusably sloppy and poor writing in almost every one of their brief intros/summaries for each section/chapter. Finding so many problems was surprising and very disappointing.

  3. The editors mention more than once a warning to readers to “read the fine print” if they choose to enter into contracts, but nowhere do they provide any tips or hints about exactly what to watch out for, what to avoid, what to accept. Why?
    Their advice is so vague as to be trite and useless; without specifics, they’re not helping anyone. Why not a chapter on “Don’ts” or “Beware of…”?
    [It’s as if they started to write a guide and then, halfway through, made it a listing service instead. It makes me wonder if there was some money exchanging hands, ensuring certain listings and keeping out others.
    Is that just my inner cynic talking? There is no evidence of resource providers’ purchasing their listings….]

  4. Why did they not include a chapter on authors’ support networking? There are so many indie authors’ forums, Kindle Boards, authors’ groups, etc.
    If they take my advice and add that chapter, I hope they make notations as to which resources/ groups/ providers are fee-based and which are free, and what the fee ranges are, if applicable, and what the fees avail members of, specifically.
    Fee information is crucial but missing from every chapter.
    Also, I hope they weed out the “review swap” groups, since these violate Amazon’s Terms of Service, and I hope they would EXPLAIN the TOS violation consequences (removal of reviews, for example) in their new chapter.

  5. Why is there a chapter on websites for authors? What makes a website for authors particularly unique vs. a website for bloggers, e.g., or vs. any other small business? This claim of distinction is never explained, yet there is a chapter devoted to a list of people they are supporting who supposedly create websites “for authors.”
    I’m scratching my head over this. If the editors explained their rationale, I might be on board. However, again, no explanations are given.

  6. There is a chapter devoted to Book Reviews with no mention of the extremely important and controversial issue of paid vs. free reviews, and no annotations as to which of those listed charges authors for providing reviews nor how much they charge.
    These omissions are significant oversights. Must correct in future revisions, please.

  7. There are several chapters that are devoted to formatting one’s book—ebooks vs. print vs. Print On Demand vs. “Short Run” [sic]—with no explanation as to the differences among these formats or which to do first and the reasons.
    Also, what about the issue of whether or not even to have a print version: why? when? at what cost? Many of us do not have any print versions: what are the consequences of going ebook-only for each genre?
    Furthermore, when introducing each type of formatting, there is no explanation about the reasons/ bases for ebooks’ formatting issues or the assistance offered, via Smashwords vs. Amazon, for example, or about difficulties of passing through Smashwords‘ “meatgrinder” successfully and what that success generates in benefits; no mention is made of that nor that Digital2Digital does not use such gate-keeping, for example.
    If this is truly going to serve as a guide, MORE ANNOTATIONS and information are needed.

  8. What is a Short Run [sic]? I have never heard of it (since I have no print books, yet) and it was not sufficiently explained (nor hyphenated?). Why include it if not also to explain more completely what it is?

  9. Several key “players” were omitted, which I know can be corrected, but since some of them provided endorsements or reviews, I’m baffled by their absences. Many of those missing are very prominent in the blogosphere, Google+ or Twitter but not so much on Facebook. What about those who shine on Pinterest, Instagram, or Tsu?
    Maybe these editors not as active on the other social media platforms? The Book Marketing Tools and its free ebooks listing tool, e.g., were not included.
    In order to be an actual GUIDE and not just a list, part of this chapter should include annotations giving pros and cons of authors’ activity on each platform and who the leaders are on each.

  10. Social media platforms are the not the only places authors need to “go” or be “seen.” Start with: Blog Talk Radio shows that feature authors and books, like Indie Books with Will Wilson, The Backporch Writer with Kori Miller, and so many more; Google+ LIVE and taped Hangouts on Air, such as my show, CHANGES, which then go to Youtube; D’vorah Lansky’s and others’ teleseminars and webinars devoted to books, book marketing and authors; The Authors Show, A Book and a Chat and many others on their own “channels”; podcasts and other shows, such as The Author Hangout, with Shawn Manaher and R.J. Adams, via iTunes and other sources, and so many more.
    Please request and create a chapter with annotated listings of opportunities of this type and how to access them.

  11. There was no mention of Amazon’s Kindle Unlimited and the controversies/problems indie authors face regarding this, nor was a distinction made between Kindle Select and Kindle Direct.
    These are exactly the types of explanations missing from this book that need to be put in, please.

  12. Why was there such a small number of “Social Media Consultants” included? I could come up with more than that, yet I am not one myself nor have I used one.
    The editors need to do better outreach, here, and a LOT of annotating, since many who call themselves “experts” are NOT; I know vetting is something these editors say they have been doing, so let’s see the results.

  13. There needs to be more info about money. For example, if the chapter on contests and awards is going to be useful as more then an incomplete list, each entry needs to be annotated to include info on entry fees and deadlines as well as more about the actual value of winning or placing in each.
    These contests can take a lot of time: show us what’s required, specifically, to enter, please, and what we might gain from winning.
    Great to include a chapter on acquiring funding, too, but that also seemed a bit “light.” There are many more opportunities out there, but at least there were several clearinghouses, like C. Hope Clark’s Funds for Writers, listed.
    Such lacks make this book more of a jumping-off point than a guide, though.

  14. I also don’t understand why those who provide services in more than one area (as delineated by these editors) are not dually or triply listed, as often ought to be the case. Readers/users will find resources only in the chapters they go to skim and may not read other chapters at all.
    For example, Judith Briles is listed for her private site, but Author U is not listed at all, anywhere I could find.
    I know it would make the Guide longer, but there must be a way to show readers that a listing appears elsewhere in the book, or could appear elsewhere (and in what chapters) but editors decided to list each resource only once for space reasons, right?

  15. I do not think Book Promoters are the same as book PR people, but perhaps I’m alone in this. In any case, I think having the word “Promoters” missing from the chapter headings is confusing.

If/when most or all of these omissions, errors and improvements are managed, I’d love to see that version. Or, maybe they should change the title from “Ultimate Resource Guide” to “Resource Compendium” or “Resource Listings.” They’d have fewer changes to make if they did that.

I wouldn’t think that would be as useful, though, as my revised version could be. I hope SOMEONE makes that version!

Meanwhile, although I believe The Self-Publisher’s Ultimate Resource Guide may be worthwhile as a starting point, it is far from being the “Ultimate Resource Guide” at this point.

Any newbie to self-publishing would have to pick up many other and better guides to make this one useful.


On their book’s website, in the FAQs, they state: “We plan to update the ebook edition of The Self-Publisher’s Ultimate Resource Guide monthly after the launch, eventually moving to a quarterly update. The print edition will be updated once each year, so we’ll have a new edition reflecting all the changes at the end of 2015.”

Proof? they post this excellent exhortation/invitation on the “CONTACT” page:

The Self-Publisher’s Ultimate Resource Guide is a living document.

Although we have tried to gather the most valuable resources for indie authors, it’s inevitable that some have been missed, and new products and services are constantly being introduced. We want your help to make it even better. If you know of a person, company, product, or service of value to independent authors that’s not included in this guide, please let us know. You can send submissions to be included in the next edition of The Self-Publisher’s Ultimate Resource Guide by the contact form below. Thank you.

Essential Qualification Guidelines for those who wish to be listed in The Self-Publisher’s Ultimate Resource Guide.

Extensive, professional experience in serving the self-publishing community.
A current, informative, interactive website.
Complete contact information; location (city, state/province, country), phone number, email address, and contact person if applicable.
Outstanding reputation; positive client/customer testimonials and/or reviews.
The final decision on all listings is at the editors’ discretion.

Note: Personal connection or recommendation of resource/business, is meant for anyone who is recommending someone else’s business. Say you are an author and use an editor not listed in the book. You can put that into the submission as your connection (I am an author who uses these services) and recommendation (what you think of the services you receive). It would not apply to someone who is asking for their own company to be included.


For more information: http://www.spresourceguide.com/

Ebook Purchase and Review Links:
Amazon (Kindle): http://www.amazon.com/dp/B00QSKUS2Q/
B&N (Nook): http://www.barnesandnoble.com/w/the-self-publisherr-joel-friedlander/1120927172?ean=2940150138957
Kobo: http://store.kobobooks.com/en-US/ebook/the-self-publisher-s-ultimate-resource-guide
Apple (iBooks): https://itunes.apple.com/us/book/self-publishers-ultimate-resource/id950440919?mt=11

The Authors/Editors:

Joel Friedlander
“…is an award-winning book designer and blogger who has been launching the careers of self-publishers since 1994 from his book design and consulting practice at Marin Bookworks in San Rafael, California. Joel is a self-published author and the blogger behind http://TheBookDesigner.com, a popular and award-winning blog on book design, book marketing, and the future of the book. Joel is also the founder of The Self-Publishing Roadmap, a training course for authors, and http://TheBookMakers.com and http://BookDesignTemplates.com, where he provides tools and services for authors who publish their own books. He speaks often at publishing industry events and is a past president of the Bay Area Independent Publishers Association.”

Joel-2014-headshot-300x

Betty Kelly Sargent
“…is the founder of BookWorks, and the founder of The Educated Author, and writes a monthly column on self-publishing for Publishers Weekly. She is a member of the Independent Editors Group (EIG) and has spent more than 30 years in the traditional publishing business, most recently as editor-in-chief of William Morrow, where at one point she had three books on the New York Times best-seller list at once. She has also been executive editor at HarperCollins, executive editor at Delacorte Press, Fiction and Books editor at Cosmopolitan magazine, and book reviewer for CNN. She is the author of seven traditionally published books and one self-published book. She moderates panels and workshops in New York City and Los Angeles and is passionate about helping indie authors learn to navigate the ever-changing landscape of self-publishing.”

Betty-photo-1

Copyright © 2015 Marin Bookworks, All rights reserved.

CONTACT:
The Self-Publisher’s Ultimate Resource Guide Editors,
Joel Friedlander and Betty Kelly Sargent
Marin Bookworks
369-B THIRD STREET #572
SAN RAFAEL, CA 94901
editor@spresourceguide.com

Sally Ember’s #Crowdfunding Song

Watch/listen to Sally singing this song (not very well, including a sneeze, mid-song):
http://www.youtube.com/watch?v=Eehr3F0TZzs
OR
http://youtu.be/Eehr3F0TZzs

For more info and to donate:
http://www.patreon.com/sallyember Thanks!

Sally Ember’s #Crowdfunding Song
(lyrics by Sally; based on You’re Gonna Miss me When I’m Gone, or The Cups Song)

I tripped and fell and broke my nose and head
…. About 8 months ago
I also lost my job, had to move and lost my house:
Crowdfunding is the way to go.

Way to go
Way to gooooooo:
PLEEEEEEASE help me meet my goals?
Turn my vids into podcasts,
Fund my other worthy tasks:
I have a long way still to go.

I’m not a super singer or a poet, true:
This video is proof of that;
But I need to catch your eye, wake your urge to open wide:
Pockets, purses: share your stash.

Share your stash
Share your staaaaash:
Convert your good vibes into cash!
Help this writer stay on course,
You will feel no remorse
If you decide to share your stash.

If you help me, I can help you, too:
Edit, proof or entertain.
If you donate just a few
I will give ebooks to you
More dough helps us both and quells my pain.

Ease my pain
Make it raaaaaain
Crowdfunding could relieve my pain.
Buy a cover; do not stint;
Turn my ebooks into print;
Please donate to reach my aims.

I tripped and fell and broke my nose and head
…. About 8 months ago
I also lost my job, had to move and lost my house:
Crowdfunding is the way to go.

Way to go
Way to gooooooo:
PLEEEEEEASE help me met my goals?
Turn my vids into podcasts,
Fund my other worthy tasks:
I have a long way still to go.

CHANGES Theme Image_3

logoAuthorsDen

#Crowdfunding with #Patreon: Sally Ember’s Campaign Needs Your Support!

#Crowdfunding with #Patreon: Sally Ember’s Campaign Needs Your Support!

If you are in the “giving” mood this month, as many are, or any time after December, 2014, please consider becoming a Patreon member (free) and supporter of creative people? You could help us to achieve particular goals, complete projects, and acquire enough general financial support to keep being creative.

WIN_20141113_151113
Sally Ember, Ed.D.

What’s unique about Patreon‘s site and its campaigns is that donors and creative petitioners have the chance to interact via messages and also by the recipient’s offer of “rewards” as “thank-you” gifts, services, or products.

Sally (I) put on this campaign’s “rewards” page several options based on amounts of donations (first starts with a donation as low as $4.00), which include free ebooks, editing/proofreading services of increasing size for increasing donations, and other rewards in the future.

THE PITCH VIDEO:
http://youtu.be/f8nYsfjm_aU?list=UUqnZuobf0YTCiP6silDDL2w

Please visit, watch the pitch video, share, and consider becoming a Patreon patron.

Help fund a book cover, sound equipment upgrade and conversion of videos to podcasts, conversion of ebooks to print books and becoming available as Print-On-Demand (POD) books and/or provide any size donation to go towards the general financial support of a working #writer, CHANGES Google+ Hangout On Air (#HOA) talk show host and blogger who supports other #indie #authors.

Thanks, Happy Holidays, happy creating and happy reading!

THE PATREON PAGE:

http://www.patreon.com/sallyember

#Crowdfunding with #Patreon: Sally Ember’s Campaign Needs Your Support!

#Crowdfunding with #Patreon: Sally Ember’s Campaign Needs Your Support!

If you are in the “giving” mood this month, as many are, or any time after December, 2014, please consider becoming a Patreon member (free) and supporter of creative people? You could help us to achieve particular goals, complete projects, and acquire enough general financial support to keep being creative.

WIN_20141113_151113
Sally Ember, Ed.D.

What’s unique about Patreon‘s site and its campaigns is that donors and creative petitioners have the chance to interact via messages and also by the recipient’s offer of “rewards” as “thank-you” gifts, services, or products.

Sally (I) put on this campaign’s “rewards” page several options based on amounts of donations (first starts with a donation as low as $4.00), which include free ebooks, editing/proofreading services of increasing size for increasing donations, and other rewards in the future.

THE PITCH VIDEO:
http://youtu.be/f8nYsfjm_aU?list=UUqnZuobf0YTCiP6silDDL2w

Please visit, watch the pitch video, share, and consider becoming a Patreon patron.

Help fund a book cover, sound equipment upgrade and conversion of videos to podcasts, conversion of ebooks to print books and becoming available as Print-On-Demand (POD) books and/or provide any size donation to go towards the general financial support of a working #writer, CHANGES Google+ Hangout On Air (#HOA) talk show host and blogger who supports other #indie #authors.

Thanks, Happy Holidays, happy creating and happy reading!

THE PATREON PAGE:

http://www.patreon.com/sallyember